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A stylish 1930's Art Deco silver four piece tea and coffee service by Charles Boyton, of conical form, with stylised decoration, London, 1936, tallest piece, 18cm, gross 40.5oz, all pieces signed on base.CONDITION: Tea pot- Lid hinge has become completely detached and is in need of repair. Large dent to the foot rim. Small ding to the side. Some minor surface scratches in general. Splits to ivory handle. Maker's mark rubbed.Coffee pot- Splits to ivory handle. Lid and handle a little loose in situ. Minor surface scratches. Maker's mark rubbed.Other pieces in good order.
A Victorian engine turned silver oval snuff box, Edward Smith, Birmingham, 1856, 92mm, 113 grams.CONDITION: Engraved monogram to the centre of the lid. Some visible wear to the engine turned decoration, mainly to the lid and some wear to the curved sides. Small old solder repair to one side of the interior base(solder). Some rubbing to the hallmarks.
JAMES KAY RSA RSW (SCOTTISH 1858 - 1942), LOCH LONG, AUTUMN oil on board, signed; titled on label verso 51cm x 61cm (approximately 20 x 24 inches) Framed (original) Label verso: T & R Annan & Sons, Glasgow. Note 1: In 1909 James Kay set up home in a house called "Crimea" at Portincaple on the banks of Loch Long and he was to live there until his death 33 years later. This painting is of a view he would have known very well and is probably the view from his home, or very close by. Note 2: Like so many of the other distinguished West of Scotland painters of that era, James Kay was a student at Glasgow School of Art. He also studied closely from nature, and developed early a distinct and colourful method of his own but influenced by the emergence of Impressionism in the 1880s.. He shared studios at first with two other young artists, James Stuart Park and David Gauld in Glasgow. He is not considered to be one of the ‘Glasgow Boys’, although he was friendly with many of them, especially Guthrie, George Henry, and E.A.Walton. Kay worked in a distinctive style and he achieved swift and considerable success both at home and abroad which in turn gained him the widespread respect and admiration of his peers. His first picture in the Royal Academy was 'Towed into Harbour on the Clyde', hung in 1889 and bought by a prominent English collector, and his first in the Paris Salon was in 1894. From then on he had works on display in most of the important exhibitions in Britain, Europe and America every year. In 1903 his canvas, ‘Toil and Grime’, a picture of shipping at the mouth of the River Kelvin, was awarded the silver medal and diploma of the Société des Amis des Arts at Rouen in France. The same year his ‘River of the North’, a winter scene in Glasgow’s busy harbour, gained the highest honour a foreign artist can receive at the hands of the Salon jury and of France when it was awarded a gold medal, and was purchased for The Luxembourg Collection. In 1906, he won the gold medal and diploma at the 37th Exposition Municipale des Beaux Arts de Rouen, where his picture ‘Winter’ was purchased for the Rouen Municipal Collection. The following year his ‘Launch of the Lusitania’ in the Royal Glasgow Institute of the Fine Arts was bought by the Corporation of Glasgow for the municipal collection. His subjects were wider than just the Clyde and shipping. He painted Glasgow city scenes and some of the Thames, and still farther afield, in pictures like ‘The Armada’ and ‘The Revenge’ which embody the sea romance of Elizabethan days, and in France, where he spent a lot of time, and Holland. 'Clyde Nocturne', a study of the Broomielaw (Glasgow), hangs in the National Gallery in Wellington, New Zealand. The Royal Scottish Academy hung over eighty of his paintings and he also exhibited prolific numbers at the Royal Glasgow Institute and at Glasgow Art Club. UK public collections include Glasgow Museums & Galleries, The Hunterian, Aberdeen, Dundee, Paisley, Leeds, Bradford, Newport, The City Art Centre (Edinburgh), the National Trust for Scotland and the Royal Scottish Academy.
A GEORGE V SILVER-MOUNTED CUT-GLASS SCENT BOTTLE, Birmingham 1923, the body with hobnail cutting within diamonds and surmounted by six vertical panel cuts. 11cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Significant chipping to the top of stopper, some chipping to the hobnail decoration, light wear to the mount.
A GEORGE V SILVER-MOUNTED CUT-GLASS SCENT BOTTLE, Birmingham 1927, the body with a wide flat base and rising conically to the silver neck and collar, the stopper lozenge shaped with cutting. 15cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some deep scratches/dents to the silver mount, light general wear noted to glass
AN EDWARD VII SILVER LIDDED GLASS SCENT BOTTLE, by Henry Williamson Ltd, Birmingham 1901, the lid with plain top and foliate chasing to the edge, the body cylindrical and plain. 7.5cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Dents to top. In otherwise good condition.
A VICTORIAN SILVER LIDDED SCENT BOTTLE, by David Loebl, Birmingham 1898, the glass body heavily cut and faceted. 7.2cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Top with dents. A couple of flea bites to glass.
AN ART DECO SILVER LIDDED PERFUME BOTTLE, by Henry Perkins & Sons, London 1936, the body cut with ten panels, conforming diamond cuts to the bottom, the silver lid inset with a blue-grey enamel roundel. 6cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some dents to top. Minute chip to foot rim.
Coins & Medallions, Great Britain & World, a William IV Penny, 1831, no initials on trunc., F with residue on surface, Crown, 1887, F+, Shilling, 1900, NVF, an Ethiopian Menelik II Birr, 1887, F, a Victorian silver 'International Inventions Exhibition, 1885' medallion, a Uruguay bronze medallion commemorating the inaugaration of the Cerro de Montevideo lighthouse, NVF, a 1911 Delhi Durbar silver medallion, a George III style Half Guinea base metal gaming token and a Mail Coach Halfpenny token
Coins, Great Britain & World, a collection comprising a William III Shilling, 1697, Chester Mint, F, George III 1818 Crown, rubbed, an 1820 Crown, Fair, a Sarawak C. Brooke One Cent, 1882, F, an Alderney Silver Proof Crown commemorating the Diamond wedding anniversary of the The Queen and Prince Philip, together with assorted commemorative Crowns, low denomination British coinage and assorted World coins
Coins, Great Britain, Elizabeth II (1952-), a collection of silver Proof coins, comprising a 1998 United Kingdom Silver Proof Pedfort Two-Pound Coin, a 1998 United Kingdom Silver Proof Two-Pound Coin, a United Kingdom NHS 50th Anniversary Silver Proof Piedfort Fifty Pence Coin, a United Kingdom Silver Proof Piedfort Two-Pound Coin Rugby World Cup 1999, a 1999 UK Silver Proof Piedfort £1, a 2000 United Kingdom Silver Proof Piedfort One Pound Coin, a 2001 United Kingdom Silver Proof Two-Pounds 'Marconi' coin, a 2008 UK Royal Shield of Arms £1 Piedfort Silver Proof Coin, commemorative coins including a Queen Elizabeth The Queen Mother Silver Piedfort Crown, The 90th Birthday of Her Majesty the Queen £5 Silver Proof Piedfort Coin, a Diana Princess of Wales Memorial Coin, a Prince of Wales Commemorative Fiftieth Birthday Crown, The George and teh Dragon 2013 UK £20 Fine Silver Coin, The 90th Birthday of Her Majesty The Queen 2016 UK £20 Fine SIlver Coin, The Official London 2012 Paralympic £5 Silver Proof Coin, The Official London 2012 Olympic £5 Silver Proof Coin and a 1994-The Brilliant Uncirculated Tricentenary £2 Coin Cover, all in capsules and original packaging where appropriate, together with a small collection of silver a base metal coins including a 1917 Halfcrown, Shillings, Sixpences, Threepences, Commemorative Crowns and a selection of banknotes
Medallions, Great Britain, The Ancient Counties of England, limited edition, forty (40) silver medallions commemorating the boundary changes to the ancient counties of England on the 31st of March 1974, complete in fitted presentation case and containing a booklet with a reproduction map by Willem and Johan Blaeu of 1635, approx. 51oz
Medallions, Great Britain & World, a collection comprising a George Frederic Handel Centenary Commemoration, Crystal Palace 1859 bronze medallionn in fitted case, a Royal Horticultural Society bronze medallion 'Awarded to, John Austen, for 3 bunches of grapes, Bristol, 19th & 20th Novr. 1879' in fitted case, a bronze medallion commemorating the centenary of Roscoe's birthday 'Liverpool, March VIII, MDCCCLIII', a CathedraleTournai bronze medallion, a small silver gilt Sir Francis Chichester 'Seaman Extraordinary' medallion, a bronze St. Mary's College, Oscott, medallion, a silver Jernegan's Lottery medal, 1736, rubbed and with edge knocks, an alloy medallion by Joseph Davis of Birmingham depicting Arthur Duke of Wellington, an alloy 'The Great Britain' medallion, together with assorted commemorative royal medallions, medallions featuring historical figures and souvenirs from far flung places
Tokens, Great Britain, Devon, a 'Morgan's' Shilling Devon silver token, F with bend, together with a Devonshire Shilling silver token, F with scratches, a Devonshire Shilling silver token by Messers Evans, Bowhay, Nott and Gribble of Barnstaple, 1811, F+, a matching Sixpence, F, a Teignmouth one Shilling token by I Holland, 1811, NVF, a Barnstaple Shilling silver token, 1811, NVF and a matching Sixpence, VF+ Provenance: from the Tompkin collection
Tokens, Great Britain, Dorset, a 'Town & County of Poole Token', One Shilling 1811, by James Ferris, Silversmith, F or better, a 'One Shilling Token, For Public Accomodation, 1811' by H. Ward Blandford, VF+, a 'One Shilling Silver Token, Poole', 1812, by W.B. Best, F, together with the matching Sixpence token, F, a 'Dorsetshire One Shilling', 1811, by Shaftesbury Bank, F, together with the matching Sixpence token, NVF Provenance: from the Tompkin collection
Tokens, Great Britain, Norfolk, Suffolk and Essex, silver 'Morgan's' Shilling token, rev. decorated with a lighthouse and initialled'HM' in waves below, GEF together with a Norfolk and Suffolk Shilling token by J. Hunton of Yarmouth and Blyth & Co. of Bury St Edmunds, F or better Provenance: from the Tompkin collection
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2466194 item(s)/page