A fine Victorian Coromandel and brass bound lady's dressing case, by Mappin Brothers, containing a selection of fifteen silver topped glass bottles and jars by The Mappin Brothers, London 1867, the covers variously shaped and engine turned, monogrammed within cartouches, (two bottles with replacement caps by F&Co, London 1928), also eight mother of pearl handled manicure and other implements in fitted trays, the box fitted with a detachable easel mirror to the lid, concealing an ivory backed handmirror, also fitted with three internally locked jewellery drawers, 36x28x22cm. Slight damage to the lock of the central lower jewellery drawer, replacement caps to two of the bottles, some minor cracking to the upper lid, a small 'nibble' out of the base of one of the small oval jars and another to the base of the small square inkwell otherwise in very good condition
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A George II silver inkstand, by John White, London 1733, of canted rectangular form with moulded edge and raised on four dolphin feet, with a baluster shape inkwell with hinged cover (dated 1730) and matching pounce pot (without a date letter), Arms of Holt impaling Washington, 22cm wide, 17.65 (stand only), 24.26oz (gross weight including glass inkwell liner). Provenance: Arms of Holt impaling Washington, for Rowland Holt of Redgrave Hall, Suffolk (d.1739), who married in 1718 Elizabeth Washington
An Edwardian silver four piece tea and coffee service, by the Barker Brothers, Birmingham 1901/1902, comprising:- a teapot of compressed rectangular shape, the lower body fluted below a shell gadrooned edge, ebonised leaf capped handle and fluted finial, 14.5cm high; a matching coffee pot, 23.5cm high together with the companion sugar basin and milk jug, 61.43oz (4) In good condition
A set of four Regency silver three light candelabra, by Smith, Tate, Nicholson & Hoult, Sheffield 1813/1817 each raised from a circular reeded foot, plain tapering stems below spool sockets supporting cluster wire branches, crest of Viscount Powerscourt, 53cm high, 45cm span, loaded (4)
A gentleman's crocodile skin travelling case, An Asprey and Co silver mounted gentleman's dressing set in a fitted crocodile leather case, containing two oval silver backed hairbrushes by Asprey & Co, London 1904 and eight variously shaped bottles and cases including a shaving brush by John Batson, London 1869, set in a removable tray revealing a shaving and manicure set below, 39.5 x 16cm Leather in good condition but with some minor scuffing. one hairbrush has a loose back
A pair of Edwardian silver candlesticks, by William Charles Fordham & Albert Buckley Faulkner, Sheffield 1902, each standing on an oval fan fluted foot below a similarly fluted tapered stem supporting a vase shaped socket with detachable nozzle, 20.5cm high, loaded A few very minor surface bruises
A George III Old English pattern silver-gilt part dessert service, comprising ten silver gilt three tined dessert forks by George Smith and William Fearn, London 1786, 16cm; four matching dessert spoons, 17.5cm; two cream ladles, London 1787, 12.5cm; two larger ladles, London 1790 (one with the bowl pierced as a sifter), 15cm; and a mustard spoon, London 1786, 14.25cm; together with a set of ten silver gilt thread patterned dessert knives by Moses Brent, circa 1790, the blades and hollow handles bearing maker's, sterling and duty marks only, all engraved with the Holt crest, 21.75cm, 21.39oz (spoons and forks), knives gross weight 20.20oz (29)
A Victorian matched silver three piece teaset, comprising:- a teapot by William Charles Fordham & Albert Buckley Faulkner, Sheffield 1898, of compressed rectangular shape, the lower body fluted, 15cm high together with the companion sugar basin and a similar Edwardian milk jug by James Charles Jay, Sheffield 1901, 34.5oz (3)
A silver four-piece tea service, by Charles S Green & Co Ltd, Birmingham 1945, comprising a teapot of circular tapering form on a short pedestal foot with bakelite handle and finial, 15cm high together with the companion hotwater jug, 17cm high, sugar basin and milk jug, 35.91oz (4) In good condition
An early 20th century silver two handled basket, sponsor's mark of Berthold Muller, import marked for Chester 1909, the body fully trellis pierced and decorated with two cartouches embossed with male heads in profile joined by swags, standing on four cast feet, 26.5cm over handles, 13.25oz In good condition
A cased six piece silver cruet set by F C Richards, Birmingham 1913, comprising two mustard pots of compressed rectangular shape, two matching open salt cellars and a pair of baluster shaped pepper casters, together with three unrelated silver condiment spoons and one plated example, approximately 6.5oz Some modern body bruises
An Indian gem set and silver colarette necklace, of gorget form, the front pierced section of floral and foliate design set with an oval cut amethyst in the centre and other large gemstones to include aquamarine, tourmaline and citrine, the remainder set throughout with smaller stones assumed to be emeralds, rubies, sapphires, spinels and citrines (some lacking), hallmarked silver, London import marks 1925, to a flattened curb link backchain set at intervals with graduated amethysts, clasp with safety catch; length as worn 46cm, span and depth of gorget 14cm and 4.2cm; in a brown suede necklace case with green suede lining
Fourteen Charles Horner hat pins and others, a collection of Charles Horner silver, enamel and stone topped steel hatpins, all hallmarked Chester, variously 1910-1912, with his 'CH' punch; one with a hinged circular head enamelled in peacock shades of blue and green around a central grey mother-of-pearl plaque, another with a hinged ribbon-work butterfly with paste set thorax, three with 'amethyst' paste thistles, five with 'citrine' paste thistles, others of silver ribbon, twist and ball designs, lengths 13.7-19.5cm; together with a quantity of silver, enamel and other period hatpins, and two silver-mounted ebony hatpin holders, both with London hallmarks, for 1920 and 1922 (quantity)
A late Victorian Scottish agate bracelet, set with six different stones to include a banded agate, a banded cornelian and a bloodstone, each cut as an octagonal column, with white metal mounts (tests for silver) and double chain connections to a T-bar and lobster claw clasp, length 24.5cm
A small eccentric collection of jewellery including an early photograph locket and an early Felix the Cat brooch, the double sided oval locket, circa 1840, with engine turned covers and carved case and suspensory loop, of yellow precious metal, tests for 9-12ct gold, containing on each side a daguerreotype or similar early photographic portrait, length with loop 4.3cm; together with two Victorian carved jet pendants in the form of an anchor and a heart, representing hope and charity; and a vintage Felix the Cat bar brooch, stamped 'Silver', the cat in his 1920's shape, enamelled black with green eyes, length 4.4cm (4)
A small collection of antique Russian jewellery and coins, the pieces were brought out of Russia circa 1919, thence by descent to the present owner, and include a 19th century silver and paste brooch adapted from a substantial clasp, mounted with engraved leaves and millegrain tendrils, and set with pink, white and blue round cut pastes, suspending a chain and three tasselled pendants, pin with safety catch, dvoinik mark 1880-1890 for silver (84) and a galera (sailing ship) for the town of Kostroma, overall dimensions 6.4 x 11.8cm; also a pair of articulated pendant earrings, with each post headed by a flowerhead of five white round cut pastes around a smaller red stone, suspending a leaf and tendril motif set with white pastes, above a removable bunch of grapes set with six further white stones (one lacking), length 5.9cm; together with an articulated filigree pendant with bell fringe, length 8cm; and three 19th century Russian coins (6)
A garnet pendant by Child & Child in original fitted case, the pendant of pierced and scrolling form, and diaper outline, with a central 'saracen's tent' feature, with vari-sized round cut garnets in closed back collet settings, and two oval cut garnets in open back millegrain collets suspended from the centre and the bottom; verso with distinctive Child & Child stamp; of white metal assumed silver, to a suspensory chain and loop assumed 9ct gold; length including loop 7.3cm; presented in the original fitted, shaped, green morocco case with the Child & Child flower insignia in gold on the back, and company stamp inside including royal warrants for the Princess of Wales (from 1901 Queen Alexandra) and Princess Christian (Queen Victoria's fifth child, Helena, married to Prince Christian of Schleswig-Holstein)
A sapphire and diamond moth brooch together with a ruby and diamond ring, the 19th century moth brooch set throughout with oval and round cut sapphires and old round brilliant and rose cut diamonds, with cabochon pink hardstone eyes, in white on yellow precious metal, assumed silver on gold, clasp with safety snap, width 2.9cm; the ring of a similar period, of unmarked yellow precious metal (tests for 18ct gold) and designed as a Celtic knot with a round cut ruby centre and the twist figure set with old round brilliant and rose cut diamonds, size L (2)
An amethyst rivière necklace together with French silver chain mail coin purse, the necklace composed of nineteen graduated oval cut amethysts, each in a light double claw mount joined by elongated oval links of white metal, tests for sterling silver, length 42cm, largest stone measures 14.4 x 11.5mm, the smallest 10.5 x 7.3mm; together with a mesh purse, snap clasp revealing double pocket interior with firm edged divider; French mid-19th century 'head of Mercury' assay stamp for silver made for export, maker's lozenge stamp on the suspensory ring, 7.8cm wide
A matched suite of green and white paste jewellery in a Cartier case, the earpendants of 19th century style with a rectangular cushion cut green stone in an open surround with flowerheads and three graduated and articulated foliate pendant drops, set throughout with white pastes in closed backs, white metal tests for silver, length 7.5cm; the necklace with a central oval pierced and scalloped edge feature, set with a line of half-moon and round green pastes to a white paste border, enclosing a flowerhead within an elongated hexagon, also set with white stones, all in closed back settings, to a later double string of green beads with white paste set rondel spacers, safety clasp stamped '375' for 9ct gold, length 41.5cm; together with a pair of cluster earclips, each with an oval green paste in a border of white round cut pastes, length 2.2cm; all presented in a period gold tooled red leather shield shaped Cartier case (3+ case)
William Linsley - A George III silver pair cased pocket watch, the white enamel dial with Arabic numerals and painted to the centre with a man fishing before a bridge, the verge movement signed S Roberts, London Storers, the plain case by William Linsley, London 1809, dial 44mm diameter, inner case inscribed Sam Taylor, 48mm, outer case 55mm diameter
Garrard - A lady's 9ct gold wristwatch, the round silver coloured dial with gold coloured baton numerals, the Swiss manual wind 17 jewel movement unsigned, the case back numbered 27113 and marked for London 1968, mounted on a 9ct gold articulated chevron design bracelet, 13.9gm (ex movement), cased In working order
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2475480 item(s)/page