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Galerie Bassenge
Lot 4116

Drtikol, Frantisek: Female nude, Prague Female nude, Prague. 1925/printed 1985 by Vaclav Jirasek. Gelatin silver print. 33 x 27 cm. Editioned 1/3 on the verso. In very good condition. Provenance: From a Czech private collection, to Galerie Johannes Faber, Vienna, to the present owner. Drtikol, Frantisek: Female nude, Prague Female nude, Prague. 1925/printed 1985 by Vaclav Jirasek. Gelatin silver print. 33 x 27 cm. Editioned 1/3 on the verso. In very good condition. Provenance: From a Czech private collection, to Galerie Johannes Faber, Vienna, to the present owner.

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Galerie Bassenge
Lot 4527

Schäfer, Rudolf: Statue heads Statue heads. 1980s. Vintage gelatin silver print. 17 x 23,2 cm (21,2 x 27,5 cm). Photographer's/copyright stamp on the verso. In very good condition. Schäfer, Rudolf: Statue heads Statue heads. 1980s. Vintage gelatin silver print. 17 x 23,2 cm (21,2 x 27,5 cm). Photographer's/copyright stamp on the verso. In very good condition.

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Galerie Bassenge
Lot 4548

Wüst, Ulrich: Untitled, from the series "Stadtbilder" Untitled, from the series "Stadtbilder" 1979-1983. Vintage ferrotyped gelatin silver print. 17 x 22,5 cm. Photographer's stamp on the verso. Slightly buckled in edges, some irregularities to ferrotype surface, otherwise in good condition. Wüst, Ulrich: Untitled, from the series "Stadtbilder" Untitled, from the series "Stadtbilder" 1979-1983. Vintage ferrotyped gelatin silver print. 17 x 22,5 cm. Photographer's stamp on the verso. Slightly buckled in edges, some irregularities to ferrotype surface, otherwise in good condition.

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Galerie Bassenge
Lot 4216

Leupold, Matthias: Basilica di San Pietro in Vaticano, Rome "Basilica di San Pietro in Vaticano, Rome". 1997/printed 2017. Gelatin silver print. 33,4 x 22 cm (40,2 x 29,2 cm). Signed, titled, dated, and editioned 6/20 the photographer in pencil on the verso. A fine tonal print in very good condition. Leupold, Matthias: Basilica di San Pietro in Vaticano, Rome "Basilica di San Pietro in Vaticano, Rome". 1997/printed 2017. Gelatin silver print. 33,4 x 22 cm (40,2 x 29,2 cm). Signed, titled, dated, and editioned 6/20 the photographer in pencil on the verso. A fine tonal print in very good condition.

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Galerie Bassenge
Lot 4203

Krolow, Wolfgang: Chamissoplatz, Berlin Chamissoplatz, Berlin. 1980s. Vintage gelatin silver print. 18 x 23,8 cm. Signed, dedicated and dated by the photographer in ink and photographer's stamp on the verso. This is the only print of this atmospheric image taken by Krolow in his neighborhood and the negative no longer exists. – A few light pressure marks, otherwise in very good condition. Krolow, Wolfgang: Chamissoplatz, Berlin Chamissoplatz, Berlin. 1980s. Vintage gelatin silver print. 18 x 23,8 cm. Signed, dedicated and dated by the photographer in ink and photographer's stamp on the verso. This is the only print of this atmospheric image taken by Krolow in his neighborhood and the negative no longer exists. – A few light pressure marks, otherwise in very good condition.

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Galerie Bassenge
Lot 4547

Wüst, Ulrich: Rostock, from the series "Stadtbilder" Rostock, from the series "Stadtbilder" 1979-1983. 1982. Vintage ferrotyped gelatin silver print. 17 x 22,5 cm. Photographer's stamp on the verso. Slightly buckled in edges, some irregularity to ferrotyped surface, otherwise in very good condition. Lit.: Gosbert Adler/Wilmar Koenig (eds.). DDR FOTO. Freunde der Werkstatt für Fotografie. Berlin 1985, ill. p. 94. Wüst, Ulrich: Rostock, from the series "Stadtbilder" Rostock, from the series "Stadtbilder" 1979-1983. 1982. Vintage ferrotyped gelatin silver print. 17 x 22,5 cm. Photographer's stamp on the verso. Slightly buckled in edges, some irregularity to ferrotyped surface, otherwise in very good condition. Lit.: Gosbert Adler/Wilmar Koenig (eds.). DDR FOTO. Freunde der Werkstatt für Fotografie. Berlin 1985, ill. p. 94.

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Galerie Bassenge
Lot 4172

Heidersberger, Heinrich: Witwen "Witwen" (Widows). 1950s.Vintage ferrotyped gelatin silver print on Agfa-Portriga-Rapid paper. 23,7 x 29,7 cm. Signed and titled by the photographer in pencil and photographer's 318 wolfsburg schloss stamp on the verso. Small surface spot in right mid section and upper left, a few light spots in left area, otherwise in very good condition. Heidersberger, Heinrich: Witwen "Witwen" (Widows). 1950s.Vintage ferrotyped gelatin silver print on Agfa-Portriga-Rapid paper. 23,7 x 29,7 cm. Signed and titled by the photographer in pencil and photographer's 318 wolfsburg schloss stamp on the verso. Small surface spot in right mid section and upper left, a few light spots in left area, otherwise in very good condition.

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Galerie Bassenge
Lot 4290

Seidenstücker, Friedrich: Puddle series; Woman washing stairs Puddle series; Woman washing stairs. 1930/28/printed later. 2 gelatin silver prints from the original negatives. 24 x 30,3 cm and 30,3 x 24 cm. bpk Berlin edition stamp, titled, dated and editioned 16/30 and17/30 in pencil on the verso. In excellent condition. Seidenstücker, Friedrich: Puddle series; Woman washing stairs Puddle series; Woman washing stairs. 1930/28/printed later. 2 gelatin silver prints from the original negatives. 24 x 30,3 cm and 30,3 x 24 cm. bpk Berlin edition stamp, titled, dated and editioned 16/30 and17/30 in pencil on the verso. In excellent condition.

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Galerie Bassenge
Lot 4255

Picasso, Pablo: Pablo Picasso in his studio Photographer: Peter Rose Pulham (1910-1956). Pablo Picasso in his studio. 1936/printed 1975 from the original negatives. 3 gelatin silver prints (2 ferrotyped) on Agfa paper. Each circa 25,5 x 24,2 cm. These images of Pablo Picasso were taken in his Grands Augustins studio in the winter of 1936, a year before "Guernica". These prints were made from the original, poorly conserved negatives by Isolde Baumgart (1935-2011) in 1975. – In very good condition. Picasso, Pablo: Pablo Picasso in his studio Photographer: Peter Rose Pulham (1910-1956). Pablo Picasso in his studio. 1936/printed 1975 from the original negatives. 3 gelatin silver prints (2 ferrotyped) on Agfa paper. Each circa 25,5 x 24,2 cm. These images of Pablo Picasso were taken in his Grands Augustins studio in the winter of 1936, a year before "Guernica". These prints were made from the original, poorly conserved negatives by Isolde Baumgart (1935-2011) in 1975. – In very good condition.

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Galerie Bassenge
Lot 4325

Villers, André: Pablo Picasso, Cannes Pablo Picasso, Cannes. 1956/printed 2000. Gelatin silver print. 41,3 x 49,3 cm (50,5 x 58,5 cm). Signed by the photographer in ink in lower right in margin; signed, titled, dated and annotated "photo réalisé par moi-meme" by the photographer in ink and photographer's stamp on the verso. Small crease in left margin, lower right corner bumped, a few small retouched spots, otherwise a rich, tonal print in very good condition. Villers, André: Pablo Picasso, Cannes Pablo Picasso, Cannes. 1956/printed 2000. Gelatin silver print. 41,3 x 49,3 cm (50,5 x 58,5 cm). Signed by the photographer in ink in lower right in margin; signed, titled, dated and annotated "photo réalisé par moi-meme" by the photographer in ink and photographer's stamp on the verso. Small crease in left margin, lower right corner bumped, a few small retouched spots, otherwise a rich, tonal print in very good condition.

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Galerie Bassenge
Lot 4167

Hajek-Halke, Heinz: Vogeluhr "Vogeluhr" (Bird clock). 1967. Vintage large-format gelatin silver print on thick paper. 59,5 x 47 cm. Signed and dated in lower right and editioned Fassung2/Auflage 7 in lower left by the photographer in ballpoint pen; titled by the photographer in ink, photographer's Bln-Grunewald, Hagen Strasse 32 copyright stamp and Lichtgraphik stamp (therein numbered 2/7) on the verso, hinge-mounted in mat. Heinz Hajek-Halke's very complex and unique later work (Lichtgraphiken) can be seen as a form of photographic painting. He employed numerous techniques using mutiple exposures, reworking negatives and combining negatives in many variations. – Corners bumped, some creases in upper edge, a few light handling marks, otherwise a rich tonal print in very good condition. Lit.: Michael Ruetz/Rolf Sachsse (eds.). Heinz Hajek-Halke. Der Alchemist. Göttingen 2012, see ill. p. 70 (dated 1966). Hajek-Halke, Heinz: Vogeluhr "Vogeluhr" (Bird clock). 1967. Vintage large-format gelatin silver print on thick paper. 59,5 x 47 cm. Signed and dated in lower right and editioned Fassung2/Auflage 7 in lower left by the photographer in ballpoint pen; titled by the photographer in ink, photographer's Bln-Grunewald, Hagen Strasse 32 copyright stamp and Lichtgraphik stamp (therein numbered 2/7) on the verso, hinge-mounted in mat. Heinz Hajek-Halke's very complex and unique later work (Lichtgraphiken) can be seen as a form of photographic painting. He employed numerous techniques using mutiple exposures, reworking negatives and combining negatives in many variations. – Corners bumped, some creases in upper edge, a few light handling marks, otherwise a rich tonal print in very good condition. Lit.: Michael Ruetz/Rolf Sachsse (eds.). Heinz Hajek-Halke. Der Alchemist. Göttingen 2012, see ill. p. 70 (dated 1966).

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Galerie Bassenge
Lot 4511

Görlich, Ulrich: Untitled (Trees in Berlin and the Harz Mountains) Untitled (Trees in Berlin and the Harz Mountains). 1976-77. 3 vintage gelatin silver prints on Agfa paper. 14 x 20,5 cm (17,8 x 24 cm). Each signed and dated and 2 also annotated by the photographer in pencil on the verso. Corners minimally bumped, edges slightly curled, otherwise fine tonal prints in very good condition. Lit.: Florian Ebner/Felix Hoffmann/Inka Schube/Thomas Weski (eds.). Werkstatt für Photographie 1976-1986. London 2016, ill. p. 60. Görlich, Ulrich: Untitled (Trees in Berlin and the Harz Mountains) Untitled (Trees in Berlin and the Harz Mountains). 1976-77. 3 vintage gelatin silver prints on Agfa paper. 14 x 20,5 cm (17,8 x 24 cm). Each signed and dated and 2 also annotated by the photographer in pencil on the verso. Corners minimally bumped, edges slightly curled, otherwise fine tonal prints in very good condition. Lit.: Florian Ebner/Felix Hoffmann/Inka Schube/Thomas Weski (eds.). Werkstatt für Photographie 1976-1986. London 2016, ill. p. 60.

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Galerie Bassenge
Lot 4503

Burns, Marsha: Portraits of photographers Portrait series. 1984-1985. 11 vintage gelatin silver prints on Agfa paper. Each circa 25 x 20 cm. Each signed and editioned1/25 by the photographer in ink, as well as stamped and annotated in pencil on the verso. Marsha Burns began as a painter, studying at the University of Washington (1963-65) and then at the University of Massachusetts (1967-69). Burns began to work with photography in 1972 while living in Texas, and initially used the medium to experiment with sequential imagery. After relocating to Seattle, however, she began to focus on creating enigmatic figure studies and nudes in her studio. In the following decades Burns continued to photograph in her studio, but she began to introduce more overt social content into her work. Inspired by a visit to Berlin in 1984, Burns started making portraits of young adults who chose to set themselves apart from the mainstream, first in her native Seattle and later in other cities. These portraits were taken on that stay in Berlin and show members and participants at the Werkstatt für Photographie in Berlin. The photographers and other people portrayed include: Wilmar Koenig, Andrea Petsch, Benoit Maubray, Benny Ochse, Sebastian Rust, Carolina Ochse, Andre Kirchner, Rheinhard Peiler and Hajo Corsten. – In very good condition. Burns, Marsha: Portraits of photographers Portrait series. 1984-1985. 11 vintage gelatin silver prints on Agfa paper. Each circa 25 x 20 cm. Each signed and editioned1/25 by the photographer in ink, as well as stamped and annotated in pencil on the verso. Marsha Burns began as a painter, studying at the University of Washington (1963-65) and then at the University of Massachusetts (1967-69). Burns began to work with photography in 1972 while living in Texas, and initially used the medium to experiment with sequential imagery. After relocating to Seattle, however, she began to focus on creating enigmatic figure studies and nudes in her studio. In the following decades Burns continued to photograph in her studio, but she began to introduce more overt social content into her work. Inspired by a visit to Berlin in 1984, Burns started making portraits of young adults who chose to set themselves apart from the mainstream, first in her native Seattle and later in other cities. These portraits were taken on that stay in Berlin and show members and participants at the Werkstatt für Photographie in Berlin. The photographers and other people portrayed include: Wilmar Koenig, Andrea Petsch, Benoit Maubray, Benny Ochse, Sebastian Rust, Carolina Ochse, Andre Kirchner, Rheinhard Peiler and Hajo Corsten. – In very good condition.

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Galerie Bassenge
Lot 4272

Rocholl, Karin: Isabelle Huppert, Munich Isabelle Huppert, Munich. 1990/printed 2020. Gelatin silver print. 32,2 x 47,8 cm (40,5 x 50,3 cm). Signed, dated, titled and editioned 3/24 by the photographer in pencil on the verso. This image of Isabelle Huppert was used for the poster for Werner Schroeter's film "Malina". – Minimal buckling in edges, otherwise a fine print in excellent condition. Lit.: Karin Rocholl. Der zweite Blick. Prominente im Porträt. Munich 2013, ill. pp. 56-57. Rocholl, Karin: Isabelle Huppert, Munich Isabelle Huppert, Munich. 1990/printed 2020. Gelatin silver print. 32,2 x 47,8 cm (40,5 x 50,3 cm). Signed, dated, titled and editioned 3/24 by the photographer in pencil on the verso. This image of Isabelle Huppert was used for the poster for Werner Schroeter's film "Malina". – Minimal buckling in edges, otherwise a fine print in excellent condition. Lit.: Karin Rocholl. Der zweite Blick. Prominente im Porträt. Munich 2013, ill. pp. 56-57.

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Galerie Bassenge
Lot 4163

Gossage, John: From the series "Berlin in the Time of the Wall" From the series "Berlin in the Time of the Wall". 1980s/90s. 3 gelatin silver prints on Kodak RC paper. Each 27,8 x 21,5 cm. Each with photographer's stamp on the verso. These three proof prints for the book "Berlin in the Time of the Wall" make an attractive group from the ten-year project, which Gossage took during the 1980s-1990s, showing the Berlin Wall and related images. The project is considered his masterwork and has often been referred to as one of the most important photobooks on landscape photography of the 1980s. For more photographs by John Gossage, see our catalogue: Works from the Wilmar Koenig Collection. – Corners minimally bumped, a few minimal handling marks, otherwise in very good condition. Gossage, John: From the series "Berlin in the Time of the Wall" From the series "Berlin in the Time of the Wall". 1980s/90s. 3 gelatin silver prints on Kodak RC paper. Each 27,8 x 21,5 cm. Each with photographer's stamp on the verso. These three proof prints for the book "Berlin in the Time of the Wall" make an attractive group from the ten-year project, which Gossage took during the 1980s-1990s, showing the Berlin Wall and related images. The project is considered his masterwork and has often been referred to as one of the most important photobooks on landscape photography of the 1980s. For more photographs by John Gossage, see our catalogue: Works from the Wilmar Koenig Collection. – Corners minimally bumped, a few minimal handling marks, otherwise in very good condition.

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Galerie Bassenge
Lot 4539

Werkstatt für Photographie: Group of work prints by photographers connected to the Werkstatt für Photographie Group of work prints by photographers connected to the Werkstatt für Photographie. 1979-1982. 4 gelatin silver prints (1 on RC paper) and 1 chromogenic print. Each circa 18 x 24 cm and smaller. 3 with photographer's stamp/label, 1 with typed label, 1 also signed by the photographer and 3 annotated "reproduction print" in ink on the verso. The photographers include: Gosbert Adler, Uschi Blume, Friedhelm Denkeler, Eva Maria Ocherbauer and Klaus-Peter Voutta. – Some corners minimally bumped, otherwise in very good condition. Lit.: Florian Ebner/Felix Hoffmann/Inka Schube/Thomas Weski (eds.). Werkstatt für Photographie 1976-1986. London 2016, ill. p. 187 (Blume), p. 211 (Denkeler), p. 266 (Voutta - variant). Werkstatt für Photographie: Group of work prints by photographers connected to the Werkstatt für Photographie Group of work prints by photographers connected to the Werkstatt für Photographie. 1979-1982. 4 gelatin silver prints (1 on RC paper) and 1 chromogenic print. Each circa 18 x 24 cm and smaller. 3 with photographer's stamp/label, 1 with typed label, 1 also signed by the photographer and 3 annotated "reproduction print" in ink on the verso. The photographers include: Gosbert Adler, Uschi Blume, Friedhelm Denkeler, Eva Maria Ocherbauer and Klaus-Peter Voutta. – Some corners minimally bumped, otherwise in very good condition. Lit.: Florian Ebner/Felix Hoffmann/Inka Schube/Thomas Weski (eds.). Werkstatt für Photographie 1976-1986. London 2016, ill. p. 187 (Blume), p. 211 (Denkeler), p. 266 (Voutta - variant).

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Galerie Bassenge
Lot 4238

Muthesius, Eckart / Gloucester Railway Carriage & Wagon Company: Interiors of railway wagons made by the Gloucester Railway & Carriage Company Interiors of railway wagons made by the Gloucester Railway Carriage & Wagon Company, most for the British colonies in Africa (Gold Coast Railway, Nigerian Railway, Trans-Zambezia Railway and Buenos Aires Western Railway). Circa 1900-1913. 8 vintage large-format gelatin silver and collodion paper prints. Each circa 28 x 36 cm. Each with company archive stamp (dated 1936) and several annotated in pencil on the verso. This interesting group of photographs shows various interiors of the wagons of British colonial railway lines with different functions and furnishings of the various wagons such as a kitchen, a billard room, an office, private cabins, a sleeping cabin, a dark room for photo development, all manufactured by the Gloucester Railway Carriage & Wagon Company. In 1936 the firm won the contract to build a 68 feet long air-conditioned carriage for the Maharajah of Indore to be designed by the German architect Eckart Muthesius which included a kitchen, servants quarters and a nursery. The architect used these photographs to help him in designing the interior of the carriage. – Traces of use in corners/edges, creases, a few small tears in edges. Provenance: Eckart Muthesius Archive Muthesius, Eckart / Gloucester Railway Carriage & Wagon Company: Interiors of railway wagons made by the Gloucester Railway & Carriage Company Interiors of railway wagons made by the Gloucester Railway Carriage & Wagon Company, most for the British colonies in Africa (Gold Coast Railway, Nigerian Railway, Trans-Zambezia Railway and Buenos Aires Western Railway). Circa 1900-1913. 8 vintage large-format gelatin silver and collodion paper prints. Each circa 28 x 36 cm. Each with company archive stamp (dated 1936) and several annotated in pencil on the verso. This interesting group of photographs shows various interiors of the wagons of British colonial railway lines with different functions and furnishings of the various wagons such as a kitchen, a billard room, an office, private cabins, a sleeping cabin, a dark room for photo development, all manufactured by the Gloucester Railway Carriage & Wagon Company. In 1936 the firm won the contract to build a 68 feet long air-conditioned carriage for the Maharajah of Indore to be designed by the German architect Eckart Muthesius which included a kitchen, servants quarters and a nursery. The architect used these photographs to help him in designing the interior of the carriage. – Traces of use in corners/edges, creases, a few small tears in edges. Provenance: Eckart Muthesius Archive

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Galerie Bassenge
Lot 4276

Sander, August: Rural hunting club Rural hunting club. 1906/printed 1960s. Gelatin silver print. 11,5 x 17,8 cm. Annotated by Gunther Sander in ink on the verso. In very good condition. Sander, August: Rural hunting club Rural hunting club. 1906/printed 1960s. Gelatin silver print. 11,5 x 17,8 cm. Annotated by Gunther Sander in ink on the verso. In very good condition.

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Galerie Bassenge
Lot 4331

Wendlandt, Kurt: Turmfigur (Lichtgrafik/Original-Solarisation) "Turmfigur" (Lichtgrafik/Original-Solarisation). 1959 (?). Unique vintage solarized gelatin silver print. 52,5 x 40,5 cm. Signed and dated in lower edge, mounted to brown board, titled by the photographer in ink below the image on the mount The German painter, printmaker, photographer, author and illustrator Kurt Wendlandt was among the most creative artists of postwar West Germany. Since his studies at the State Academy of the Arts 1937-43, his artistic development was continuously interrupted, also due to a war injury. After the war he finally was able to work again and he began experimenting with many transparent materials; in 1958 he produced his first Lichtgrafken. Heinz Hajek-Halke was a close friend and both artitsts were part of the avantgarde "Lichtgrafik" scene of Berlin in the 1960s. Because Wendlandt neglected his commercial promotion, his photographs are hardly known. Nevertheless his light graphics and other works can be found in many museums and collections today. – Minimal handling marks, otherwise in very good condition. Provenance: The estate of Kurt Wendlandt. Wendlandt, Kurt: Turmfigur (Lichtgrafik/Original-Solarisation) "Turmfigur" (Lichtgrafik/Original-Solarisation). 1959 (?). Unique vintage solarized gelatin silver print. 52,5 x 40,5 cm. Signed and dated in lower edge, mounted to brown board, titled by the photographer in ink below the image on the mount The German painter, printmaker, photographer, author and illustrator Kurt Wendlandt was among the most creative artists of postwar West Germany. Since his studies at the State Academy of the Arts 1937-43, his artistic development was continuously interrupted, also due to a war injury. After the war he finally was able to work again and he began experimenting with many transparent materials; in 1958 he produced his first Lichtgrafken. Heinz Hajek-Halke was a close friend and both artitsts were part of the avantgarde "Lichtgrafik" scene of Berlin in the 1960s. Because Wendlandt neglected his commercial promotion, his photographs are hardly known. Nevertheless his light graphics and other works can be found in many museums and collections today. – Minimal handling marks, otherwise in very good condition. Provenance: The estate of Kurt Wendlandt.

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Galerie Bassenge
Lot 4217

Link, O. Winston: NW1107, Arcadia, Virginia, Bridge 425, August 4 "NW1107, Arcadia, Virginia, Bridge 425, August 4". 1956/printed 1999. Gelatin silver print. 40,7 x 50,6 cm. Signed and dated by the photographer in pencil, annotations in pencil and photographer's reproduction limitation stamp on the verso. A fine tonal print in excellent condition. Link, O. Winston: NW1107, Arcadia, Virginia, Bridge 425, August 4 "NW1107, Arcadia, Virginia, Bridge 425, August 4". 1956/printed 1999. Gelatin silver print. 40,7 x 50,6 cm. Signed and dated by the photographer in pencil, annotations in pencil and photographer's reproduction limitation stamp on the verso. A fine tonal print in excellent condition.

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Galerie Bassenge
Lot 4613

Förg, Günther: Lingotto, Fiat Turin Lingotto, Fiat, Turin. 1986/printed 1995. Gelatin silver print. Circa 55,5 x 38,8 cm (60 x 43 cm). Signed and dated by the artist in pencil on the verso. Some handling dents and one stronger handling crease in lower area, slightly buckled in edges, small tear (ca 1 cm) in right margin, otherwise in good condition. Lit.: Günther Förg, Fotografien 1982-1992. Ostfildern 1993, illustrated. Förg, Günther: Lingotto, Fiat Turin Lingotto, Fiat, Turin. 1986/printed 1995. Gelatin silver print. Circa 55,5 x 38,8 cm (60 x 43 cm). Signed and dated by the artist in pencil on the verso. Some handling dents and one stronger handling crease in lower area, slightly buckled in edges, small tear (ca 1 cm) in right margin, otherwise in good condition. Lit.: Günther Förg, Fotografien 1982-1992. Ostfildern 1993, illustrated.

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Galerie Bassenge
Lot 4124

Film Photography: Scene from "Metropolis" Scene from the film "Metropolis". 1926/27. Vintage ferrotyped gelatin silver print. 21,3 x 28 cm (23,4 x 29,8 cm). Ufa logo and number 55 in the negative in lower left corner; Photo:Ufa reproduction limitation stamp and film title and actress stamp on the verso. Although "Metropolis" did not enjoy the expected success during its premiere, audiences were impressed with the technical tricks and visual effects which remain an iconic element of cinematography today. – Some handling creases in margins, corners bumped, slight soilng in white margins, some surface irregularities, slight oxidation mirroring in edges, otherwise in good condition. Film Photography: Scene from "Metropolis" Scene from the film "Metropolis". 1926/27. Vintage ferrotyped gelatin silver print. 21,3 x 28 cm (23,4 x 29,8 cm). Ufa logo and number 55 in the negative in lower left corner; Photo:Ufa reproduction limitation stamp and film title and actress stamp on the verso. Although "Metropolis" did not enjoy the expected success during its premiere, audiences were impressed with the technical tricks and visual effects which remain an iconic element of cinematography today. – Some handling creases in margins, corners bumped, slight soilng in white margins, some surface irregularities, slight oxidation mirroring in edges, otherwise in good condition.

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Galerie Bassenge
Lot 4240

Nuclear Testing: Nuclear test, Bikini Atoll Nuclear test bomb, Bikini Atoll, 1946. Vintage ferrotyped gelatin silver print. 25,5 x 20,8 cm. 2 stamps and annotated in pencil on the verso. Between 1946 and 1958 twenty-three nuclear bombs were detonated at Bikini Atoll. 'Able' was the first atomic bomb to be detonated after WWII and was part of 'Operation Crossroads'. – Handling marks, otherwise in good condition. Nuclear Testing: Nuclear test, Bikini Atoll Nuclear test bomb, Bikini Atoll, 1946. Vintage ferrotyped gelatin silver print. 25,5 x 20,8 cm. 2 stamps and annotated in pencil on the verso. Between 1946 and 1958 twenty-three nuclear bombs were detonated at Bikini Atoll. 'Able' was the first atomic bomb to be detonated after WWII and was part of 'Operation Crossroads'. – Handling marks, otherwise in good condition.

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Galerie Bassenge
Lot 4288

Schmölz, Karl Hugo: Neu-St. Alban, Offenbachplatz, Cologne Neu-St. Alban, Offenbachplatz (1957-59), Cologne, architect Hans Schilling (1921-2009). 3 vintage gelatin silver prints. Each circa 23,5 x 17,5 cm. Photographer's stamp and annotated in pencil on the verso. Fine tonal prints in excellent condition. Lit.: R. Mißelbeck/W. Hagspiel (eds.). Köln-Ansichten. Fotografien von Karl Hugo Schmölz, 1947-1985. Cologne 1999, ill. p. 47. Schmölz, Karl Hugo: Neu-St. Alban, Offenbachplatz, Cologne Neu-St. Alban, Offenbachplatz (1957-59), Cologne, architect Hans Schilling (1921-2009). 3 vintage gelatin silver prints. Each circa 23,5 x 17,5 cm. Photographer's stamp and annotated in pencil on the verso. Fine tonal prints in excellent condition. Lit.: R. Mißelbeck/W. Hagspiel (eds.). Köln-Ansichten. Fotografien von Karl Hugo Schmölz, 1947-1985. Cologne 1999, ill. p. 47.

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Galerie Bassenge
Lot 4151

AWZ P 70 Automobile: Advertising photos for early automobile production in the GDR for VEB Automobilwerk Zwickau (AWZ P 70) Advertising photos for early automobile production in the GDR for VEB Automobilwerk Zwickau (AWZ P 70). 1950s. 10 vintage chromogenic prints and 6 vintage gelatin silver prints. Most circa 17,5 x 22 cm. Most with Bernstein Farbenfotografie Leipzig studio stamp on the verso. The curious "P 70" car was produced in East Germany between 1955-1959. The body consisted of a wooden skeleton construction with a newly developed and stable Duroplast cladding. This made the car light and durable. The modified construction was based on the former IFA F8 model, which was also built in Zwickau until 1955. The photos offered here were primarily intended as advertising material for visitors to the Leipzig Trade Fair 1955/56. Also includes images of an early Trabant model. – Colors shifted in chromogenic prints, otherwise in very good condition. AWZ P 70 Automobile: Advertising photos for early automobile production in the GDR for VEB Automobilwerk Zwickau (AWZ P 70) Advertising photos for early automobile production in the GDR for VEB Automobilwerk Zwickau (AWZ P 70). 1950s. 10 vintage chromogenic prints and 6 vintage gelatin silver prints. Most circa 17,5 x 22 cm. Most with Bernstein Farbenfotografie Leipzig studio stamp on the verso. The curious "P 70" car was produced in East Germany between 1955-1959. The body consisted of a wooden skeleton construction with a newly developed and stable Duroplast cladding. This made the car light and durable. The modified construction was based on the former IFA F8 model, which was also built in Zwickau until 1955. The photos offered here were primarily intended as advertising material for visitors to the Leipzig Trade Fair 1955/56. Also includes images of an early Trabant model. – Colors shifted in chromogenic prints, otherwise in very good condition.

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Galerie Bassenge
Lot 4178

Henle, Fritz: Female nude in ferns Female nude in ferns. 1947/printed 1992. Gelatin silver print on RC paper. 20,1 x 19,5 cm (25,3 x 20,2 cm). Signed, titled, dated and copyrighted by the artist in ink on the verso. In excellent condition. Henle, Fritz: Female nude in ferns Female nude in ferns. 1947/printed 1992. Gelatin silver print on RC paper. 20,1 x 19,5 cm (25,3 x 20,2 cm). Signed, titled, dated and copyrighted by the artist in ink on the verso. In excellent condition.

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Galerie Bassenge
Lot 4570

Unknown Photographer: Female standing nude with applied writing Female standing nude with applied writing. 1991. Gelatin silver print. 46,5 x 21,5 cm. Signed, dated editioned AP 4 and dedicated For Wilmar Koenig in honor of your exhibition at Janet Borden NYC May 8, 1991 by the photographer in pencil in edges; AP 4 in pencil on the verso. Mounted along upper edge in mat, framed under glass. In very good condition. Unknown Photographer: Female standing nude with applied writing Female standing nude with applied writing. 1991. Gelatin silver print. 46,5 x 21,5 cm. Signed, dated editioned AP 4 and dedicated For Wilmar Koenig in honor of your exhibition at Janet Borden NYC May 8, 1991 by the photographer in pencil in edges; AP 4 in pencil on the verso. Mounted along upper edge in mat, framed under glass. In very good condition.

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Galerie Bassenge
Lot 4512

Gregor, Wolfgang: Untitled Untitled. 1970s. 5 vintage gelatin silver prints. Each circa 15 x 22 cm (17,2 x 24,2 cm). Each with photographer's/copyright stamp on the verso. Some corners minimally bumped, otherwise rich, tonal prints in excellent condition. Lit.: Gosbert Adler/Wilmar Koenig (eds.). DDR FOTO. Freunde der Werkstatt für Fotografie. Berlin 1985, ill. pp. 16, 17, 18, 20. Gregor, Wolfgang: Untitled Untitled. 1970s. 5 vintage gelatin silver prints. Each circa 15 x 22 cm (17,2 x 24,2 cm). Each with photographer's/copyright stamp on the verso. Some corners minimally bumped, otherwise rich, tonal prints in excellent condition. Lit.: Gosbert Adler/Wilmar Koenig (eds.). DDR FOTO. Freunde der Werkstatt für Fotografie. Berlin 1985, ill. pp. 16, 17, 18, 20.

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Galerie Bassenge
Lot 4146

Mahler, Ute: Vater und Sohn, Zirkus Hein "Vater und Sohn, Zirkus Hein". 1975. Vintage semi-glossy gelatin silver print. 22,7 x 33,8 cm (29,5 x 39,2 cm). Signed and dated by the photographer in pencil in lower margin; titled by the photographer in pencil and archive stamp on the verso, mounted along upper edge in black paper folder. Buckled in edges, some soiling in margins, otherwise in good condition. Mahler, Ute: Vater und Sohn, Zirkus Hein "Vater und Sohn, Zirkus Hein". 1975. Vintage semi-glossy gelatin silver print. 22,7 x 33,8 cm (29,5 x 39,2 cm). Signed and dated by the photographer in pencil in lower margin; titled by the photographer in pencil and archive stamp on the verso, mounted along upper edge in black paper folder. Buckled in edges, some soiling in margins, otherwise in good condition.

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Galerie Bassenge
Lot 4338

Windstosser, Ludwig: Textile industry Textile industry. 1950s. Vintage ferrotyped gelatin silver print on Agfa paper. 29 x 23,2 cm. Photographer's stamp and annotated in pencil/black marker on the verso. Corners bumped, handling creases and scratch mark in upper left, a few indentation marks, otherwise in good condition. Windstosser, Ludwig: Textile industry Textile industry. 1950s. Vintage ferrotyped gelatin silver print on Agfa paper. 29 x 23,2 cm. Photographer's stamp and annotated in pencil/black marker on the verso. Corners bumped, handling creases and scratch mark in upper left, a few indentation marks, otherwise in good condition.

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Galerie Bassenge
Lot 4612

Förg, Günther: German Pavilion, Barcelona The German Pavilion, Barcelona, 1929. Architect Ludwig Mies van der Rohe (1886-1969). 1989. 3 gelatin silver prints on Agfa paper. 21,2 x 19,6 cm (30,5 x 40,5 cm). Each signed and dated by the photographer in pencil on the verso. From an edition by Griffelkunst. In excellent condition. Förg, Günther: German Pavilion, Barcelona The German Pavilion, Barcelona, 1929. Architect Ludwig Mies van der Rohe (1886-1969). 1989. 3 gelatin silver prints on Agfa paper. 21,2 x 19,6 cm (30,5 x 40,5 cm). Each signed and dated by the photographer in pencil on the verso. From an edition by Griffelkunst. In excellent condition.

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Galerie Bassenge
Lot 4162

Gundlach, F.C.: Christa im Saga-Mink, Hamburg "Christa im Saga-Mink, Hamburg". 1970/printed later. Gelatin silver print. 30,5 x 37,4 cm (40 x 50,2 cm). Signed, titled, dedicated and dated by the photographer in pencil on the verso. A fine tonal print in very good condition. Lit.: Klaus Honnef (ed.). F.C. Gundlach. Modewelten, Photographien 1950 bis heute. Berlin 1985, ill. p. 203 (variant). Gundlach, F.C.: Christa im Saga-Mink, Hamburg "Christa im Saga-Mink, Hamburg". 1970/printed later. Gelatin silver print. 30,5 x 37,4 cm (40 x 50,2 cm). Signed, titled, dedicated and dated by the photographer in pencil on the verso. A fine tonal print in very good condition. Lit.: Klaus Honnef (ed.). F.C. Gundlach. Modewelten, Photographien 1950 bis heute. Berlin 1985, ill. p. 203 (variant).

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Galerie Bassenge
Lot 4559

Deal, Joe: San Bernardino, California, from 'The Fault Zone' "San Bernardino, California" from 'The Fault Zone' series. 1978/printed 1981. Gelatin silver print. 28,5 x 28,3 cm (35 x 35cm). Signed, titled and dated by the photographer in pencil on the verso. Together with photographers such as Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Stephen Shore, Frank Gohlke, Henry Wessel Jr., Nicholas Nixon and John Schott, Joe Deal was one of the nine photographers included in the "New Topographics: Photographs of a Man-Altered Landscape" exhibition in 1975/76 which gave the new movement its name. – In very good condition. Lit.: Joe Deal, Southern California Photographs 1976-1986, University of New Mexico Press, Albuquerque 1992, ill. pl. 22. Deal, Joe: San Bernardino, California, from 'The Fault Zone' "San Bernardino, California" from 'The Fault Zone' series. 1978/printed 1981. Gelatin silver print. 28,5 x 28,3 cm (35 x 35cm). Signed, titled and dated by the photographer in pencil on the verso. Together with photographers such as Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Stephen Shore, Frank Gohlke, Henry Wessel Jr., Nicholas Nixon and John Schott, Joe Deal was one of the nine photographers included in the "New Topographics: Photographs of a Man-Altered Landscape" exhibition in 1975/76 which gave the new movement its name. – In very good condition. Lit.: Joe Deal, Southern California Photographs 1976-1986, University of New Mexico Press, Albuquerque 1992, ill. pl. 22.

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Galerie Bassenge
Lot 4145

Mahler, Ute: Bauern, Thüringen "Bauern, Thüringen". 1974. Vintage semi-glossy gelatin silver print. 22,7 x 33,8 cm (29,5 x 39,2 cm). Signed and dated by the photographer in pencil in lower margin; titled by the photographer in pencil and archive stamp on the verso, mounted along upper edge in black paper folder. Buckled in edges, some soiling in margins, otherwise in good condition. Mahler, Ute: Bauern, Thüringen "Bauern, Thüringen". 1974. Vintage semi-glossy gelatin silver print. 22,7 x 33,8 cm (29,5 x 39,2 cm). Signed and dated by the photographer in pencil in lower margin; titled by the photographer in pencil and archive stamp on the verso, mounted along upper edge in black paper folder. Buckled in edges, some soiling in margins, otherwise in good condition.

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Galerie Bassenge
Lot 4027

French Shops and Restaurants, Views of: Views of French shops and restaurants Views of French shops and restaurants. Circa 1900. Circa 195 vintage gelatin silver prints on carte postale. Each circa 14 x 9 cm. A comprehensive group of photo postcards showing a variety of different shops and restaurants in front of which the owners or the guests proudly pose.The shops include brasseries, bars and cafes, wine and liquor stores, spice and chocolate shops, boucheries and charcuteries, as well as small hotels, tobacco and newspaper shops and many others. – Some with traces of use, especially in edges, most written on and postally used, otherwise many in good condition. French Shops and Restaurants, Views of: Views of French shops and restaurants Views of French shops and restaurants. Circa 1900. Circa 195 vintage gelatin silver prints on carte postale. Each circa 14 x 9 cm. A comprehensive group of photo postcards showing a variety of different shops and restaurants in front of which the owners or the guests proudly pose.The shops include brasseries, bars and cafes, wine and liquor stores, spice and chocolate shops, boucheries and charcuteries, as well as small hotels, tobacco and newspaper shops and many others. – Some with traces of use, especially in edges, most written on and postally used, otherwise many in good condition.

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Galerie Bassenge
Lot 4144

Heyden, Bernd: Selected images of Berlin Selected images of Berlin including "Blick von der Stralauer Brücke" and children in box. 1970s. 3 vintage gelatin silver prints. Various sizes 21,7 x 15,2 cm, 20,7 x 27 cm. 1 print annotated in pencil and 1 with exhibition text printed on the verso. A few creases, otherwise in good condition. Provenance: Estate of Arno Fischer. Heyden, Bernd: Selected images of Berlin Selected images of Berlin including "Blick von der Stralauer Brücke" and children in box. 1970s. 3 vintage gelatin silver prints. Various sizes 21,7 x 15,2 cm, 20,7 x 27 cm. 1 print annotated in pencil and 1 with exhibition text printed on the verso. A few creases, otherwise in good condition. Provenance: Estate of Arno Fischer.

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Galerie Bassenge
Lot 4118

Engel, Morris: Park Avenue, New York City "Park Avenue, New York City". 1938/printed 1980s/90s. Gelatin silver print. 35,4 x 27,8 cm. Signed by the photographer in black felt-tip pen in lower margin; signed, titled and dated by the photographer in pencil on the verso. In excellent condition. Engel, Morris: Park Avenue, New York City "Park Avenue, New York City". 1938/printed 1980s/90s. Gelatin silver print. 35,4 x 27,8 cm. Signed by the photographer in black felt-tip pen in lower margin; signed, titled and dated by the photographer in pencil on the verso. In excellent condition.

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Galerie Bassenge
Lot 4526

Schäfer, Rudolf: Punkmädchen, Berlin. December 1981 "Punkmädchen, Berlin, December 1981". Vintage gelatin silver print. 17 x 23,1 cm (21,3 x 27,5 cm). Photographer's/copyright stamp on the verso. Rudolf Schäfer began his studies at the School for Advertising and Design in East Berlin and then trained as a film camera assistant at the GDR television station. Between 1974-1987, he worked as a freelance photographer, concentrating on press, advertising and fashion photography. From 1986-1989, he was a master student of Klaus Wittkugel and Ludwig Engelhardt at the Academy of Arts, Berlin. As of 1997-2017, he was a professor for photography at Burg Giebichstein Hochschule für Kunst und Design. – In very good condition. Lit.: Gosbert Adler/Wilmar Koenig (eds.). DDR FOTO. Freunde der Werkstatt für Fotografie. Berlin 1985, ill. p. 61. Schäfer, Rudolf: Punkmädchen, Berlin. December 1981 "Punkmädchen, Berlin, December 1981". Vintage gelatin silver print. 17 x 23,1 cm (21,3 x 27,5 cm). Photographer's/copyright stamp on the verso. Rudolf Schäfer began his studies at the School for Advertising and Design in East Berlin and then trained as a film camera assistant at the GDR television station. Between 1974-1987, he worked as a freelance photographer, concentrating on press, advertising and fashion photography. From 1986-1989, he was a master student of Klaus Wittkugel and Ludwig Engelhardt at the Academy of Arts, Berlin. As of 1997-2017, he was a professor for photography at Burg Giebichstein Hochschule für Kunst und Design. – In very good condition. Lit.: Gosbert Adler/Wilmar Koenig (eds.). DDR FOTO. Freunde der Werkstatt für Fotografie. Berlin 1985, ill. p. 61.

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Galerie Bassenge
Lot 4108

Chalip, Jakov: The Hardship of Retreat "The Hardship of Retreat". 1941/printed 1960s. Large-format ferrotyped gelatin silver print. 41 x 59,6 cm. Mounted to board, with exhibition label below the image on the mount. A few light handling creases, some irregularities to ferrotype surface, otherwise in good condition. Chalip, Jakov: The Hardship of Retreat "The Hardship of Retreat". 1941/printed 1960s. Large-format ferrotyped gelatin silver print. 41 x 59,6 cm. Mounted to board, with exhibition label below the image on the mount. A few light handling creases, some irregularities to ferrotype surface, otherwise in good condition.

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Galerie Bassenge
Lot 4508

Florschuetz, Thomas: Untitled. 9.VIII.87, 1-2 Untitled. 9.VIII.87, (1-2, diptych). 2 vintage gelatin silver prints. Each circa 46,5 x 46,5 cm (49,7 x 49,7 cm). Each signed, titled, editioned E.A. and annotated and 1 also dedicated to Wilmar Koenig by the photographer in pencil on the verso. A few light handling marks, corners/edges slightly bumped, otherwise in very good condition. Florschuetz, Thomas: Untitled. 9.VIII.87, 1-2 Untitled. 9.VIII.87, (1-2, diptych). 2 vintage gelatin silver prints. Each circa 46,5 x 46,5 cm (49,7 x 49,7 cm). Each signed, titled, editioned E.A. and annotated and 1 also dedicated to Wilmar Koenig by the photographer in pencil on the verso. A few light handling marks, corners/edges slightly bumped, otherwise in very good condition.

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Galerie Bassenge
Lot 4533

Schmidt, Michael: Berlin 61, Trümmer 79 "Berlin 61, Trümmer 79". 1979. Vintage gelatin silver print on Agfa paper. 20,2 x 22,6 cm (23,7 x 30,2 cm). Signed, titled, dated and dedicated by the photographer in pencil and photographer's/copyright stamp on the verso. A fine tonal print in excellent condition. Schmidt, Michael: Berlin 61, Trümmer 79 "Berlin 61, Trümmer 79". 1979. Vintage gelatin silver print on Agfa paper. 20,2 x 22,6 cm (23,7 x 30,2 cm). Signed, titled, dated and dedicated by the photographer in pencil and photographer's/copyright stamp on the verso. A fine tonal print in excellent condition.

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Galerie Bassenge
Lot 4101

Brandt, Marianne: Bauhausfotos Portfolio "Bauhausfotos" portfolio. 1927-31/printed 1993 from the original negatives. 10 gelatin silver prints. Each circa 23,5 x 17,5 cm. Each with portfolio stamp, numbered 25 (of 30), each hinge-mounted in mat, in original canvas clamshell box (a few scuff marks). Sabine Hartmann/Karsten Hitz (eds.) for Bauhaus- Archiv, Berlin 1993. The images include: Self-portrait, reflected in metal ball, 1928/29; Still life with Bahaus fabric, metal balls and corrugated board (self-portrait), 1928/29; The studio in the metal ball I (self-portrait), 1928/29; The studio in the metal ball II (self-portrait), 1928,/29; Self-portrait with jewelry for the "Metallisches Fest", 1929; Reflections (still-life with metal and glass), 1928/29; Still life in the metal workshop (grindstone and shavings), circa1927; Bauhaus Stage I, 1929; Bauhaus Stage II, 1929; Self-portrait, double exposure, 1930/31. – One print with stronger retouching, otherwise potos in excellent condition. Lit.: Marianne Brandt. Fotografien am Bauhaus. Ostfildern-Ruit 2003, ill. pp. 45, 47, 49, 51, 55, 57, 71, 82, 83 and front cover. Brandt, Marianne: Bauhausfotos Portfolio "Bauhausfotos" portfolio. 1927-31/printed 1993 from the original negatives. 10 gelatin silver prints. Each circa 23,5 x 17,5 cm. Each with portfolio stamp, numbered 25 (of 30), each hinge-mounted in mat, in original canvas clamshell box (a few scuff marks). Sabine Hartmann/Karsten Hitz (eds.) for Bauhaus- Archiv, Berlin 1993. The images include: Self-portrait, reflected in metal ball, 1928/29; Still life with Bahaus fabric, metal balls and corrugated board (self-portrait), 1928/29; The studio in the metal ball I (self-portrait), 1928/29; The studio in the metal ball II (self-portrait), 1928,/29; Self-portrait with jewelry for the "Metallisches Fest", 1929; Reflections (still-life with metal and glass), 1928/29; Still life in the metal workshop (grindstone and shavings), circa1927; Bauhaus Stage I, 1929; Bauhaus Stage II, 1929; Self-portrait, double exposure, 1930/31. – One print with stronger retouching, otherwise potos in excellent condition. Lit.: Marianne Brandt. Fotografien am Bauhaus. Ostfildern-Ruit 2003, ill. pp. 45, 47, 49, 51, 55, 57, 71, 82, 83 and front cover.

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Galerie Bassenge
Lot 4091

Baur, Max: Panoramic views of Potsdam Panoramic views of Potsdam. 1930s. 2 vintage large-format gelatin silver prints, 1 on Leonar paper. Each circa 29,8 x 39,9 cm. Each with photographer's/copyright stamp and annotated by the photographer in ink on the verso. Includes a view from the Garnisonkirche toward Hermannswerke and the Havel and a view from the Heiliggeistkirche. – Corners minimally bumped, otherwise fine tonal prints in very good condition. Lit.: Jutta Götzmann/Judith Granzow/Anja Tack (eds.). Potsdam, ein Paradies für meine Kamera. Max Baur. Fotografie. Berlin 2018, ill. pp. 52-53, plate 2. Baur, Max: Panoramic views of Potsdam Panoramic views of Potsdam. 1930s. 2 vintage large-format gelatin silver prints, 1 on Leonar paper. Each circa 29,8 x 39,9 cm. Each with photographer's/copyright stamp and annotated by the photographer in ink on the verso. Includes a view from the Garnisonkirche toward Hermannswerke and the Havel and a view from the Heiliggeistkirche. – Corners minimally bumped, otherwise fine tonal prints in very good condition. Lit.: Jutta Götzmann/Judith Granzow/Anja Tack (eds.). Potsdam, ein Paradies für meine Kamera. Max Baur. Fotografie. Berlin 2018, ill. pp. 52-53, plate 2.

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Galerie Bassenge
Lot 4307

Székessy, Karin: Female nude in field Female nude in field. 1970s. Vintage gelatin silver print on Agfa paper. 29,6 x 24 cm. Photographer's/copyright stamp and archive stamp on the verso. Edges slightly curled, otherwise a rich dark print in very good condition. Székessy, Karin: Female nude in field Female nude in field. 1970s. Vintage gelatin silver print on Agfa paper. 29,6 x 24 cm. Photographer's/copyright stamp and archive stamp on the verso. Edges slightly curled, otherwise a rich dark print in very good condition.

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Galerie Bassenge
Lot 4513

Gregor, Wolfgang: Untitled Untitled. 1970s. 5 vintage gelatin silver prints. Each circa15 x 22 cm (17,2 x 24,2 cm). Each with photographer's/copyright stamp on the verso. Some corners minimally bumped, otherwise rich, tonal prints in excellent condition. Lit.: Gosbert Adler/Wilmar Koenig (eds.). DDR FOTO. Freunde der Werkstatt für Fotografie. Berlin 1985, ill. p. 21. Gregor, Wolfgang: Untitled Untitled. 1970s. 5 vintage gelatin silver prints. Each circa15 x 22 cm (17,2 x 24,2 cm). Each with photographer's/copyright stamp on the verso. Some corners minimally bumped, otherwise rich, tonal prints in excellent condition. Lit.: Gosbert Adler/Wilmar Koenig (eds.). DDR FOTO. Freunde der Werkstatt für Fotografie. Berlin 1985, ill. p. 21.

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Galerie Bassenge
Lot 4092

Becher, Bernd and Hilla: Monceau Fontaine Nr. 18, Charleroi "Monceau Fontaine Nr. 18, Charleroi, Belgien".1975/printed 2002. Gelatin ferrotyped silver print. 16 x 22,5 cm (18 x 25 cm). Signed by the photographers and editioned 43/100 in pencil on the verso. In original grey canvas folder mat (a few small spots on front cover), edition label on inside cover. In excellent condition. – With: Copy of the book Industrielandschaften. Schirmer/Mosel, Munich, 2002. In grey linen slipcase. - Excellent condition. Lit.: Bernd and Hilla Becher. Industrielandschaften. Munich 2002, illustrated. Becher, Bernd and Hilla: Monceau Fontaine Nr. 18, Charleroi "Monceau Fontaine Nr. 18, Charleroi, Belgien".1975/printed 2002. Gelatin ferrotyped silver print. 16 x 22,5 cm (18 x 25 cm). Signed by the photographers and editioned 43/100 in pencil on the verso. In original grey canvas folder mat (a few small spots on front cover), edition label on inside cover. In excellent condition. – With: Copy of the book Industrielandschaften. Schirmer/Mosel, Munich, 2002. In grey linen slipcase. - Excellent condition. Lit.: Bernd and Hilla Becher. Industrielandschaften. Munich 2002, illustrated.

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Galerie Bassenge
Lot 4087

Baur, Max: Mountain pass, Switzerland Mountain pass, Switzerland. 1930s. Vintage gelatin silver print on chamois paper. 23,2 x 16,8 cm. Mounted along upper edge to original mount (minimal foxing), signed by the photographer in pencil below the image on the mount. Minimal oxidation mirroring in upper/lower edge, more visible at an angle, otherwise a fine tonal print in excellent condition. Baur, Max: Mountain pass, Switzerland Mountain pass, Switzerland. 1930s. Vintage gelatin silver print on chamois paper. 23,2 x 16,8 cm. Mounted along upper edge to original mount (minimal foxing), signed by the photographer in pencil below the image on the mount. Minimal oxidation mirroring in upper/lower edge, more visible at an angle, otherwise a fine tonal print in excellent condition.

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Galerie Bassenge
Lot 4300

Steiner, André: Swimmer on rock Swimmer on rock. 1930s. Vintage ferrotyped gelatin silver print. 24 x 18,2 cm. Photographer's/copyright stamp with pictogram on the verso. A few light handling marks, corners slightly worn, otherwise in very good condition. Steiner, André: Swimmer on rock Swimmer on rock. 1930s. Vintage ferrotyped gelatin silver print. 24 x 18,2 cm. Photographer's/copyright stamp with pictogram on the verso. A few light handling marks, corners slightly worn, otherwise in very good condition.

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Galerie Bassenge
Lot 4093

Becher, Bernd & Hilla: Wasserturm, Trier-Ehrang "Wasserturm, Trier-Ehrang". 1982/printed 2009. Ferrotyped gelatin silver print. 24 x 18,5 cm. Signed and editioned 40/100 by Hilla Becher in pencil on the verso. Schirmer/Mosel edition 2009. In near excellent condition. Lit.: Bernd and Hilla Becher. Wassertürme. Munich 2009, ill. plate 93. Becher, Bernd & Hilla: Wasserturm, Trier-Ehrang "Wasserturm, Trier-Ehrang". 1982/printed 2009. Ferrotyped gelatin silver print. 24 x 18,5 cm. Signed and editioned 40/100 by Hilla Becher in pencil on the verso. Schirmer/Mosel edition 2009. In near excellent condition. Lit.: Bernd and Hilla Becher. Wassertürme. Munich 2009, ill. plate 93.

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Galerie Bassenge
Lot 4532

Schmidt, Michael: Landkreis Lüchow-Dannenberg Landkreis Lüchow-Dannenberg. 1979. Vintage gelatin silver print on Agfa paper. 19,5 x 27 cm (23,8 x 30,4 cm). Signed, titled, dated and dedicated by the photographer in pencil and photographer's/copyright stamp on the verso. A fine tonal print in near excellent condition. Schmidt, Michael: Landkreis Lüchow-Dannenberg Landkreis Lüchow-Dannenberg. 1979. Vintage gelatin silver print on Agfa paper. 19,5 x 27 cm (23,8 x 30,4 cm). Signed, titled, dated and dedicated by the photographer in pencil and photographer's/copyright stamp on the verso. A fine tonal print in near excellent condition.

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Galerie Bassenge
Lot 4619

Lebeck, Robert: Mittagsgebet in einem Waisenhaus in Surabaja "Mittagsgebet in einem Waisenhaus in Surabaja". 1965/printed 1980. Gelatin silver print on Agfa paper. 37 x 25,2 cm (40,2 x 30 cm). Signed, titled, dated and copyrighted by the photographer in black ink and photographer's stamp on the verso. Crease in lower left corner in margin, corners slightly bumped, otherwise in very good condition. Lebeck, Robert: Mittagsgebet in einem Waisenhaus in Surabaja "Mittagsgebet in einem Waisenhaus in Surabaja". 1965/printed 1980. Gelatin silver print on Agfa paper. 37 x 25,2 cm (40,2 x 30 cm). Signed, titled, dated and copyrighted by the photographer in black ink and photographer's stamp on the verso. Crease in lower left corner in margin, corners slightly bumped, otherwise in very good condition.

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Galerie Bassenge
Lot 4138

Fischer, Arno: West Berlin "West Berlin". 1958/printed later. Gelatin silver print . 22,3 x 32,7 cm (28,5 x 37,3 cm). Signed, and titled by the photographer in pencil on the verso. A few retouched spots, a few handling marks, especially in upper area, otherwise in good condition. Fischer, Arno: West Berlin "West Berlin". 1958/printed later. Gelatin silver print . 22,3 x 32,7 cm (28,5 x 37,3 cm). Signed, and titled by the photographer in pencil on the verso. A few retouched spots, a few handling marks, especially in upper area, otherwise in good condition.

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Galerie Bassenge
Lot 4154

GDR: "Die Antrittsrede - 18.10.1989" (Inaugural speech) Photographer: Harald Hirsch. "Die Antrittsrede - 18.10.1989" (The Inaugural Speech). 1989. Sequence of 12 mounted vintage gelatin silver prints. 66 x 52 cm. Mounted to board, signed, titled and dated by the photographer in pencil below the images on the mount. Slight traces of use/handling creases, otherwise in good condition. GDR: "Die Antrittsrede - 18.10.1989" (Inaugural speech) Photographer: Harald Hirsch. "Die Antrittsrede - 18.10.1989" (The Inaugural Speech). 1989. Sequence of 12 mounted vintage gelatin silver prints. 66 x 52 cm. Mounted to board, signed, titled and dated by the photographer in pencil below the images on the mount. Slight traces of use/handling creases, otherwise in good condition.

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Galerie Bassenge
Lot 4339

Windstosser, Ludwig: Coal mining, Ruhrgebiet Coal mining, Ruhrgebiet. 1950s. 3 vintage ferrotyped gelatin silver prints on Agfa paper. Each circa 29 x 23,2 cm. Each with photographer's stamp and annotated in pencil (black marker) on the verso. Corners bumped, some retouched spots, a few small irregularities to ferrotype surface, otherwise rich glossy prints in very good condition. Windstosser, Ludwig: Coal mining, Ruhrgebiet Coal mining, Ruhrgebiet. 1950s. 3 vintage ferrotyped gelatin silver prints on Agfa paper. Each circa 29 x 23,2 cm. Each with photographer's stamp and annotated in pencil (black marker) on the verso. Corners bumped, some retouched spots, a few small irregularities to ferrotype surface, otherwise rich glossy prints in very good condition.

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Galerie Bassenge
Lot 4137

Fischer, Arno: East Berlin East Berlin. 1957. Vintage gelatin silver print. 29 x 16,7 cm. Signed, titled and dated by the photographer in pencil on the verso. Some surface scuff marks, a few light creases, corners bumped, otherwise in good condition. Fischer, Arno: East Berlin East Berlin. 1957. Vintage gelatin silver print. 29 x 16,7 cm. Signed, titled and dated by the photographer in pencil on the verso. Some surface scuff marks, a few light creases, corners bumped, otherwise in good condition.

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Galerie Bassenge
Lot 4502

Borchert, Christian: Selected images Selected images. 1977-1983. 5 vintage gelatin silver prints. Each circa 16 x 23,7 cm. Each titled and dated by the photographer in pencil and with photographer's/copyright stamp on the verso. The titles include: "HO-Gaststätte 'Zum Stern', Berlin, 1982"; "Goldene Hochzeit, Tangermünde, 1983"; "Im Neubaugebiet Storkower Straße, Berlin, 1977"; "VEB Kombinat NARVA Berliner Glühlampenwerk, 1983"; "Porträt Familie M. (Dipl.-Ing für Elektrotechnik; Ökonom), Cottbus 1983". – Fine tonal prints in excellent condition. Borchert, Christian: Selected images Selected images. 1977-1983. 5 vintage gelatin silver prints. Each circa 16 x 23,7 cm. Each titled and dated by the photographer in pencil and with photographer's/copyright stamp on the verso. The titles include: "HO-Gaststätte 'Zum Stern', Berlin, 1982"; "Goldene Hochzeit, Tangermünde, 1983"; "Im Neubaugebiet Storkower Straße, Berlin, 1977"; "VEB Kombinat NARVA Berliner Glühlampenwerk, 1983"; "Porträt Familie M. (Dipl.-Ing für Elektrotechnik; Ökonom), Cottbus 1983". – Fine tonal prints in excellent condition.

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Galerie Bassenge
Lot 4298

Stankowski, Anton: Winterkleid "Winterkleid". 1934/printed later. Gelatin silver print on early RC paper. 30,2 x 23,7 cm. Estate stamp on the verso. Crease near upper edge, a few handling marks, otherwise in very good condition. Lit.: Anton Stankowski. Photographien ab 1927. Heimerdingen 1979, ill. p. 75. Provenance: From the photographer to the present owner. Stankowski, Anton: Winterkleid "Winterkleid". 1934/printed later. Gelatin silver print on early RC paper. 30,2 x 23,7 cm. Estate stamp on the verso. Crease near upper edge, a few handling marks, otherwise in very good condition. Lit.: Anton Stankowski. Photographien ab 1927. Heimerdingen 1979, ill. p. 75. Provenance: From the photographer to the present owner.

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Galerie Bassenge
Lot 4004

Barker, George: Niagara Falls Niagara Falls. Circa 1888. Mammoth collodion paper print. 49,5 x 59,2 cm. Mounted to board. Some surface scuff marks, a few light dents, slight silver mirroring in edges, otherwise a large attractive print in very good condition. Barker, George: Niagara Falls Niagara Falls. Circa 1888. Mammoth collodion paper print. 49,5 x 59,2 cm. Mounted to board. Some surface scuff marks, a few light dents, slight silver mirroring in edges, otherwise a large attractive print in very good condition.

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Galerie Bassenge
Lot 4220

Lufft, Peter: Tingel Tangel "Tingel Tangel". 1930s/printed later. Gelatin silver print. 29,7 x 20,4 cm. Annotated in pencil on the verso. A few surface scuff marks, otherwise a fine tonal print in very good condition. Lit.: Galerie S. B. Tautz. Peter Lufft. Fotograf der Art Deco-Zeit. Braunschweig 1985, ill. unpaginated. Provenance: From the photographer to the present owner. Lufft, Peter: Tingel Tangel "Tingel Tangel". 1930s/printed later. Gelatin silver print. 29,7 x 20,4 cm. Annotated in pencil on the verso. A few surface scuff marks, otherwise a fine tonal print in very good condition. Lit.: Galerie S. B. Tautz. Peter Lufft. Fotograf der Art Deco-Zeit. Braunschweig 1985, ill. unpaginated. Provenance: From the photographer to the present owner.

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Galerie Bassenge
Lot 4107

Chaldej, Jewgeni: Unfinished Karl Marx monument in the studio of Lev Kerbel Unfinished Karl Marx monument in the studio of the sculptor Lev Kerbel. Before 1971/printed 1980s. Gelatin silver print. 39,9 x 29,5 cm. Signed by the photographer in pencil on the verso. Left edge torn, some handling creases, otherwise in good condition. Chaldej, Jewgeni: Unfinished Karl Marx monument in the studio of Lev Kerbel Unfinished Karl Marx monument in the studio of the sculptor Lev Kerbel. Before 1971/printed 1980s. Gelatin silver print. 39,9 x 29,5 cm. Signed by the photographer in pencil on the verso. Left edge torn, some handling creases, otherwise in good condition.

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