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A George III silver caddy spoon, with a spade-shaped bowl, pierced with pellets, crosslets and scrolls, the terminal with script initials, maker’s mark "GW", by either George Wintle or Gabriel Wirgman, London 1790-1810 (date letter rubbed), 8.9cm long, 0.35oz.
An Edwardian silver bookmark, with an enamelled four-leaf clover or shamrock on the terminal, by Sampson Mordan & Co., Chester 1908, and a continental silver small flexible fish box, with hinged head and internal compartment, unmarked, the latter 10.5cm long, 2oz. (2)
A late 19th/early 20th Century Chinese silver box, oval with a domed cover, set with a jade boss and chased with a bird and dragon, c.1900; together with a small silver flowerhead-shaped box or vinaigrette, with pierced sides and a turquoise-coloured glass boss set in the cover, by Enid Kelsey, London 1933, the latter 2.5cm diameter, 1.2oz. (2)
A George III silver scent bottle case, octagonal with bright-engraved decoration, initialled, by Samuel Pemberton, Birmingham 1793; two other smaller silver cases with engraved decoration, unmarked, c.1800; and a tortoiseshell case with scent bottle inside and an inlaid shield cartouche, initialled, the latter 5.6cm high, 1oz weighable silver. (4)
A mixed lot: a cast silver miniature figure of a bulldog, by S.M.D. castings, London 1972; a Victorian cast silver finial, in the form of a sailor figure, by Messrs Barnard (no date letter); a pair of silver salt spoons; a silver caddy spoon; a silver military badge, a mother-of-pearl and silver folding fruit knife; and an enamelled photographic portrait of young girl (on copper), signed “Lee and Company’s Patent Cardiff," the latter 7.2cm high, 5.95oz weighable silver. (8)
A rare mid 18th Century Dutch silver miniature or toy lighting suite: a pair of silver candlesticks, on canted square bases with “well” centres and knopped, baluster columns, with matching silver snuffers stand, and matching silver scissor snuffers, each piece initialled "B" to match, by Arnoldus van Geffen, Amsterdam 1753, (the candlesticks fully marked, the snuffers and stand unmarked), the candlesticks 4 cm high, 1.6 oz. (4)
A George III silver mustard pot, oval with a domed cover, engraved borders and two rows of piercing around the body, scallop shell thumbpiece, initialled "JAN" (script) on one side, blue glass liner, by Peter & William Bateman, London 1809, 7cm high, 3.5oz weighable silver.
Wine labels: a set of three George III silver wine labels, rectangular with reeded borders, incised "PORT" "CALCAVELLA" & "SHERRY", by John Rich, London 1791; four other antique silver wine labels; two Elixabeth II silver wine labels, with incurved corners; a porcelain wine label; and an enamelled copper "PORT" wine label, the latter 5.4cm wide, 2.9oz weighable silver. (11)
A pair of late 19th Century tortoiseshell lorgnettes, with fold-out lenses and a long, tapering handle, carved and pierced with scrollwork; together with a George II silver punch ladle, with a twisted whalebone handle and a circular bowl with an engraved cartouche, initialled "M.M" and inset with a gilt Queen Anne coin, unmarked, the latter 32cm long. (2)
A mixed lot: A George V silver-gilt case (to take a timepiece), on two tubular feet with applied detail, by F.C. Welch (of Liverpool), hallmarked Chester 1934; an inlaid brass stamp box; a nickel cigarette case with barley and wild flowers in relief; a gold-plated Gillette razor and blades (in a fitted and lined case); and a small nickel box with an agate cover and base, the latter 4.7cm long, 4.4oz weighable silver. (5)
A George III small silver wine label, with canted corners, incised and infilled "BRANDY", by Peter, Anne and William Bateman, London 1801; a pair of William IV silver vine-leaf wine labels pierced "SHERRY" and "MADEIRA", (one lacking a chain), by Benjamin Smith, London 1831; and a late Victorian silver sovereign case with a hammered finish, by Alfred Wigley, Birmingham 1898, the latter 3cm diameter, 1.9oz. (4)
A French art nouveau small green glass vase, with silver overlay decoration in the form of ivy leaves and berries against a textured ground with the raised, gilt text "Je meurs où je m’attache" (I die or I attach myself), indistinctly signed on the base “Daume”?, 8cm high.
An Edwardian silver card case, of shaped rectangular form with an applied roundel on the front, depicting a view of a Buddhist temple with an ox-drawn cart in front (possibly Wat Phra, Chiang Mai), monogrammed, by Marks and Cohen, Birmingham 1908; together with a Victorian silver child’s rattle, Birmingham 1884; and a small Cambodian silver betel powder box, resembling a stag, the card case 9.8cm long, 3.85oz. (3)
A Victorian silver mustard pot, made to commemorate the Golden Jubilee of Queen Victoria’s reign, cuboid in form with canted corners, a small scroll handle and openwork sides, set with the silver coins of the realm for 1887, blue glass liner, by Hilliard and Thomason, Birmingham 1888, 9.7cm high, 7.8oz weighable silver.
The silver mount (only) from a Scottish ram's horn snuff mull, with repoussé-work thistles, a large faceted quartz boss and a ball hinge, marker's mark only, "PW"; together with a George III silver nutmeg grater, in the form of an egg (lacking original grater but now with a lift-out vinaigrette grille) maker’s mark only, by Samuel Meriton, London 1770-1780; and a late Victorian silver vesta case, by Thomas Hayes, Birmingham 1895, the mount 9cm wide. (3)
A Victorian silver “castletop” card case, of shaped rectangular outline, with a view of Windsor Castle in relief on the front bordered by chased scrolls, the reverse with a central shield cartouche and chased scrollwork, by David Pettifer, Birmingham 1860, 9.7cm long, 2oz.
A George III silver folding fruit knife and matching fork, with mother-of-pearl sides; a silver-mounted wooden travelling knife and fork, with steel blade and tines; a Victorian silver-mounted penknife/button hook; a shield-shaped mother-of-pearl folding steel penknife and glove hook; and two other non-precious knives; and a miniature penknife, the latter 2.5cm long. (8)
A mixed lot: a French silver vesta case with engine-turned decoration and a steel striker, c.1860; an 18th Century silver fob seal with stone matrix and intaglio initials; three late Victorian silver boxes, (one initialled); a George III engraved silver vinaigrette, initialled; and a 19th Century Dutch peppermint box,with reeded decoration, the latter 3.7cm high, 3.5oz. (7)
A late Victorian 9ct gold mounted penknife, rose-coloured with a swivel ring and two fold-out steel blades (each signed “PREIST”), makers mark TBH, Birmingham 1899; together with a Victorian silver dip-pen, with a reeded body and pull-out knib section, by S Mordan & Co; and a pair of gold-plated lorgnettes, the knife 6.5 cm long. (3)
A very small Charles II silver box, circular with stamped decoration around the sides and a flowerhead on the cover, unmarked 1670-1680; and containing four George III silver maundy pennies; two George IV maundy pennies; and a William IV 1½ penny, the box 1.5cm diameter, 0.15oz. (8)
An early 20th Century Continental silver singing bird box automaton, decorated in relief with putti playing music amongst scrollwork, the cover painted with a polychrome pastoral scene with a boy and girl figure and attendant lambs, (in a fitted box with key), 10cm long.Youtube: https://www.youtube.com/watch?v=TfolVKiwRAIInsta: https://www.instagram.com/p/CzrI4sNIq8X/
A George III small silver vinaigrette, octagonal with engraved decoration and a winged, long-eared creature on the cover, gilt interior, by Joseph Taylor, Birmingham 1806; together with a George III small silver box, rectangular with a shaped thumbpiece and a reeded border, unmarked; also a small Edwardian silver box, plan rectangular; and a George III engraved silver patch box, circular, by Samuel Pemberton, Birmingham 1794, the latter 2.4cm diameter, 1.1oz. (4)
A Victorian silver paper knife and penknife combined, of tapering form with rounded ends, engraved all over in the Japanese taste with finches, leaves and flowers, prunus blossom and a bulrush swamp with lilies, fold-out steel blade, by Sampson Mordan, London 1883, 17cm long, 1.55oz gross.
A George III small silver vinaigrette, plain rectangular with a straw-work panel inset in the cover (behind glass), lift-out grille, unmarked; another silver oval vinaigrette, with a clear glass cover (grille hinge A/F), unmarked; and three other antique silver small engraved vinaigrettes, all Birmingham marked (one inscribed Albert and two initialled), the largest one 2.9cm long, 1.4oz gross. (5)
A George III silver nutmeg grater, egg-shaped with chased decoration, unscrewing to reveal a lift-out steel rasp, unmarked 1765-75; together with a similar plain silver example, by Thomas Meriton, London 1801; and an engraved silver vinaigrette, in the form of a handbag, gilt interior, by Hilliard & Thomason, Birmingham 1882, the latter 3.5cm long, 1.45oz. (3)
A small miscellaneous lot: a Montblanc Meisterstück gold-plated fountain pen and propelling pencil together with a bottle of Montblanc blue-black ink, a silver mounted nail buffer and nail file, a plated coffee spoon and a miniature German novelty powder compact by Schuco with a faded green plush body and removable head revealing the hinged interior with mirror, C1920’s, the latter 8.4cm long. (7)
A rare Scottish provincial silver snuff box, of rounded oblong form with pricked and reeded borders around the sides, the cover lappet–set with a mottled agate panel with red and russet colouring, the base with an engraved border of repeating leaf motifs, gilt interior, by William Jamieson of Aberdeen, (WJ, ABD, WJ) c.1810, 5.2cm wide, 1.6oz (gross).
A late 19th Century Chinese silver cigarette case, of rectangular outline decorated on the cover in relief with figures in a garden setting, some at a gaming table and a shield cartouche, monogrammed, the reverse with a crane and another bird amongst bamboo, (the interior now lined with red leather for use as a card case), c.1890, 9cm long, 3.45oz (gross).
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2466194 item(s)/page