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Timothy Harris and Jonathan Harris - Isle of Wight - A later 20th Century studio glass vase in the Woodland Silver Birch pattern, of shouldered ovoid form with everted rim, decorated with a wave spiral trail in green and opal against the mottled iridescent pink ground, unsigned, but retains label, height 21cm.
Michael Harris and William Walker - Isle of Wight - A group of later 20th Century Black Azurene glass vases, each decorated with gold and silver leaf over an ink blue ground, the first of cylinder form, height 17cm, a similar smaller example, and two of globe form, all unsigned but retain labels. (4)
Michael Harris and William Walker - Isle of Wight - A collection of later 20th Century Black Azurene glass paperweights, each decorated with gold and silver leaf over an ink blue ground, comprising an egg form paperweight, height 10cm, a similar smaller example with engraved signature, two of globe form, and one of round form, all retain labels. (5)
Michael Harris and William Walker - Isle of Wight - A collection of later 20th Century Black Azurene glass scent bottles, each decorated with gold and silver leaf over an ink blue ground, the first of globe form with flat rim and globe stopper, height 13cm, a similar smaller example, and two conical bottles with globe stoppers, all unsigned but retain labels. (4)
Michael Harris and William Walker - Isle of Wight - A collection of later 20th Century Black Azurene glass scent bottles, each decorated with gold and silver leaf over an ink blue ground, comprising a graduated set of three of compressed ovoid form with globe stopper, height of tallest 14.5cm, and a conical bottle with conical stopper, all unsigned but retain labels. (4)
Clarice Cliff & Ernest Proctor - A circular plate circa 1934 manufactured for the Harrods Art in Industry exhibition and decorated with a stylised dancing couple with a guitarist in silver lustre over a green glazed ground, Ernest Proctor signature and Bizarre mark, width 22.5cm.
Galle - An early 20th Century cameo glass scent bottle, of ovoid form, cased in amethyst over the opal ground and cut with floral motifs, mounted with a silver hallmarked cap repousse decorated with daisy stems, Birmingham 1913, cameo signature to the body, height 10cm, together with a small Galle cameo vase, of squat ovoid form and tall collar neck, cased in amethyst over opal, cut with flowers to the neck, cameo signature to the neck, height 10cm. A/F (2)
Rene Lalique - A group of three scent bottles to include a small factice Je Reviens for Worth designed circa 1929, of stepped cylindrical form with pillar moulded body in dark blue below matched turquoise blue stopper, relief moulded mark, another similar example with a silver top and a Eau de Cologne Sou de Paris bottle of arched form in cobalt blue with silver top and original paper label, relief marks, height 11cm. (3)
Loetz - A large late 19th Century vase circa 1898 to 1900, of slender shouldered ovoid form with collar neck and flat rim, decorated in the Rubin PG 6893 Phaenomen Genres pattern with silver to electric blue iridescent wave lines over a ruby coloured ground, unmarked, height 25cm.
A D.Maria card trayPortuguese silver, 1st half of 18th centuryPlain centre and beaded rim resting on 3 foliage and beaded frieze decorated feetLisbon assay-marks (L-25) Vitorino dos Santos Pereira datable 1727-1748 and Elder's HeadLiterature:F. Moitinho de Almeida/Rita Carlos"Inventário de Marcas de Pratas Portuguesas e Brasileiras"séc. XV a 1887pp. 220 , 107Diam.: 17,5 cm177 g
A centrepiece / flower holderPortuguese silverBoat shaped bowl of profuse repousse decoration with foliage and winglets forming central blank cartouchesProtruding volute handles and pierced gridMirrored stand on wooden carcass framed in silver of identical decorationEagle hallmark 833/1000 (1938-1984) and same date maker's mark3153 g
A coffee pot with coverPortuguese silver, 19th centuryPlain body with beaded frieze to rim, base and footFlame lid pommel and turned wooden handleLisbon assay-marks (L-43.0) Maurício Gonzaga da Costa datable 1822-1860(signs of wear, minor dent)Literature:F. Moitinho de Almeida/Rita Carlos"Inventário de Marcas de Pratas Portuguesas e Brasileiras"séc. XV a 1887p. 112Height: 19 cm366 g
An important and large vasePortuguese silver Baluster shape of profuse foliage motifs, mythological figures and repoussé and finely chiselled classical masks decorationBroad repoussé gadroons mouth and protruding angel shaped handlesBlank frames on both sides of bodyEagle hallmark 916/1000 (1938-1984) and maker's mark Armindo Martins de Oliveira Costa registered 1941Engraved "Torres"Height: 64 cm9055 g
A platter with coverFrench silver after an 18th century prototypePlain body, protruding handles of foliage and scrolls motifs decorationMoulded and scalloped coverFrench assay-marks for Paris (19th / 20th century), later hallmarked Boar 916/1000 (1887-1938) and engraved Leitão & Irmão Lisbonne11x30 cm745 g
A centrepiecePortuguese silverCircular structure resting on four claw and ball feetSilver thread baskets and base, being four suspended from voluteResting on an oblong mirrored silver standOporto Boar hallmarks 833/1000 (1887-1938) and same date maker's markHeight: 47 cm(plateau) 56x35 cm 1458 g.
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2465183 item(s)/page