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A large quantity of jewellery, costume jewellery and loose stones, being the residual stock of a retired Taunton jeweller. Including: a tortoiseshell comb with foliate decoration, a sterling silver pierced pair of buckles, various pearls (untested, all presumed as cultured or artificial), unset amethysts, citrines, and coloured stones. A gold centrepiece, a brooch formed with four chicks, a George III navette~shaped mourning ring, centred with the enamel inscription safe will I keep thy dear remains. A yellow and white paste brooch, a pair of carved shell cameo drop earrings, a gold folding button hook, a gem~set gold shamrock brooch. An early 19th century cannetille brooch centred with glazed locket compartment and a small watch key with locket fob.
A late 19th century brooch depicting a deer and fence, the running deer pave set with rose~cut diamonds and a ruby eye in silver and gold. With a three bar gold gate. 5.5cm wide. And a brooch designed as a cock pheasant standing on a branch. Pavé set with rose~cut diamonds and enamel decoration to the head and neck. Realistically formed branch in silver and gold. 4.2cm wide.
A cased 18th century English gem~set chattelaine, comprising four graduated sections, each set with rubies and diamonds to the open gold and silver foliate mounts. With a gold and silver pendant with larger cabochon ruby bead and set with emeralds and a sapphire. And a carved carnelian seal depicting the head of a classical character set with a sapphire, diamonds, rubies and green stones. Both pendants suspended from diamond~set chains. The main body 10cm high. Fitted case.
An early 20th century diamond and natural pearl heart~shaped pendant, the pearl suspends from a kite~shaped diamond within the diamond~set surround in silver and gold. Detachable pendant loop. Fitted case.Accompanied by report number 10901 dated 4th March 2015 from The Gem and Pearl Laboratory, London stating that the oval~shaped pearl measures 5.8 ~ 5.9 x 7.7mm and is a natural saltwater pearl.
A topaz mounted brooch by Giuliano, the circular~cut colourless stone is set in silver and gold with white dotted black enamel decoration with traces of blue enamel. 2.1cm wide. Indistinctly signed under enamel C&AG. In fitted case by Giuliano (damaged) Missing pendant.With a similar styled pendant by Giuliano mounted with Goshenite (colourless beryl) in silver and gold and with similar enamel decoration, supporting two diamonds and a larger pear~shaped rock crystal. Signed inside bale C&AG. 7cm high. In similar fitted Giuliano box with the silk lining for Dibdin & Co Ltd, 189 Sloane Street.
A 19th century diamond and enamel brooch, the oval~shaped brooch centred with a cluster of graduated diamonds within white and gold enamel border and on a dark red guilloche enamel ground. Within a surround of rose~cut diamonds and set in silver and gold. Glazed locket compartment to the reverse. 2.7cm wide.
A pair of ruby and diamond cluster earrings, the circular~cut rubies are each set within a surround of circular~cut diamonds in silver and gold. Accompanied by report number 10904 dated 4th March 2015 from The Gem and Pearl Laboratory, London stating that the circular~cut rubies measure 6mm diameter and are natural rubies with no evidence of heat treatment. Origin opinion: Burma.
An opal and diamond heart~shaped locket pendant, the solid white opal is set in gold within a surround of old circular cut diamonds in silver and gold. Glazed locket compartment to the reverse. The detachable silver and gold pendant loop set with three graduated diamonds. 2.1cm wide.
A late 19th century diamond set sunburst brooch pendant, centred with an old circular cut diamond set within a surround of ten smaller diamonds in silver and gold. Within a surround of wazy rays all set with graduated rose~cut diamonds. Detachable brooch fitting. 5cm diameter.
A silver and enamel photograph frame with Royal interest, of rectangular form and decorated with pink guilloche enamel. Folding strut support. Applied with a diamond and gem~set bee to the top left corner. By Louie Willmott, London 1907. Containing a photograph of Queen Alexandra.Provenance: Given By Queen Alexandra to her Maid of Honour the Hon. Violet Vivian; Lady Irene Astor, Baroness Astor of Hever (1919~2001) and thence by family descent.
An early 20th century French silver and gold hinged bangle, pierced with realistically formed flowers, possibly daisies and with strapwork engraved with the words JE T'AIME UN PEU, BEAUCOUP, PASSIONNEMENT. 6.4cm wide.For a similar design see Katherine Purcell, Falize, A Dynasty of Jewelers, P251, watercolour design by Lucien Falize for a bracelet featuring the 'Chanson de la Marguerite, illustration 360'
An Arts and Crafts necklace by Kate Eadie, set overall with graduated oval~shaped citrines to the foliate silver mounts on an ornate chain decorated with foliate links. The pendant and centre~section 8cm high the necklace 38cm long. Unsigned. Fitted case by Tadema Gallery.Illustrated: Jewellery and Metalwork in the Arts and Crafts Tradition by Elyse Zorn Karlin, P56.Kate Eadie was a pupil of Arthur Gaskin's in the Vittoria Street School of Jewellery. She married Sidney Metyard, a prominent member of the Birmingham school of Artists. She modelled for some of his paintings including St Cecilia.
A single row natural pearl necklace, the pearls graduate from ... to ... with an emerald and diamond pierced lozenge clasp set in silver and gold. 41cm long.Accompanied by report number 06085 dated 7th August 2012 from The Gem and Pearl Laboratory, London stating that the 73 pearls graduate from 3.7 to 6.5mm, weigh 55.98 carats (total) and are natural saltwater pearls, with the exception of two bead~nucleated cultured pearls (31st and 33rd from one end)
A Victorian diamond set floral necklace, designed as three graduated wild rose heads, all set with cushion-shaped and rose-cut diamonds separated with cushion-shaped diamond-set leaves. The detachable back section set with matched rose-cut diamonds and all in silver and gold. With an additional brooch mount to accommodate a flower head en tremblant, a small brooch fitting and a separate leaf section. Some small stones missing. The centre flower head 3.8cm wide.
A 19th century diamond set brooch/pendant, centred with an old circular cut diamond within a diamond-set flower head. Silver on gold surround within pierced border set with diamond set stylised petals. The detachable pendant centred with a pear-shaped diamond within cushion-shaped and rose-cut diamonds in silver and gold. With detachable brooch mount.
A sapphire and diamond cluster ring, the oval~shaped sapphire weighs approximately 7.90 carats and is set within a surround of fourteen old circular cut diamonds in silver and gold. Size O.Accompanied by report number 10804 dated 6th February 2015 from The Gem and Pearl Laboratory, London stating that the oval~shaped natural sapphire measures 13.1 x 8.1 x 8.1mm and shows no evidence of heat treatment. Origin opinion: Sri Lanka.The current owner of the sapphire ring is the great great grandson of Maud Petty~Fitzmaurice, Marchioness of Lansdowne, from whom the ring was inherited. Maud was the daughter of the first Duke of Abercome and had four children. with her husband Henry , Viceroy of India from 1888 ~ 1894. Maud was later Lady of the Bedchamber to Queen Alexandra.(Image, then under it: Maud Petty~Fitzmaurice, Marchioness of Lansdowne, Vicereine of India (1888 ~ 1894)
A pair of natural pearl and diamond drop earrings, the drop~shaped pearls suspend from two graduated circular cut diamonds and with rose~cut diamond caps in silver and gold. Accompanied by report number 76867 dated 3rd October 2014 from SSEF, Switzerland stating that the natural saltwater drop~shaped half~drilled pearl weighs 15.563 carats, measures 11.51 ~ 11.57 x 17.37mm, with slightly cream colour.Accompanied by report number 76868 dated 3rd October 2014 from SSEF, Switzerland stating that the natural saltwater drop~shaped half~drilled pearl measures 11.15 ~ 11.39 x 17.02mm, with slightly cream colour. Pitt...
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2466194 item(s)/page