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The last man to walk on the Moon, Gene Cernan, blows a farewell kiss to his daughter Tracey as he makes his way to the spacecraft for the last manned American Moon flight. Very intimate and rarely seen image of Gene Cernan Apollo 17, 7 Dec 1972 Vintage gelatin silver press print on fibre-based paper, 25.3 x 19 cm (10 x 7½ in), with United Press International stamp and The Daily Telegraph date stamps on the verso, dating this print to 8 December 1972, and a newspaper caption attached to the verso Provenance: from Tim Furniss collection
Pre-flight portrait of Ed White depicting the astronaut suited up in preparation for the flight the following day and the first US spacewalk Gemini 4, 2 June 1965 Vintage gelatin silver print on fibre-based paper, 20.5 x 14.3 (8 x 5½ in), press photograph [NASA 65-H-789], with Keystone press caption (6 2 1965) on verso and Svenski Pressphoto copyright stamp Condition Report: Trimmed to image Condition Report Disclaimer
James Lovell A view of full Moon rising over the Earth's horizon taken during orbit Gemini 7, 4-18 December 1965 Vintage gelatin silver print on fibre-based paper, 25.7 x 20. 3 cm (10 x 8 in), with US Air Force caption and RCA stamp on the verso Footnotes: 'There is some absolutely magnificent photography by the Gemini 7 team, guys who had to endure 14 days in a machine where their heads wouldn't ever be more than a foot or so apart. Here Borman and Lovell are looking at the full Moon they'd be taking closeups of three years later' - Richard Underwood, NASA's Chief of Photography
William Anders A black and white version of the iconic first photograph of Earth's disc taken by a human. Photographed during the trans-lunar coast at a distance of about 27,000 miles. Apollo 8, 21 December 1968 13:06 GMT Vintage gelatin silver press print on fibre-based paper, 18 x 22.8 cm (7 x 9 in), [NASA photo no AS8-16-2593], NASA Manned Space Center press caption in lower margin, Svenska Dagbladets and Reportagebild stamps, as well as a caption on the verso, press caption dated 31 December 1968 Footnotes: 'HOW EARTH LOOKS TO SPACEMEN - A striking view from the Apollo 8 spacecraft showing nearly the entire Western Hemisphere, from the mouth of the St. Lawrence River including nearby Newfoundland, extending to Tierra del Fuego at the southern tip of South America. Central America is clearly outlined. Nearly all of South America is covered by clouds, except the high Andes Mountain chain along the west coast. A small portion of the bulge of west Africa shows along the sunset terminator at the right' (press caption) Condition Report: Impressions of the publisher's markings sizing the photograph for the publication show through on the front; a line of abrasion across the upper right corner and another one along the left edge Condition Report Disclaimer
Neil Armstrong Buzz Aldrin pounding in a core sample tube next to the Solar Wind Collector Apollo 11, 20 July 1969 Vintage gelatin silver print on fibre-based paper Kodak paper, 20.5 x 25.3 cm (8 x 10 in), [NASA AS11-40-5964], with NASA Kennedy Space Center caption on the verso Footnotes: This was the last task of the EVA before the crew returned inside the LM for take-off. Aldrin found it difficult driving the sample bits into the closely packed surface, a problem that he described to Houston once he was safely back in Eagle. Condition Report: One long vertical crease in the right margin, close to the edge Condition Report Disclaimer
Alan Bean Three views from the EVA, two of Charles Conrad working at the Lunar Module [AS12-47-6989] and deploying scientific experiments (ALSEP) [AS12-47-6921], with a view of the descent stage of the Lunar Module Apollo 12, 14-24 November 1969 Three vintage gelatin silver prints on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), two [NASA AS12-47-6989 and AS12-47-6921] with NASA HQ captions on the versos and one BLACK NUMBERED NASA AS12-48-7034 (from a black and white film magazine 48) and with a NASA Manned Spacecraft Center caption on the verso Footnotes: In the second photograph Pete Conrad is adjusting the antenna on the central station of the ALSEP (Apollo Lunar Surface Experiments Package). The antenna is aligned with Earth so data collected by the ALSEP instruments can be relayed back after the astronauts have left. The third photograph (AS12-48-7034) was taken by Alan Bean to show a rock that remained in place despite the impact when landing the craft. (https://www.hq.nasa.gov/alsj/a12/images12.html#Mag48) Condition Report: Very good Condition Report Disclaimer
A pair of photographs depicting the splashdown and the crew receiving congratulations from President Richard Nixon Apollo 12, 24 November 1969 Two vintage gelatin silver prints on fibre-based paper, 20.3 x 25.4 cm (8 x 10 in), both with NASA captions numbered 69-H-1881 and 69-H-1884 on the verso
Mars, the first panoramic photograph taken by Viking 1, the first lander on the planet Viking 1, 20 July 1976 Vintage gelatin silver print on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), BLACK NUMBERED NASA S-76-27211 Condition Report: Light processing marks to emulsion in lower portion of the image, light annotation in pencil on verso, otherwise very good Condition Report Disclaimer
Harrison Schmitt Telephotographs of the moonscape at Taurus-Littrow site Apollo 17, 7-19 December 1972 Four vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3 cm (10 x 8 in), BLACK NUMBERED NASA AS17-139-21226, NASA AS17-139-21265, NASA AS17-144-22015 and NASA AS17-144-22105 in top margin (NASA Manned Spacecraft Center) Footnotes: Large massifs are located on either side of Apollo 17's landing site in the 7-km wide valley of Taurus-Littrow, called the North and South Massifs, respective to their geographic location in relation to each other. The height of these massifs gives the valley a depth greater than that of the Grand Canyon in the United States. The crest of the highest mountain, the South Massif, rises 2,500 meters above the valley floor. Schmitt took the photographs with the Hasselblad equipped with the 500mm telephoto lens. The first two were taken from station 9 toward the North Massif, with the second showing boulder tracks; the third from station 2A toward the South Massif showing boulders and outcrops; the fourth from the LM toward the summit of the North Massif, just west of Wessex Cleft
A view of Bruce McCandless floating freely during the first ever untethered spacewalk, accompanied by a striking view of the cargo bay photographed by McCandless during the same EVA Space Shuttle "Challenger" STS-41B, 7 February 1984 One vintage gelatin silver print on resin-coated paper, 25.3 x 20.5 cm (10 x 8 in), NASA numbered in margin S34-27017, with THIS PAPER MANUFACTURED BY KODAK watermarks, and one vintage chromogenic print on resin-coated paper, 25.3 x 20.5 cm (10 x 8 in), with THIS PAPER MANUFACTURED BY KODAK watermarks Provenance: from the Jacques Tiziou collection
The first photo to show the sun and the curvature of the Earth, taken from about 300 miles above the Earth during an Air Force Thor missile flight from Cape Canaveral; with the first photograph to the Earth and its cloud cover obtained by a satellite (paddlewheel satellite Explorer 6) 24 July 1959/14 August 1959 One vintage gelatin silver print on fibre-based paper, 18 x 23 cm (7 x 9 in), a press photograph with a date stamp on verso (7 Aug 1959), with another vintage gelatin silver Wirepress print on fibre-based paper, 25.3 x 20.6 (10 x 8 in), with Wirepress stamp, date stamps (28 and 29 September 1959) and publisher's notes on verso Condition Report: Small marks and annotations in biro on the fronts, date stamps and and publisher's remarks annotated versos (images not affected), overall very good for the age Condition Report Disclaimer
Two pre-launch views of the crew, Gus Grissom and John Young, and and the Titan rocket on the launch pad Gemini 3, March 1965 Two vintage gelatin silver prints on fibre-based paper, 25.3 x 20.3 cm (10 x 8 in), with NASA captions numbered 65-H-374 and 68-H-403 on the verso (the latter with RCA stamp)
Two pre-launch views of the crew, James McDivitt and Ed White, with further two views of the lift off and the mission control room during the first American spaceflight to conduct a spacewalk Gemini 4, May-June 1965 Four vintage gelatin silver prints on fibre-based paper, 25.3 x 20.3 cm (10 x 8 in), one BLACK NUMBERED NASA S-65-19515, all with NASA captions numbered 65-H-890 and 65-H-909, 65-H-909 and S-65-19515 and RCA stamps on the verso
Victorian crowns, including 1887,1889, half crowns 1887, silver three pence 1878 thru 1916 (thirty one in total), four pence 1839, a boxed set of Maundy Money 1932, two pence 1849, one pence 1822. This lot includes Jersey 1966 boxed proof crown set, together with Jersey 1966 and 1964, boxed sets and UK coinage 1967 uncirculated and a number of commemorative crowns, including Churchill, Queen Elizabeth The Queen Mother 80th Birthday,1981 Prince Charles and Lady Diana crowns and 1977 Silver Jubilee.
Collection of coins and medallions, including a bronze 1884 medallion which reads 'Forwards with German Hardwork and German Strength' in the original box; bronze medallion (1577-1877) commemorating the 300th birthday of Peter Paul Rubens; 1855 France Napoleon III - Universal International Exposition Palace of Industry medallion; Napoleon III Universelle de Paris 1867, 1881 Paris Exhibition coin, Paul von Hindenburg issue 5 mark silver coin; with a small collection of miscellaneous GB coins.
Quantity of GB and all world coins, with some silver. including two shillings 1898, crown 1887, half crowns, florins, liberty dollar 1976, half dollar 1957, South Africa 2 1/2 shillings 1956, half penny, new penny, roll of unopened 1971 1/2 penny coins, 3 pence, six pence, francs, lira, mils, coins from New Zealand, Australia, United States of America, Canada, Malaya and British Borneo, Belgium, Cyprus, Caribbean territories, plus some notes.
Miscellaneous silver, including two liquor labels for Marsala and Port, a pendant cigar cutter, silver coin purse, a heavy silver napking ring Sheffield hallmark mm JS, approx 76.6 gms and two white metal baskets. Plus a silver trinket box, with wrythen design, Birmingham hallmark, mm Samuel Walton Smith, approx 13 x 10 x 4 cms.
John Bagshaw & Sons Liverpool, George V leather travelling vanity case. The case contains silver-topped accessories London hallmark, dated 1910, mm Percy Horace Whitehouse, two leather trinket boxes, ivorine clothes brush, hairbrush, mirror, shoe horn and button hook, pouched accessories including tweezer, nailfile, scissors, corkscrew and button hook, comb (three teeth missing) together with four silver-topped bottles London hallmark dated 1911. The black leather case is enclosed within a green canvas case and thus still in good condition.
Miscellaneous costume jewellery, including a white metal belt, silver celtic knot brooch, marcasite necklace, silver kitten pendant and chain, marcasite floral brooch, silver thistle brooch, abalone shell and silver dolphin brooch, Art Nouveau silver brooch, silver pendant and chain, Egyptian themed enamel bracelet 8.5 cms and an enamel butterfly brooch.
Miscellaneous silver necklaces, including a silver mother of pearl pendant and chain, silver and amethyst and chain, silver and blue stone pendant and chain, Continental silver and mother of pearl pendant and chain, silver coloured stone necklace, silver and CZ pendant and chain and lastly a silver chain.
Costume jewellery bangles, including a blue glass dress bangle, silver and mother of pearl bracelet, floral enamel bracelet, white metal bracelet with charms, two amber-effect bracelets, silver filigree bangle, silver and blue stone bracelet, coloured stone bracelet and a silver bangle Birmingham hallmark, mm S & P.
Miscellaneous lot, includes two Woman's Voluntary Service Medals in original boxes, three 3 pence, vintage Ronson De Light lighter, a ladies silver watch hallmarked Chester 1933, together with collection of books including including The Book of Common Prayer 1872, Holy Bible, miniature finger Common Prayer book, The Universal Book of Craft Masonry 4th ed 1939, Queen Alexandra's Christmas Gift Book 1908 (top of spine missing, front cover delicate, but inside in clean condition), Princess Mary's Gift Book, and Queen Victoria's Sketchbook by Marina Warner in dust jacket.
DC Batman comics, 1968 copy of the Brave and the Bold Batman and Deadman (Neal Adams Art), 1963 DC Great Batman Annual, nr 90 1970 and seventeen others together with forty DC comics silver and bronze era Superman, including four World's Finest Superman and Batman,1960 All Star Adventure comic published Australia nr 62. (63)
Modern firsts to include:- Philip Roth "Sabbath's Theatre" David Baddiel "The Death of Eli Gold" Ben Elton "High Society" Al Alvarez "Hers", Weidenfeld & Nicholson 1974, dj not price clipped Tom Wolfe "Hooking Up", Farrar Straus Giroux 2000, dj not price clipped Saul Bellow "The Actual" "Future Science Fiction magazine" to includes 'Time Stops Today' by John Windham Burroughs, William "Last Words" Will Self "Umbrella" "Tough Tough Toys for Tough Tough Boys" Tretchikoff and Hocking, Anthony "Pigeon's Luck", Collins 1973, dj not price clipped (2 copies), vols 8, 4 and 3 of 'The Modern Carpenter and Joiner', four antiquarian books, Eagle annual, folio society, Studio magazine, 3 vol, rebound with contemporary titles pastedown onto front boards Morand "Architecture of Great Britain in Two Volumes", 'Metamorphosis', within orange boards lined with cork in silver wrapper (4 boxes)
Assorted volumes to include:- Bryner Jones, Prof C "Livestock of the Farm", vol 6 - Bees, Goats, Dogs, Ferrets, Asses and Mules, the Gresham Publishing Company 1916, photographic illustrations Balzac, H "Droll Stories ...", illustrated by Gustav Dore, John Campden Hotten (1874), plates and illustrations throughout the text, red pictorial cloth Childrens annuals to include Rupert (modern), Uncle Mac's Children's Hour book, 3 vols of daily bible illustrations ..., marbled boards, quarter leather Webb, Mary "Gone to Earth", 1938, dj Various books on art and two vintage Vogue magazines, the gold issue and the silver 2000 millennium issue (3 boxes)
Don Balke (North Carolina, B. 1933) "Canada Lynx" Signed lower left. Original Watercolor on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood commemorative cover for Balke's Baby Wildlife of the 50 States, postmarked December 18, 1984. Stalking the deep pine forests of New Jersey, the female Canada Lynx searches for a den or shallow cave in which to bear her kittens. Glistening yellow cat's eyes peer through the night as the bright moonlight reflects an occasional glimpse of the thin spotted spring coat recently acquired. Finding her cover, this solitary creature slinks silently into a cave and her playful, furry kittens are born. Blind as yet, the two to four babies depend solely on their mother for survival in the wild. It is interesting to note however, that the tom cat, who has long since left his mate in the wilderness will, if held captive -- as in a zoo -- show fatherly tenderness toward his young, playing with them and even helping with their grooming. But all this is taken over by the mother Lynx in the natural cycle of events. She will nurse her brood for two months and teach them necessary tricks of survival for seven more. Meanwhile, these tiny kittens, who begin life in much the same way as the litter of a house cat, will develop -- slowly -- into magnificent wild felines. Once their eyes open -- at about ten days -- they are among the keenest eyes in the forest. The sense of smell is just as strong, and the slightest scent may be followed relentlessly for miles. The adult Lynx travels alone and may climb trees, swim, or use broad paws like snowshoes to trudge across winter's drifts. Indeed, the beautiful silver-coated Canada Lynx is one of the most magnificent creatures of the New Jersey forest. Image Size: 10.75 x 12.75 in. Overall Size: 18.25 x 21 in. Unframed. (B09224)
J. Craig Thorpe (American, B. 1948) "South Dakota Locomotive" Signed lower left. Original Oil painting on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood Legendary Locomotives of the 50 States South Dakota Commemorative Cover postmarked December 29, 1994. During the late 1800s, the Chicago & North Western Railway reached South Dakota's Black Hills mining region via a subsidiary known as the Fremont, Elkhorn & Missouri Valley (FE&MV). On December 29, 1980, the line was extended to the city of Deadwood. Founded during the 1876 gold rush, this town was described by 19th-century author J.W. Buel as being inhabited by "rough characters, cut-throats, gamblers and the devil's agents." To better serve this area's mining operations, the FE&MV built 18 miles of narrow-gauge three-foot trackage from Deadwood directly to the mineral excavation sites. Although the depression of the 1890s and the repeal of the Sherman Silver Purchase Act in 1893 led to a reduction in traffic on the narrow gauge, by the early 20th century the railroad was again prosperous. In 1902, a dual-gauge spur of about two miles was built to Lead, South Dakota, in anticipation of a convention of the Grand Lodge of Odd Fellows. The following year the FE&MV was absorbed by the Chicago & North Western Railway, and by 1928 the narrow-gauge line was abandoned. The scene in this painting effectively illustrates the complexity of the railroad system in the Black Hills mining area. The FE&MV's engine No. 212, a rare 4-8-0 type built in 1902 by the Schenectady Works of the American Locomotive Co., is featured on the second tier of a tri-level crossing. A mining company train is shown on the highest trestle while a Deadwood Central train is depicted on the ground level. Image Size: 14 x 12 in. Overall Size: 18 x 15 in. Unframed. (B14919)
22K Ilias Lalaounis Gold Cuff Bangle Bracelet. Market inside band. Comes with original box. Total Weight: 42.5 dwt / 2.13 ozt Size: 2 7/8 x 2 3/8 in. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted.
Italian 18K Gold, Blue Enamel & Diamond Turtle Pin. Marked on the underside. Size: 44 x 30 x 16 mm Overall Weight: 11.7 dwt / 18.2 g - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted.
18K White Gold Sapphire & Diamond Cocktail Ring. Stamped inside band. Marked "J by A&D". Ring Size: 6.75 Overall Weight: 9.3 dwt / 14.4 g - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted.
Bvlgari 18K Gold & Diamond Spiral Earrings. Stamped on inside of earrings. Diameter: 2 mm Overall Weight: 9.8 dwt / 15.2 g Approx Total Diamond Weight: 1 ctw - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted.
Cartier 14K Gold & Sapphire Cigarette Case. Hallmarked and stamped on inside rim. Engraved inside top. Overall Weight: 121.5 g / 78.12 dwt Size: 3.5 x 3 in. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted.
Amazing Spider-Man (1967) 44, 48, 49, 51-55. All cents copies, cream/light tan pages. From the 'Uncle Stan collection', a run of Silver Age Comics sent to the UK in the 1960s by Marvel creator, Stan Lee, to his nephew, John. With Dec 2000 Comic Book Auctions certificate of authenticity. # 44 [fn+], balance [vfn-/vfn+] (8). No Reserve
Amazing Spider-Man (1968) 56-67. All cents copies, cream/light tan pages. From the 'Uncle Stan collection', a run of Silver Age Comics sent to the UK in the 1960s by Marvel creator, Stan Lee, to his nephew, John. With Dec 2000 Comic Book Auctions certificate of authenticity. [fn+/vfn] (12). No Reserve
Amazing Spider-Man (1969) 68-79. All cents copies, cream/light tan pages. From the 'Uncle Stan collection', a run of Silver Age Comics sent to the UK in the 1960s by Marvel creator, Stan Lee, to his nephew, John. With Dec 2000 Comic Book Auctions certificate of authenticity. # 69 [fn+], balance [vfn-/vfn+] (12). No Reserve
Iron Man and Sub-Mariner 1 (1968). Cents copy, high cover gloss, cream pages. From the 'Uncle Stan collection', a run of Silver Age Comics sent to the UK in the 1960s by Marvel creator, Stan Lee, to his nephew, John. With Dec 2000 Comic Book Auctions certificate of authenticity [vfn]. No Reserve
Tales of Suspense (1967-68) 92-99. All cents copies. High cover gloss, cream pages. From the 'Uncle Stan collection', a run of Silver Age Comics sent to the UK in the 1960s by Marvel creator, Stan Lee, to his nephew, John. With Dec 2000 Comic Book Auctions certificate of authenticity [vfn/vfn+] (8). No Reserve
LONGINES SILVER CASED TRENCH WATCH,the round white enamel dial with Roman hour markers, outer railroad seconds track in black, subsidiary dial at 6, 30mm case, on a modern generic brown leather strapCondition report: MOVEMENT: Not ticking at present. WEAR: Generally worn. DIAL: Marks visible.CRYSTAL/ACRYLIC: Good condition. HANDS & MARKERS: Intact - hands worn.CROWN: Intact - hands changing. BRACELET/STRAP: Lightly worn.
LADY'S LONGINES SILVER MANUAL WIND WRIST WATCH,the rectangular dial with applied baton hour markers, 11mm case, on a bark effect bracelet, lacking box and papersCondition report: MOVEMENT: Not ticking at present. Crown not engaged with movement. WEAR: Well worn. DIAL: Some marks visible condition. CRYSTAL/ACRYLIC: Fair condition. HANDS & MARKERS: Intact.CROWN: Intact - hands changing. BRACELET/STRAP: Well worn. Signs of breakage/repair at wrist area. CLASP: In working order.
GENTLEMAN'S UNIVERSAL GENEVE EIGHTEEN CARAT GOLD CASED MANUAL WIND WRIST WATCH,the round silver coloured dial with baton hour markers, 30mm case, on a black crocodile strap, in box, lacking papersCondition report: MOVEMENT: Ticking at present. WEAR: Generally worn. DIAL: Good condition. CRYSTAL/ACRYLIC: Good condition. HANDS & MARKERS: Intact - hands changing. CROWN: Intact - hands changing. BRACELET/STRAP: Generally worn.Model & serial number: 18819/1 & 1957099
LADY'S ROAMER NINE CARAT GOLD MANUAL WIND WRIST WATCH,the round white dial with applied baton hour markers, 15mm case, on an unmarked bracelet, with hallmark to the foldover clasp, 12g, lacking box and papers, along with a lady's Kered nine carat gold manual wrist watch, the round silver coloured dial with diamond cut acrylic, applied baton hour markers, 15mm case, on a nine carat gold gatelink bracelet with foldover clasp, 11.9g, lacking box and papers (2)Condition report: MOVEMENT: Ticking at present. WEAR: Generally worn. DIAL: Marks and scratches present. CRYSTAL/ACRYLIC: Some scuffs and abrasions. HANDS & MARKERS: Intact. CROWN: Intact - hands changing. BRACELET/STRAP: Stretched. CLASP: In working order. MOVEMENT: Ticking at present.WEAR: Worn condition. DIAL: Some visible marks. CRYSTAL/ACRYLIC: Scuffed and scratched. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Generally worn. CLASP: In working order.
SWAINE & ADENEY VICTORIAN BAMBOO HORSE MEASURING STICK WITH ANTLER HANDLE The very finest quality Victorian horse measuring stick by the Rolls Royce of equestrian accessories, Swaine and Adeney of 185 Piccadilly. Superb, complete and working condition. Bamboo with antler handle and hallmarked silver collar, London 1899. Engraved on the collar is “H M WILSON 1900”. Internally is a boxwood rule in hands and inches extending to 17 hands with an articulated brass withers stick. Makers mark on the boxwood rule. 177cm fully extended, 94cm non extended (as waking stick), antler handle 12cm long. Original bras feral, rich nutty patina to the bamboo. A stunning, collectible and usable antique stick. Pease note, Spirit level missing
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2475480 item(s)/page