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Lot 19

A French brass carriage clock with push-button repeat Margaine, Paris A French brass carriage clock with push-button repeat Margaine, Paris, circa 1900 The eight-day gong striking movement with silvered platform lever escapement and stamped with A.M. beehive trademark for Margaine above number 8345 to lower left hand corner opposing oval stamp incorporating the initials C.V. to lower right, the circular white enamel dial with central stylised rosette, Arabic numeral cartouche chapter ring and blued steel spade hands set within a rectangular engine-turned silvered mask, the bevel glazed case with foliate cast hinged baton handle above complex moulded inverted breakfront cornice and slender reeded baluster corner uprights with Ionic capitals and leaf decorated collars to waist, on conforming complex two-tier moulded base incorporating integral squab feet, 17cm, (6.75ins) high excluding handle. The firm of Francois-Arsene Margaine are recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development as 'very famous' makers of carriage clocks working from Rue Beranger 22 and Rue Bondy 54, Paris from before 1869 until around 1914. They were awarded a Silver medal at the Paris Exhibition of 1889 and a Gold medal in 1900.

Lot 22

A fine French lacquered brass miniature gorge cased grande sonnerie striking... A fine French lacquered brass miniature gorge cased grande sonnerie striking carriage clock with push-button repeat and alarm Retailed by Henry Capt succeeded by Louis Gallopin et Cie, Geneve, late 19th century The eight-day two train movement striking the hour on the larger of two gongs followed by ting-tang notation for the relevant quarter every fifteen minutes, with silver platform lever escapement, alarm sounding on the smaller gong and signed HENRY CAPT, L's GALLOPIN & CIE, SUCC'RS and numbered 8495 to backplate, the rectangular white enamel Arabic numeral dial with full repeat signature HENRY CAPT, Geneve, L's GALLOPIN & CIE, SUCC'RS to centre and blued steel hands above subsidiary alarm setting dial to lower margin, the Mignonette No. 3 sized lacquered brass bevel-glazed gorge case with hinged carrying handle and three position strike selection lever annotated GÞ Sonnerie/Silence/P'te Sonnerie to underside, 10cm (4ins) high excluding handle; with original leather covered outer travelling case. Henry Capt is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development as a retailer of best quality French carriage clocks who had premises in both Paris (Rue d'Alger in 1850, Rue Scribe in 1870 and Rue de la Paix in 1880) and London (151 Regent Street). By 1893 the firm was in financial difficulty which lead to the Paris and Geneva operations being taken-on by Louis Gallopin et Cie and the London Premises passing to Martin & Co. The fact that the current clock is both signed for Capt and his successors suggests that it was supplied at around the time the business was being transferred to Louis Gallopin et Cie.

Lot 3

A Regency brass swinging-arm protractor Thomas Jones, London A Regency brass swinging-arm protractor Thomas Jones, London, early 19th century The 7 inch wide D-shaped plate with silver scale insert calibrated for degrees to circumference and signed Thomas Jones, 62 Charing Cross London to lower edge, fitted with brass swing-arm pivoted at the centre of the arc incorporating aperture with vernier insert over the scale and extended rule terminating with a short axis-centre marking edge, in original mahogany box applied with paper trade label Thomas Jones (Pupil of Ramsden) ASTRONOMICAL, and, Philosophical, INSTRUMENT MAKER, To His Majesty & , the hon'ble Board of Ordnance., 62 Charing Cross, LONDON to inside of lid, the box 27.5 (10.75ins) wide. Thomas Jones is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as apprenticed to Jesse Ramsden in 1789 for whom he is believed to have worked until setting up on his own at 120 Mount Street, Berkeley Square, London in 1806. He operated from several other London addresses including 62 Charing Cross from 1816 and took his son of the same name into partnership in 1831 (which only lasted four years). His final address is recorded by Clifton as being at 4 Rupert Street, Coventry Street, London where he is noted as working 1851-59.

Lot 58

  A fine Victorian engraved gilt brass hump-back carriage clock with push-button repeat and original black marble inset stand Probably by Thomas Cole for retail by Edward Biven, London, circa 1845  The rectangular two train going barrel movement with four plain pillars pinned through the backplate, five-spoke wheel crossings and rear winding, the four-wheel going train regulated by horizontal gilt platform ratchet tooth lever escapement with sprung steel three-arm balance mounted above the plates, the strike train devised without warning and with push-button repeat sounding on a gong mounted on the movement backplate,  the arched silvered brass dial finely engraved with intense asymmetric foliate scrolls on a horizontal hatched ground to centre and with fine blued steel  fleur-de-lys   hands within a 3.25 inch Gothic Roman numeral chapter ring inscribed  EDWARD BIVEN, KING WILLIAM STREET CITY   either side of the  XII   numeral and with narrow outer minute track, the borders overlaid with a shaped gilt brass mask surround further engraved with conforming leafy trails and incorporating inset shaped silvered reserve featuring a single elaborate floral spray to lower margin, the arched case with bevelled front glass secured within repeating leaf decorated bezel plate by screws to a one-piece casting engraved with continuous large scale bird inhabited floral trail to top and sides and fitted with unusual two-piece hinged interlocking carrying handle, the sides with applied repeating leaf decorated skirts at the base, the back with one-piece frosted gilt plate fitted with shuttered winding holes and  FAST/SLOW   regulation    within impressive engraved trophy panel incorporating quiver of arrows, bow, tambourine and a nesting bird, on shaped bracket feet, 17cm (6.75ins) high with handle folded;  with original stand with rectangular cavetto moulded black marble insert to gilt floral trail engraved canted skirt, 24cm (9.5ins) high overall with handle raised.  Edward Biven does not appear in usual reference works however he his recorded in  The London Gazette   as watch maker and jeweller of 64 Great William Street as having bankruptcy proceedings filed against him April 8th 1854.   The life and work of Thomas Cole is extensively documented in Hawkins, J.B.  THOMAS COLE  &  VICTORIAN CLOCKMAKING.   Thomas Cole was born in Nether Stowey, Somerset in 1800. His father, Thomas senior, was a local clockmaker who is now known to have moved his family to Taunton in around 1815; he was a talented maker who probably taught both Thomas and his older brother, James Ferguson, the clockmaking trade. By 1821 James Ferguson had moved to London and filed a Patent for a pivoted detent escapement, by 1823 he was working from New Bond Street where he was joined by his younger brother, Thomas.  Over the next twelve years the two brothers worked alongside each other and produced a series of highly complicated silver 'humpback' carriage clocks very much in the manner of Abraham Louis Breguet (leading some to speculate a connection between Breguet and the Cole brothers). Please note:General opinion is that this clock is probably not by Thomas Cole. It is more likely to be attributed to E.W. Robins. [Please contact Auctioneer for full lot description]

Lot 6

A Victorian silver cased aneroid pocket barometer with altimeter scale and... A Victorian silver cased aneroid pocket barometer with altimeter scale and thermometer W. Littlejohn and Son, Wellington, 1899 The 1.75 inch circular silvered register signed W. LITTLEJOHN & SON WELLINGTON and inscribed Compensated above curved mercury tube Fahrenheit scale thermometer to the recessed centre within concentric scale calibrated for barometric inches divided into twentieths and annotated with basic weather observations within rotating outer scale calibrated in feet from 0 to 8,000 and divided for 100 foot intervals, the pocket watch type case with suspension ring enclosing knurled crown for adjustment of the altimeter scale and engine turned decoration to rear, marks for London 1899, diameter 5cm (2ins).

Lot 7

An Edwardian silver cased small aneroid portable desk barometer Unsigned An Edwardian silver cased small aneroid portable desk barometer Unsigned, 1908 The 2 inch circular white enamel register with concentric scale calibrated in barometeric inches divided into tenths and annotated with the usual weather observations set within a rotating convex glazed ogee bezel fitted with a steel recording pin, the cylindical case with frosted gilt finish to the interior of the hinged cover, marks for Chester 1908, diameter 5.8cm (2.25ins); with a Victorian silver cased aneroid pocket barometer with altimeter scale, unsigned, late 19th century, with 1.75 inch circular silvered register inscribed Compensated to centre within concentric scale calibrated in barometric inches divided into twentieths and annotated with basic weather observations within rotating outer scale calibrated in feet from 0 to 10,000 and divided for 50 foot intervals, the pocket watch type case with suspension ring enclosing knurled crown for adjustment of the altimeter scale and engine turned decoration to rear, indistinct date mark, 5.8cm (1.87ins) diameter, (2).

Lot 78

A fine William III silver pair-cased verge pocket watch Daniel Quare, London A fine William III silver pair-cased verge pocket watch Daniel Quare, London, circa 1695 The gilt full plate single fusee verge movement with four Egyptian pillars incorporating foliate-pierced galleries pinned through the backplate, scroll-pierced stop-iron block and sprung three-arm steel balance with Tompion type regulation, the backplate with fine symmetrical foliate scroll pierced and engraved balance cock with herringbone bordered rim and conforming pierced broad foot flanked by silvered regulation disc with adjacent applied scroll pierced infill opposing signature Quare, London , the pillar-plate fitted with circular silver champleve dial with scroll-chased signature cartouches engraved Quare, London to the matted centre within Roman numeral chapter ring with lozenge half hour markers and Arabic cartouche five minute numerals to outer track, with later blued steel beetle and poker hands and in plain silver inner case with suspension post and ring at twelve o'clock, with an outer case decorated with pique work scroll designs into leather covered brass within moulded silvered brass hinge plates and bezel-edge, the dial 41mm diameter; the inner case 48mm diameter; the outer case 55mm diameter. Daniel Quare is an important maker who is recorded on Loomes, Brian The Clockmakers of Great Britain 1286-1700 as born in Somerset circa 1647/8; by 1671 he had moved to London as he was admitted as a Free Brother to the Clockmakers' Company in April of that year. Quare initially worked in St. Martin's Le Grand, London (where he married in 1776) later moving to Allhallows, Lombard Street in 1681, before finally relocating to Exchange Alley where he is believed to have taken-on the former premises of Robert Seignior in around 1686. Quare was selected as a member of the Court of Assistants in 1698 later becoming Master in 1708. In 1709 he is believed to have taken his former apprentice, Stephen Horseman, into partnership which presumably lasted until Quare's death in 1724. Daniel Quare was a fine and inventive maker who supplied clocks and barometers to significant European Royal and aristocratic clients. As a committed Quaker he refused to sign the Oath of Allegiance in 1697, however as a much respected maker, he was still able to discreetly supply the court of William III. In around 1680 Quare made repeating watches to his own design which eventually lead him to dispute a conflicting patent filed by Edward Barlow in 1686; the resulting exchange two years to resolve.

Lot 79

A early French gilt brass clock-watch movement Jean Vallier, Lyon A early French gilt brass clock-watch movement Jean Vallier, Lyon, circa 1630-40 The large circular gilt full plate single fusee verge movement with fived shouldered baluster-turned pillars pinned through the backplate and slender foliate scroll-pierced balance cock, the strike train with foliate engraved standing barrel, later countwheel mounted on the backplate and hammer set between the plates, the alarm train also with standing barrel and crescent-shaped hammer behind the pillar plate, the backplate fitted with delicate scroll-pierced cock for the mainspring set-up ratchet and signed Jean Vallier, ALyon in a curve following the edge of the backplate, (lacking balance and staff, stopwork for standing barrels, mainspring set-up and all underdial work), the pillar plate 74mm diameter. Jean Vallier is recorded in Thompson, David The History of Watches as becoming master watchmaker in 1602 and dying in 1649. Thompson illustrates and describes a fine engraved silver cased oval clock-watch by Jean Vallier in The British Museum's collection (ex. Octavius Morgan) with complex astronomical dial composed with four subsidiary dials with multiple indications on pages 36-7. A similar movement to the current lot described as a 'coach clock' by Jean Baptiste Deboule is also illustrated and described by Thompson on page 46. The unusually long motionwork centre post applied to the frontplate of the current lot would suggest that either the movement was originally fitted with a complex dial or was housed in an unusually shaped case.

Lot 82

A fine and rare George I silver mounted ebony grande sonnerie striking table clock with pull-quarter repeat and alarm Andrew Dunlop for Daniel Delander, London, circa 1720  The substantial eight large diameter knopped and finned (centre two latched) pillar triple fusee movement with plates measuring 8.5 by 7.5 inches and chiming the quarters on a nest of six graduated bells followed by full hour strike on a further larger bell every fifteen minutes, with trip quarter repeat, verge escapement regulated by short bob pendulum and alarm sounding on the hour bell wound via pulley mounted on the fine herringbone bordered Ho-Ho bird inhabited foliate scroll engraved backplate centred with figural scene of Daphne pursued by Apollo beneath grotesque male mask with pronounced whiskers issuing from one of the leafy scrolls,  the 7.75 inch brass break-arch dial with silvered alarm setting disc, herringbone engraved calendar and shaped false bob apertures and applied scroll-bordered silver signature plate engraved  Dan. Delander, London   applied over engraved cartouche  Andr. Dunlop, LONDON   to upper margin of the matted centre within silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles applied with cast silver mask and scroll pattern spandrels beneath arch with  Hours  &  Quarters/Silent All/Hours Alone   selection dial flanked by conforming silver mounts,  the inverted bell top case with generous hinged cast silver handle to the fillet edged superstructure flanked by heavy shouldered finials above front door with raised complex mouldings to the glazed dial aperture beneath conforming fine foliate scroll engraved and pierced silver upper quadrant fret apertures, the sides with further shaped silver sound frets over break-arch glazed windows, the rear with door incorporating arched scroll-pierced ebony sound fret over rectangular glazed panel, on shallow cavetto moulded skirt base with cast silver squab feet, 48cm (19ins) high excluding handle. Daniel Delander in recorded in Loomes Brian  Clockmakers of Britain 1286-1700   as born in London around 1677-8 to Nathaniel and Rebecca Delander. He was apprenticed in 1692 to Charles Halstead but was later transferred to Thomas Tompion gaining his Freedom of the Clockmakers' Company in 1699. Delander is initially thought to have worked from Devereux Court later moving to a house ¾tween the two Temple Gates', 'near Temple Bar' in 1712. Daniel Delander died in 1733 and is believed to have been succeeded by his son Nathaniel Delander, who gained his Freedom of the Clockmaker's Company in 1722.   Daniel Delander was a fine and inventive maker who very much followed in the footsteps of his former master, Thomas Tompion. His work often demonstrates a refined approach with a great deal of consideration given to the proportions, detail finish and technical specification of the movements. Delander was never one to let fashion overtake him, always being at the cutting edge with regards to design and use of materials. He is perhaps best known for his exquisite small walnut precision longcase clocks with duplex escapements made during the 1720's as well as the silver mounted grande sonnerie table clock formerly in the Rous Lench Collection which is illustrated in Dawson, Percy G., Drover, C.B. and Parkes, D.W.  Early English Clocks   on page 411, Plates 585-6. Andrew Dunlop is recorded by Loomes as working in Aberdeen until around 1700 before moving to London where he worked from Spread Eagle Court, Grey's Inn. He joined the Clockmakers' Company in 1701 and took in Thomas Hague as an apprentice in 1719 followed by his son, Conyers, in 1725. He is thought to have died in 1732 and was succeeded by his son. The work of Andrew Dunlop is described in Maxwell-Irving... [Please contact Auctioneer for full lot description]

Lot 116

THE ILLUSTRATED LONDON NEWS SILVER JUBILEE RECORD number 1910 - 1935, also as above, CORONATION RECORD number 1937, both in fair to good condition (2)

Lot 15

VARIOUS AUTHORS RELATING TO ENGLISH SILVER AND OBJECTS OF VIRTUE AND JEWELLERY includes Culme, John "The Directory of Gold & Silversmiths" in two volumes, Snowman. Kenneth A, "Carl Faberge", Bennett David and Mascetti Daniella "Understanding Jewellery" and Delieb, Eric "Silver Boxes" etc etc (approx 25 volumes)

Lot 29

PENZER, N.M. "PAUL STORR" published by Spring Books 1974, JONES, KENNETH CRISP "The Silversmiths of Birmingham and their marks 1750 - 1980" and NINETEEN OTHER WORKS RELATING TO ENGLISH SILVER, 21 volumes

Lot 655

An oil painting on board of a colourful winter street scene with woman and children, school bus, etc, signed bottom left Katerina Mertikas, with plaque to mount Katerina Mertikas and artist's biographical details verso, 38 x 50 cm in silver coloured frame

Lot 661

A signed limited edition coloured print of a solitary male figure standing on a beach, signed bottom right Steve Johnston, edition 28/295, 43 x 79 cm in silver coloured wide frame together with certificate verso showing title "Mr Smith"

Lot 701

An oil painting on board of an impressionist style landscape, signed bottom left Rafael Carralero and dated 1987, with plaque to frame Rafael Carralero Universidad de Salamanca and dated 1987, 64 x 80 cm in wide silver coloured frame

Lot 705

A set of four coloured hunting prints after E A S Douglas, 30 x 74 cm in wooden and gilt frames together with a set of four coloured prints of 18th century style equestrian subjects, 30 x 46 cm in gilt frames, also together with a pair of coloured prints after John Constable of A View at Hampstead and A Spring Ploughing Scene, both in silver coloured aluminium frames

Lot 12

A collection of seven early 19th century yellow ground jugs with various painted and silver lustred decoration including example with three panels showing landscape subjects and female characters in a garden setting, a pair with hop detail, an example with printed panels of a lady and gentleman walking in a parkland setting, etc

Lot 128

A Wedgwood blue ground jasperware bowl with silver mount and handle, a matching biscuit barrel with plated mount and cover, a tobacco jar and cover with mottled glaze, a plated four egg coddler, a pair of plated wine coasters, etc

Lot 162

A fine Victorian cut glass ewer with well etched decoration depicting a standing giraffe with neck outstretched feeding from the tops of surrounding trees, flanked by further etched foliate decoration leading to further detail of two large dragonflies in flight, complete with a silver plated mount and handle with embossed decoration to the spout and hinged finial lid together with a further Victorian glass jug with crackled textured finish and etched banded decoration depicting fruiting vines with gilt finish and further gilt decoration to the pinched spout

Lot 167

A selection of glassware to include a good quality cut glass water bottle with faceted cut detail and further faceted globular stopper, a pressed glass commemorative plate marking Queen Victoria's Jubilee dated 1887, an amber tinted glass lamp shade with etched foliate stylised decoration, further cut glass vessels, an oak and silver plated biscuit barrel, a boxed worked soapstone ashtray, etc

Lot 174

Three goblet shaped drinking glasses with frosted decoration raised on slice cut faceted stems, a Victorian glass vessel with applied gilt and hand painted floral and other trailing decoration, a pair of silver plated candlesticks and a further plated and turned timber wine coaster

Lot 177

A trio of good quality clear cased decanters with extensive hobnail decoration, each with a faceted globular stopper set within an oak tantalus with stepped base and carved trailing border with silver plated mount and handle, bearing a small plaque with indistinct text, also marked Bristol

Lot 179

A trio of glass decanters with circular stoppers contained within a wooden tantalus with silver plated handle and applied mounts

Lot 185

An unusual clear crystal five strand necklace tree of tapering cylindrical form upon a rounded base with applied sticker Dartington, England together with a small example, possibly for use with rings together with a Royal Doulton and other glass ring tree, a Dartington paperweight with scorpio detail, an ebony dressing brush with applied silver mount, etc (brush displayed behind cabinet)

Lot 188

Two Harden silver hand grenade fire extinguishers in blue glass with original seals and contents, together with a majolica vase and an Art Deco teapot

Lot 190

An Art Nouveau style five piece tea and coffee set in silver plate, possibly by WMF, to include a tray of rectangular form with pointed ends, a teapot, coffee pot, two handled lidded sugar basin and milk jug, all with embossed shield and fluted embossed decoration, each with handles decorated with simplistic embossed grid work detail and each indistinctly stamped to undersides

Lot 191

An electroplated teapot with vertical banded embossed decoration, shaped outline with hinged lid with ebonised finial and further ebonised handle together with a similar two handled sugar basin and milk jug, a small silver plated drinks tray with central embossed scrolling decoration and pierced gallery sides, a further silver plated cream jug, single candlestick, a cigarette case with machine turned decoration, etc

Lot 192

A pair of simplistic silver plated candlesticks of cylindrical form with banded embossed rounded bases together with a silver plated drinks tray of oval form, raised on four bun supports with serpentine shaped pierced gallery sides

Lot 196

A good quality 19th century rosewood veneered dressing chest with mother of pearl lock escutcheons and inlaid mother of pearl panel to the top, marked A S Sanders, the hinged lid revealing a fully fitted and partially detachable interior housing an assortment of cut glass containers and bottles, some with pierced silver plated lids, the interior shelf marked Austin's, St Andrew Street, Dublin, also containing a selection of 19th century hand written letters, the case contained within an original fleece lined leather carrying case with internal label From Austin's Dressing Case and Despatch Box Manufactory, 6 & 7 St Andrew Street, Dublin

Lot 198

A simple silver plated frame of circular form together with a 19th century teapot with shaped outline, finial hinged lid and timber handle, a jug with hinged lid and incised garland decoration, stamped to underside Ashbury & Sons, Sheffield, a two divisional electroplated cruet set, a good quality plated lidded serving dish of rectangular form with rounded corners, beaded and banded embossed decoration, etc

Lot 201

A selection of cased silver plated wares to include a cased set of six good quality teaspoons with twisted handles terminating in thistle head finials, a set of six Apostle teaspoons and sugar tongs with stylised embossed decoration throughout, in a lined case marked Mappin & Webb, a case containing six napkin rings with chased foliate decoration numbered six to twelve, also containing six further napkin rings with beaded borders, also together with a Elkington plate two handled sugar basin, a glass and plated pickle dish, etc

Lot 202

A good quality silver plated pedestal dish of wide and low proportions with extensively shaped bowl, good quality etched foliate decoration and pierced lattice loop handle, a shallow plated dish with pierced and further embossed decoration, a small salver of circular form raised on tri supports with embossed shaped outline, a small 19th century teapot with extensive chased decoration together with a clear glass bowl housed within a plated trophy shaped surround, raised on three scrolling supports on a circular base with applied ivy leaf decoration and further embossed scenes of wild life, etc

Lot 204

A substantial two handled silver plated lidded tureen of oval form with two applied textured loop handles, beaded borders, marked to underside H Barker Bros together with a good quality set of twelve pairs of 19th century side knives and forks with chased foliate decoration and polished handles, set within a two tier mahogany case, other silver plated items to include a large eight divisional toast rack, a pair of knife rests in the form of dogs with elongated bodies, butter knives with polished handles, etc

Lot 205

Various boxes and cases of silver plated cutlery to include a cased set of twelve fish knives and forks, a further good quality oak cased set of twelve pairs of fish knives and forks with trailing chased decoration to the blades with polished handles, the case marked F E Rutherford, Goldsmith, Hawick Est 1763 together with a boxed serving trio, a boxed pair of silver teaspoons, etc (silver items displayed behind silver cabinet)

Lot 206

A large good quality silver plated tray of oval form raised on four claw and ball supports, the centre decorated with scrolling embossed foliate and other decoration with a raised embossed border and further embossed loop handles together with an electroplated lidded serving dish of oval form, a quantity of plated napkin rings with embossed decoration, a pedestal dish of circular form with a fluted hinged loop handle, a selection of soup and other spoons, a large canteen of cutlery containing a quantity of Elkington & Company cutlery with stainless steel blades, etc

Lot 207

A good quality silver plated tray of rectangular form with serpentine outline and rounded corners, with heavily embossed scrolling loop handles and beaded border together with a three divisional candelabra with trailing fluted branches, a selection of glass dressing table wares with silver plated and other lids, a small oak office standish with cut glass and pewter lidded inkwell, loosely in the Art Nouveau manner, a small collection of mostly silver plated cutlery, a selection of 20th century coinage and currency to include 10 shilling notes, etc

Lot 208

A silver plated tazza in the Art Nouveau manner, the disk shaped bowl with squared pierced border with further worked simplistic shield and grid decoration, raised on four united slender tapering supports leading to a circular base with further worked symmetrical shield decoration

Lot 209

An unusual pair of Victorian brass and cast metal candlesticks in the form of tall slender ewers with heavily embossed trailing ivy leaf decoration, with further embossed detail, raised on circular bases together with a good quality 19th century silver plated goblet with deeply embossed asymmetrical scrolling foliate and floral decoration to the bell shaped bowl, raised on a beaded and bladed stem and circular foot, further plated wares to include an electroplated two handled sugar basin and milk jug, a further two handled dish, a two handled serving dish of oval form, etc

Lot 211

A good quality silver plated tray of rounded rectangular form, raised on four scrolling shell shaped supports, the centre with scrolling symmetrical embossed decoration with raised pierced gallery sides and flowing garland and floral swag decoration together with a canteen containing a large quantity of Community dinner wares with stylised scrolling decoration to the handles, a cased set of six butter knives, further cased Apostle spoons, a selection of unboxed, mostly silver plated, cutlery, etc

Lot 212

A small collection of silver plated wares to include a good quality dish with flared rim stamped Barnby & Rust, Hull, further similar dishes, an electroplated tankard, a small jug, etc, together with a selection of mostly stainless steel knives with polished handles, several silver and other teaspoons, etc, a pair of cut glass candlesticks, etc, (silver items displayed behind silver cabinet)

Lot 220

A pair of stud earrings, each of dome form, pavé-set with turquoise, in silver; and a turquoise brooch, of fleur de lis form (3)

Lot 220A

A Victorian silver and enamel "football" fob, probably 1892, the frame applied with rope-twist and ball details, on a sterling silver bracelet

Lot 239

An Edwardian crucifix pendant, decorated with a scrolling motif set with turquoise and seed pearls, in 15ct gold, on a rose gold-plated fancy-link chain; a 9ct gold oval-link chain, 3.5g; an Arts & Crafts style brooch, centred with an oval mixed-cut stone, probably amethyst, in unmarked 18ct gold; an 18ct rose gold brooch, composed of two fern leaves, 3.3g; an 18ct rose gold pendant, mounted with a yellow gold Dea Bendata motif, 2.8g; an Edwardian style ring, set with green and white paste, in 9ct gold, 1.8g; a sterling silver ring and medallion, 7.8g in total; an Italian micro mosaic bracelet, in pinchbeck; and a white metal pendant, centred with a carved coral cameo (10)

Lot 240

An Art Nouveau enamel pendant, James Fenton & Co., Birmingham, 1908, the pierced circular mount centred with mother-of-pearl, against a purple and green enamel ground, suspended with three enamelled stylised leaf drops, on a sterling silver curb-link chain

Lot 242

An Art Nouveau pendant, of scrolling open-worked form, centred with three graduated amethyst coloured stones, highlighted with five seed pearl set flower heads one pearl lacking, in 9ct rose gold; a silver gilt stick pin, terminating with a jasperware style motif, highlighted with four chrysoprase accents; a 9ct gold watch chain, composed of fancy links, with toggle and gold-plated crucifix charm, 24g; two 9ct gold toothpicks, Birmingham, 1970 & 1979, with engine-turned decoration, 9.8g in total; two watch keys; two silver mother-of-pearl handled fruit knives; a steel and composition folding knife; a metal locket; and an enamelled charm (12)

Lot 243

A pair of Oriental Chinese silver, enamelled and gem-set nail guard brooch pins, circa 1910, the silver body composed of fine filigree wires overlaid with wide wires in delicate scrolls and tiny bead accents, applied with cloisonné enamel leaves and flowers in shades of lavender, turquoise and cobalt blue, centred with a line of bezel-set jadeite cabochons, the reverse has an applied tag stamped "silver" on the upper edge of the centre back seam, one gilted (2)

Lot 251

A graduated strand of coral beads; a coral and seed pearl ring, in white metal; a carved coral ring, in white metal; a pair of silver earrings, each with cannetille decoration, highlighted with a row of graduated coral; a strand of coral; a strand of imitation coral; and a banded agate brooch, of oval form, mounted in a silver frame (8)

Lot 253

A miscellaneous collection of five English silver 20th century medallion pendants, two with vacant rose gold cartouches, one with gilt scene depicting tug of war, etc (5)

Lot 254

An assembled suite of silver jewellery, comprising: a ring, a brooch and a pair of clip on earrings, each set with a citrine coloured stone, each decorated with foliage; a silver bar brooch, the central scrolling bar terminating at each end with hexagonal shaped green stone, possibly jade; two pairs of simulated tortoise shell earrings, each of circular domed form, applied with gold details, screw fittings; and a pair of silver earrings, each with ruffled border, centred with a suspended ball motif, 7.4g (11)

Lot 255

An Arts & Crafts silver enamelled brooch, Liberty & Co., of shaped rectangular form, highlighted with stylised scrolling decoration in blue, green and orange enamels

Lot 258

A strand of eighty-six pearls, measuring 4.6mm to 5mm, with a rectangular silver clasp, 935 standard, set with pink, green, orange and yellow paste; a pair of pinchbeck earrings, each screw fitting suspended with a circular pendant; and a brooch, of oval form, set with white paste, in pinchbeck (4)

Lot 259

A Celtic silver and enamelled sash pin, Wayne Hart Co., Chester, probably 1945, the stylised hammered ground highlighted with green, orange and blue enamelled motifs, 10g

Lot 268

A German Abalone shell brooch, of oval form, the gold-plated mount marked "Ges. Gesch"; a Victorian silver brooch, Birmingham, 1896, of shaped oval form, applied with gold flowers in a basket detail; and a sterling silver brooch, AmLee, of scrolling floral form, highlighted with blue crystal stones (3)

Lot 269

A silver charm bracelet, with heart-shaped padlock clasp, hung with six various metal charms; two sterling silver and marcasite rings; a sterling silver watch chain; a sterling silver curb-link chain; a silver brooch, set with white paste; two English silver napkin rings, 46.4g; two silver-plated napkin rings; a white paste eternity ring; and a gold-plated curb-link chain, Sarah Cov (12)

Lot 270

A pair of malachite stud earrings, each of circular form, mounted in silver; a silver coin pendant, on a sterling silver curb-link chain, 37.2g; a white metal coin pendant; a coral bead and rock crystal necklace; a faux turquoise necklace; and a hardstone earring (7)

Lot 276

A sterling silver brooch, of leaf form, composed of wire work ; three imitation amber bead necklaces, various colours; a marcasite brooch, in the form of an eagle; a micro mosaic brooch; a pinchbeck brooch, centred with a purple paste stone; and a modern bug brooch (8)

Lot 277

A silver and marcasite brooch, of cat form, highlighted with an onyx motif; a sterling silver and marcasite brooch, in the form of a hummingbird; a sterling silver brooch, highlighted with marcasite and amethyst; boxed powder compact, Madoleya; a gilt metal powder compact, decorated with a rose motif; and a miscellaneous collection of costume jewellery (Qty)

Lot 278

A lady's 9ct rose gold wristwatch, the gilt dial with white telephone dial, black Arabic numerals, on a later gold-plated flexi-strap; a pair of Art Nouveau style earrings, each highlighted with an amber motif; a pair of amethyst drop earrings, in sterling silver; a miscellaneous collection of coins, watches and costume jewellery

Lot 280

A silver-plated brooch, in the form of three mice; a contemporary pendant, bronze and copper coloured; and a miscellaneous collection of costume jewellery, contained in a jewellery box

Lot 281

A graduated triple-strand imitation pearl necklace, contained in a fitted case; a large Edwardian style clasp, in the form of a ribbon, set with white paste; a silver charm bracelet, with heart-shaped padlock clasp, hung with twelve various charms; a stainless steel open-faced pocket watch; six costume brooches; a sterling silver earring; and a paste ring

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