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A Victorian matched silver Fiddle and Thread pattern canteen for twelve, by George Adams, London 1851, and Messrs. Lias, London 1868, the terminals with a crest, comprising: twelve table forks, twelve tablespoons, twelve dessert spoons, twelve teaspoons, by John Samuel Hunt, London 1863, approx. weight 125oz. (qty) The crest is that of Norfolk, Percy, Dukes of Northumberland, Strange of Shropshire and Talbot Earls of Shrewsbury.
By Omar Ramsden, an Arts and Crafts silver two-handled bowl, London 1936, also engraved 'OMAR RAMSEN ME FECIT', tapering circular form, spot-hammered decoration, with trifurcated nude figural handles, the underside inscribed 'To Charlotte from her Godfather George Lewis', length handle to handle 18.5cm, approx. weight 14oz.
A small collection of five silver and gold stamp cases, comprising: four of rectangular envelope form, one with enamelled decoration and one nine carat gold, by Gourdel, Vales and Co, Birmingham 1901, plus one of rectangular form, the interior with a sprung stamp holder, approx. total weight of silver 1oz, approx. weight of gold 4.9g. (5)
A George III and later matched silver King's Hourglass pattern canteen for twelve, the majority by by Sarah and John Blake, London 1815, the reverse of the terminals crested, comprising: twelve tablespoons, twelve table forks, eleven dessert spoons, plus one King's pattern dessert spoon, nine dessert forks, (plus three Fiddle and Thread pattern dessert forks, and eight teaspoons, approx. weight 125oz. (qty) Sold in aid of fund raising for Holy Trinity Church, Bradford on Avon.
A collection of seven New Zealand Arts and Crafts silver spoons, by Edith Morris, circa 1940, various designs, including one with a galleon finial, approx. weight 4.5oz. (7) Edith Morris (1894-1965), was born in Kent and emigrated to New Zealand in 1924. She described herself as a Designer, jeweller and Silversmith, and in 1937 her work was accepted by the Academy of Fine Arts. Ref Shepherd, W., Gold and Silversmithing in New Zealand,, The Museum of New Zealand, 1995. page 179.
A pair of early-Victorian silver candlesticks, by Thomas Bradbury and Sons, Sheffield 1839, baluster stems with foliate scroll decoration, foliate urn capitals, detachable drip pans, on raised shaped circular bases with foliate scroll decoration, height 23cm. (2) Sold in aid of fund raising for Holy Trinity Church, Bradford on Avon.
A collection of William IV silver Fiddle and Thread pattern flatware, by William Eaton, London 1837, comprising: six tablespoons, six table forks, six dessert spoons, six dessert forks, eight teaspoons, four egg spoons and three condiment spoons, the terminals initialled, approx. weight 71oz. (37)
A George IV / William IV Irish matched silver King's pattern canteen for twelve, by various makers including Philip Weeks, Dublin 1825-35, the terminals with a crest, comprising: twelve tablespoons, twelve table forks, twelve dessert forks, twelve dessert spoons, twelve teaspoons, and six egg spoons, and a sauce ladle, plus a small quantity of matching electroplated flatware, approx. weight 154oz. (qty) The crest is that of Adouin, Lyster, Vigors, Frazer and others.
A William III West Country silver Lace-back Trefid spoon, by Richard Hamlin, Taunton circa 1696, the reverse of the oval bowl with a ribbed rat-tail and scroll decoration, the reverse of the terminal with prick-dot initials, 'E.F' over '1696' over 'RO', length 17.7cm, approx. weight 0.9oz. For mark see: Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J. H. Bourdon-Smith Ltd, 1992, page 96, mark M.61.
A George II silver mug, makers mark partially worn, possibly by Francis Pages, London 1733, baluster form, leaf capped scroll handle, later embossed decoration of a hunting scene, and with a later presentation inscription, ' Presented to Mr Daniel Collen by Joseph Neeld Esq, a prize adjudged by the committee of the Chippenham New Market, 1836', and initialled and dated '1870', on a raised circular foot, height 12.2cm, approx. weight 12.2oz.
By F.C. Varley for The Guild of Handicraft Limited, an Edwardian silver and enamel box, London 1904, the underside of the panel signed 'Designed and executed by F.C. Yarley at Campden, and G.O.H, July 1904'. rectangular form, spot-hammered decoration, the hinged cover set with a rectangular panel of a wood on a hill with a setting sky behind, the front inscribed 'A Souvenir of 10 Years Faithful Service with H. G. Porter and Co, 1904', wood lined, on four bun feet, length 19.8cm.
A Victorian silver chalice, by The Barnards, London 1857, plain circular bowl, knopped hexagonal stem, on a raised hexagonal stem on six stylised feet, inscribed, with a Victorian paten, by John Figg, London 1874, plus a silver chalice, with an electroplated cover, by F. Osborne, London 1935, circular form, and a silver-gilt wafer box, in a wooden case, approx. weighable 28oz. (6)
By Omar Ramsden, an Arts and Crafts silver cream jug and sugar bowl, London 1935, the underside inscribed 'OMAR RAMSDEN ME FECIT', plain oval and circular tapering form, spot-hammered decoration, scroll handles, on raised circular bases, height of jug 11.2cm, approx. weight 7.6oz. (2)
An Edwardian silver inkstand, by Charles Stuart Harris, London 1904, rectangular form, with two pen wells, gadroon and shell border, with two silver-mounted glass inkwells, the hinged covers with an armorial, and with a central chamberstick, on four winged paw feet, length 36.5cm, approx. weight 66oz.
A Russian silver snuff / vesta box, with import marks for London 1912, importer's mark of Arthur Bowe, rectangular form, reeded decoration, gilded thumb-piece, hinge and interior, with a hinged vesta compartment, the interior of the cover with a striker, length 8.7cm, approx. weight 2.8oz.
An early 19th century German silver tea urn, Kassel, date letter O, maker's mark I.K, urn form, with lion mask drop ring handles, ribbon-tied ribbons and swags, beaded borders, (some a.f), the pull-off cover with a detachable cone finial, fluted tap with a wooden handle, on a raised square base with a pierced gallery on four ball feet, height 45cm, approx. weight 87oz.
A small collection of three silver bottle stoppers, comprising: one modelled as a putto sitting on a barrel, by Edward Pairpoint, London 1867, plus one modelled as a classical figure holding a lyre, with import marks for Chester 1903, and one modelled as a standing putto, by Francis Higgins, London 1888, approx. weight 4.2oz. (3)
A Charles II large silver Seal-top spoon, by Steven Venables, London 1681, oval bowl, faceted stem with a large seal-top finial, with traces of gilding, length 19.9cm, approx. weight 2.9oz. Illustrated in How, G., in collaboration with How J., English and Scottish Silver Spoons, Volume one, Chapter II, Section VII, pages 252-253, plate 20.
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2477115 item(s)/page