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Lot 18

A GROUP OF THREE METALLIC GLAZED BARREL FORM STOOLS Comprising: a pair of gold examples and a silver exmaple 43cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Lot 74

A GROUP OF SINGAPORE COINS AND OTHER COMMEMORATIVES Comprising: 10 x Republic of Singapore 1975 10th Anniversary $10 coins, struck in 0.500 silver, all boxed as issued 3 x Singapore $10 coins, 1982; 1984; 1985, in red pouches 1 x Set of The Arts of Singapore Commemorative Silver Ingots, number 188 of the edition of 4000, struck in Sterling silver by the Singapore Mint, in presentation box with certificate Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Lot 45

A SERVICE OF ENGLISH SILVER PLATED CUTLERY FOR EIGHT Gee & Holmes, Ltd, Sheffield, late 20th Century Eight place settings, comprising: table forks; table knives; dessert spoons; dessert forks; dessert knives; fish forks; fish knives; soup spoons; tea spoons; coffee spoons; and 4 serving spoons, in a fitted canteen The canteen47cm wide Condition: Condition Report Some light signs pf use but generally in good condition, some minor scuffing to the canteen exterior This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Lot 290

Royal Doulton Large Character Jugs Long John Silver D6335 & Merlin D6529 together with Small Character Jug Benjamin Franklin D6695 (2nds)

Lot 335

A collection of mixed metalware items to include silver plated cutlery, brass candlesticks, cased silver plated and white metal cutlery sets etc (1 tray).

Lot 334

Hallmarked Sterling Silver cruet set, together with a Sterling Silver hinged circular box and a small glass pot with silver lid (3).

Lot 438

A mixed collection of ceramic items to include Early 20th century Wilkinsons set of 6 side plates with matching sandwich tray together with 2 HM Queen Elizabeth II Silver Jubilee 1952-1977 Commerative Crown Coins and other costume Jewellery Items (1 tray)

Lot 63

A collection of silver plated items to include serving trays, teapot, vases etc ( 1 tray)

Lot 133

A mixed collection of Stainless Steel cuttlery items to include cased viners carving set, wooden handled cuttlery, silver plated coasters etc (1 tray)

Lot 54

A mixed collection of items of items to include Japanese tea set, small wooden stool and wooden boxes and a part silver rimmed salt pot set

Lot 289

Royal Doulton Large Character Jugs The Trapper D6609 & George Washington D6669 (2nds) together with Small Character Jug 'Long John Silver' D6386 (2nds)

Lot 18

HERMÈS Umhängetasche "SILKY CITY - BRIDES DE GALA ", Koll.: 2009. by Hugo Grygkar, Entwurf erstmals erschienen 1957. Ecken und Schulterriemen aus Barenia Leder in Braun, silberfarbene Hardware, Clochette mit Gewicht als Verschluss. Integrierte Pochette anbei. Sehr guter Zustand. 32,5 x 34 cm.| HERMÈS shoulder bag "SILKY CITY - BRIDES DE GALA ", coll.: 2009. by Hugo Grygkar, design first published 1957. Corners and shoulder straps of Barenia leather in brown, silver-coloured hardware, clochette with weight as closure. Integrated pochette enclosed. Very good condition. 32,5 x 34 cm.

Lot 19

HERMÈS Weekender "GROOMING", Koll.: 2009. Chevron Herringbone Canvas mit Details in Braun aus Textil und Leder, silberfarbene Hardware, Doppehenkel und abnehmbarem Schulterriemen. Herausnehmbares Innenleben in Grau mit Druckknöpfen. Gebrauchsspuren vorhanden. 45 x 51 x 34 cm.| HERMÈS weekender "GROOMING", coll.: 2009. Chevron herringbone canvas with brown textile and leather details, silver-tone hardware, double handles and detachable shoulder strap. Removable interior in grey with press studs. Signs of wear present. 45 x 51 x 34 cm.

Lot 11

HERMÈS Handtasche "KELLY BAG 35". Koll. 2011. Clemence Leder in Schwarz mit silberfarbener Hardware (am Verschluss teilweise beschädigt). Klassisches Modell mit einem Henkel, Laschenverschluss und Schulterriemen. Abrieb an den Kanten, leichte Flecken Außen sowie Innen. | HERMÈS handbag "KELLY BAG 35". Coll. 2011. Clemence leather in black with silver hardware (partially damaged at the closure). Classic model with one handle, tab closure and shoulder strap. Abrasion on the edges, light stains outside as well as inside.

Lot 65

HERMÈS Aschenbecher, akt. NP.: 645,-€. Modell aus Porzellan mit Basis aus Veloursziegenleder, Kerben und silberfarbenen Verzierungen, handgemaltes Elefantenmotiv in Grau und Goldfarben. Sehr guter Zustand. | HERMÈS ashtray, retail price: 645,-€. Model in porcelain with base in suede kid, notches and silver-coloured decorations, hand-painted elephant motif in grey and gold colours. Very good condition.

Lot 39

HERMÈS Etui "EVELYN". Modell aus Filz in Orange mit silberfarbener Hardware, Druckknöpfe und Überschlag mit perforiertem H-Design. Staubbeutel anbei. Sehr guter Zustand. 15,5 x 11 x 2 cm.| HERMÈS case "EVELYN". Model in orange felt with silver hardware, press studs and flap with perforated H design. Dust bag enclosed. Very good condition. 15,5 x 11 x 2 cm.

Lot 56

LOUIS VUITTON Umhängetasche "CITADIN PM", Koll.: 2004. Terra Damier Geant Serie mit Rindsleder-Details, silberfarbener Hardware, Außenfach auf Front- und Rückseite, Reißverschluss zum Hauptfach. Innenraum mit einem Reißverschlussfach. Guter Erhalt, Abrieb an den Kanten. 25 x 8 x 20 cm.| LOUIS VUITTON messenger bag "CITADIN PM", coll.: 2004. Terra Damier Geant series with cowhide leather details, silver-tone hardware, exterior compartment on front and back, zip closure to main compartment. Interior with one zipped compartment. Good condition, abrasion to edges. 25 x 8 x 20 cm.

Lot 27

HERMÈS Umhängetasche "SILKY CITY - KELLY EN PERLES". Ecken und Schulterriemen aus Barenia Leder in Braun, silberfarbene Hardware, Clochette mit Gewicht als Verschluss. Integrierte Pochette anbei. Sehr guter Zustand. 32,5 x 34 cm.| HERMÈS shoulder bag "SILKY CITY - KELLY EN PERLES"corners and shoulder straps of Barenia leather in brown, silver-coloured hardware, clochette with weight as closure. Integrated pochette enclosed. Very good condition. 32,5 x 34 cm.

Lot 101

HERMÉS Reisetasche. Braunes Modell aus Textil mit Leder-Details, silberfarbener Hardware, umlaufendem Doppelreißverschluss, Doppelhenkeln und Reißverschlussfach für Schuhe. Innenraum mit einem Reißverschlussfach. Schlüssel und Schloss anbei. Gebrauchsspuren vorhanden. 25 x 46 x 43 cm.| HERMÉS travel bag. Brown textile model with leather details, silver-tone hardware, wrap-around double zip, double handles and zipped compartment for shoes. Interior with one zipped compartment. Key and lock enclosed. Signs of wear present. 25 x 46 x 43 cm.

Lot 61

BULGARI Handtasche. Lilanes Modell aus Textil mit Details aus Leder, silberfarbener Hardware, Doppelhenkel und Riemenverschluss. Innenraum mit vier Abteilen, eines mit Reißverschluss. Staubbeutel anbei. Guter Erhalt. 31 x 9 x 15 cm.| BULGARIE bag. Purple textile model with leather details, silver-tone hardware, double handles and strap closure. Interior with four compartments, one with zip. Dust bag enclosed. In good condition. 31 x 9 x 15 cm.

Lot 80

GUCCI Sonnenbrille "GG 2996/S". Schwarzes Gestell mit silberfarbenem Logo auf dem Bügel und getönten Gläsern. Etui anbei. Tragespuren vorhanden.| GUCCI sunglasses "GG 2996/S". Black frame with silver logo on the temple and tinted lenses. Case enclosed. Traces of wear present.

Lot 50

HERMÈS Kartenetui "CALVI", Koll.: 2010, akt. NP.: 307,-€. Epsom Leder in Dunkelbraun mit silberfarbener Hardware und Druckknopfverschluss. Box anbei. Neuwertig. | HERMÈS cardholder "CALVI", coll.: 2010, retail price: 307,-€. Epsom leather in dark brown with silver coloured hardware and press stud fastening. Box enclosed. In mint condition.

Lot 118

DIOR Sonnenbrille "MADE 2". Marmoriertes Gestell in Braun mit silberfarbenem Dekor auf dem Bügel. Etui und Staubbeutel anbei. Gebrauchsspuren vorhanden.| DIOR sunglasses "MADE 2". Marbled frame in brown with silver-coloured decoration on the temple. Case and dust bag enclosed. Signs of wear present.

Lot 84

HERMÈS Vase. Versilbertes Modell mit Chain d´ancre Design. Gebrauchsspuren vorhanden. H.: 50 cm.| HERMÈS vase. Silver-plated model with chain d'ancre design. Traces of use present. H.: 50 cm.

Lot 85

HERMÈS Vase. Versilbertes Modell mit Chain d´ancre Design. Gebrauchsspuren vorhanden. H.: 36,5 cm.| HERMÈS vase. Silver-plated model with chain d'ancre design. Traces of use present. H.: 36,5 cm.

Lot 382

Ca. 1st century BC - 1st century AD. Skillfully fashioned from high-quality silver, this exceptional skyphos features a hemispherical cup with a flange rim that seamlessly merges with a balustered, concave foot, exuding an air of sophistication and grandeur. The intricate pattern etched on the main body of the cup, resembling delicate leaves, adds a touch of refined elegance to its already stunning appearance. To further enhance its allure, this skyphos is adorned with two gracefully curved handles on opposite sides, exquisitely crafted to provide ease of handling. Each handle boasts of a unique design that perfectly complements the overall aesthetic, contributing to the skyphos' overall beauty. Used primarily for serving wine during banquets and other social gatherings, such skyphoi were a staple of Roman culture and an essential part of the dining experience. This silver skyphos, with its striking design and luxurious materials, would have been a prized possession of the Roman elite and a status symbol of their social standing. Cf. The Metropolitan Museum of Art, Accession Number: 20.49.2. Size: L:120mm / W:215mm ; 375g Provenance: Private London collection, acquired on the European Art market prior to 2000.

Lot 111

Ca. early 14th century AD. A bronze plate of a shallow form features a circular recess in the center, which is adorned with a striking silver-inlaid seated figure flanked by two birds. The scene is encircled by a mesmerizing interweaving band, which repeats twice on the flange. Between the bands, there is a stunning register of various animals, all captured in motion and facing left, adding a touch of dynamism to the design. Such plates were often used for both decorative and functional purposes. They were frequently used for serving food or as vessels for ritual offerings in the Islamic world. In addition, they were often commissioned by wealthy patrons and used as status symbols, as a demonstration of wealth, power, and prestige. Size: L:220mm / W:20mm ; 355g Provenance: From the collection of a London gentleman; formerly in a collection of A. Kotlar, since the 1970s.

Lot 704

Viking Era, ca. 900-1100 AD. A silver finger ring with a flat-section round hoop that gently widens to form a lozenge-shaped bezel decorated with stylised motif. On the corners of this bezel, there are four raised bosses that add to the beauty of the piece. The borders of the bezel are further decorated with hatch marks.Size: D: 18.54mm / US: 8 1/2 / UK: Q 1/2; 4.13gProvenance: Private London collection, UK art market before 2000.

Lot 108

Ca. 19th century AD. With a characteristic form eared silver hilt decorated with repousse and engraving, recurved single-edged blade with gold inlay cartouches on either side featuring Arabic inscriptions. Condition: Very good, no scabbard. Size: L: 26 1/2 in., (67 cm); 635g Provenance: Property of a Central London Gallery, acquired on the US art market.

Lot 639

Ca. 100-300 AD. An elegant, penannular bracelet made of silver. The body is smooth, round-section, with incised designs around its terminals. A beautiful and wearable piece of fine Roman jewelry. Size: L:65.4mm / W:61.6mm ; 22.71g Provenance: From private collection of a South London art professional; previously in a collection formed on the UK/European art market in the 1980s.

Lot 728

Ca. 1700-1800 AD. A simple yet elegant posy ring of the annular band, flat on the interior and slightly rounded on the exterior, creating a comfortable fit for the wearer. The band is made of silver gilt, a thin layer of gold over a base metal, giving it a luxurious appearance. The interior of the band is inscribed. Posy rings were commonly exchanged as gifts between lovers, family members, and friends, and were often used as wedding rings. The inscriptions on the rings could range from simple phrases such as "Love Conquers All" to more elaborate poetry expressing deeper emotions. Posy rings were not only symbols of love and commitment, but also served as personal fashion statements. The rings were often engraved with ornate designs or set with precious stones, further emphasizing the wearer's social status and wealth.Size: D: 18.34mm / US: 8 1/4 / UK: Q; 6.08gProvenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 487

Ca. 5th-4th century BC. A silver fibula with an arched body, terminating in a rectangular catch plate that curves upwards, creates a striking visual contrast with the tapering body of the pin. The finial with its knob adds an elegant finishing touch to the overall design. Fibulas were a common type of clothing fastener used in the ancient Mediterranean world and were popular throughout various eras of ancient Greek history. The Greek fibulas ranged in design from simple and functional to highly ornate and decorative, reflecting the wearer's social status and the fashion trends of the time.Size: L:25mm / W:40mm ; 4.59gProvenance: Property of a London Ancient Art gallery, formerly a Swiss private collection, 1970s-1980s.

Lot 240

Ca. 19th century AD. A beautiful kard dagger crafted with a single-edged blade of exquisite watered steel, the blade tapers to a sharp point, perfectly suited to its intended purpose. The handle of the knife is no less impressive, with its robust construction and lavish ornamentation. Adorned with intricate gold koftgari decoration, the handle features delicate floral scrolls that add a touch of elegance to the knife's overall appearance. Koftgari, a technique originating from India, involves the inlaying of fine wires of gold, silver, or brass onto metal surfaces, creating a decorative effect that is both beautiful and durable. In this knife, the koftgari decoration is executed with exceptional skill and precision, a testament to the mastery of the Ottoman craftsmen who created it. Cf. Bonhams, Antique Arms and Armour, London, 25 July 2012, Lot 88.Size: L:345mm / W:25mm ; 425gProvenance: From the collection of a London gentleman; formerly in a collection of A. Kotlar, since the 1970s.

Lot 612

Ca. 100-300 AD. A gold pendant with a conical-shaped dangle, delicately decorated with ropework and filigree bands, culminates in a round-bottomed carnelian gem with exquisite coloring, creating a stunning contrast against the golden metal. This simple yet elegant design exudes timeless beauty, reflecting the taste and refinement of Roman aristocrats. Roman jewelry often featured beads made of precious and semi-precious stones, like this carnelian gem. The Romans believed that carnelian had protective properties and could ward off evil spirits. They also valued the stone for its bright red-orange color, which was associated with power, wealth, and vitality. Carnelian was a popular choice for jewelry, both as a standalone gem and as a decorative accent in gold and silver settings. While this pendant does not depict a figure or symbol of particular significance, it exemplifies the Roman love for luxury and adornment. In a society where jewelry was an essential element of dress and social status, this piece would have undoubtedly been cherished and worn with pride. Size: L:25mm / W:8.9mm ; 3.3g Provenance: Private London collection, UK art market before 2000.

Lot 396

Ca. 900-1000 AD. Silver chain, 80 cm long, with a two-part reliquary cross which shows traces of gilding. The construction and imagery of the front reveal Byzantine influence. Centrally, a stylised Christ with his hands in a prayer gesture. At the ends of the arms of the cross medallions with saints. The back with ornamental Viking decoration. Eyelets at the top and bottom. If you open the cross you will find a fold-out Thor's Hammer inside, which is decorated on one side with typical nordic punchmarks. The inner surfaces of the cross halves are also geometrically decorated. Intact. Item comes with a professional historical report from Ancient Report Specialists. The item comes with a full investigation report from an independent Belgian laboratory (Hebolabo), suggesting its age and authenticity. Size: L:54mm, 28mm / W: 35mm, 12mm; 92g. Provenance: Property of a European collector; previously in a collection of J. Hatzenbuehler, Germany, 1970s.

Lot 384

Ca. 100 AD. A pyxis that exudes an aura of refinement and luxury. Designed to safeguard precious essences and ointments, this cylindrical container boasts an exquisite form, crafted with meticulous attention to detail. Its silhouette is striking, with a bone edge and lid that commands attention, while the central suspension loop draws the eye with its elaborate beaded pattern. The tightly braided chain connects the central loop to two lateral small loops on the main body adorned with repousse swastika and geometric patterns. Each symbol, carefully rendered, tells a story of ancient wisdom and mysticism. The swastika, an ancient symbol of good fortune, and the geometric patterns, with their mesmerizing repetition, evoke a sense of order and harmony. In the Roman world, pyxides were not only functional containers but also objects of beauty and status. As such, they were often made from precious materials, such as gold, and silver, and adorned with intricate designs. Their use was not limited to the storage of expensive substances, but they were also given as gifts, sometimes containing a precious object as a surprise. They were also used as votive offerings, and donated to temples as a symbol of piety and devotion. Size: L:26.3mm / W:23.3mm ; 16g Provenance: Property of a Central London gallery; acquired from an old British (London) collection.

Lot 481

Ca. 295-275 BC. A silver coin/drachm of Alexander the Great within a modern handmade circular sterling silver setting. The coin shows on the obverse the head of young Herakles facing right and wearing his characteristic lion's skin headdress. On the reverse is Zeus seated and holding an eagle and a sceptre. These coins were minted after the death of Alexander the Great, the king of Macedonia and conqueror of much of the known world as far east as India, in order to pay homage to him and lay claim to his legacy. The pendant makes a stunning statement piece necklace. Excellent condition; wearable.Size: L:34.8mm / W:25.2mm ; 13.85gProvenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 152

Ca. 1200 AD. A rectangular-shaped brass table-top tray with a wide lip and an octagonal central recess featuring three roundels with six-petaled flowers and intricated arabesque designs. The flat lip displays lines of Kufic inscriptions that bestow good wishes interspersed with decorative roundels. For a similar example, but with silver inlaid, see Bonhams, Islamic and Indian Art, London, 6 October 2008, Lot 170.Size: L:310mm / W:195mm ; 700gProvenance: Private London collection of Early Islamic Art - M.A.; formerly acquired on the UK art market since the 1980s.

Lot 702

Viking Era, ca. 900-1100 AD. A silver ring boasting a round hoop, skillfully fashioned with a rounded exterior and flat interior. The hoop effortlessly supports a dazzling rhomboid bezel setting, carefully crafted with four secure corner knobs to safeguard a central cabochon. Rings have held great significance in Viking culture. Worn by both men and women, these precious adornments were much more than mere decorative pieces. In fact, they often symbolized a person's wealth, status, and even allegiance to a particular clan or tribe. But beyond their aesthetic beauty, Viking rings served a practical purpose as well. They were often used as a means of currency, serving as a portable and easily exchangeable form of wealth. Additionally, they were sometimes used as an offering in religious rituals, or even as a symbol of a person's marital status.Size: D: 15.49mm / US: 4 3/4 / UK: J; 6.32gProvenance: Private London collection, UK art market before 2000.

Lot 484

Ca. 295-275 BC. A silver coin/tetradrachm of Alexander the Great within a modern handmade circular sterling silver setting. The coin shows on the obverse the head of young Herakles facing right and wearing his characteristic lion's skin headdress. On the reverse is Zeus seated and holding an eagle and a sceptre. These coins were minted after the death of Alexander the Great, the king of Macedonia and conqueror of much of the known world as far east as India, in order to pay homage to him and lay claim to his legacy. The pendant makes a stunning statement piece necklace. Excellent condition; wearable.Size: L:45.3mm / W:34.7mm ; 31.19gProvenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 649

Ca. 1st century BC - 1st century AD. A silver ring fashioned into the form of a coiled serpent, the ring is crafted from a single piece of gleaming silver wire, skillfully tapered from its narrowest point at the tail to its broad and flat head with recessed eyes. The serpent's scales are intricately engraved, with delicate attention to detail, on the upper portion of the ring, creating a lifelike texture that shimmers in the light. The interior of the ring has been carefully smoothed and worked for maximum comfort during wear, ensuring that the wearer can appreciate the beauty of the ring without discomfort. Snake rings have a long history in Roman culture, with serpents being a common motif in Roman jewelry. Snakes were often associated with regeneration and renewal and were seen as symbols of power, wisdom, and protection. Beyond their aesthetic appeal, Roman snake rings were also believed to have protective and magical properties. It was believed that the serpents coiled around the finger would act as guardians against evil spirits and bad luck, making these rings not just beautiful adornments, but also powerful talismans. For a similar, but in gold see The British Museum, Registration number 1917,0501.950. Size: D: 17.12mm / US: 6 3/4 / UK: N; 6.48g Provenance: Private London collection, UK art market before 2000.

Lot 215

Ca. 11th-12th century AD. An annular type hollow-formed silver bracelet featuring a round shank with a median bulb with a rosette. The outer surface of the bracelet is decorated with repousse registers of intricate designs, adding a sense of richness and depth to the piece. The use of silver as the primary material lends the bracelet a lustrous quality, while its hollow form ensures its lightness and comfortable wear. Size: L:100mm / W:95mm ; 90gProvenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.

Lot 12

Ca. early 20th century AD. Silver mounted dagger with hilt and scabbard decorated in chiseling niello, straight double-edged blade with two fullers on either side, inscription in niello "KABKA3" on the scabbard, both scabbard and hilt bear Russian Imperial hallmarks "84" and "LL" in Cyrillic. Condition: Very good. Size: L: 16 in., (41 cm); 270g Provenance: Property of a Central London Gallery, acquired on the US art market.

Lot 147

Ca. 12th century AD. A large ewer, crafted with remarkable skill and precision. Its cylindrical body is adorned with intricate ribbing, standing on a flared concave foot, adding a majestic aura to its presence. Rising from a flat shoulder is a tall neck, boasting a prominent spout with a zoomorphic beast carved within. On both sides of the neck, relief lions stand in elegant repose, lending an air of regality to the vessel. To the rear, an arched handle connects the neck to the body. Nearly the entire surface of this magnificent ewer is engraved with intricate patterns, interlacing and flowing with the grace of a calligrapher's pen. Each detail is imbued with meaning and significance, from the choice of patterns to the carefully rendered calligraphy. The Islamic world was renowned for its mastery of metalwork, from bronze and brass to silver and gold. The art of the metalworker was highly valued, and their creations were coveted by rulers and elites alike. Islamic metalwork is distinguished by its intricate patterns, calligraphy, and symbolic motifs, which speak to the richness of Islamic culture and the artistry of its people. Cf. Georgian National Museum, S. Janashia Museum of Georgia (135)Size: L:390mm / W:210mm ; 1.4kgProvenance: Private London collection of Early Islamic Art - M.A.; formerly acquired on the UK art market since the 1980s.

Lot 480

Ca. 295-275 BC. A silver coin/tetradrachm of Alexander the Great within a modern handmade circular sterling silver setting. The coin shows on the obverse the head of young Herakles facing right and wearing his characteristic lion's skin headdress. On the reverse is Zeus seated and holding an eagle and a sceptre. These coins were minted after the death of Alexander the Great, the king of Macedonia and conqueror of much of the known world as far east as India, in order to pay homage to him and lay claim to his legacy. The pendant makes a stunning statement piece necklace. Excellent condition; wearable.Size: L:45.1mm / W:35.5mm ; 32.07gProvenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 485

Ca. 295-275 BC. A silver coin/tetradrachm of Alexander the Great within a modern handmade circular sterling silver setting. The coin shows on the obverse the head of young Herakles facing right and wearing his characteristic lion's skin headdress. On the reverse is Zeus seated and holding an eagle and a sceptre. These coins were minted after the death of Alexander the Great, the king of Macedonia and conqueror of much of the known world as far east as India, in order to pay homage to him and lay claim to his legacy. The pendant makes a stunning statement piece necklace. Excellent condition; wearable.Size: L:45.3mm / W:34.8mm ; 31.97gProvenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 701

Ca. 10th-11th century AD. A sheet-silver rectangular band with incised ornament in the tremolier technique, comprising a median panel of dense regular knotwork flanked by two panels of undulating bands passing through rings; pierced at each end for attachment. Cf. Jilina, N. V., Slavic and Old Russian Art of Jewelry and its Roots, St. Petersburg, 2006, p.179, fig.2.Size: L:20mm / W:170mm ; 365gProvenance: Property of an Ancient Art gallery, London; formerly in the family collection of a UK gentleman, by descent in the early 1970s; previously acquired before 1960.

Lot 650

Ca. 100-300 AD. A captivating silver ring formed from a round hoop. The ring boasts finials that gracefully expand to support a circular bezel, engraved with a Wheel of Fortune pattern. This intricate pattern is a popular theme in Roman art and mythology, symbolizing the fickle nature of fate and the cyclical nature of life. The Wheel of Fortune is typically depicted as a wheel with eight spokes, representing the eight phases of human life, and this particular ring follows this tradition. The ring is further accentuated by the intricate sets of three raised knobs to the shoulders. Size: D: 16.71mm / US: 6 1/4 / UK: M; 3.97g Provenance: Private London collection, UK art market before 2000.

Lot 325

Karl Schmidt-Rottluff 1884 Rottluff bei Chemnitz - 1976 Berlin Anhänger mit Lapislazuli. 1910/11. Silberplatte, geschnitten, ziseliert. Lapislazuli, gefasst. Wietek 382. Auf der Vorderseite rechts oben mit dem Signaturstempel. 7,7 x 6,8 cm (3 x 2,6 in). Stein: 2,3 x 2 cm (0,9 x 0,7 in). [KT]. • Von den 'Brücke'-Künstlern schafft Schmidt-Rottluff das umfangreichste und vielfältigste Schmuckwerk. • Seine Schmuckstücke zeichnen sich durch ihren unkonventionellen und künstlerischen Umgang mit Material, Technik und Form aus und bringen so eine eigene Ästhetik hervor. • Die Stücke vereinen auf faszinierende Weise charakteristische Formideen aus dem Schaffen des Künstlers zwischen Schmuckstück, Sammlerobjekt und Gebrauchsgegenstand. • Schmuckstücke des Künstlers sind individuellste Preziosen, oftmals eigens hergestellt für einen engen Kreis an Sammlerinnen, Freundinnen und Familie. • Aus der am seltensten auf dem Auktionsmarkt zu findenden Werkgruppe des Künstlers (Quelle: artprice.com). Die Arbeit ist im Archiv der Karl und Emy Schmidt-Rottluff Stiftung, Berlin dokumentiert. PROVENIENZ: Aus dem Nachlass des Künstlers. Sammlung Hermann Gerlinger, Würzburg. AUSSTELLUNG: Karl Schmidt-Rottluff: Das nachgelassene Werk seit den 20er Jahren. Malerei, Plastik, Kunsthandwerk, Brücke-Museum, Berlin, 20.8.1977-15.1.1978, Kat.-Nr. 145. Karl Schmidt-Rottluff: Aquarelle, Farbstiftzeichnungen, Schmuck, Kunstverein Paderborn 1982, Kat.-Nr. 5. Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 2001-2017). Nur für ihre Frauen. Schmuck von Karl-Schmidt-Rottluff, Emil Nolde, Erich Heckel und Ernst Ludwig Kirchner, Stiftung Moritzburg, Kunstmuseum des Landes Sachsen-Anhalt, Halle (Saale), 26.10.2003-11.1.2004, Nr. 3 (m. Abb.). Buchheim Museum, Bernried (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 2017-2022). Schmidt-Rottluff. Form, Farbe, Ausdruck!, Buchheim Museum, Bernried, 29.9.2018-3.2.2019, S. 176 (m. Abb.). LITERATUR: Heinz Spielmann (Hrsg.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, S. 230f., SHG-Nr. 326 (m. Abb.). Gerhard Wietek, Karl Schmidt-Rottluff, Werkverzeichnis der Plastik und des Kunsthandwerks, München 2001, Nr. 382 (m. Abb.). Hermann Gerlinger, Katja Schneider (Hrsg.), Die Maler der Brücke. Bestandskatalog Sammlung Hermann Gerlinger, Halle (Saale) 2005, S. 51, SHG-Nr. 79 (m. Abb.). Aufrufzeit: 10.06.2023 - ca. 14.03 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONKarl Schmidt-Rottluff 1884 Rottluff bei Chemnitz - 1976 Berlin Anhänger mit Lapislazuli. 1910/11. Silver plate, cut, chased. Fitted lapis lazuli. Wietek 382. Front side with signature stamp. 7.7 x 6.8 cm (3 x 2.6 in). Stone: 2,3 x 2 cm (0,9 x 0,7 in). [KT]. • Schmidt-Rottluff was the most prolific jewelry maker among the 'Brücke' artists. • His objects are characterized by an unconventional and artistic approach to material, technique and form and possess a very special aesthetic appeal. • His pieces are one-of-a-kind gems, often made fora close circle of collectors or friends and family. • These items, which are pieces of jewelry, collectibles and at the same objects of utility, unite forms characteristic of the artist's creation. • From the artist's rarest work group on the auction market (source: artprice.com). The work is documented in the archive of the Karl and Emy Schmidt-Rottluff Foundation, Berlin . PROVENANCE: From the artist's estate Hermann Gerlinger Collection, Würzburg. EXHIBITION: Karl Schmidt-Rottluff: Das nachgelassene Werk seit den 20er Jahren. Malerei, Plastik, Kunsthandwerk, Brücke-Museum, Berlin, August 20, 1977 - January 15, 1978, cat. no. 145. Karl Schmidt-Rottluff: Aquarelle, Farbstiftzeichnungen, Schmuck, Kunstverein Paderborn 1982, cat. no. 5. Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Hermann Gerlinger Collection, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Hermann Gerlinger Collection, 2001-2017). Nur für ihre Frauen. Schmuck von Karl-Schmidt-Rottluff, Emil Nolde, Erich Heckel und Ernst Ludwig Kirchner, Stiftung Moritzburg, Kunstmuseum des Landes Sachsen-Anhalt, Halle (Saale), October 26, 2003 - January 11, 2004, no. 3 (with illu.). Buchheim Museum, Bernried (permanent loan from the Hermann Gerlinger Collection, 2017-2022) Schmidt-Rottluff. Form, Farbe, Ausdruck, Buchheim Museum, Bernried, September 29, 2018 - February 3, 2019, p. 176 (with illu.). LITERATURE: Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, pp. 230, SHG no. 326 (with illu.) Gerhard Wietek, Karl Schmidt-Rottluff, Werkverzeichnis der Plastik und des Kunsthandwerks, Munich 2001, no. 382 (with illu.). Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Hermann Gerlinger Collection, Halle (Saale) 2005, p. 51, SHG no. 79 (with illu.). Called up: June 10, 2023 - ca. 14.03 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Lot 326

Karl Schmidt-Rottluff 1884 Rottluff bei Chemnitz - 1976 Berlin Anhänger mit Topas. 1910/11. Silberblech, geschnitten, ziseliert. Stein mit Krallen gefasst. Wietek 381. Auf der Vorderseite unter der Lasche mit dem Signaturstempel. Durchmesser: 4,8 cm (1,8 in). Höhe: 6 cm (2,3 in). Stein: 1,6 x 1,4 cm (0,6 x 0,5 in). [KT]. • Von den 'Brücke'-Künstlern schafft Schmidt-Rottluff das umfangreichste und vielfältigste Schmuckwerk. • Seine Schmuckstücke zeichnen sich durch ihren unkonventionellen und künstlerischen Umgang mit Material, Technik und Form aus und bringen so eine eigene Ästhetik hervor. • Die Stücke vereinen auf faszinierende Weise charakteristische Formideen aus dem Schaffen des Künstlers zwischen Schmuckstück, Sammlerobjekt und Gebrauchsgegenstand. • Schmuckstücke des Künstlers sind individuellste Preziosen, oftmals eigens hergestellt für einen engen Kreis an Sammlerinnen, Freundinnen und Familie. • Aus der am seltensten auf dem Auktionsmarkt zu findenden Werkgruppe des Künstlers (Quelle: artprice.com). Die Arbeit ist im Archiv der Karl und Emy Schmidt-Rottluff Stiftung, Berlin dokumentiert. PROVENIENZ: Aus dem Nachlass des Künstlers. Sammlung Hermann Gerlinger, Würzburg. AUSSTELLUNG: Maler der Brücke in Dangast von 1907 bis 1912. Karl Schmidt-Rottluff, Erich Heckel, Max Pechstein, Emma Ritter, Oldenburger Kunstverein, 2.6.-30.6.1957, Kat.-Nr. 221. Karl Schmidt-Rottluff: Das nachgelassene Werk seit den 20er Jahren. Malerei, Plastik, Kunsthandwerk, Brücke-Museum, Berlin, 20.8.1977-15.1.1978, Kat.-Nr. 153. Karl Schmidt-Rottluff: Aquarelle, Farbstiftzeichnungen, Schmuck, Kunstverein Paderborn 1982, Kat.-Nr. 13. Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 2001-2017). Nur für ihre Frauen. Schmuck von Karl-Schmidt-Rottluff, Emil Nolde, Erich Heckel und Ernst Ludwig Kirchner, Stiftung Moritzburg, Kunstmuseum des Landes Sachsen-Anhalt, Halle (Saale), 26.10.2003-11.1.2004, Nr. 2 (m. Abb.). Buchheim Museum, Bernried (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 2017-2022). Schmidt-Rottluff. Form, Farbe, Ausdruck!, Buchheim Museum, Bernried, 29.9.2018-3.2.2019, S. 176 (m. Abb.). LITERATUR: Gerhard Wietek, Schmidt-Rottluff. Oldenburger Jahre 1907-1912, hrsg. von der Stiftung Kunst und Kultur der Landessparkasse zu Oldenburg, Oldenburg 1994, S. 62, 469. Heinz Spielmann (Hrsg.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, S. 230f., SHG-Nr. 325 (m. Abb.). Gerhard Wietek, Karl Schmidt-Rottluff, Werkverzeichnis der Plastik und des Kunsthandwerks, München 2001, Nr. 381 (m. Abb.). Hermann Gerlinger, Katja Schneider (Hrsg.), Die Maler der Brücke. Bestandskatalog Sammlung Hermann Gerlinger, Halle (Saale) 2005, S. 51, SHG-Nr. 78 (m. Abb.). Aufrufzeit: 10.06.2023 - ca. 14.04 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONKarl Schmidt-Rottluff 1884 Rottluff bei Chemnitz - 1976 Berlin Anhänger mit Topas. 1910/11. Sheet Silver, cut, chased. Stone fitted with claws. Wietek 381. With signature stamp on the front side of the flap. Diameter: 4.8 cm (1.8 in). Height: 6 cm (2,3 in). Stone: 1,6 x 1,4 cm (0,6 x 0,5 in). [KT]. • Schmidt-Rottluff was the most prolific jewelry maker among the 'Brücke' artists. • His objects are characterized by an unconventional and artistic approach to material, technique and form and possess a very special aesthetic appeal. • His pieces are one-of-a-kind gems, often made fora close circle of collectors or friends and family. • These items, which are pieces of jewelry, collectibles and at the same objects of utility, unite forms characteristic of the artist's creation. • From the artist's rarest work group on the auction market (source: artprice.com). The work is documented in the archive of the Karl and Emy Schmidt-Rottluff Foundation, Berlin. PROVENANCE: From the artist's estate Hermann Gerlinger Collection, Würzburg. EXHIBITION: Maler der Brücke in Dangast von 1907 bis 1912. Karl Schmidt-Rottluff, Erich Heckel, Max Pechstein, Emma Ritter, Oldenburger Kunstverein, June 2 - June 30, 1957, cat. no. 221. Karl Schmidt-Rottluff: Das nachgelassene Werk seit den 20er Jahren. Malerei, Plastik, Kunsthandwerk, Brücke-Museum, Berlin, August 20, 1977 - January 15, 1978, cat. no. 153. Karl Schmidt-Rottluff: Aquarelle, Farbstiftzeichnungen, Schmuck, Kunstverein Paderborn 1982, cat. no. 13. Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Hermann Gerlinger Collection, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Hermann Gerlinger Collection, 2001-2017). Nur für ihre Frauen. Schmuck von Karl-Schmidt-Rottluff, Emil Nolde, Erich Heckel und Ernst Ludwig Kirchner, Stiftung Moritzburg, Kunstmuseum des Landes Sachsen-Anhalt, Halle (Saale), October 26, 2003 - January 11, 2004, no. 2 (with illu.). Buchheim Museum, Bernried (permanent loan from the Hermann Gerlinger Collection, 2017-2022) Schmidt-Rottluff. Form, Farbe, Ausdruck, Buchheim Museum, Bernried, September 29, 2018 - February 3, 2019, p. 176 (with illu.). LITERATURE: Gerhard Wietek, Schmidt-Rottluff. Oldenburger Jahre 1907-1912, ed.by Stiftung Kunst und Kultur der Landessparkasse zu Oldenburg, Oldenburg 1994, pp. 62, 469. Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, pp. 230ff, SHG no. 325 (with illu.). Gerhard Wietek, Karl Schmidt-Rottluff, Werkverzeichnis der Plastik und des Kunsthandwerks, Munich 2001, no. 381 (with illu.). Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Hermann Gerlinger Collection, Halle (Saale) 2005, p. 51, SHG no. 78 (with illu.). Called up: June 10, 2023 - ca. 14.04 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Lot 33

Tim Minett for Aurum, limited edition Silver Westminster Abbey Goblet London 1977, made by order of the Dean and Chapter of Westminster to commemorate the Silver Jubilee in 1977 of her Majesty Queen Elizabeth II no 698 of 750. 440g total weight 18cm in Height

Lot 69

Two diamond cut glass silver and tortoise shell topped perfume bottles c1900. Two diamond cut glass silver and tortoise shell topped perfume bottles c1900. Glass stoppers. Rubbed hall marks. Excellent condition. (2)

Lot 34

John Willmin for Aurum Limited edition Silver and Silver gilt Ely Cathedral Goblet London 1973 made by order of the Dean and Chapter of Ely to commemorate the thirteenth Centenary of the foundation in 673AD Number 300 of 673. 540g total weight 17cm in Height

Lot 58

Very Large Silver Trophy engraved 'Grimwood Cup' London 1901 2.9kg+ with later Silver rim on ebonised base for Huntingdon Regatta 1968 Novice Eights Record Time Birmingham 1968 240g 50cm total height

Lot 29

A Royal Commemorative Parcel Gilt Silver Clock, Mappin & Webb, London 1981, vase shape with rope twist swags and borders and applied crests, numbered 110 from the edition of 210, produced to commemorate the wedding of Prince Charles and Diana, in a fitted case and with paperwork, 27cm high

Lot 144

Extensive Silver Set of Flatware Sheffield 1977 & Later 3600g and Silver filled Stainless steel handed knives

Lot 35

Hector Miller for Aurum limited edition SIlver and Silver Gilt York Minster goblet London 1972 made by order of the Dean and chapter of York to commemorate the 500th anniversary of the completion of Gothic Minster and the end of the five years of restoration work in 1972 no 302 of 500. 498g total weight. 16cm in Height

Lot 152

Interesting Silver cased Ottoman pocket watch with roman numeral dial with chain and matching key 45mm in Diameter

Lot 170

An unmarked gold and silver diamond, sapphire, ruby and pearl set brooch formed as a butterfly. 4 x 3 cm. 12.6 grammes total weight.

Lot 727

A box of various silver plate, brass, etc.

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