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A Wedgwood & Bentley silver-mounted basalt portrait medallion of Oliver Cromwell circa 1775 moulded in high relief to dexter above impressed O.CROMWELL, impressed Wedgwood & Bentley to reverse, 10cm., 4in. long, small chip; together with a Wedgwood silver-mounted basalt portrait medallion of Galileo, turned to sinister; and five smaller mounted basalt portrait medallions depicting Solon, Aratus, Euripides, Isocrates and Euclid impressed or incised names smaller approx 5cm., 2in. small chips (7) à
A Royal Worcester gilt-lined fruit-painted part coffee set circa 1925 painted by Townsend, Moseley, Hale, Shuck, Rushton and Price, signed, with fruits in a woodland setting, comprising: a coffee pot and cover, a cream jug, a sugar bowl, four coffee cups and five saucers and six enamelled silver spoons puce printed marks height of coffee pot 17.8cm., 7in. jug restored (19)
A gold snuff box, Charles Magnin, Geneva, circa 1840 rectangular, the lid engraved with the Arco della Pace in the Foro Bonaparte, Milan, within floral scrolls, the sides finely scrolled below twisted borders, 8.8cm, 3 1/2 in; a rectangular gold box, striped engine-turned ornament, applied scroll thumbpiece, struck: K18 7.6cm, 3in; and a rectangular silver-gilt box, French early 19th century prestige marks, the exterior cast and chased overall with a plethora of flowers and leaves, 6.8cm, 2 5/8 in (3) Although designed under the auspices of Napoleon I as King of Italy, the Arco della Pace was not inaugurated until 1838.
A gold bo"te ˆ miniature, maker's mark rubbed, France, circa 1900 of bombŽ cartouche form, chased with rocaille ornament enclosing the figure of a musician on the front, the lid inset with a miniature of an 18th century interior, 5cm, 2in; and a circular silver bonbonni're, maker's mark BW a hunting horn between in a vertical lozenge, France, early 20th century, enamelled in translucent crimson over chequered engine-turning picked out with white borders, the lid with the miniature of a girl in 18th century taste, 4.7cm, 1 7/8 in (2)
Five silver and niello snuff boxes the first, maker's mark erased, French, mid 19th century, the rim engraved: A. Tanfani Roma, the lid with a portrait of Pope Pius IX within lilies and other flowers; another French box, decorated in similar taste with a pastoral subject within strapwork; a Russian box, Moscow, 1888 decorated with a summer troika; and two small Russian and French boxes ornamented with foliage 10-6cm, 4- 2Gin (5)
An unusual silver-gilt and plique ˆ jour enamel cigarette case, maker's mark FN a heart between in a cut-cornered rectangle, Vienna, circa 1910 the rim engraved: Nissel & Sikora, i KŠrntnerstr. 45 the lid decorated in purple and ochre plique ˆ jour enamel in a design of overlapping circles within engraved laurel, the sides and base enamelled in translucent purple over an engine-turned cube pattern length 9.8cm, 3Pin
Five enamelled silver cigarette cases, Central European, various dates, three with London import marks for 1927 1928 and 1930 decorated in opaque and translucent en plein enamel with an allegory of War; Venus teasing Cupid, a farmyard; a Japanese lady and woodcock width 8-9cm, 3B- 3Iin (5)
A group of nine enamelled silver boxes, the majority Central European, first part of the 20th century including six cigarette cases and three smaller boxes, each decorated in jewel-like translucent enamels over engine-turning with paillon or other ornament width 10-4cm, 4 - 1Kin (9)
A silver-mounted enamel box, maker's mark SS in a cut oval, perhaps for Stern & Sohn, Vienna, circa 1895 circular, the lid painted with Venus and Cupid, the sides and interior unusually painted with nocturnal snow scenes on a translucent red ground, 8cm, 3 1/8 in; and an envelope-shaped Viennese enamel box with gilt-metal mounts painted with pastoral subjects, 9.5cm, 3 3/4 in; (2)
Three egg bonbonni'res the first, English, circa 1760 scroll-chased openwork gold over agate, the white enamel collar inscribed: Rien n'est agrŽable eloignez de vous (sic), later loop, 5.5cm, 2 1/8 in; the second silver-gilt, maker's mark AD a dolphin between in a horizontal lozenge, France, circa 1905 enamelled in translucent scarlet over engine-turning, 5.5cm, 2 1/8 in; the third enamel with silver mounts, Simon GrŸnwald, Vienna, circa 1900 painted with putto on a red ground, 5cm, 2in, each on modern gilt-metal stand (6)
Four Viennese enamel objects of vertu, Austria, late 19th century the first a perfume burner with openwork lid, silver-gilt mounts, painted with pastorals, Ludwig Pollitzer, 11.5cm, 4 1/2 in; an unusual ewer and stand with silver-gilt mounts, painted with mythological subjects on a dark blue ground encrusted with gilded flowers and acanthus, putto handle, 14.5cm, 5 3/4 in; a translucent red-ground urn painted with the Judgement of Paris, silver-gilt mounts, Simon Grunwald, 7.7cm, 3in; and an aubergine-ground ewer with gilt-metal mounts, 12.7cm, 5in (5)
A group of eleven enamel vases, the majority French, early 20th century the largest painted with a girl in empire dress, signed: Tama; two painted with flowers on a mottled ground, signed: Sarlandie Limoges; two en suite painted with a gallant and lady, signed: Vibert; another similar, signed: Vila; another of flask form, signed: A. Carle; a vase painted en grisaille with flowers and arabesques; a pair with elabotate rocaille silver-gilt mounts; and a small trumpet-shaped vase, Ludwig Pollitzer, Vienna 9cm, 3Iin - 17.7cm, 7in (11)
A group of three enamelled objects of vertu, Vienna, late 19th century each painted with 18th century figures reserved on a translucent scarlet ground, the first a cup of shell form supported by a gilt-metal gardener's boy, height 15.2cm, 6in; and two small ewers with gilt-metal mounts, the smaller with associated silver-mounted stand, 11 & 12cm, 4 1/4 & 4 3/4 in; and a shaped bowl, French, circa 1900 with similar ornament on a gilt-metasl stand, diameter 12cm, 4 3/4 in (5)
A miniature parcel-gilt silver and enamel carriage clock, marks rubbed, the dial inscribed: Wegelin/ Gen've, 20th century engraved with swags and baskets of flowers on a textured ground within lavender enamel over engine-turning height 4.3cm, 1Kin, with key, in leather case (3)
An unusual silver and enamel casket, Karl Rossler, Vienna, circa 1890 rectangular, the cagework mounts cast and chased with scrollwork, four seated putti at the corners and busts of Bacchus set in niches on front and back, the scroll supports and corner columns picked out in enamel, the lid, sides and base inset with delicately-painted enamel panels, titled in French, on a pink ground width 10cm, 4in The enamel panels show, on front and back, the Four Seasons. The lid shows an allegory of Peinture et Sculpture; the ends: Minerve qui prot'ge les Arts and Venus et Mars. The untitled base shows a basket of fruit within strapwork and trophies. Karl Rossler opened his shop for: Kunstgewebliche Gegenstande in Gold und Silber. - Email- und Antique-imitation at V, Diehlgasse 50 in 1890 and is recorded as working at various addresses until 1908.
An agate bowl with silver-gilt mounts, apparently unmarked, late 19th century in renaissance taste, 15cm, 5 7/8 in; a pair of slender gilt-metal vases, probably French, decorated with flower swags in champleve enamels, green onyx bases, 20.3cm, 8in; a brown agate tazza with gilt-metal scrolled stem picked out in black and white enamels, 10.7cm, 4 1/4 in; and an oval banded agate bowl, 14cm, 5 1/2 in (5)
A small enamel nef with silver-gilt mounts, apparently unmarked, Vienna, late 19th century painted with water gods on a flowery ground, incomplete, 21.5cm, 8 1/2 in; a Viennese enamel two-handled vase painted with classical subjects, enamelled gilt-metal mounts, 22.7cm, 9in; a Viennese enamel ewer with gilt-metal mounts and a small vase with associated silver base, each painted with 18th century gallantry, 12cm, 4 3/4 in & 10cm, 4in (4)
An enamel tazza with silver-gilt mounts, France, third quarter of the 19th century painted en grisaille with a vine-draped putto among clouds within finely-painted garlands of summer flowers on a translucent blue ground, diameter 17cm, 6 3/4 in; a small glass vase, French, engraved with foliage within spumy silver-gilt mounts, 11cm, 4 3/8 in; a small silver cup and cover, apparently unmarked, decorated with arabesques in polychrome champleve enamel, 10cm, 4in; and a silver vase, apparently unmarked, enamelled in translucent cream over engine-turning with gilt scroll ornament, 15cm, 5 7/8 in (4)
A silver-mounted tortoiseshell etui, the interior of the lid inscribed: Neapoli, circa 1730 the front and back inlaid in silver pique pose with a monarch and a warrior within Berainesque strapwork, the interior complete with multiple implements, 9.8cm, 3 7/8 in; a silver-gilt and enamel snuff box, probably Vienna, circa 1850 cartouche form, the lid applied with a relief plaque of putti on a champleve enamel ground, 8.5cm, 3 3/8 in; and a rectangular silver and enamel box, Viennese late 19th century control mark, inset with a painted plaque on a blue and white champleve ground, 8.2cm, 3 1/4 in (3)
Five desk seals, late 19th/early 20th century the smallest gilt-metal, inlaid with pietra dura and inscribed: Karlsbad; a gold-mounted thistle-form glass example, purple enamel guilloche collar with jewelled swags; a tapering crystal seal with cagework silver swag ornament below the figure of a knight; a tapering lobed crystal handle topped by a blue cabochon, with associated silver mount; and the largest, a mottled green/pink hardstone seal with silver-gilt crown and caryatid mounts 7.5cm, 3in - 12cm, 4Nin (5)
Three scent bottles the first, G.A. Scheid, Vienna, late 19th century, cylindrical glass overlaid with silver-gilt and polychrome enamel cagework decorated with cloisonne and plique ˆ jour ornament, 7.3cm, 2 5/8 in; one, French, cylindrical, painted en grisaille with children on a translucent plum ground, silver-gilt mounts, 8cm, 3 1/8 in; another, David Andersen, Oslo, early 20th century, cylindrical, silver-gilt enamelled in ice blue over engine-turning, 6.5cm, 2 1/2 in; and a vinaigrette, lobed below gold openwork mounts and topped by the faceted purple lid, 6.8cm, 2 5/8 in (4)
A silver cagework scent bottle, makers mark rubbed, Paris, circa 1845 the glass bottle and hinged cap richly overlaid with engraved figures of dancers amid openwork scrolls and flowers, 12cm, 4 1/2 in, in original case; a most unusual double-ended scent bottle-cum-vinaigrette, Hancocks & Co/ 38 & 39 Bruton St., circa 1875 the diaper cur glass sections dividing completely to form two separate bottles, each base enclosing a photograph, each lid with a floral crystal, the silver-gilt openwork mounts chased with strapwork, 14cm, 5 1/2 in; and five other gold or silver-mounted scent bottles, various dates (8)
A Maltese silver scent flask maker's mark AP, Perellos period 1697-1720 engraved with leafage, grotesque masks applied at the sides with suspension rings, cover revealing pierced stopper 9cm, 3Iin high 49gr, 1oz 10dwt A similar flask with same maker's mark is in the collection of the Museum of the Order of St John. Its loop finial is incised VIIII, whilst the example sold here bears the numerals IX, see Julia Findlater and Pamela Willis, Silver at St John's Gate, April 1990 no2. A further example by this maker is in the Victoria and Albert Museum, London, see Victor F Denaro, The Goldsmiths of Malta and their Marks, 1972 p76.
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2487960 item(s)/page