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A WWI Medal Trio, comprising 1914 'Mons' Star with Bar and two silver roses, War Medal and Victory Medal trio to 3-10072 Pte J. O Wesley, 1/Northamptonshire Regiment, plus Silver War Badge, discharge and medical papers, two Christmas 1914 tins and assorted badges. John Charles Wesley was born in 1894, records indicate he enlisted on 9th August 1914 in Northampton. He was injured on or around 15th May 1916, probably somewhere on the Somme, he was transferred back to England with shrapnel wounds to the back, and discharged on 5th February 1919.
A White Metal Lighter In The Form of a Tiger, on wooden plinth, c.15cm long, with silver plaque bearing inscription - 'Presented To The Officers Mess' The Hallamshire Battalion' by Major R.M.H. Weeks, Capt R.F.W Baker, Lt R.E.Smith on leaving the Battalion, June 1965.
Collection of Military cap badges incl. RAF, Royal Engineers, RFC, Royal Engineers, Royal Artillery, Fife and Forfar Yeomanry, RAF peak, and Polish Army, buttons incl. RAF, Royal Engineers, etc Scout Jamboree badges, Various Coronation medallions, silver and enamel Barnardo Helpers badge, other Militaria etc Condition Report Click here for further images, condition, auction times & delivery costs
Fine pair of Officers's Percussion Pistols by Joseph Kemp, 31 Duke St, Grpsvenor Square, London, No.5007, circa 1846-49 with browned musket bore barrels, signed on a broad full length flat, with blued bead fore & blade back-sights, engraved patent case-hardened breeches, case-hardened breech tangs engraved with scrolling foliage, engraved bolsters with platinum plugs, signed bolted engraved case-hardened locks decorated with scrolls and border ornament, highly figured polished walnut full stocks, chequered butts, engraved steel mounts comprising blued trigger-guards, plain case-hardened trigger-plates, case-hardened butt-caps with traps, moulded ramrod-pipes, German silver barrel bolt escutcheons, vacant German silver escutcheons, horn fore-end caps, blued steel stirrup ramrods, and retaining some original finish throughout: in their original fitted baize lined mahogany case, the lid with brass flush-fitting carrying handle and the applied with trade label for 31 Duke Street, and complete with Dixon & Sons patent powder and double shot flask, rammer, nipple wrench and turnscrew (case lid slightly warped, lining with very light wear and minor fading) 35.2cm; 13 7/8in Condition Report Case lid slightly warped, lining with age related very light wear and minor fading, Click here for further images, condition, auction times & delivery costs
WW2 Bulgarian Army Officer's dress dagger 25cm twin edge blade etched both sides, cross guard with lion head finials coat of arms and Bulgarian order, wire bound orange celluloid grip with crown pommel, L37.5cm, in textured scabbard with leaf cast hanging rings with a pair hanging straps with silver wire brocade Condition Report Click here for further images, condition, auction times & delivery costs
Victorian steel boot lace pull, with wrythen silver handle, pommel moulded with crest for Gordon Seaforth Highlanders, by George Unite, hallmarked Birmingham 1889, L46cm Condition Report Click here for further images, condition, auction times & delivery costs
Gold and enamel Durham Light Infantry bar brooch stamped 9ct and a silver and green enamel ATS powder compact, hallmarked Birmingham 1939, lid with interior mirror (2) Condition Report Click here for further images, condition, auction times & delivery costs
EARLY CULT - BILLY'S LOVE ERA SILVER PENDANT. A hallmarked (950) silver cross pendant, worn frequently by Billy on stage during the Love era. Measures approx 4.5cm x 4.5cm. “I can be seen wearing this silver cross in lots of live shots from the ‘Love’ era and still liked it enough to have on for a Ceremony photo shoot in 1991 (included in Lot 45)”
TONY CREED CUSTOM MADE SILVER SKULL RING. With blue gemstone eyes and "Duffy" and "Rock n Roll Till The Day I Die" engraved along on the edge of the skull. On the neck of the ring is written "Billy" "The Cult" "Circus Diablo" "Who Dares Wins" and on the back of the skull it is signed "Bossman" "TC" "Tony Creed". Measures approx 2" long and weighs 83g. Approx. size V
CHROME HEARTS 2006 STERLING SILVER NECKLACE & KEY CHAIN/LEATHER WALLET. A stamped and dated Chrome Hearts necklace, measures 21". Also a Chrome Hearts card holder on chain. “In the early 90s there was a big fashion to have the wallets with the big chains dangling down so I had one of those. I remember we played the Almost Christmas Los Angeles radio station KROQ-FM in 1991 and I remember sitting playing and the chain got stuck in the chair! I ended up dragging the chair off a stage at the end of the set and that was pretty embarrassing! I also took the wallet chains off to make necklaces as they can unhook and later on there’s pictures of me wearing those.”
CHROME HEARTS 1989 STERLING SILVER BELT BUCKLE ON BLACK LEATHER BELT. A 1989 Chrome Hearts belt buckle on leather belt. Buckle measures approx 3" and is in very good condition. “This is one of the earliest Chrome Hearts pieces I picked up as they only started in 1988. You can tell by the waist size it’s old and that’s one of the very first belts they did.”
BILLY'S GRETSCH WHITE FALCON GUITAR. As played by Billy. “Since I bought my first Gretsch White Falcon in the early 1980’s this guitar more than any other in my collection is the one that most people will associate with me and The Cult. I was really honoured when, in 2013, Gretsch launched my Signature model based on my classic 1975 ‘Sanctuary’ guitar. It’s not a forensic recreation or a replica of my original as my guitars have many war wounds and scars, but it’s based on that one. In the 1970s Gretsch was made by Baldwin and they built them in a different way to the modern Falcons. The more recent ones are more ’50s-based in terms of their construction, for example my 1975 one has got a zero fret. Gretsch didn't have a ’70s based Falcon as a production model so this fitted the bill. So, Gretsch x-rayed my original guitar and took it apart to take its measurements as they wanted to make sure to get it right. It’s authentic but we didn't want to create an aged copy as that’s a whole different animal. That is very labour intensive to do and would have made it one of those very expensive limited edition collector’s guitars. Both Gretsch and I wanted it to be a standard production model but that said with the custom parts based on my model, like the custom wound hot “Black Top” Filter’Tron pick-ups and 70s-style Bigsby tailpiece, it is not a cheap guitar and retails at around $5000. There are some changes from the original, the bridge isn’t standard from the era but the biggest one is that my 1975 guitar was white with gold trim and hardware but due to age and use the gold had worn off to expose the metal below. So it seemed cool to make the hardware silver and then it made sense to do the trim in silver and chrome too. We also added a small chrome plate to the headstock with my signature which made a nice sign off. In 2015 we also created an Evil twin to this one when we launched the Billy Duffy Black Falcon but that was a Limited Edition which is long sold out. This is one from my personal collection that has been used in the studio and live with The Cult.”
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