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Lot 220A

A Concave silver vesta case, ladies white metal purse other assorted silver and white metal items.

Lot 221A

A Silver cased open face pocket watch with a white enamel dial signed " H Samuel, Manchester" , a gents wristwatch , white metal ring and coins.

Lot 222

A Box of costume jewellery and a silver bangle bangle, Chester 1944.( 2703 )

Lot 223

Six items of silver jewellery ( 2695 )

Lot 231

A Silver open faced pocket watch , a silver mother of pearl knife and 1 other. (3) ( 2690 )

Lot 232

A Gents G shock digital watch ( 2015 ) and a gents silver bracelet. (2)

Lot 233

A Collection of silver and white metal pocket watches including a silver watch London 1891

Lot 237A

A Box of costume jewellery including beaded necklaces, filigree butterfly brooch, oval silver pendant and chain, white metal bangles , etc.

Lot 238

A Modern silver easel photograph frame.

Lot 239

A Cased three piece silver cruet set ( Birmingham 1922 ) , a silver sauce boat with a scroll handle and reeded border, a silver plated teapot with a bird finial, silver handled button hook, silver compact and a plated milk jug.

Lot 24

A Substantial 19th Century silver plated column table lamp and a modern table lamp with a Tiffany light shade. (2)

Lot 51

A Silver collared ebonised walking cane, a rustic wooden walking stick with a silver cap, a third walking stick with a silver collar and 1 other.(4)

Lot 66

A Collection of books, a Crown Ducal blue and white turkey plate, collection of vintage postcards , an oak biscuit barrel with a silver lid, blue and white ceramics, floral pattern tea wares, two collectors dolls, etc.

Lot 71

A Silver cased pocket watch, a stainless steel bit and 1 other bit. (3)

Lot 78

A Camera tripod , pair of silver plated two branch candelabrum , a pair of brass candlesticks, an alabaster and gilt metal table lamp, a wooden chess board with a gilt metal and silvered metal figural chess set, a pierced iron fire kerb , tubular painted metal curtain poles and an art nouveau style toilet jug and bowl.

Lot 87

A Victorian silver plated egg cruet with 6 removable egg cups the stand with a scalloped border raised on egg and claw feet and an early 20th century child's Singer sewing machine. (2)

Lot 90

A Box of sundry items, copper lustre jug, dressing table candlesticks, green glass handkerchief vase, silver plated candlesticks, a Vulcan Minor child's sewing machine, Blue Mountain vase, etc.

Lot 1004

9th-11th century AD. A hand-forged iron stirrup with crescentic flange and gusset to the footrest; the flange with rectangular slot, inlaid silver geometric designs in panels. Property of a German collector; acquired in the 1990s. Cf. Arbman, H. Birka I: Die Gräber, Uppsala, 1940, plate 34 for type. 215 grams, 15.5cm (6"). [No Reserve] Fine condition.

Lot 1025

10th-11th century AD. A silver discoid pendant with integral loop open to the rear, openwork regardant dragon with tendrils extending to the rim. Property of a German collector; acquired in the 1990s. See discussion in Korshyn, V.E. Yazcheskye Priveski Drevnei Rysi X-XIV Vekov, Moscow, 2013. 3.73 grams, 33mm (1 1/4"). [No Reserve] Very fine condition.

Lot 1026

9th-12th century AD. A flat-section silver crescentic plaque with ribbed loop, geometric granulation design. From an old Munich collection; acquired on the German art market before 2000. 5.57 grams, 34mm (1 1/4"). [No Reserve] Very fine condition.

Lot 1027

9th-11th century AD. A silver scutiform pendant with ribbed suspension loop above; body decorated with a central boss and stamped triangles forming a sun burst pattern. Property of a professional collector; acquired before 1990. 3.38 grams, 44mm (1 3/4"). [No Reserve] Very fine condition. Very rare.

Lot 1028

11th-13th century AD. A silver flat-section crescentic plaque with integral ribbed loop, beaded wire border and applied filigree trefoils, pellets and fillets. Property of a London collector, acquired before 1980. 5.54 grams, 29mm (1 1/4"). Very fine condition.

Lot 1029

9th-11th century AD. A silver filigree setting with suspension ring at the top and small vandykes to the bottom holding a boar's tooth. Acquired on the German art market 1980-1990. Meaney, A. L. Anglo Saxon Amulets and Curing Stones, British Archaeological Reports, British Series 96, 1981. The boar was sacred to both Freyr and Freya and held a special place in the social and religious life of the Vikings. 2.04 grams, 21mm (1"). [No Reserve] Very fine condition.

Lot 1032

9th-11th century AD. A hollow-formed silver-coloured metal bead with three arms surrounding an olive-shaped bead, with granule detailing overall. From an old Munich collection; acquired on the German art market before 2000. 5.60 grams, 33mm (1 /4"). [No Reserve] Fine condition.

Lot 1035

9th-11th century AD. A tapering penannular silver shank formed from two rods wound longitudinally, with twisted filigree to the seams. Property of a German collector; acquired in the 1990s. Cf. Sedov, B.B. Finno-Ugri i Balti v Epokhi Srednevekovija, Moscow, 1987, plate CXXXVII, item 1 for type. 8.13 grams, 28mm overall, 18.57mm internal diameter (approximate size British Q 1/2, USA 8 1/4, Europe 18.12, Japan 17) (1"). [No Reserve] Fine condition.

Lot 1036

9th-11th century AD. A round-section silver hoop with tapering ends coiled around the shank, bezel formed as three twisted wires. Property of a gentleman; acquired in the late 1960s-early 1970s. 4.98 grams, 25mm overall, 18.82mm internal diameter (approximate size British R, USA 8 3/4, Europe 19.0, Japan 18) (1"). Very fine condition.

Lot 1038

9th-12th century AD. A group of silver finger rings, each a round-section hoop with the ends coiled around the shank. Property of a German collector; acquired in the 1990s. 7.49 grams total, 21-26mm (3/4 - 1"). [3, No Reserve] Fine condition.

Lot 1039

9th-11th century AD. A matched pair of silver rings, each a penannular tapering hoop formed from twisted flat-section bars. From an old Munich collection; acquired on the German art market before 2000. 12 grams total, 24-26mm (1"). [2, No Reserve] Fine condition.

Lot 1040

9th-11th century AD. A group of three silver rings comprising: one with plain band and three sections of wire coiled around the shank; one with a twisted body and two sections of wire coiled around the shank; one with thin plain shank, bezel formed of spiral with ends wrapped around shank. Property of a London businessman, from his grandfather's collection formed after World War II; thence by descent 1972. 6.3 grams total, 23-24mm (1"). [3, No Reserve] Very fine condition.

Lot 1041

9th-11th century AD. A hollow sheet-silver pendant in the form of a fish with forked tail, band of volute scrolls to the spine and raised eyes; separate plate to the underside. Property of a German collector; acquired in the 1990s. 3.02 grams, 57mm (2 1/4"). [No Reserve] Fine condition.

Lot 1042

10th-12th century AD. A discoid silver pendant with integral loop, openwork cross with pellet detailing. Property of an American collector; acquired 1980-2000. 1.31 grams, 20mm (3/4"). [No Reserve] Very fine condition.

Lot 1043

12th-13th century AD. A mixed group of axehead pendants comprising: a silver broad axe with curved edge; a bronze pelta-shaped axe-head with pellets to each face; a pelta-shaped plaque, pierced at the neck with pointillé border, incised ring and star. Property of an American collector; acquired 1980-2000. Cf. Korshun, V.E. Yazcheskye Priveski Drevnei Rusi X-XIV Vekov, volume I, Moscow, 2013, item D-64. 7.48 grams total, 19-28mm (3/4 - 1"). [3, No Reserve] Fine condition.

Lot 1046

9th-11th century AD. A spherical silver bead with ribbed band in the middle, body decorated with coils with a ball of silver in the middle. Property of an American collector; acquired 1980-2000. Cf. Arbman, H. Birka I: Die Gräber, Uppsala, 1940, plate 114, items 2 and 6. 4.4 grams, 17mm (3/4"). [No Reserve] Fine condition.

Lot 1047

10th-12th century AD. A rectangular silver sheet-silver container with punched-point scrolled foliage detail to one side, regardant winged beast to the other. From an old Munich collection; acquired on the German art market before 2000. 3.56 grams, 18mm (3/4"). [No Reserve] Fine condition.

Lot 1048

9th-12th century AD. A mixed group of silver Kievan Rus items comprising: a garment fastener comprising a short chain and two hollow bars with repoussé beast-head detailing; an axe-head amuletic pendant. From an old Munich collection; acquired on the German art market before 2000. 5.92 grams total, 26-58mm (1 - 2 1/4"). [2, No Reserve] Fine condition.

Lot 106

Roman Period, 30 BC-323 AD. A silver round-section coiled band with scale detailing to the outer face, tail coiled and the finial a lozengiform snake-head. Property of a gentleman; acquired in the late 1960s-early 1970s. 5.38 grams, 26mm overall, 18.48mm internal diameter (approximate size British Q, USA 8 1/4, Europe 18.0, Japan 17) (1"). Fine condition.

Lot 1070

9th-11th century AD. A group of two silver and one bronze amulets, comprising a lunate with pellet decoration, a lunate with incised decoration and short horns, a cross pendant with equal armed cross in circular frame. Property of a German collector; acquired in the 1990s. 7 grams total, 16-24mm (3/4 - 1"). [3, No Reserve] Fine condition.

Lot 1071

9th-11th century AD. A group of three bronze pendants, two gilt, consisting of: a round gilt pendant with raised boss in the centre and chevron pattern in three bands, thick suspension loop above with silver split ring; a gilt pendant of irreglar shape and with deeply cut abstract wave pattern over surface, suspension ring above; a large round pendant with sun burst motif in the centre, suspension ring to the rear with large split ring. Property of an American collector; acquired 1980-2000. 19 grams total, 28-58 (1 - 2 1/4"). [3, No Reserve] Fine condition.

Lot 1090

9th-11th century AD. A mixed bronze group comprising: a weight, octagonal in plan with chamfered edges; a polyhedral weight; a male head patrix die with large pellet-in-disc eyes, deckled edge. Property of a Surrey, UK, gentleman; acquired on the London art market 1990s. See Hårdh, B. Silver in the Viking Age. A Regional-Economic Study, Acta Archaeologica Lundensia no.25, Stockholm, 1996, p.140 for discussion of polyhedral weights. 33 grams total, 13-15mm (1/2"). [3, No Reserve] Fine condition.

Lot 1133

14th-15th century AD. A D-section silver hoop with S-scrolls to the outer face, Lombardic Italian script to the inner face Amore Vole Vole Fe (love cannot exist without trust"). Property of a Suffolk lady. 1.35 grams, 20mm overall, 17.90mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15) (3/4"). Fine condition.

Lot 1134

15th century AD or later. A mixed group of silver items comprising: a ring with butted finials, openwork trichinopoly band; a bracelet with trichinopoly band, pierced lobe finials. From an old Munich collection; acquired on the German art market before 2000. 38 grams total, 26-74mm (1 - 3"). [2, No Reserve] Fine condition.

Lot 1152

13th-16th century AD. A silver ring with tapering shank and bezel with clasped hands. Private collection, UK; formed in the 1980s. 3 grams, 20.36mm overall, 18.35mm internal diameter (approximate ring size British Q 1/2, USA 8 1/4, Europe 57 3/4, Japan 16) (3/4"). Fine condition.

Lot 1153

13th-15th century AD. A silver circular loop with a large flat oval plaque with incised geometric decoration, traces of gilding. Acquired on the London art market prior to 1980. 11.55 grams, 23.41 overall, 19.23 internal diameter (approximate size British S, USA 9 1/4, Europe 20.38, Japan 20) (1"). Fine condition.

Lot 1154

15th century AD. A silver-gilt barrel-shaped hoop with pad to the underside, elliptical plaque with deckled edge, reserved holly-leaf on a field of annulets, seven annulets in cruciform arrangement to the centre. Property of a Surrey, UK, gentleman; acquired on the London art market 1990s. Cf. Taylor, G. & Scarisbrick, D. Finger Rings from Ancient Egypt to the Present Day, Oxford, 1978, item 348 for type. 5.67 grams, 21mm overall, 18.30mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16) (3/4"). [No Reserve] Very fine condition.

Lot 1156

13th-15th century Ad. A silver parcel-gilt D-shaped hoop with zigzag and rosette decoration, a flat circular plaque with a double-faced beast and spoked wheel surrounded by a radiating star motif on a hatched field. Property of a Surrey collector; acquired in the early 1970s. 10 grams, 24mm overall, 19.95 internal diameter (approximate size British U, USA 10, Europe 22.52, Japan 22) (1"). Extremely fine condition. A large wearable size.

Lot 1158

15th century AD. A silver hexagonal plaque with integral loop, openwork floral detailing. From a Surrey, UK, collection; formed before 2000. Cf. Ashley, S. Medieval Armorial Horse Furniture in Norfolk, East Anglian Archaeology 101, Dereham, 2002, item 235 for type. 11 grams, 44mm (1 3/4"). Very fine condition.

Lot 1159

14th century AD. A silver-gilt ring brooch formed as two serpentine creatures with a head at each end gripping the constriction for the loop of the pin and the pad; D-section pin. Found Tuddenham, Suffolk, UK, 2015. Disclaimed under the Treasure Act, reference number T2015 T36; accompanied by a letter from the British Museum. Recorded with the Portable Antiquities Scheme with reference number SF-3ADAC2. 0.93 grams, 13mm (1/2"). Fine condition.

Lot 1161

12th-14th century AD. A silver-gilt discoid mount with raised ropework border, lion resting with legs splayed on a textured field, tail curled, raised head modelled in the round; remains of stud to the reverse. Property of a German collector; acquired in the 1990s. 4.96 grams, 22mm (1"). [No Reserve] Very fine condition.

Lot 1163

14th-17th century AD. A mixed group of silver and bronze finger rings comprising: a plain hoop with expanding shoulders; a D-section hoop with octagonal bezel, reserved lozenge motif; a D-section hoop with discoid bezel, pellet border and inset green glass cone; a flat-section hoop with discoid bezel, reserved wheel motif on green enamel field. From a Surrey, UK, collection; formed before 2000. 27 grams total, 17-30mm (3/4 - 1 1/4"). [4] Mainly fine condition.

Lot 1165

12th-16th century AD. A mixed group of silver and bronze finger rings comprising: one with D-section hoop, discoid bezel, reserved lozenge motif; on similar with central knop to bezel; one with discoid bezel, scooped edge; one with discoid bezel, intaglio geometric motifs. From a Surrey collection; formed between 1990-2000. 37 grams total, 24-28mm (1"). [4] Mainly fine condition.

Lot 1166

1st century BC-18th century AD. A mixed group comprising: a bronze pendant with two lateral arms, each with trefoil finial, red enamel fill; a silver ring brooch formed as a twisted wire hoop and pin; a bronze mount with 'IHS' reserved blackletter motif; a vesica seal matrix; a bronze posy finger ring with copperplate text to the inner face '*[...] is my Love'. Property of a Suffolk gentleman. 29 grams total, 17-41mm (3/4 - 1 3/4"). [5, No Reserve] Fair condition.

Lot 1220

15th century AD. With a published Joan of Arc association dating back over a century, exhibited twice in France in the 1950s and in the Museum of Lancashire Millennium Exhibition, January to December 2000, this ring has a silver-gilt hoop with facetted outer face, expanding shoulders and two rectangular and angled fields to the bezel; the hoop with incised niello-filled florid lozenges and triangles, the design giving the appearance of three crosses, the ends of the shoulders with blackletter 'I' and 'M' (for 'Iesus Maria'), the lateral faces with blackletter 'IHS' and 'MAR' (as abbreviations for Jesus and Maria); a small section inserted later to the hoop, sufficient possibly to enlarge it from a band suitable for a small, feminine finger to a larger male(?) hand; the degree of wear generally evident to the ring, including to the hoop insert, suggesting an extended period of wear, long after the date of making, perhaps indicative of the ring's appeal as a talisman; contained in an antique, small oak casket in the form of an architectural reliquary with pitched and hipped lid, the ridge surmounted by a plain cross in iron, the box red velvet-lined, with a removable rectangular holder (the compartment beneath possibly having once held a small document or label), arranged to display the bezel and purpose-made to hold the ring, indicating the reverence in which the ring was already held when the box was made for it; the ring is very unusual in that the vast majority of rings with angled rectangular bezels have them engraved with pictures of saints rather than being inscribed (generally termed as iconographic rings); inscriptions on such rings are normally on the hoop part. Accompanied by a professional drawing showing the ring extended, with the three crosses forming part of the design to the shank clearly depicted; also with publications, documents, press cuttings and correspondence including a photocopy of the 1917 Oates privately printed catalogue; a cuttings book containing an extract from the Sotheby's sale of 1947 (including an image of the ring), with press cuttings from such publications as the Evening Standard, Daily Telegraph and Le Figaro at the time of that sale, followed by others (some illustrated, showing both ring and casket) including from English, American and French newspapers and periodicals in the 1950s, from when the ring was exhibited in France (at La Turbie and also at Rouen and Paris); associated correspondence with the mayor of La Turbie and further referring to the 500th rehabilitation anniversary exhibition; typescript research notes and a signed note by Cyril Bunt (dated 1949) discussing Cardinal Beaufort and the ring and its descent to Lady Morrell; papers relating to two interviews with the British Broadcasting Corporation (BBC) in 1953 and 1956; correspondence with the French embassy in London, shipping documents and permissions for the ring to be sent to France for exhibition; a photocopy of the last letter (with transcript) of Joan of Arc; the exhibition pamphlet for La Turbie (4 copies, 3 in English, 1 in French, 1952), the catalogue for the Jeanne d'Arc et Son Temps exhibition (Rouen and Paris, 1956); documents, including the mounted display caption, from the AD 2000 - The Story of Christianity in Lancashire exhibition at the Museum of Lancashire held in 2000; other correspondence of various dates from 1950s to 1980s regarding the ring, most of the letters with envelopes. Property of an Essex gentleman; inherited 1979 from Dr James Hasson of Harley Street, London; acquired Sotheby's sale, 1 April 1947, lot 37; formerly in a private collection (1929-1947); previously with the F. A. Harman Oates collection (sold Sotheby's, 20 February 1929, lot 21); earlier with Augustus John before 1914, the gift to him of Lady Ottoline Morrell; by descent, through the Cavendish-Bentinck family (Duke of Portland) from cardinal Henry Beaufort (1375-1447), who was present at the trial and execution of Joan of Arc in 1431; the ring stated by Joan at her trial to have been a gift from her parents. Supplied with a positive X-Ray Fluorescence metal analysis certificate. Asked if on the crowned heads there were not rings of gold or other substance, she answered: I do not know. Asked if she herself did not have some rings, she replied to us, bishop: You have one of mine; give it back to me. She said the Burgundians have another ring; and she asked us, if we had her ring, to show it to her. Asked who gave her the ring which the Burgundians had, she answered her father or her mother; and she thought the names Jhesus Maria were written thereon; she did not know who had them written; she did not think there was any stone in it; and she was given the ring at Domrémy. She said that her brother gave her the other ring which we had and she charged us to give it to the Church. She said she never cured any one with any of her rings and [130] ......Asked of what substance one of her rings was, on which the words Jhesus Maria were written, she answered that she did not properly know; and if it was of gold, it was not of fine gold; and she did not know whether it was of gold or brass; she thought there were three crosses, and to her knowledge no other signs save the words Jhesus Maria. Asked why she gladly looked at this ring when she was going to battle, she answered that it was out of pleasure, and in honour of her father and mother; and having her ring in her hand and on her finger she touched St. Catherine who appeared before her....; see Quicherat, Jules, Procés de Condamnation et de Réhabilitation de Jeanne d'Arc, Paris, 1841-1849 (first publication of the full trial texts); see Barrett, P. W., Trial of Joan of Arc, New York, 1932 (first English translation of the trial texts"). Oates, F. A. H., Catalogue of Finger Rings; Brought Together by F. A. Harman Oates, privately printed, London; Sotheby's, sales catalogues, 20 February 1929 (lot 21) and 1 April 1947 (lot 37); Hasson, Dr James, The Banquet of the Immortals, Poseidon Press, Edinburgh, 1948 (310 copies printed), pp.94-100 for a romanticised account of this ring and the death of Joan of Arc (extract from this work included); The Marvellous and Symbolic Story of the Ring of Jeanne d'Arc Exhibited at the Chapelle St-Jean of La Turbie, n.d (1952; English and French language versions accompanying this lot); Jeanne d'Arc et Son Temps, Paris, 1956, Commémoration du Vme Centaire de la Réhabilitation de Jeanne d'Arc, 1456-1956, Rouen and Paris, p.61, no.190 (original catalogue accompanying this lot"). Accompanied by an Art Loss Register certificate. Cyril George Edward Bunt (1882-1969) was an art historian and Librarian at the Victoria and Albert Museum, the writer of several books on such topics as the works of Sir Frank Brangwyn, David Cox and Leonard Campbell Taylor, together with a history of Windsor Castle; he researched the pedigree of the ring and its descent through the Beaufort and Cavendish families (typescript history, discussion and genealogical tree included); he corresponded with Augustus John regarding the ring and confirms how John received it. It is worth noting that the Condemnation trial documents were not published (in France) before 1849 and that the first English translation was published in 1932; prior to these publications, the only access to the original documents would have been in the archives in Paris and, as the association between this ring and Joan of Arc is published at least as early as 1917 (the Oates Catalogue), the connection appears to have been made before any details of Joan's description of her rings would have been generally known. The Cyril Bunt typescript documents have only very recently been found. Ring: 4.90 grams, 21mm overall, 18.27mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 17); casket: 127 grams total, 79 x 58 x 77mm (Ring: 3/4 casket: 3 1/4 x 2 1/4 x 3"). Good condition; surfaces worn.

Lot 1228

10th-13th century AD. A silver cross with engraved figure of Christ wearing long robe, arms outstretched and halo behind head; suspension ring to the top. Property of a gentleman; acquired in the late 1960s-early 1970s. 6 grams, 45mm (1 3/4"). Very fine condition.

Lot 1238

15th century AD. A D-section silver-gilt hoop with pie-dish bezel, reserved arcade to the outer face, hatched 'IHS' monogram (for 'Jesus') over a heart, cross above. Property of a German collector; acquired in the 1990s. 7.32 grams, 28mm overall, 21.36mm internal diameter (approximate size British X 1/2, USA 11 3/4, Europe 27.01, Japan 26) (1"). [No Reserve] Fine condition, usage wear. A large wearable size.

Lot 1239

14th-15th century AD. A silver repoussé plaque with facing seraph mask, four wings to the lower edge and two above; mask framed by a beaded border; pierced above and at one edge. From the collections of Maurice Braham and Lord McAlpine of West Green, London, UK. A seraph is a heavenly creature from Jewish and Christian tradition. They are believed to serve God and are depicted with six wings: two for flying, two to cover their feet and two to cover their faces so that they cannot look upon the face of God. The name seraph (pl. seraphim) means fiery one. They are possibly derived from similar winged creatures from earlier ancient Persian beliefs. 3.84 grams, 74mm (3"). [No Reserve] Fair condition.

Lot 1257

Late 18th-19th century AD. A flat-section rose gold hoop with bifid shoulders, silver skull-shaped plaque modelled in the half-round with white enamelled brow, reserved equal-arm cross; supplied in velvet-lined case. Property of a Suffolk lady. See discussion in Oman, C.C. British Rings 800-1914 London, 1974 and plates 87-91. 3.64 grams, 22mm overall, 17.01mm internal diameter (approximate size British M 1/2, USA 6 1/2, Europe 13.41, Japan 13) (1"). Fine condition.

Lot 1264

18th century AD. A silver-gilt hoop with beaded borders and median band inscribed in seriffed capitals '* A * FRENDS * GYFTE', to the inner face 'ACCEPT * IN * LOYALTIE'. Property of a Suffolk gentleman. 9.10 grams, 22mm overall, 18.90mm internal diameter (approximate size British R 1/2, USA 8 3/4, Europe 19.38, Japan 18) (1"). Very fine condition. A large wearable size.

Lot 1283

17th century AD. A silver heart-shaped pendant with large ribbed loop with pellet decoration; in centre of pendant is bust of Minerva with gilded surround enclosed in circular rope border; either side is decoration of two triangles formed of three pellets; below bust is single pellet; large single tear drop bead at bottom; Eastern European workmanship. Property of a gentleman; acquired in the late 1960s-early 1970s. 6 grams, 36mm (1 1/2"). Very fine condition.

Lot 1284

17th century AD. A delicate silver whistle with scooped mouthpiece, scrolled detail to the body, arcaded cap with 'melon' finial and loop. From an old North Country collection; formed between 1970-2000. 2.57 grams, 39mm (1 1/2"). Very fine condition.

Lot 1504

3rd-6th century AD. A hemispherical silver bowl with chamfered rim, shallow fluting to the outer face, broad flared foot. Property of a North London collector; acquired in the 1970s. 375 grams, 16.5cm (6 1/2"). Fine condition, some usage wear.

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