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Click here to subscribeA Victoria silver tea pot, with flower finial, lobed body and flowerhead and foliage decorated handle and spout, on anthemion stamped feet, ivory spacers to handle, maker ‘J E’, London 1844, height 18cm. £300-£400 --- Ivory Submission Reference 1K9WXZ1X. Condition Report Hallmark to base; handle also fully hallmarked. Good condition. Gross weight 23oz.
A George IV silver teapot, the baluster body with fluting above a band of flowerheads and foliage repoussé decorated on a grained ground, with ivory spacers to the handle, by W H, London 1822, height 20cm. £400-£500 --- Provenance: Ivory Submission Reference NSLZXE2E. Condition Report Undecorated areas with abrasion. Crest or initials removed from one of the two reserves on the body. Composition collar inserted beneath finial, linking it to the lid. Weight: 28oz.
A Victoria silver tea pot, with flower finial, lobed body, flower and foliage decorated handle and spout, on ’S’-scroll and cabochon decorated feet, with ivory spacers to handle, by Francis Dexter, London 1846, height 15.5cm. £300-£400 --- Ivory Submission Reference XN4PEQPJ. Condition Report Hallmarks to base. One lobe with minor dents. Gross weight 27oz.
A George IV silver waiter, centred with a crest, within a broad band of later engraved flowerheads, ‘C’-scrolls and scallops, within a gadrooned border, on foliate and paw feet, by James Hobbs, London 1825, diameter 16.5cm. £100-£150 --- Condition Report Crest rubbed. Weight: 8oz
A silver presentation salver, with piecrust border and central inscription, on scroll feet, maker ‘E V’, Sheffield 1962, diameter 30cm. £300-£400 --- The inscription reads: ‘Mashonaland Turf Club, the D M Campbell plate, won by Mrs I K Lockie’s ‘Splendent’, trainer: C R Clee, jockey: R Rhodes, 20th April 1967’. Condition Report Good condition; very minor scratches to plain surface. Weight 26oz.
A late George III Scottish silver wine funnel on a stand, the funnel with removable strainer and ring for holding muslin, initialled ‘W’, by J. McKay, Edinburgh, the stand, with three-line border, by Robert Gray of Glasgow, Edinburgh hallmark, both pieces undated, length 16.5cm, stand diameter 9.5cm. (2) £300-£400 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Condition Report All marked rubbed, marks on strainer illegible.
A pair of Victoria silver wine coasters, the broad scroll-pierced borders with ‘C’ and ‘S’ scroll rims, the bases engraved with scrolling foliage surrounding crests by Edward, Edward Junior, John & William Barnard, London 1854, bases diameter 11.5cm. £800-£1,200 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- This crest is shared by a number of families: Butts, Cairne, Garvine, Gibbens, Grayley, Grelley, Haddock, Hollier, Peat. Condition Report Marks a little rubbed; no apparent damage.
A George III silver soup tureen, of good gauge, the oval body with gadrooned rim and applied cast cartouches of ‘C’-scrolls, olive branches and leaf forms, each engraved with an armorial, with scallop and foliate handles, on outset lion mask and paw feet, the cover crested and with fixed handle and band of gadrooning, by William Bennett, London 1810, width 33cm. £3,000-£4,000 --- Provenance: The arms are those of Guise, Baronets of Highnam Court in the county of Gloucestershire. Given the date of manufacture of this tureen, it was undoubtedly in the possession of Sir Berkeley William Guise (1775 - 1834), 2nd Baronet of Highnam Court in the parish of Churcham, in the County of Gloucestershire. He was the eldest son of Sir John Guise, 1st Baronet of Highnam Court, and his wife, Elizabeth Wright. Sir Berkeley succeeded as the 2nd Baronet and to the Highnam Court estate upon his father’s death on 2 May 1794. He later inherited the estates of Elmore Court, the original and principal seat of the Guise family, and Rendcomb upon the death of his cousin, Jane Guise on 8 August 1807. Sir Berkeley was educated at Eton, and Christ Church, Oxford. He served in various offices within his home county: Verderer and Deputy Warden of the Forest of Dean from 1801 - to his death in 1834; Sheriff of the City of Gloucester, 1807, and Mayor of Gloucester in 1813. He was also commissioned as a Captain in the North Gloucestershire Militia on 8 June 1798 and later appointed as Lieutenant Colonel Commandant to command the newly raised 1st East Gloucestershire Local Militia on 14 April 1809. He was a Whig member of parliament for Gloucestershire from 1811-32 and Gloucestershire East 1832-34. Our thanks to Beacon Genealogical and Heraldic Research for assistance with this lot. Condition Report Hallmarks to base rubbed but legible, lid and handle also hallmarked. Light wear to engraved coats of arms and upper surfaces. Weight 143oz.
A pair of Victoria silver candelabra, of George III neo-classical design, with corinthian capitals and with column entwined with oak leaves and acorns, on square bases repoussé decorated with classical urns and acanthus and with gadrooned borders, by Goldsmiths & Silversmiths’ Company Ltd., London 1900, bases filled, total height 44cm (candlesticks 25cm). £3,000-£3,400 --- Condition Report Light wear on oak leaves and acorns, otherwise good condition.
A set of eight George III silver dinner plates, with gadrooned rims, later engraved with the coat of arms of Henry Paget as Marquess of Anglesey, within a garter, by Frances Butty & Nicholas Dumee, London 1769, diameter 24cm. (8), £3,000-£4,000 --- Henry William Paget (1769-1854), 2nd Earl of Uxbridge and 1st Marquess of Anglesey, is best known for his distinguished service at the Battle of Waterloo, where he was placed in command of the united British, Belgian and Hanoverian cavalry under Wellington, who inflicted a crushing blow to the French, thereby contributing in large part to Napoleon’s defeat. After the battle he was created Marquess of Anglesey and, later, Knight of the Garter, Lord Lieutenant of Ireland and Master-General of the Ordnance. Condition Report All plates scratched, due to usage over many years; six with small dents. Weights: first, 16oz; second, 12oz. Each with scratch weights. Gross weight: 154oz.
A late 16th century German silver and ‘lemon’ parcel-gilt ‘monatsbecher’ by Hans Erne, Strasbourg, circa 1580, of flared design and engraved in the manner of Virgil Solis (1514-1562), the decoration emblematic of the month of May, finely engraved below the rim with a broad band of panels beneath, the inscription ‘SECHT / WELCH / EIN / MENSCH / ISTDAS / DER / MEY / BRINGT / BLIEMLEIN / MANIGFAT / MACHT / FRISCH / GEBLVET / IVNG / VND / ALT’, the foot with a further band of engraved decoration of fruit and foliage, reserving three panels of a stag and hounds, the base with assay scrape, maker’s mark conjoined ‘HE’, town mark for Strasbourg, height 10cm. £2,000-£3,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- The engraved inscription translates as ‘The month of May brings magnificent flowers and makes fresh blooms young and old.’ The small German beakers known as ‘monatsbecher’ (‘month beakers’) were made in sets of a dozen, one beaker for each month of the year, and used almost exclusively in German-speaking countries. They were fashionable between the early 16th and mid 17th centuries. This example will have been the fifth in a set of twelve. These cups were popularised by the designs of Virgil Solis (1516-1564), a German draughtsman, skilled in engraving, etching and woodcut, and one of Nuremberg’s most prolific printmakers and book illustrators. The engraved or embossed scenes are often allegorical and inspired by the Labours of the Months. The month of May was associated with courtship and merrymaking and can be seen here in the depiction of figures playing backgammon and drinking in a boat and in the couple bathing together. The significance to mankind of Blood, Water and Wine, both sacred and profane, can also be interpreted; sacramental (a panel depicting Christ: Ecce Homo); medicinal (scene of blood-letting); hospitality (a servant preparing a dinner table). Further references to the month of May include the depiction of lily of the valley or ‘Maiglöckchen’ in German, translating literally as ‘little May bells’, together with the panel depicting ‘twins’ amidst clouds representing the astrological sign for Gemini, against which is visible the numeral ‘5’ for the month of May. For a similar silver and parcel-gilt ‘monatsbecher’ by Courakt Grenter, Strasbourg, circa 1560, see the Salting Collection, V & A (Room 62, The Foyle Foundation Gallery). We are grateful to the Goldsmiths’ Hall Library for assistance in researching the maker’s mark. Literature: The maker’s mark is identified from: L'orfèvrerie de Strasbourg dans les collections publiques française, by Hans Haug, pub. Éditions des Musées nationaux, Palais du Louvre, Paris, 1978. Old Silver of Europe and America: from early Times to the Nineteenth Century. by E. Alfred Jones, pub. B.T.Batsford Ltd., London 1928. Condition Report Engraved decoration in good condition, with no apparent rubbing to the gilt surface. Horizontal dent, approximate length 3cm, positioned approximately 3cm above the footrim, not affecting engraved areas. Further horizontal indentation running around the upper part of the cup, possibly the result of stacking.
A pair of Victoria silver fish servers and six pairs of fish eaters, the serving knife with engraved blade depicting an angler casting a rod, with two salmon, the bone handles relief carved with fish amidst bull rushes, by makers ‘I O’, Sheffield 1855, in fitted case, the fish eaters with scroll and anchor-engraved blades and crested bone handles, by Hawkesworth, Eyre & Co, Sheffield 1865. £200-£300 --- Condition Report Servers: knife handle possibly re-fixed to the blade at the shank, with traces of old glue. Fork: good condition. Case: now coated with a brown wash; interior plush rubbed in indentations. Fish knives and forks: all crests rubbed to some extent; one fork and three knives with splits in the handles.
A matched George III silver feather-edged Old English pattern flatware service, for twelve settings comprising table spoons and forks, dessert spoons and forks, tea spoons, various dates 1786-1806, all pieces by Richard Crossley, together with modern table and dessert knives, Sheffield 1985. £1,500-£2,000 --- Condition Report Good overall condition; most hallmarks very good; fork tines not bent or worn down. Weighable silver 82oz.
A George III Irish silver soup ladle, fiddle and thread pattern, crested, by Samuel Neville, Dublin 1820 and a William IV fiddle pattern gravy spoon, by William Chawner, London 1831. (2) £100-£150 --- Condition Report Ladle rubbed, maker’s mark poorly struck. Both with minor scratches commensurate with age.
Of Military interest: a small collection, comprising a silver presentation cigarette box engraved ‘COLONEL D.F.D. NOEL | FROM | THE SERVICE ATTACHES, KABUL APRIL 1887’, a silver Northumberland Artillery cigarette case, a post-war gilt metal Light Division cigarette case, a post-war white metal BAOR cigarette case and a further electro-plated example, first length 10.9cm. (5) £80-£100 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Condition Report All worn. Viewing advised.
Of Military Interest: a miscellanous collection, comprising a silver and enamelled Green Howards cigarette case, a silver Royal Artillery enamelled cigarette case, a silver cigarette case and two base metal cigarette cases, an electro-plate mounted wallet and an oval reproduction Civil War Royalist badge (A/F), various dates, first length 10.2cm. (7) £100-£150 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Condition Report All worn. Silver items gross weight 260.5gm.
A silver presentation snuff box, of rectangular form, engine-turned decorated, the hinged lid engraved ‘ROYAL AERO CLUB | KING’S CUP RACE 1938 | F/O CHARLES HUGHESDON,’ with enamelled burgee above, silver-gilt interior, by G. S. Twist, Birmingham 1938, length 8.5cm. £50-£70 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Condition Report Worn condition, enamel damaged. Weight 130.9gm.
Of Royal Air Force interest: a collection of cigarette cases and boxes etc, comprising a silver rectangular cigarette box and two silver cigarette cases, all with enamelled strip, a further silver bowed cigarette case with presentation inscription to ‘Capt H. B. Dresser..’, a silver vesta case, an electro-plated square cigarette box, a small electro-plated Armada dish, a silver badge and an RFC silver bowed cigarette case, various dates, first length 11.5cm. (8) £150-£200 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Condition Report All worn. Gross weight of weighable silver items: 333.4gm.
Of Regimental Interest: A collection of four presentation cigarette cases comprising two silver examples for the Grenadier Guards, the first engraved ‘REGIMENTAL SERGEANT MAJOR A. WHITE D.C.M. | WELLINGTON BARRACKS AUG. 1931’, one silver example for 3rd Kings Own Yorkshire Light Infantry, an electro-plated example for the Royal Welsh Fusiliers presented to Quartermaster Sergeant J. F. Clieve and a silver example engraved ‘Trooper Sheridan O.L.H from P.T.F.’, first length 12.5cm. (5) , £150-£200 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Condition Report All worn. Viewing advised.
Of Naval interest: two silver presentation cigarette cases, the first engraved ‘LLOYD LINDSAY | DUNKERQUE 7th JUNE 1919’, the second ‘F. G. WILIAMSOM | HMS SHANNON 1916 | GRAND FLEET CRUISERS WINNERS ERA’S GIG RACE’, a silver vesta case, engraved ‘FROM L.t. COL SIR MARK SYKES, BART. M.P. R.N. & M.T. 1913’ and a white metal cigarette case engraved with map of Europe, various dates and makers, first length 8.5cm. (4) £100-£150 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Condition Report All with considerable wear. Gross weight of three silver examples: 123.3gm.
A Danish silver ‘Joy’ pendant by Georg Jensen, designed by Astrid Fog, the polished hollow heart pendant suspended by an articulated baton-link chain, numbered ‘126’, post 1945 maker’s mark, stamped ‘925s DENMARK’, maker’s case, pendant length approximately 6cm. £150-£200 --- Condition Report General light surface wear commensurate with use. Some very minor scuffs to to the polished heart. In overall good condition.
A Danish silver bracelet by Georg Jensen, designed by Annette Howdle, and a ‘Boomerang’ brooch, both signed ‘Georg Jensen’, stamped ‘925S’, ‘Denmark’ and ‘Danmark’ respectively, bracelet with London import mark for 1978 and numbered ‘176’, brooch with European convention mark and Danish assay mark, bracelet length 18.5cm, brooch 7.5cm. (2) £100-£150 --- Condition Report Both with typical light surface wear and scratches, brooch with a scratch across width. Overall good condition. Gross weight 58.4gm.
A silver lion ring by Mosheh Oved, circa 1945, of angular form with hammered finish, the mane modelled in gold, the shank formed by the legs and vertical tail, unsigned, ring size approximately K. £4,000-£6,000 --- Provenance: Alexandra Mitchell, known as ‘Doris’ to colleagues and clients, worked at Cameo Corner from 1957 until its closure in the 1970s. This Mosheh Oved ring was presented to her by the management of the shop. Mosheh Oved (1885-1958), also known by his anglicised name Edward Good, was a charismatic and talented jeweller, sculptor, poet and writer. Emigrating from Poland around 1902, he came to London and trained as a watchmaker. Initially he was based in Fetter Lane, Holborn, later moving to 1, New Oxford Street. In 1938 he become the owner of a celebrated Bloomsbury antique shop called Cameo Corner, in Museum Street, near the British Museum. By now, a world expert on cameos and a highly original jeweller, Oved was an eccentric character, often seen dressed in long flowing purple velvet robes, entertaining his customers (which included Queen Mary) with stories and anecdotes. According to one story, whilst sheltering in the basement of Cameo Corner during the Blitz, Oved first began modelling his animal rings to steady his trembling hands. His first ring was a lamb, perhaps a symbol of the ultimate sacrificial lamb, made from the silver of Oved’s own cufflinks after he learnt that a client’s son had been killed in action. Oved went on to make numerous anthropomorphic rings, mostly in silver, but some in gold, modelled as charming animals and birds and often displaying human characteristics. Condition Report General surface wear throughout, small nick to the silver base. Gross weight 30.9gm.
A late Byzantine 10th/11th century silver ring, the circular sectioned hoop and round bezel engraved with a merchant’s symbol of a cross surmounted by the letter P within a dotted border, ring size 0. £60-£80 --- Provenance: This ring is from a USA collection. Condition Report The ring showing slight wear, but no cracks or damage. Weight 3.8gm.
A 15th century silver seal ring, the raised circular bezel set with an eagle rising with wings displayed and inverted, the shoulders angled and fluted to the exterior, the hoop of D-shaped form. diameter 26mm, bezel 12mm. £200-£300 --- Provenance: This ring was found in 1993/4 near Witham, Essex. Condition Report The ring is in very fine condition, but had a crack in the hoop (see photograph) which has since been repaired.
A 15th century silver gilt iconographic ring, the hoop with flat inner section, the moulded ridge above centred with a rectangular concave panel between two transverse ridges, incised with a crowned female figure, possibly St. Margaret of Antioch, holding a cross in her right hand, her left hand held against her chest, between incised upright foliate detail, the foliage extending down the shoulders to either side of a central ridge of pellets continuing around the shank, shank misshapen, diameter 22mm. £300-£500 --- Provenance: This ring was discovered by a metal detectorist in 2014. It has been recorded on the Portable Antiquities Scheme database Ref. ESS-0544C7 and disclaimed as Treasure Ref. 2014T585. St. Margaret of Antioch was the patron saint of childbirth and pregnant women. She is honoured with a Feast Day on 20 July. Condition Report The ring is slightly misshapen with several cracks visible to the shank - one lateral crack across the hoop and damage to the edge of one shoulder. but the detailing is sharp. The gilding is largely in tact. Dimensions: Bezel: width: 10.5mm, thickness: 2.01mm. Shoulders: thickness: 2.3mm. Hoop: thickness: 1.9mm. Gross weight 4.8gm.
A gold posy ring, 18th century, the band of D-section, the interior inscribed ‘As age doth grou let verteu flou’ in italic cursive script, plain exterior, ring size K½. £600-£800 --- Provenance: This ring is from a UK collector in Northern Ireland. An unusual inscription, not seen before by the cataloguer. Condition Report According to a PMI test on the XRF Analyzer the ring has tested as 60.25% gold and 24.12% silver.
A late 19th century opal and diamond cluster ring, the oval opal cabochon in a surround of old brilliant-cut diamonds, mounted in silver and gold, total diamond weight approximately 0.35 carat, ring size O-P. £200-£300 --- Condition Report Opal with light surface wear evident under 10x magnification. Mostly green and some orange flashes. Diamonds bright. Shank thinned and stretched, evidence of resizing. Unmarked and untested. Overall good condition. Gross weight 2.7gm.
Three antique brooches, comprising two brooches circa 1890, the first of spray design and set with rubies, sapphires and diamonds, the second set with rose-cut diamonds and polished ruby and emerald bead drops, together with a bar brooch set with sapphire doublets and diamonds, all mounted in silver and gold, various lengths. (3) £600-£800 --- Condition Report Gross weight 16.3gm.
Six pairs of lady's shoes to include a pair of gilt brocade sling backs by Russell & Bromely, a pair of silver leather peep-toes by Vigneron, Paris, a pair of black leather courts with zip detail to heel by All Saints and three other pairs, (6)All Saints black 'zip' courts - size 36yellow sandlas - size 38gold lace - size 7.5 (although appear to be a lot smaller?)cream lace - size 4silver peep toe - size 40cream heels - size 6.5
A SEVRES PART DINNER SERVICE CIRCA 1785** Painted with a central floral panel within a floral gilt band border, comprising: two shell-shaped quatrefoil dishes, 22cm x 22cm; two oval dishes, 27cm in length and sixteen plates, interlaced 'L's marks only without date letters and including one of superior quality, interlaced 'L's' mark verso, date letter KK for 1787, gilder's mark LG for Etienne-Henri Le Guay (1719/1720 - about 1799) and gold hashtag device used by the gilder Michel-Barnabé Chauvaux, l'aîné (active 1752-88), P7 painter's mark, possibly Jean-Jaques Pierre jeune (1763-1800), 24cm diameter*Provenance: Used regularly and displayed in the Drawing Room of the Private Apartment of H.R.H. The Princess Margaret, Countess of Snowdon at Kensington Palace Until sold, Christie's, Silver, Furniture and Works of Art from the Collection of H.R.H. The Princess Margaret, Countess of Snowdon, 14th June 2006, lot 709 (hammer £5,040) *See Christie's Collection Zeiseniss 6th Dec. 2001, lot 251 for a similar plate from the same service. Sold €2687 including buyer's premium. See David Peters, Sevres Plates and Services of the 18th Century (2005) where Mr Peters attributes this service to number 90/2 and 94/7 amongst others. **Please not that on its previous saleroom outing at Christie's, the service was catalogued as 18th century porcelain but later decorated.Please note, the cataloguing for this lot has been revised and differs from that shown in the printed catalogue. Condition Report: One plate is of superior quality to the others and comes with interlaced 'L's' mark with date letters etc. The bleu celeste borders are seeded and slightly at variance with the rest of the service. The remainder of the service just has interlaced 'L's' marks which in of itself is not unusual at Sevres. The single with an abundance of marks, has a couple of frits to the top surface and scratches to the gilding.Fifteen plates: Ten are in some way chipped, ranging from small up to a cm in length. Five lack serious damage but are a little worn, indicating that they have seen some use.Shell dishes: One cracked and rivetted. The other cracked and sprayed.POTENTIAL PURCHASERS ARE REMINDED THAT ON ITS PREVIOUS OUTING AT AUCTION WITH CHRISTIE'S, THE SERVICE WAS CATALOGUED AS HAVING LATER DECORATION. Please satisfy yourself in this regard before bidding. Additional images can and will be made available from the Dept. upon request. Condition Report Disclaimer
Y A FRENCH KINGWOOD, TULIPWOOD, ROSEWOOD AND ORMOLU MOUNTED GUERIDON CIRCA 1890 With a breche violette marble top above a frieze drawer76cm high, 61cm diameter Provenance:Provenance: Widden Hill House, Gloucestershire Doveridge House Antiques, Shropshire, 1st April 1971 The original receipt is included with this lot. A remarkably similar example of Gueridon sold at Christie's, London, The Collector: Silver & 19th Century Furniture, Sculpture & Works of Art (15491), 28th May 2018, Lot 583 (Sold £3,750 incl. BP) Condition Report: Marks, scratches and abrasions, wear, old chips and splits comensurate with age and use. Some fading. All mounts are present. Some possible slight lifting/ denting to some. There is wear and loss to the gilding of the surfaces in areas throughout. Some nails/ pins securing mounts are slightly loose, a small number possibly lacking (pins) No obvious cracks or losses to to the marble of the top but various scratching. The table is of solid structure with some minor movement to joints (mainly due to weight of the top) Dust mouldings to the drawer interior are later additions/ replacements. Please refer to the additional images available via email for visual reference to conditionCondition Report Disclaimer
A CONTINENTAL WALNUT CENTRE OR SILVER TABLE PROBABLY DUTCH, MID 18TH CENTURY 75cm high, 85cm wide, 49cm deep Condition Report: Marks, scratches and abrasions, old chips and splits comensurate with age and use. Some old losses, some old repairs. Some indentation to the top has been disguised with filler. Original surface. Some natural fading. Careful attention to the colour/ surface could improve the colour further. There is some dark staining. The table is of solid structure. At each end, the drawer handle appears original and match eachother. The engraved detail on it bear wear. The small lock to each drawer is lacking and has been neatly filled with a fillet of timber. The small key-holes have been neatly filled and veneered over to match. Neat old repair to a split in the top with a slender fillet of timber (see additional images) The glued blocks to the underside of the top are possibly later and/or have been re-glued. Some of the 'ears' at the tops of the legs have been re-glued. One leg has an old crack/ fracture and a dowel/ peg joint has been put in to secure it, one other leg has an old closed crack/ split that appears to be secure. Some splitting and division to floors of drawer linings. Some old ink staining to drawer linings. Please refer to the additional images available via email for visual reference to condition Condition Report Disclaimer
LEONID KOGAN & ELISABETH GILELS - SONATAS FOR TWO VIOLINS LP (UK STEREO OG - COLUMBIA - SAX 2531). A stunningly scarce original UK stereo LP pressing of Sonatas For Two Violins by Leonid Kogan and Elisabeth Gilels (SAX 2531, 1964 UK stereo pressing on Columbia. Blue/ silver labels are in beautiful clean shape. The record is in superb, glossy Ex+ condition. The front laminated flip-back sleeve is in equally impressive Ex+ condition).
TUCKER ZIMMERMAN - TEN SONGS BY LP (UK STEREO OG - REGAL ZONOPHONE - SLRZ 1010). A rarely seen, original UK stereo pressing of Ten Songs By, the debut album by Tucker Zimmerman SLRZ 1010, 1969 UK stereo pressing on Regal Zonophone. Red/ silver text labels are bright and clean. YXARX 59-2G/ 60-2G machine stamped matrix. The record is in wonderful Ex condition, displays a couple of wispy/ hairline paper marks. The front laminated flip-back sleeve is also in superb Ex condition, covers are nice and bright with a fully legible spine).
An A0 sized (approx 84x118cm) high-quality print, produced via a scan of the original negative, depicting an image of Prince as taken by acclaimed photographer Virginia Turbett. #2 from an edition of only 20 produced.Scanned at 3200 dpi from the original negative and printed as a professional quality silver halide, resin coated, black and white printThis B&W print is produced on genuine Harman black and white silver gelatine RC photographic paper. This is as close as you can get to a traditional B&W darkroom print from a digital file and has significant benefits when compared to B&W images produced from colour processes.This image was used on the inner sleeve and CD booklet of Prince’s ‘Originals’ album. Taken backstage at Amsterdam’s Paradiso Club on 29th May 1981.Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a handmade, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
NERVOUS NORVUS - DIG 7" (45-HL-D 8383). Let's get rockin with this top notch 45 from 1957 by Nervous Norvis - Dig c/w Bullfrog Hop (London, 45-HL-D 8383). In srong VG+ condition with a few light marks on the playing surfaces. Clean centre label with silver lettering, 3-prong still intact.
Three hand-printed 8x10" photo prints depicting photos of Paul Weller taken by photographer Virginia Turbett at Polygram Studios, 18th Feb 1982. Each signed by the photographer. Excellent condition.Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films. Virginia has not made a handmade, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
A hand printed darkroom print of The Jam performing at Sheffield University, 4th May 1979. Signed by photographer Virginia Turbett. 8x10". Very good condition. Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a handmade, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
Two hand printed vintage darkroom prints of images by photographer Virginia Turbett depicting Prince onstage and backstage at his first ever European concert at Amsterdam Paradiso, May 1981. Both images are signed, both measure 8x10".Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a hand made, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
SMALL FACES - OGDEN'S NUT GONE FLAKE LP (OG DANISH PRESS - IMMEDIATE - IMSP 012). A rarely seen original Danish pressing of Small Faces - Ogden's Nut Gone Flake LP (IMSP 012, 1968 Danish pressing on Immediate. Black/ silver text labels are bright and clean. IMSP 012 1Y-2/ 2Y matrix. The record is in sharp Ex condition, each side displays a couple of hairline/ wispy paper marks. The iconic fold-out sleeve is in superb Ex+ condition).
SAVOY BOY BLUES BAND - SHAKEDOWN LP (UK STEREO OG - DECCA - SKL 4883). A sought-after original UK stereo LP pressing of Shakedown by Savoy Brown Blues Band (SKL 4883, 1967 UK stereo pressing on Decca. Unboxed blue/ silver labels are in beautiful, clean shape. JT tax code stamped into matrix, rather than the more commonly seen versions with it on the label. The record is stunning Ex+ condition. The front laminated sleeve is also in wonderful Ex+ condition. Clean bright covers and a fully legible spine edge).
A hand-printed vintage photo print of Prince, live onstage at the Paradiso, Amsterdam in May 1981. Numbered 1/1 and signed to border by photographer Virginia Turbett. Mounted. Image approx 21x30cm. Excellent condition. Stamped and stickered to verso.Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a handmade, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
A 1/1 limited edition hand-printed photograph of Frank Zappa, NYC 16th April 1981. Taken by Virginia Turbett. Marked as a 1/1 and signed to the mount. Measures 8x10".Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a hand made, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.A
Two hand-printed vintage darkroom prints depicting The Clash onstage at The Rainbow Theatre, 14th July 1979. Printed on glossy Ilford photo paper. Each is 8x10" and is signed to border by the photographer Virginia Turbett.Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a hand made, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
A vintage hand made photo print of an image by Virginia Turbett depicting The Clash in Leicester Square, London, 6th July 1979. 8x10". Signed by the photographer to the mount.Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a hand made, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
An 8x10" vintage handmade darkroom print of an image taken by photographer Virginia Turbett depicting The Sex Pistols during the Pretty Vacant video shoot, June 1977. Printed on glossy Ilford photo paper.Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a hand made, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
GUNS N ROSES - APPETITE FOR DESTRUCTION - LOCKED N LOADED EDITION - THE ULTIMATE F'N BOX (B0028153-80). A triumphant box set here from 2018. The Appetite For Destruction: Locked N’ Loaded box is the one true GN’R Holy Grail. The box includes the Super Deluxe Edition with 4CDs featuring the album newly remastered for the first time ever; B-sides N’ EPs newly remastered; the previously unreleased 1986 Sound City Session N’ More recordings; a Blu-ray Audio disc with the album, bonus tracks and music videos in brand new 5.1 surround sound along with the unearthed music video for “It’s So Easy” originally shot in 1989 but never finished; and a 96-page hardcover book showcasing unseen photos from Axl Rose’s personal archive and a wealth of memorabilia. In addition, the Locked N’ Loaded box contains high-quality collectables including seven 12-inch 180g audiophile vinyl discs, a Hologroove Hologram of the GN'R logo, seven 7-inch singles on yellow vinyl, 12 lithos newly visualizing each song on Appetite, 5 custom hand-made metal-cast band skull face rings, 5 hand-made metal-cast band skull face lapel pins, buttons, patches, 3 replica concert tickets, 6 replica gig flyers, 5 metal skull face-stamped and signature-stamped guitar picks, a turntable mat, 2 wall posters, replica 27"x40" ‘85/’86 club days banner, a Robert Williams painting litho, 5 never-before-seen band lithos, a 32gb solid metal cross USB stick (with 192kHz 24-bit, 96kHz 24-bit, 44.1kHz 16-bit digital audio), a micro-fiber vinyl cleaning cloth, 7-inch large hole adapter, 2-inch collectable coin, 6 iron-on logo patches, bandana with silver metallic ink, replica "Welcome To The Jungle video invite flyer, 5 logo buttons, a numbered certificate of authenticity. Limited to just 10,000 copies worldwide. The condition is As New.
A handmade darkroom print of an image by photographer Virginia Turbett describing Johnny Rotten in London, June 1977. 8x10". Signed by the photographer.Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a hand made, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
A vintage hand printed darkroom print of an image by photographer Virginia Turbett depicting The Damned onstage in Exeter, June 1979. 8x10". Signed by the photographer. Marked as a 1/1 print.Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a hand made, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
A photo print of an image by photographer Virginia Turbett depicting Poly Styrene of the X-Ray Spex outside Shepperton Studios, London, Dec 1977. Signed by the photographer. Measures approx 11 3.4 x 16.5".Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a handmade, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
An Eric Clapton 1987 tour programme (9.5x13.5") signed to inner pages in silver marker pen by Eric Clapton, George Harrison, Phil Collins, Mark Knopfler, Nathan East, Greg Phillinganes, Steve Ferrone. As per COA signatures were obtained by Clapton's former asst tour manager Colin Smythe.
A pair of men's shoes by 'Paul Smith Jeans', (size marked only as '8') - owned and worn by David Byrne of Talking Heads, who subsequently one in silver ink before donating to a charity auction.Provenance: originally donated directly by David Byrne to a charity auction in 2019. See more herehttps://www.smallstepsproject.org/portfolio/david-byrne/
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