There are 2477115 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA late Victorian silver straight-tapered coffee pot by Charles Stuart Harris, London 1895, with a turned finial, a domed cover, a double-scroll handle, a leaf-capped spout and a moulded base, engraved with a monogram, 24.5cm (9.75in) high, 967g (31.1 oz) gross Visit www.dnfa.com for condition reports.
A Victorian silver mounted cut glass ovoid claret jug by Walter & John Barnard, London 1881, with a loop handle, a plain flat weighted cover, the collar and the body engraved with a frieze of lotuses in Ancient Egyptian style, 28cm (11in) high Visit www.dnfa.com for condition reports.
A set of four Victorian silver cauldron salts by Robert Harper, London 1859, with beaded rims, fruit and leaf embossing and engraved with a crest, on shell and pad feet, 7cm (2.75in) diameter; and a pair of Victorian oblong salts by Robert Harper, London 1857, with gadrooned rims and four short feet, with one clear glass liner, 9cm (3.5in) long, 393g (12.6 oz). The crest of HAULTON, HURT, LESTRANGE, WAYLAND and others Visit www.dnfa.com for condition reports.
A set of six George IV silver pedestal salt cellars by Rebecca Eames and Edward Barnard I, London 1825, shaped circular and lobed, with shell and foliate cast rims, the interiors gilt, engraved with a crest, 9.5cm (3.75in) diameter, 817g (26.25 oz). This crest is probably for BROOKSBANK[E] Visit www.dnfa.com for condition reports.
A George IV silver muffin dish and cover by Rebecca Eames and Edward Barnard I, London 1820, shaped circular, with a bud finial to the lobed and domed cover, with a gadrooned rim, the base with an everted gadrooned, foliate and shell rim, 20cm (7.75in) diameter, 596g (19.15 oz) Visit www.dnfa.com for condition reports.
A George III silver coffee biggin by William Bennett, London 1813, the domed cover with a ball finial, a composition angular handle, a nulled rim and engraved with a crest, 19cm (7.5in) high, 529g (17 oz) gross. The crest of RADCLIFFE. Visit www.dnfa.com for condition reports.
A George III silver oval straight-sided tea pot by Alexander Field, London 1st October 1804 to 28th May 1805, with a wooden finial and handle, engraved with foliate meander borders and script `G` in oval reserves, 27cm (10.75in) long, 433g (13.95 oz) gross; and a George III lobed oval tea pot stand by Samuel Godbehere & Edward Wigan, London 1796, engraved with a wreath, a foliage and dot border and a raised rim, on four panel feet, 17cm (6.75in) long, 166g (5.35 oz) Visit www.dnfa.com for condition reports.
A George III silver oval twin handled tray by William Bennett, London 1804, with a raised reeded border and reeded and foliate loop handles, engraved with an armorial, 53cm (20.75in) long, 1039g (59.10 oz). The arms of GRAHAM of Scotland. Visit www.dnfa.com for condition reports.
A George III silver oval tea pot by Thomas Ellerton & Richard Sibley I, London 1803, with a composition fluted finial and harp handle, the body half reeded, 28cm (11in) long, 561g (18.05 oz) gross; and a George III oval tea pot stand, maker`s mark rubbed, London 1801, with a wooden base, 15cm (6in) long, loaded Visit www.dnfa.com for condition reports.
A George III silver oval soup tureen by John Wakelin & William Taylor, London 1777, the lobed domed cover with a ball finial, the ogee base with twin reeded loop handles, a gadrooned rim and on an oval pedestal with a conforming foot border, later engraved with a crest and an armorial, 41cm (16.25in) wide, 2169g (69.75 oz). The arms of RADCLIFFE impaling PATTEN of Bank Hall, Lancashire. Visit www.dnfa.com for condition reports.
A George III silver vase shape tea urn by Charles Wright, London 1770, the waisted cover with a vase finial, beaded rims and twin loop handles, an ebony spigot and on a square base with bracket feet, engraved with a crest and an armorial, 51cm (20in) high, 2650g (85.2 oz) gross (the cover and base unmarked). See Grimwade no. 428 and the biography on p. 711. The mark no. 428 of 1775 is the first recorded mark of Wright on his own but the 1773 parliamentary report shows him working alone at Ave Mary Lane. It is well to note that there was a missing register at Goldsmiths Hall prior to 1773. The crest and the arms of RADCLIFFE impaling BOARD or BOURDE of Ireland. Visit www.dnfa.com for condition reports.
A George III silver cinquefoil chamber candlestick by John Carter II, London 1770, with a leaf-capped handle and gadrooned borders, on three shell feet, the conical extinguisher with standard and (rubbed) maker`s marks only, 15cm (6in) long, 268g (8.6 oz) (lacking the nozzle) Visit www.dnfa.com for condition reports.
Two pairs of George II silver cast candlesticks, by John Cave, London 1751 and by Frederick Kandler, London 1756, the nozzles with egg-and-dart borders, the vase-shape sockets with egg-and-dart borders and chased quatrefoil panels, the square baluster stems with scales and husks, reeded knops and domes with leaves, the shaped circular bases with shell and quatrefoils bands and egg-and-dart borders, engraved with an armorial and a motto `Forte Scutum Salus Ducum`, 27cm (10.5in) high (Cave) and 25.5cm (10in) high (Kandler), 4160g (133.75 oz) gross (the bases fully marked, the Kandler pair with standard mark to the sockets, the detachable nozzles unmarked). The arms of FORTESCUE quartering CLINTON. See Grimwade no. 1228 for the first maker`s mark and nos. 691-2 for the second. See also Schroder, Timothy `British and Continental Gold and Silver in the Ashmolean Museum` Oxford 2009, vol. 1, p. 462, cat. 180 for a closely related set of four by Paul Crespin, London 1736-7. The author notes that no clear design source emerges but the set in the Ashmolean are predated by a set of the previous year by the Paris goldsmith Nicholas Outrebon. The pattern was one of the more expensive types at the time and evidently quite popular, being made by several goldsmiths and over several decades. Visit www.dnfa.com for condition reports.
A pair of George II silver oval sauce boats by Daniel Piers, London 1749, with shaped rims, leaf-capped double scroll handles and shell and scroll feet, engraved with a crest, 22.5cm (8.5in) long, 738g (23.75 oz). The crest of BACON Visit www.dnfa.com for condition reports.
A Chinese export silver coloured dish by Luen Hing, Shanghai, stamped marks, early 20th century, the centre chased with a four-toed dragon amidst clouds, the border of veined and matted petals, 19.5cm (7.5in) diameter, 347g (11.15 oz) Visit www.dnfa.com for condition reports.
A pair of Chinese export silver coloured table cruets by Zee Woo, Shanghai, late 19th-early 20th century, each in the form of sanpans, carrying a melon form mustard, a bucket form salt and a lidded shouldered jar as the pepper, with a figure at a rudder to the stern, with three glass liners and with two mustard spoons, on four six-spoke wheels, 15.5cm (6in) long, 458g (14.75 oz) gross Visit www.dnfa.com for condition reports.
A pair of Italian silver coloured twin light candelabra by Carlo Piccini, Florence, post 1968 .925 standard, modelled as parrots with removable heads and hinged wings on perches, the domed bases with a band embossed with cherries and leaves, 46.5cm (18in) high, 1826g (58.7 oz) gross (one glass eye detached) Visit www.dnfa.com for condition reports.
A French silver four piece baluster tea and coffee service by Emile Puiforcat, 1878-1973 .950 standard export marks, retailed by Tiffany & Co., with domed flower finials to the domed covers, nulled borders and wooden handles, engraved with a monogram, the tea pot 24.5cm (9.75in) long, the coffee pot 23.5cm (9.25in) high, 2124g (68.3 oz) gross Visit www.dnfa.com for condition reports.
A French silver cup or small comport by Emile Puiforcat, 1st standard for 1838-1972, chased with a vacant reserve on a lobed bowl, a wrythen stem, the shaped domed foot with rocaille work, 15cm (6in) high, 583g (18.75 oz) Visit www.dnfa.com for condition reports.
A Continental silver tea pot, maker`s mark `CR` in an oval, town mark? `T` with three pellets above (not traced), mid 18th century, twist lobed and baluster, with a cast bust terminal to the domed cover, an ebonised wooden handle and on a circular spreading foot, 18.5cm (7.25in) long, 378g (12.15 oz) Visit www.dnfa.com for condition reports.
An 18th century Danish silver shaped oval snuff box by Jens Nielsen Randers, Copenhagen, the cover engraved `S`, the base with a shell over a cypher, the interior gilt, 8cm (3in) wide. See Rosenberg, Marc `Der Goldschmiede Merkzeichen, Band IV` Berlin 1928, no. 5669 for a comparable mark. Master 1731, mentioned 1767 Visit www.dnfa.com for condition reports.
A silver shell shaped snuff box, unmarked, first quarter 18th century, the cover finely engraved with formal baroque decoration as a shell with a female mask, an urn and foliate panels, a paterae border and dolphins at the hinge, the interior gilt, 8cm (3in) wide Visit www.dnfa.com for condition reports.
A William IV silver `castle top` vinaigrette by Taylor & Perry, Birmingham 1835, chased with a view of Abbotsford within a floral border, the sides and base engine turned, the gilt interior with a scroll foliate pierced grille, 4.2cm (1.5in) wide Visit www.dnfa.com for condition reports.
A Japanese hammered silver coloured and tortoiseshell mounted eight piece dressing table set by T. Omori, Yokohama, stamped marks, circa 1920, of a mirror, a handled and an oblong brush, a comb, a circular box, a rectangular box and two cylindrical jars, in a case from T. Omori, Yokohama, 48.5cm (19.25in) wide Visit www.dnfa.com for condition reports.
A late Victorian Scottish dirk in a silver mounted sheath by Robert & Henry Bruce Kirkwood, Edinburgh 1894, the handle carved with knotwork and with a citrine pommel, the leather covered sheath with engraved silver mounts, 18.5cm (7.25in) long overall; and a mounted carved wood model of a Scottish dirk, the marks erased, 11cm (4.25in) long Visit www.dnfa.com for condition reports.
A silver novelty frog pin cushion by Spurrier & Co., Birmingham 1907 (lacking the cushion), 5.7cm (2.25in) long; and a Continental novelty needle case, import marked for London 1899, formed as a swaddled baby, 7.3cm (2.75in) high Visit www.dnfa.com for condition reports.
A late Victorian silver novelty inkwell in the form of a ship`s port lamp by Lawrence Emanuel, Birmingham 1899, the hinged cover enclosing a removable clear glass well, and with a red foil backed glass panel, presentation engraved, 9.5cm (3.75in) high with handle raised, loaded (the glass panel with a crack) Visit www.dnfa.com for condition reports.
A late 19th century Continental gold backed silver, paste and enamel pendant crucifix, .935 standard mark, Swiss small article import mark for Schaffhouse 1917-1934, painted with the corpus under INRI banner on a blue ground, the scroll border and anthemion terminals with clear pastes, the crown surmount with additional red paste cabochons, a conforming drop beneath, 15cm long, in a card case Visit www.dnfa.com for condition reports.
A collection of ivory and bone, late 19th-early 20th century, comprising: two turned ivory handled desk seals, 8.3cm and 7.3cm high; two carved ivory rectangular aide memoire holders; three pierced bone items of furniture; a five piece Black Forest panel set, on a black velvet ribbon; and a silver and turned ivory miniature magnifying glass, import marked for London 1988, 8cm long Visit www.dnfa.com for condition reports.
A William IV silver open faced pocket watch, London 1832, the four piece hinged case with white enamel dial, black Roman numerals and spade hands, openwork and engraved Duplex movement for the Chinese market, case 5.7cm diameter Visit www.dnfa.com for condition reports.
Thos. Russell, Liverpool, a large silver open faced pocket watch, Chester 1905, No 109185, the four piece hinged case with white enamel dial, black Roman numerals, up-down dial at 12 o`clock, gold spade hands and blued steel centre seconds hand, the three quarter plate lever movement with bimetallic split balance, overcoil balance spring and slide steelwork, case 6.1cm diameter Visit www.dnfa.com for condition reports.
A George III silver half hunter pocket watch, London 1806, No 3659, the two piece hinged case with white dial with central black Arabic numerals in a gold border with Arabic hunter numerals, winding aperture at 4 o`clock, spear and arrow hands, the fusee verge movement with cylindrical pillars, pierced and engraved balance cock, three arm steel balance, undersprung balance spring and silvered disc regulator dial, case 5.3cm diameter Visit www.dnfa.com for condition reports.
Omega, a gentleman`s silver wristwatch, circa 1915, ref: 9846 no. 5798174, the three piece hinged case with white enamel dial, Arabic numerals, pediment 12-24 hour, blued steel arrow hands and subsidiary seconds dial, 15 jewel Omega movement, on a black strap, case 4.5cm long including lugs Visit www.dnfa.com for condition reports.
A Georgian sapphire and diamond ring, circa 1780, the central cluster set with an oval mixed cut sapphire within a rose cut diamond surround, in a trifurcated mount set with cushion shaped old cut diamonds, mounted in gold backed silver, the head engraved `Louisa Stuart All? Cumberland`, above bifurcated shoulders and a reeded shank, finger size O Visit www.dnfa.com for condition reports.
A Georgian multi gem set heart ring, circa 1780, the central heart shaped garnet rub over set in a foiled closed back mount beneath an emerald, rose cut diamond and pearl coronet, mounted in gold backed silver, on a gold scrolled shank, finger size L Visit www.dnfa.com for condition reports.
A late Victorian diamond, pink topaz and pearl brooch/pendant, circa 1890, designed as a laurel wreath with outer rose cut diamond leaves and inner circular cut pink topaz buds, with a 6mm pearl (untested and unwarranted as natural pearl) drop suspended beneath, with a rose cut diamond suspension loop, mounted in gold backed silver with a removable brooch fitting, 4.1cm long overall Visit www.dnfa.com for condition reports.
A late 19th century colourless paste brooch, circa 1900, designed in the 18th century style as a foliate spray with an articulated spray suspended beneath, set throughout with old cut colourless pastes, mounted in gold flashed silver, stamped `sterl s` ` 936`, 7.2cm long Visit www.dnfa.com for condition reports.
A small collection of late 19th and early 20th century paste jewellery, comprising, a colourless paste sun burst brooch, mounted in silver, 6.2cm long; a silver mounted colourless paste bow brooch, 7cm long; a silver mounted colourless paste wings brooch, 5.8cm long; a silver mounted colourless paste and simulated pearl bow brooch, 4.4cm long; and a simulated pearl sautoir, with colourless paste connections and tassels Visit www.dnfa.com for condition reports.
A late 19th century gold on silver cameo brooch, circa 1890, the central disc with a gold on silver cameo depicting the sinistral profile of a classical goddess with a bird in her hair, possibly representing Juno, with gold on silver scrolled palemtte terminals, 7.7cm long Visit www.dnfa.com for condition reports.
A late Victorian Scottish silver and rock crystal plaid brooch by J. Robertson & Son, Edinburgh, the large circular cut rock crystal rub over set above a heavily engraved mount, J. Robertson & Son 101 Princes Street Edinburgh stamp, Edinburgh 1893, 8.4cm diameter; and an Edwardian silver and smoky quartz plaid brooch, the circular cut smoky quartz claw set above a pierced mount of thistles, maker`s mark J.C & S, Birmingham 1913, 7.6cm diameter Visit www.dnfa.com for condition reports.
A late 19th century silver and enamel bracelet, circa 1890, composed of 6 engraved gold on silver discs, each centrally engraved with dragons on a black and white enamel ground, with engraved silver connecting links between, to a concealed snap clasp, 18.5cm long Visit www.dnfa.com for condition reports.
A late Victorian diamond bangle, circa 1890, the hinged top set in scrolls of old brilliant and old cut diamonds, approximately 0.85 carats total, mounted in gold backed silver on a knife edge hinged bangle, inner diameter 5.2cm Visit www.dnfa.com for condition reports.
An early 20th century Austro-Hungarian sapphire and half pearl bracelet, circa 1900, the central domed cluster set in alternate rows with oval mixed cut sapphires and seed pearls around a half pearl top, with half pearl and sapphire connecting links and similar smaller clusters, to a concealed box snap clasp stamped with maker`s mark `KT`, mounted in silver gilt, 16.2cm long Visit www.dnfa.com for condition reports.
An Arts and Crafts silver and cabochon amethyst pendant on chain, circa 1910, the large circular amethyst cabochon drop set within a oak leaf border, the closed back setting applied with flowers, suspended from a smaller amethyst cabochon connection, attached to a textured link chain, 61,5cm long Visit www.dnfa.com for condition reports.
An early 20th century French silver, aquamarine, demantiod garnet and marcasite pendant, circa 1900, the central oval mixed cut aquamarine and aquamarine drop set within a foliate scrolled pendant, set throughout with marcasites and demnatoid garnet accents, French silver poincons, 6cm long Visit www.dnfa.com for condition reports.
A perspex, silver and amethyst and garnet ring tree, probably by Wendy Ramshaw, the 8 plain silver hoop rings set with 7 cabochon amethysts and 1 garnet of varying shape, finger size Q, all unmarked, on a perspex cylinder, 8.5cm high Visit www.dnfa.com for condition reports.
A Danish silver slave bangle by Georg Jensen, post 1945 stamped marks, import marked for London 1999, model no. 17B, square section and twisted rope design; and a Danish silver Cave pendant by Georg Jensen, Convention and other marks, on a fine link chain Visit www.dnfa.com for condition reports.
Loading...
