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Click here to subscribeA George VI silver Art Deco style three-piece condiment set, comprising mustard pot, and two casters, each atop a stepped and spreading circular form foot, the mustard pot ensuite with spoon and blue glass liner, Viner's Ltd (Emile Viner), Sheffield 1940-1, height of caster 9.5cm, combined weight (sans glass liner)149g/4.79ozt approx
An Edwardian silver tea caddy, of ogee form, with a stepped oval form foot, applied with twin handles in the form of cast ram's head, the detachable cover with cast flowerhead finial, fully marked to the body and to the interior of the cover, Skinner & Co, London 1905, height 10.5cm, weight 275g/8.84ozt approx
A George III silver toothpick box, of navette form, the body decorated with bright-cutting, with central cartouche engraved 'RHC' or similar, the hinged cover with raised thumbpiece, the interior sans mirror, maker's mark only, possibly Samuel Pemberton, c.1800, length 9cm, weight27g/0.86ozt approx
An Elizabeth II silver six-piece cruet set, modelled in the style of the second half of the eighteenth-century, to include a pair of each of mustard pot, pepperette and open salt cellar, of globular form, each atop three pad feet, the mustard pots and salt cellars each with blue glass liner, Mappin & Webb, Birmingham 1961, ensuite with tooled gilt and satin lined fitted presentation case, height of pepperette 7.5cm, combined weight (sans glass liners) 229g/7.36ozt approx
Norway.A twentieth century Norwegian cruet set, comprising a pair of cut glass shakers with sterling silver tops secured with a screw thread and applied with guilloche enamel in opal, atop a fitted navette form base with dentil border, the silver and enamel tops marked, '925S Norway', the underside of the stand marked, 'SN', length of stand 11.3cm, height of shaker 4cm approx
A George III silver vinaigrette, of rounded rectangular form, the cover decorated with eight single leaves on a stippled ground, the underside engraved in script, 'JA to JAL' or similar, the hinged cover opening to reveal a gilt interior with a hinged grille decorated with filigree scrolls and a central heart motif, Matthew Linwood, Birmingham 1810, length 2.9cm, weight 18g/0.57ozt approx
Two similar twentieth-century silver sauce boats, each of conventional form with wavy edge rim, atop three pad feet, the slightly larger example hallmarked Viner, Sheffield 1956, length 14.7cm, the smaller example hallmarked Birmingham 1930, combined weight 192g/6.17ozt approx (2)
A Victorian silver and enamel calling card vesta case, of rectangular form, with applied enamel plaque of a calling card, 'George A. Smith / Thurston Manor / Bury St. Edmunds', with integral striker and hinged cover, sponsor's mark 'JB', Birmingham 1895, length 5.7cm, weight 42g/1.35ozt gross approx
A George V silver combination sovereign holder and stamp case, of rectangular form with push button release, the gilt interior with sovereign holder and recess for stamps, The Usher Manufacturing Co (Charles Usher), Birmingham 1915, length 4cm, weight 28g/0.90ozt gross approx
An Edwardian silver travelling covered beaker on stand, of cylindrical form, with detachable cover and turned wood finial, the body with dual fold out handles, the stand with quatrefoil reticulation, the beaker itself can be stored inside the stand for travelling purposes, Goldsmiths & Silversmiths, London 1902, height (when fully assembled) 14cm, weight 171g/5.49ozt gross approx
Liberty.A cased set of six George V Art Deco silver sandwich sticks or cocktail sticks, each of tapered cylindrical form, surmounted by a selection of polished spherical specimen semi-precious hardstone, including lapis lazuli, ensuite with the original Liberty fitted presentation case, the silver with sponsor's mark of Liberty & Co Ltd, and Assay marks for Birmingham 1928, length of each stick 8.5cm approx
A Victorian English provincial silver caster, of baluster form, the body decorated with foliate scrolls and rococo shells, atop a collet foot, the pierced detachable cover with wrythen detail and baluster knop finial, sponsor's mark possibly Florence Warden, Chester 1896, height 16.2cm, weight 136g/4.37ozt approx
Albert Edward (A. E.) Jones.An Edwardian Arts & Crafts silver caster or shaker, of cylindrical form with dual loop handles, the planished body decorated with opposing single foliate tendrils surmounted by a turquoise coloured Ruskin cabochon, atop a flared base, the detachable pierced cover with domed top, fully marked to the body with corresponding part marks struck to the flange on the cover, Albert Edward Jones, Birmingham 1905, height 11.7cm, weight 97g/3.11ozt approx
A Victorian silver calling card vesta case, of rectangular form with applied enamel plaque of a calling card, with signature, the base with integral striker and hinged cover, retailed by 'J. Sewill. 30 Cornhill. London', Sampson Mordan & Co., London 1894, length 5.7cm, weight 42g/1.35ozt gross approx
A George III silver tea caddy, of drum form, in the neoclassical style, with bead edge border, the body applied with dual panels depicting classical scenes, with lock (sans key), the slightly domed, hinged cover with a hinged ring-pull finial with matching bead edge border, the underside engraved in script, 'Sophia', fully marked on the base, with corresponding part marks struck to the interior of the hinged lid, Andrew Fogelberg & Stephen Gilbert, London 1782, height 11.2cm, weight 443g/14.24ozt approx
An Edwardian silver and enamel vesta case, of rounded rectangular form, applied in polychrome enamel with, possibly, the arms of Clare, or, de Clare, with integral striker and hinged cover, Robert Chandler, Birmingham 1903, length 5cm, weight 34g/1.09ozt gross approx. Note: The Clare (de Clare) family were founders of Clare College, Cambridge University. The family coat of arms is incorporated into the College's crest. Founded in 1326, Clare College is the second oldest of Cambridge's thirty-one colleges.
FranceAn early twentieth-century French gentleman's leather travelling vanity case, containing silver and silver-gilt-mounted cut glass accessories, including, three toilet bottles, two toilet jars, four silver-mounted brushes, silver toothbrush box, two silver cylindrical canisters, a hip flask with silver cap and fitted beaker, together with a vanity set and shaving mirror, the silver struck with French first-standard Minerva mark, confirming 0.950 standard silver, weight of weighable silver 379g/12.18ozt approx
Christopher Dresser (Attributed)An Edwardian silver and parcel-gilt naturalistic bowl, in the Japonesque style, of ovoid form, the lobed body with scalloped rim, decorated with foliate tendrils, the interior with parcel gilding displaying a central anemone flowerhead and trailing foliate tendrils, atop a gilt tripod base crafted as a foliate tendril, Hukin & Heath (John Thomas Heath & John Hartshorne Middleton), Birmingham 1902, height 14.1cm, diameter 23.5cm, weight 817g/26.26ozt approx Note: 'Dresser was appointed art adviser to...Hukin & Heath in about 1878. The firm specialized in novelty items for the luxury market and they were anxious to find a new direction...Dresser was responsible for selecting Persian and Japanese articles to be copied...by the firm' (Whiteway, 2004). Reference: Whiteway, M. (2004). Shock of the Old. Christopher Dresser's Design Revolution. Victoria & Albert Museum.‌
Judaica.An Elizabeth II silver Chanacka lamp or Hanukkah menorah, the central tapered rectangular stem affixed with nine branches, with Star of David finial, atop a stepped spreading square form base, A Taite & Sons Ltd, London 1960, height 24.5cm, weight 317g/10.19ozt approx
A William IV silver pedestal bowl and cover, of panelled ovoid form, possibly produced to commemorate the Coronation of King William IV in 1831, the exterior decorated with roses, clovers, and thistles, atop a spreading circular form foot, the detachable cover surmounted by a finial decorated with rose, thistle and clover, the bowl with gilt interior, John Edward Terry, London 1831, height 14.5cm, diameter 14cm, weight 486g/15.62ozt approx
Garrard & Co LtdAn Elizabeth II cased silver snuff box, of rectangular form, the exterior decorated with engine-turning and with applied cast foliate scroll border, with central vacant rectangular form cartouche, the underside incised, 'JJG', the hinged cover opening to reveal a gilt interior, Garrard & Co Ltd., Birmingham 1987, length 5.2cm, weight 93g/2.99ozt approx, ensuite with the original lined and fitted presentation case, the cover applied in gilding, 'GALLAGHER', retailed by 'Crown Jewellers, Garrard & Co Ltd, 112 Regent Street London'
A Continental nineteenth-century silver-coloured metal snuff box, of rectangular form with canted corners and stepped base, the cover with a classical scene raised in relief featuring two figures locked in embrace, amidst a landscape, with rococo shell and foliate scroll surround, the hinged cover opens to reveal a similar scene in polychrome enamel on metal, the box with gilt interior, maker's mark only, 'WC' with fleur-de-lis above, length 7.4cm, weight 88g/2.82ozt gross all-in approx
Liberty.A cased set of six George V silver coffee spoons, each with 'coffee bean' finial in the form of a polished specimen hardstone, possibly lapis lazuli, ensuite with a Liberty fitted and lined presentation case, Liberty & Co Ltd, Birmingham 1922, length of each spoon 9cm approx Provenance: Ex. Christies 3rd March 1999, lot 376.
A Victorian silver shaving mug, of waisted cylindrical form, the exterior decorated with flowerheads and foliate scrolls, with scroll handle and affixed side-mounted shaving brush bracket, the hinged cover with looped thumbpiece, with large side opening spout, sponsor's mark obscured, Birmingham 1899, together with a plated metal shaving brush, height 10cm, weight (sans brush) 201g/6.46ozt approx (2)
Georg Jensen.A matched pair of twentieth-century Danish silver salad servers, comprising serving spook and fork, pattern design no.22 attributed to Johan Rohde, both pieces are marked, 'Denmark' and 'Sterling', the spoon struck with the Georg Jensen hallmark for 1933-1944, the fork with the post-1945 mark, length (of spoon) 24.2cm, combined weight 222g/7.13ozt approx (2)
United States of America.A late nineteenth or early-twentieth century American silver shaving mug, the exterior decorated with scrolls and central cartouche with Armorial crest of a centaur with motto, 'Virtute Non Verbis', (By virtue, not by words), with internal perforated sieve section, the underside marked, 'Sterling / 2565 / J.E. Caldwell & Co.', height 7.9cm, weight 174g/5.61ozt approx
A late nineteenth or early twentieth-century American silver shaving mug, of cylindrical form, the flared top section with bead edge rim, the gilt interior with affixed perforated sieve section, the body with script initials, 'CEJ' or similar, the underside marked 'STERLING', Shreve & Co, San Francisco, height 5.5cm, weight 103g/3.31ozt approx
Newcastle.A set of six nineteenth-century English provincial silver Old English pattern dessert spoons, each terminal initialled, 'ED' in script, David Darling & James Bell, sans date letter, Newcastle c.1820,Note: Partnership lasted from 1816 until Darling's death in 1822.
A late nineteenth or early twentieth-century Continental carving knife and fork set, each with a steel blade and silver-coloured metal handle, decorated with a fluted hilt and floral scrolls, possibly marked with a Dutch silver sword mark, length (of knife) 38cm approx (2)
A late nineteenth or early twentieth century silver shaving mug, of waisted cylindrical form, with gadroon edge rim, angular handle and pouring spout, the interior with static pierced sieve section, ensuite with an associated silver mounted shaving brush, William Hutton & Sons Ltd, London c.1900, height 9.5cm, weight (shaving mug only) 158g/5.07ozt approx
An early George III silver coffee pot, of baluster form raised on a pedestal base, decorated with a band of gadrooning, the spout being cast in two halves and embellished with raised foliage, the hinged cover with cast volute scroll finial, with S scroll turned wood handle, Francis Butty & Nicholas Dumee, London 1767, height (to top of finial) 32cm, weight 934g/30.02ozt gross approx
An Edwardian silver-mounted pepper grinder, of baluster form, the internal mechanism marked 'Peugeot Freres Export', the silver with sponsor's mark of Hukin & Heath (John Thomas Heath & John Hartshorne Middleton), Assay marks for London 1902, ensuite with a satin lined fitted presentation case, retailed by Hamilton & Inches of Edinburgh, height of grinder 8.3cm approx
An early George I Britannia Standard silver (958/1000) Hanoverian pattern with rat tail tablespoon, with armorial crest, sponsor's mark rubbed, London 1716, together with a George III silver meat skewer, Soloman Hougham, London 1815, length of skewer 25.5cm, combined weight 137g/4.40ozt approx (2)
A Victorian silver inkstand, modelled in the Regency style, of rounded rectangular form, comprising two silver topped glass inkpots, flanking a central silver hinged oval pot, with gadroon edge border, atop four lion's paw feet, with dual opposing pen rests, Carrington & Co. (John Bodman Carrington), London 1897, length 25cm, weight (sans glass vessels) 728g/23.40ozt approx
An Edwardian novelty silver model of a bull, realistically cast and modelled, with British import marks, sponsor's mark B Muller & Son (Berthold Muller), Chester 1908, length 7cm, together with an Edwardian novelty silver model of a donkey, Chester 1907, length 5cm, combined weight 98g/3.15ozt approx (2)
A Victorian silver card case, of shaped rectangular form, the exterior decorated with flowers, foliage and butterflies, initialled and engraved, 'May 13th 1898', George Unite, Birmingham 1896, length 9.6cm, together with six hallmarked silver napkin rings, including a novelty example modelled in the form of a wishbone, combined weight 148g/4.75ozt approx (7)
ChinaA late nineteenth or early-twentieth-century Chinese export silver mug, of cylindrical form, the exterior decorated in relief with traditional scenes depicting figures, oxen, a bridge, and temple, the central escutcheon-shaped cartouche with cypher 'PMR' or similar, the S scroll handle decorated in simulated bamboo, the underside marked 'T.W', or 'I.W' and with a chop mark, height 7.3cm, weight 124g/3.98ozt approx
A George VI silver three-piece tea service, comprising teapot, two handled sugar bowl and milk jug, each of compressed globular form, with wavy-edge rim, atop four pad feet, the teapot with wooden handle, William Suckling Ltd, Birmingham Assay Office hallmarks, three differing date letters, 1938,1948 and 1949 respectively, height of teapot 11.3cm, combined gross weight 1210g/38.90ozt approx (3)
A George VI silver caster, of baluster form, with a central band of Lindisfarne style decoration, atop a stepped spreading circular form foot, the pierced and panelled detachable cover with baluster finial, Adie Brothers Ltd, Birmingham 1941, height 19.5cm, weight 208g/6.68ozt approx
An Edwardian silver Art Nouveau style pedestal dish or comport, the twin handles formed as foliate tendrils surmounted by applied strapwork and shells, atop a stepped spreading circular form foot, Josiah Williams & Co (George Maudsley Jackson & David Landsborough Fullerton), London 1907, height 9.5cm, weight 259g/8.32ozt approx
Nathaniel Mills.An early Victorian silver nutmeg grater, of rounded cylindrical form with reeded exterior, with dual hinged covers, the top decorated with engine turning and central rectangular vacant cartouche, opening to reveal a fixed steel rasp, Nathaniel Mills, Birmingham 1839, length 3.6cm, weight 34g/1.09ozt approx gross
A George VI Art Deco silver compact, of square form with canted corners, the exterior decorated with engine turning, the hinged cover opening to reveal an integral fitted mirror, with interior dedication inscription, sponsor's mark A Wilcox, Birmingham 1940, length 6.9cm, together with a hallmarked silver rouge pot and a base-metal cigarette case mounted in shagreen (3)
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