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Lot 467e

1960’s ladies Avia silver wrist watch and another

Lot 441

Two silver pocket watches on silver chain, 15” long

Lot 257

Three silver pendants & chains

Lot 209

Antique decorative silver MIZPAH anchor brooch Chester 1917

Lot 424

Silver bracelet with nine paste clusters

Lot 467L

Silver pocket watch, also a fob watch

Lot 467y

Long silver guard chain, 48” long

Lot 126

Victorian wide silver hinged bangle 34.8g

Lot 402

Four large silver filigree butterfly brooches 65g

Lot 171

Large silver filligree flower brooch 8cm long 19.8g

Lot 206

GEORG JENSEN - silver leaf earrings model no. 50B

Lot 28

Art Deco silver stone set brooch, ring and earrings 23g inc

Lot 315

Large Circular Scottish hardstone brooch in silver mount 22.5g inc

Lot 467

Victorian silver Albertina, 8” long

Lot 467k

Gents silver pocket watch by Kay

Lot 879

A QUANTITY OF JEWELLERY including a Scottish agate and silver bracelet, a single row graduated cultured pearl necklace, a gold and pearl set horseshoe stick pin, a turquoise and pearl set stick pin, a gilt buckle mounted with a shell cameo, etc.

Lot 1297

SILVER LIDDED CLARET JUG - HUKIN & HEATH after a design by Christopher Dresser, with a silver top and angular handle and a hob nail design glass body and star cut base. Marked for Hukin & Heath (oval mark), Birmingham, 1909. 8ins (20cms) high

Lot 1007

AN EARLY 20TH CENTURY SAPPHIRE AND DIAMOND CLUSTER RING the oval-shaped sapphire is set within a surround of old-cut diamonds, in silver and yellow gold. Size I.

Lot 1300

ARTS & CRAFTS SILVER BOWL - GEORGE LAWRENCE CONNELL a hand beaten bowl with a gilded interior, handles on each side and hoof style feet. With a raised inscription around the centre of the bowl, Regina ER, ER 1601, ER Elizabeth, Dei Gracia Angliae, Frangiae, Et Hiberniae. Marked for Birmingham, 1912, GLC mark. 6 1/2ins (16.5cms) diameter (handle to handle), 2 3/4ins (7cms) high *This appears to be a reference to Elizabeth I and her Golden Speech in 1601, in which she revealed this would be her final Parliament and used it to address her love and respect for her Country, her position and the members themselves.

Lot 1190

A VICTORIAN DIAMOND AND GEM SET THISTLE BROOCH set overall with graduated old brilliant-cut diamonds, an oval-shaped amethyst and circular-cut emeralds, in silver and backed in gold, 5.5cm. long.

Lot 1301

MOORCROFT VASE - EVENING SKY a modern Moorcroft vase in the Evening Sky design, designed by Emma Bossons. Marked, Moorcroft, Made in England, EB, 2003. 8 1/4ins (21cms) high*2nd quality, with a silver line running through the Emma Bossons mark 

Lot 939

A SILVER OPEN FACED POCKET WATCH the white enamel dial signed Waldvogel & Bury and with Roman numerals, engraved cartouche decoration to the back case, with stopwatch mechanisim, 50mm. dia., on a silver watch chain with watch keys.

Lot 1189

A VICTORIAN DIAMOND AND GEM FROG BROOCH realistically formed, the body mounted with rose-cut diamonds and graduated rubies, with emerald set eyes, set in silver and backed in gold, 3.5cm. long.

Lot 942

A SILVER OPEN FACED POCKET WATCH the white enamel dial with Roman numerals and subsidiary seconds dial (hand missing), the inner case marked for Omega, import mark for London 1911, 40mm. dia., with a silver watch chain.

Lot 1032

AN EMERALD AND RUBY BROOCH the foliate openwork silver gilt mount is set with emeralds and rubies, 6cm. wide, together with a chrysoprase and diamond pear-shaped brooch and a Georgian brooch, mounted with green stones of oval and pear-shapes, possibly chrysoprase, in gold closed back settings, 4.5cm. wide.

Lot 1628

CHINESE SILK WALL HANGING OR DOOR SURROUND, 19th century, the upper panel worked in gilt thread with dragons and silk flowers, the side panels with dragons in silver thread and silk flowers, on russett ground, 100cm x 94cm

Lot 940

A LARGE SILVER OPEN FACED POCKET WATCH the white enamel dial with Roman numerals and subsidiary seconds dial, signed Improved Patent, hallmarked for Chester 1904, 55mm. dia., with a silver watch chain suspending a spinning fob.

Lot 1028

A MOTHER OF PEARL AND SILVER PENDANT BY MURRLE BENNETT & CO. the openwork hammered silver mount is set with an oval section of mother of pearl, with maker's mark to the reverse, 3.8cm. high.

Lot 1036

A VICTORIAN DIAMOND BROOCH of openwork foliate form, the centre flowerhead mounted with a cushion-shaped diamond within a foliate surround of rose-cut diamonds, in silver and backed in gold, 3.5cm. wide.

Lot 1203

A VICTORIAN DIAMOND STAR BROOCH PENDANT set overall with graduated old brilliant-cut diamonds in silver and backed in gold, 4.5cm. dia. In fitted box by P.Orr & Sons, Madras & Rangoon, which also contains a fitting so that the brooch can by worn as a hair ornament.

Lot 1216

A 20TH CENTURY SILVER GILT CIGARETTE LIGHTER HOLDER BY GERALD BENNEY with textured cylindrical body, with maker's mark for Gerald Benney and hallmarked for London 1973, 7.5cm. long. With green leather case for Gerald Benney, 36 Bear Lane, London S.E.1.

Lot 944

A SWISS SILVER OPEN FACED CENTRE SECONDS CHRONOGRAPH POCKET WATCH white enamel dial, with engine turned and cartouche decoration to the back case, 45mm. dia., together with a silver open faced pocket, the dial with foliate and coloured enamel decoration, and another silver open faced pocket watch, a silver watch chain and a metal watch chain.

Lot 1215

A 20TH CENTURY SILVER GILT MATCH CASE BY GERALD BENNEY with textured body, with maker's mark for Gerald Benney and hallmarked for London 1975, 5.5 x 4cm. With green leather case for Gerald Benney, 36 Bear Lane, London S.E.1. This and the following lot illustrate what became known in the trade as 'Benney Bark Finish'. This technique he discovered by accident when using a hammer with a damaged head while hand raising the bowl of a cup which imposed this pattern on the silver.

Lot 1192

A VICTORIAN DIAMOND HEART-SHAPED BROOCH the diamond set heart is suspended from a row of graduated cushion-shaped diamonds, in silver and gold, 3cm. wide. In fitted case by Hunt & Roskell, London.

Lot 860

A QUANTITY OF ASSORTED JEWELLERY including a moonstone and opal bracelet, two pairs of amber drop earrings, a marcasite and black onyx brooch, a silver gilt hinged bangle, an enamel and silver cockerel brooch, two silver bangles, a silver, black onyx and freshwater pearl necklace and matching earrings, and various other items.

Lot 1191

A VICTORIAN DIAMOND BROOCH PENDANT of flowerhead form and set overall with graduated old brillint-cut diamonds in silver and gold, with detachable brooch fitting, on a fine link chain, 2.5cm. dia.

Lot 1021

A CITRINE AND SILVER BRACELET the foliate engraved belt design is mounted with six oval-shaped citrines, 22cm. long.

Lot 1423

ROYAL WORCESTER MOUNTED GLASS AND SILVER POWDER JAR, the plaque with a date code for 1912, signed Ruholt, painted with fruit, silver hallmarks for Sander & Mackenzie, Birmingham 1912, diameter 15.8cm

Lot 1042

A VICTORIAN DIAMOND PENDANT the flowerhead design is centred with an oval rose-cut diamond and mounted overall with rose-cut diamonds, in silver and gold, 5cm. long., on a 9ct. gold oval link chain.

Lot 1062

A PAIR OF GEORGIAN DIAMOND DROP EARRINGS set with rose-cut diamonds in silver, with gold closed back settings, 3.6cm. long.

Lot 862

A QUANTITY OF JEWELLERY including a Victorian shell cameo brooch, a coral and marcasite ring, a turquoise and diamond ring, set in gold, a gold stick pin set with a small diamond and a green stone, possibly chrysoprase, an agate and silver seal, and various other items.

Lot 1016

A SILVER AMOEBA BROOCH BY GEORG JENSEN design number 322, with maker's mark and stamped 925 S Denmark, 5cm. wide.

Lot 1204

A VICTORIAN DIAMOND STARBURST BROOCH set overall with graduated old brilliant-cut diamonds, in silver and backed in gold, 4.5cm. wide. In fitted box by Frazer & Haws, Piccadilly.

Lot 1020

A SCOTTISH SILVER IONA CROSS PENDANT BY ALEXANDER RITCHIE stamped with maker's initials to the reverse and hallmarked for Glasgow 1922, numbered 643268, 8.5 x 5cm.

Lot 1367

ART NOUVEAU SILVER DRESSING TABLE SET comprising a tray, mirror, brush and shoe horn, each piece designed with Birds and foliage in the Art Nouveau style. Each item with a registration number, 41211. Tray marked for Birmingham, 1908, the other items marked for Chester and Birmingham (different dates), all made by the maker W.N (possibly William Naul. Tray 11 3/4ins (30cms) across. (4)

Lot 1019

A PAIR OF SCOTTISH IONA SILVER BUCKLES BY ALEXANDER RITCHIE stamped with maker's initials to the reverse and hallmarked for Glasgow 1922, , 5.5cm. wide, together with a silver and citrine dirk brooch, maker's mark R A and hallmarked for Glasgow 1953.

Lot 1088

A GEORGIAN DIAMOND CLUSTER RING set with graduated rose-cut diamonds mounted in silver, with gold closed back setting. Size G.

Lot 1102

A DIAMOND AND SYNTHETIC SAPPHIRE CLUSTER RING the circular synthetic sapphire is set within a surround of rose-cut diamonds, in silver and gold. Size O.

Lot 1163

A VICTORIAN DIAMOND AND OPAL CLOSED CRESCENT BROOCH formed with graduated circular solid white opals and old brilliant-cut and rose-cut diamonds, in silver and gold, 3.5cm. wide.

Lot 1030

AN ENAMEL AND SILVER BROOCH BY MURRLE BENNETT & CO. centred with two heart motifs decorated with orange and purple enamel, within a surround of silver and green enamel, with maker's mark to the reverse, 4.2cm. wide.

Lot 1219

A DIAMOND AND GOLD RING BY GERALD BENNEY the 18ct. gold mount with engraved swirl decoration and set with six circular-cut diamonds, 10.6 grams. Size M. With green leather box by Gerald Benney Adrian Gerald Sallis Benney (1930-2008) Gerald Benney was one of the most influential and outstanding British goldsmiths of the 20th century and the first British craftsman to hold four Royal Warrants simultaneously, during a career spanning more than fifty years. Born in Hull, East Yorkshire, his father was Principal of Brighton College of Art, which Gerald attended from 1946-48, and his mother was a gifted silversmith. He went on to study at the Royal College of Art where he met the designers and silversmiths David Mellor and Robert Welch. Influenced by modern Scandinavian design, together they went on to revolutionise Post-war silver design. He established his first workshop at Suffolk House, Whitfield Place, off the Tottenham Court Road in London. In 1968 in Zurich he met the enameller Berger Bergensen, who worked for the house of Burch Korrodi and had also worked for Karl Faberge's great rival Bolin. Benney, wanting to develop the use of enamel to further embellish his silver objects and designs, persuaded Bergensen to come to England to train his workshop in the art of enamelling. His studio went on to be one of the world's foremost modern enamellers. In 1969 he moved his London studio to Falcon Wharf, Bankside and later to Bear Lane, Southwark. In 1971 he was awarded Royal Designer for Industry and from 1974-1983 he was Professor of Silversmithing and Jewellery at the Royal College of Art. In 1973 The Goldsmiths' Hall held a major retrospective of his work. In 1993 he opened a shop at 73 Walton Street, in Knightsbridge together with his son Simon, now also an accomplished goldsmith and who continues to run the family business today. He was appointed C.B.E. in 1995.

Lot 1018

A SILVER BROOCH BY GEORG JENSEN formed as two tulips, design number 100A, with maker's mark and stamped Sterling Denmark, 4cm. wide.

Lot 1341

LARGE WEDGWOOD LUSTRE CHARGER - LOUISE POWELL a pottery charger of large proportions, painted in the centre and with floral sprigs in a border around the rim. With a silver lustre glaze, some damages and repairs. Painted marks, monogram for Louise Powell, 2484, and impressed mark for Wedgwood. 21 3/4ins (55cms) diameter

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