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A George II Silver Coffee-Pot, Maker's Mark ?B, London, Probably 1742, tapering and on spreading foot, the hinged cover with baluster finial, with carved wood handle, engraved underneath with initials ''D' over 'HM', 24.5cm high, gross weight 25oz, 777gr. Fully marked near handle. The cover apparently unmarked. There is wear to the marks which are only just visible. There is some overall surface scratching and wear, consistent with age and use. The wood handle is probably replaced.
A George II Silver Waiter, Maker's Mark RR, For Either Richard Rugg or Robert Rew, London, 1758, shaped circular and on three scroll feet, with scroll and shell cast border, 16.5cm diameter, 7oz 4dwt, 225gr. Fully marked underneath. The marks are generally clear. There is some overall surface scratching and wear as well as some pitting. The wear is noticeable as a softening to the high points. Some feet may have been reattached.
A George II Silver Coffee-Pot, by Richard Burcombe, London, 1734, tapering and on spreading foot, the hinged cover with baluster finial, with carved wood handle, later engraved with foliage scrolls, 22cm high, gross weight 23oz 12dwt, 734gr. Fully marked underneath. The cover marked inside with lion passant only. There is some overall surface scratching and wear, consistent with age and use. There is a small bruise to one side. The engraving on the cover and body was done later, probably in the 19th century. The wood handle is replaced.
A George II Silver Salver, by George Wickes, London, 1754, shaped circular and on three cast foliage feet, with shaped and foliage cast border, later engraved with a coat-of-arms within the original cartouche, 40cm diameter, 53oz 6dwt,1,658gr The later coat-of-arms is that of Kinnear.. Fully marked underneath. Further engraved with scratch weight '54=11'. The marks are clear. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. The centre has been erased and is somewhat thin.
A George III Silver Salver, Probably by John Carter, London, 1774, shaped circular and on four cast ball and claw feet, with beaded border, engraved with a crest, 35cm diameter, 37oz 4dwt, 1,157gr. Fully marked underneath. The marks are generally There are some overall minor surface scratches and wear, consistent with age and use. The feet have possibly been reattached as there is some excess solder.
A George III Scottish Silver Sugar-Bowl, by Alexander Spence, Edinburgh, 1789, tapering oval and on conforming foot, the foot and rim each engraved with foliage, each side further engraved with a vacant ribbon tied shield, with overhead swing handle, 20.5cm high including handle, 9oz 6dwt, 289gr. Fully marked on foot, The handle apparently unmarked. There is some wear to the marks, though each is still legible. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the engraved decoration. The bowl and foot are slightly out of alignment. The surface is somewhat bright.
A George II Silver Salver, by Hugh Mills, London, 1747, shaped circular and on three pad feet, with shell cast shaped border, engraved with a crest, 20.5cm diameter, 10oz 2dwt, 315gr. Fully marked underneath. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. The crest and cartouche are possible later. The surface is somewhat bright. There are some repairs where the border and base meet.
A George III Silver Goblet, by Samuel Hennell, London, 1816, tapering cylindrical and on spreading foot, the lower body part fluted, engraved with a crest, the interior gilt, 16.5cm high,9oz 19dwt, 309gr. Fully marked near rim. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The gilding is strong inside the bowl and may have been refreshed.
A George III Silver Toastrack, by John and Thomas Settle, Sheffield, 1817, oblong and on four foliage cast feet, with gadrooned border and seven bars, with central foliage cast ring handle, engraved with a crest, 16cm wide, 7oz 4dwt, 224gr. Fully marked on central bar. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There have been some repairs to the bars where they attach to the base and there are some bruises overall.
A George III Silver Spirit-Flask, by Peter, Ann and William Bateman, London, 1802, slightly tapering and curved, the lower body with detachable cup, the threaded cover with threaded finial which threads into the stopper, 17cm high, 8oz 5dwt, 257gr. Fully marked under base of flask. The cup part marked. The side further marked with maker's mark only. There is some minor wear to the marks, though each is still legible. There is some overall surface scratching and wear, consistent with age and use.
A George III Silver Salver, by John Mewburn, London, 1824, circular and on three scroll and paw cast feet, with gadrooned border, 23.5cm diameter, 18oz 16dwt, 585gr. Fully marked under base. The marks are clear. There is some overall surface scratching and wear, consistent with age and use.
A Pair of George III Silver Candlesticks, Maker's Mark WT, London, 1774, each on stepped square gadrooned base, with baluster stem and spool shaped socket, later engraved with a crest, 24cm high 37oz 11dwt, 1,168gr (2) . Each fully marked under base and marked with lion passant on socket. The marks underneath are clear. The marks on the sockets have some wear. There is overall surface scratching and wear, consistent with age and use. The were is noticeable as a softening to the high points and the engraving. There is some bruising to the base of each which cause each stick to rock slightly when placed on a flat surface. There is a bruise to the socket of one.
A George III Silver Four-Bottle Decanter-Stand, Probably by William Stroud, London, 1800, the stand on four caster feet and with supports for the four cut glass bottles, each with facetted stopper and silver-mounted neck, with overhead handle and engraved with a crest, 26.5cm high. Fully marked on edge of base. Further part marked on base, on each caster foot and bottle mount. In general the marks are clear. There is some overall surface scratching and wear, consistent with age and use. The wood base is probably replaced. One bottle has been broken and re-glued Two are possibly replaced and are slightly differing size. Each of the bottles has original hallmarked mounts.
A Three-Piece George III Silver Tea-Service With a Pair of Sugar-Tongs En Suite, by Solomon Hougham, Solomon Royes and John East Dix, London, 1817, each piece inverted pear-shaped and on spreading foot, chased overall with foliage scrolls and flowers on a matted ground, comprising: a teapot, with ivory insulated handle; a cream-jug and a sugar-bowl, each piece engraved on one side with a coat-of-arms and on the other with a crest, the teapot further engraved with an inscription, the tongs engraved with a crest, the teapot 27cm wide over handle, total gross weight 52oz 6dwt, 1,627gr (4) . Each piece fully marked underneath. The teapot further part marked inside cover and on handle. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a very minor softening to the decoration. The feet on each have minor bruises so the pieces rock slightly when placed on a flat surface. There is some staining and cracking to the ivory insulators. The inscription reads 'The Gift of Wm Adams of Towcester Esq'r and his Sisters, to James Rosseter'.
A Three-Piece George III and George IV Silver Tea-Service, The Teapot Maker's Mark Worn, London, 1815, The Cream-Jug and Sugar Bowl by Solomon Royes, London, 1821, each piece shaped oblong and on cast paw and scroll foot, the lower body part-fluted, engraved on one side with initials and on the other with a later initial, the teapot with ivory insulated handle, the teapot 29cm wide over handle, 41oz 14dwt, 1,296gr (3) . The teapot marked near handle and part marked inside cover. The marks are generally clear, though the maker's mark is not visible. The handle is apparently unmarked but appears to be original to the teapot. The cream-jug and sugar bowl each marked underneath. The marks are clear. There is overall surface scratching and wear, consistent with age and use. The ivory insulators on the handle are somewhat discoloured and cracked. The inside of the cream-jug and sugar-bowl are gilded.
A George III Silver Tankard, Maker's Mark IC, Possibly for John Carter, London, 1776, tapering cylindrical and with reeded bands, the hinged cover and scroll handle engraved with hops and wheat, the cover further engraved with a coat-of-arms, 18.5cm high, 29oz 8dwt, 914gr. Fully marked under base and inside cover. There is some wear to the marks inside the cover, the marks underneath are generally clear. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the engraving. The surface is somewhat bright.
A George III Silver Mug, by James Stamp and John Baker, London, 1783, plain baluster and on spreading foot, with leaf-capped scroll handle, 10oz 11dwt, 328gr. Fully marked under base. The marks are generally clear. There is overall surface scratching and wear, consistent with age and use. There is some broken fire visible to the surface. There is a slightly brighter area on the front, suggesting an erasure. There is some minor bruising. The lower handle junction has been repaired.
A George III Silver Tankard, by William and James Priest, London, 1766, baluster and on spreading foot, the hinged domed cover with openwork thumbpiece, with scroll handle, 19.5cm high, 25oz 10dwt, 794gr. Fully marked underneath and inside cover. There is some wear to the marks, though they are generally still legible. There is some overall surface scratching and wear, consistent with age and use. There are some bruises, the most obvious of which is to the foot which causes the tankard to rock when placed on a flat surface. The bottom handle junction has been repaired.
A George IV Provincial Silver Cream-Jug, by James Barber, George Cattle and William North, York, 1826, compressed circular and on collet foot, with central reeded band, with leaf-capped scroll handle, 14.5cm wide over handle, the interior gilded, engraved with a crest, 7oz 15dwt, 241gr. Marked on side with maker's mark lion passant, leopard's head, duty mark and date letter. There is some wear to the marks, though they are still legible. There is some overall surface scratching and wear as well as some minor bruising, all consistent with age and use. The wear is noticeable as a softening to the engraving.
A George III Silver Toast-Rack, by Michael Plummer, London, 1792, shaped oblong and on four panel feet, with seven bars and an overhead handle, 16.5cm wide, 5oz 14dwt, 178gr. Fully marked underneath. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. There have been repairs to a number of the bars and to the overhead handle. The base has some bruises and is slightly out of shape.
A William IV Silver Teapot, by Benjamin Smith, London, 1836, tapering cylindrical and chased with spiral-fluting and foliage and flowers, the hinged cover with cast flower finial, with ivory insulated handle, 26cm wide over handle, gross weight 21oz 3dwt, 657gr. Fully marked near handle. Further part marked inside cover, on finial, fixing bolt and handle. There is some wear to the marks, though they are still generally legible. There is some surface scratching and wear, consistent with age and use. The ivory insulators on the handle have some cracking and discolouration. Two fixing pins on the handle are lacking, though the handle still stays in place.
A William IV Irish Silver Salver, by James Moore, Dublin, 1835, shaped circular and on four foliage cast paw feet, with openwork foliage scroll border heightened with cast masks, the centre chased with foliage scrolls, flowers and fruit on a matted ground and engraved with a coat-of-arms, 44.5cm diameter, 66oz 18dwt, 2,081gr Provenance: with Gisela James, circa 2010.. Fully marked near rim. The marks are clear. There is overall surface scratching and wear, consistent with age and use. The centre is slightly thin and has possibly been erased.
A Pair of Charles II Silver Trefid Spoons, Maker's Mark IP, Star Above, Crescent Below, London, Circa 1680, the back of the handles each engraved with initials 'M' over 'T*M', the back of the bowl with foliage cast and beaded rat-tail, 20cm long, 2oz 18dwt, 90gr (2) . One is is fully marked on the back of the handle. The other is marked with maker's mark, leopard's head and lion passant. There is some wear to the marks, particularly the lion passant and the date letter. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as some minor wear to the edge of the bowls. The surface is somewhat bright.
A Charles II Silver Seal-Top Spoon, Marked Indistinctly, Probably West Country, Dated 1660, the slightly tapering stem terminating in a foliage-cast baluster finial, prick engraved with initials and dated '1660', 16cm long, 1oz 3dwt, 36gr. The bowl marked with indistinct mark. There is some overall surface scratching and wear consistent with age and use. The wear is noticeable as a minor thinning to the bowl on one side. There has possibly been a repair below the finial. The surface is somewhat bright.
A William III Silver Trefid Spoon, by Thomas Spackman, London, 1700, the tapering handle engraved with initials, the back of the bowl with a beaded rat-tail, 20cm long, 1oz 18dwt, 60gr . Fully marked on back of bowl. There is some wear to the marks but they are generally still legible. There is some overall surface scratching and wear as well as some small bruises, consistent with age and use.
A Charles II Silver Trefid Spoon, by Lawrence Jones, London, 1688, the tapering handle engraved with a crest, the back of the bowl with a rat-tail, 18.8cm long, 1oz 10dwt, 47gr. Fully marked on back of handle. The marks are clear. There is some surface scratching and wear, consistent with age and use. The wear is noticeable as a minor thinning to one edge of the bowl.
A Charles I Silver Seal-Top Spoon, by Daniel Cary, London, 1638, the faceted slightly tapering handle terminating in a baluster foliage-cast seal terminal, prick engraved with initials 'EW', 17.5cm long, 1oz 13dwt, 51gr. Marked in the bowl with leopard's head erased. The back of the handle with maker's mark, lion passant and date letter. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a very minor thinning to one edge of the bowl. There is some bruising to the finial.,
A Pair of George III Silver Decanter-Labels, by Hester Bateman, London, Circa 1770, each crescent shaped and with gadrooned border, the top with a shield engraved with a crest, engraved for 'Hock' and 'Port' 4.5cm wide, 15dwt, 23gr (2) . Each marked on the back with lion passant and maker's mark only. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The chain on one is detached on one side.
A Pair of George III Silver Decanter-Labels, by Robert Barker, London, 1793, cartouche shaped, engraved for 'Burgundy' and 'Calcavella'; Together With: A George III Silver Decanter-Label, Maker's Mark WM only, Circa 1760, cartouche shaped, engraved 'Claret', 5cm wide, total weight 1oz 6dwt, 40gr (3) . Each marked underneath. The first two marked with maker's mark, lion passant, date letter and duty mark. The other marked with maker's mark only. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use.
A George III Silver Snuff-Box, by Samuel Pemberton, Birmingham, 1809, curved oblong and with hinged cover, the interior gilded, engraved with initials, 7.5cm wide, 1oz 19dwt, 60gr. Part marked inside base and cover. The marks are generally clear. There is overall surface scratching and wear. The wear is noticeable as a softening to the engraved initials which are only just visible. There is a small split and repair to one corner.
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2465183 item(s)/page