A DANISH STERLING SILVER TEAPOT, CIRCA 1930, by Georg Jensen, no. 32C, globular form with ebony handle, the detachable domed cover with bunch of grapes finial, the bifurcated handle with conforming grape terminals, raised on a collet foot with egg-and-dart border. 17.5cm high, 26.5 troy ounces grossCONDITION REPORTMarks clear and well struck to base. Engraved with monogram to right hand side. Stands upright, does not rock. Various small dents to foot rim. Spout slightly misshapen and with dents to lip. Hairline crack to top inner edge of handle. Light surface marks and scratches commensurate with age and use
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A DANISH STERLING SILVER BOWL, by Georg Jensen, Copenhagen 1925, no. 17B. 12cm high, 8.5 troy ouncesCONDITION REPORTDanish marks to underside of base clear and well struck. Also clearly struck with import marks for George Stockwell, London 1925 to side of bowl. Stands upright, slight rocking to foot as base slightly misshapen; top rim of bowl very slightly misshapen from circular also. Minor dings throughout, especially to top rim. Scratches throughout, some deeper than others, and light surface marks commensurate with age and use
AN ELIZABETH II PARCEL-GILT SILVER SURPRISE EGG, by Stuart Devlin, London 1987, the interior featuring a frog leaping on enamel lily pads, no. 28, in original fitted box. Egg 6cm high, 2.7 troy ouncesCONDITION REPORTMarks clear and well struck to base. Gilding to exterior worn. Remnants of blu tack-type substance to base. Gilding to frog and lily pad dull/worn. Minor losses to edge of enamel 'water'. Gilding to interior of cover tarnished
AN ELIZABETH II SILVER AND SILVER-GILT ROYAL COMMEMORATIVE PORRINGER, by Stuart Devlin, London 1982, circular with everted rim and with twin scroll handles, the lower body cast with gilt lilies and lily pads, engraved to base 'THE ROYAL CHRISTENING / Prince William / 4 AUGUST, 1982', no.199, in blue leather presentation case. 10.5cm wide over handles, 4.8 troy ounces
AN ARTS AND CRAFTS SILVER AND RUSKIN POTTERY BOWL, by Albert Edward Jones, Birmingham 1912, the spot-hammered two-handled bowl with Ruskin (unmarked) yellow-glazed bowl to the interior. 9.5cm across handlesCONDITION REPORTSilver: 1 troy ounce. Marks clear and well struck - also stamped '577' to underside. Sits upright, very slight rocking to base. Top rim slightly misshapen from circular. Small ding to foot rim. Tarnishing and light surface scratches to exterior commensurate with age and usePottery: In good condition without chips, cracks or restoration.
AN ARTS AND CRAFTS SILVER AND RUSKIN POTTERY BOWL, by Albert Edward Jones, Birmingham 1921, the spot-hammered three-handled bowl with Ruskin purple-glazed bowl to the interior. 8cm across handlesCONDITION REPORTSilver: 1.1 troy ounces. Marks clear and well struck, also stamped '577' to underside of base. Small ding to edge of one handle. No rocking to base. Tarnished to exterior. Light surface marks and scratches throughout commensurate with age and usePottery: stamped 'RUSKIN / ENGLAND' to underside of foot. In very good condition without chips, cracks or restoration.
AN ARTS AND CRAFTS SILVER AND RUSKIN POTTERY BOWL, by Lindsay & Paisley Ltd, Sheffield 1922, the quaich with Ruskin turquoise-glazed bowl to the interior, dated 1922. 11cm across handlesCONDITION REPORTSilver: 1.4 troy ounces. Marks clear and well struck - also stamped '3123' to underside of base. Stands upright, very slight rocking to base. Black tarnish marks inside and out, and light surface scratches throughout commensurate with age and usePottery: stamped 'RUSKIN / MADE IN / ENGLAND / 1922' to underside of footPottery: In very good condition without chips, cracks or restoration.
AN ARTS AND CRAFTS SILVER THREE-PIECE TEA SERVICE, by William Hair Haseler, Birmingham 1913, comprising teapot, cream jug and two-handled sugar bowl, each flat-chased with bands of scrolls, the teapot cover with swirling shell design, lightly spot-hammered. Teapot 27cm from spout to handle, 32.8 troy ouncesCONDITION REPORTTea pot and bowl, good crisp marks
A STERLING SILVER ELEPHANT, by Patrick Mavros, Zimbabwe, modern, the miniature model realistically cast running with trunk raised. 2.1cm longCONDITION REPORTNot individually named - appears to be one of the five of the 'Elephant Herd' sculpture. Sterling silver, stamped with 'PM' to underside
A STERLING SILVER ELEPHANT, by Patrick Mavros, Zimbabwe, modern, the miniature adult model with tusks realistically cast walking with lowered trunk. 3cm longCONDITION REPORTNot individually named - appears to be one of the five of the 'Elephant Herd' sculpture. Sterling silver, stamped with Zimbabwe triangular standard mark and 'PM' to underside
A STERLING SILVER ELEPHANT, by Patrick Mavros, Zimbabwe, modern, the miniature model realistically cast walking with trunk raised. 2cm longCONDITION REPORTNot individually named - appears to be one of the five of the 'Elephant Herd' sculpture. Sterling silver, stamped with 'PM' to underside
A STERLING SILVER ELEPHANT, by Patrick Mavros, Zimbabwe, modern, the miniature adult model with tusks realistically cast standing with head inclining to the right and trunk curled. 3cm longCONDITION REPORTNot individually named - appears to be one of the five of the 'Elephant Herd' sculpture. Sterling silver, stamped with Zimbabwe triangular standard mark and 'PM' to underside
A STERLING SILVER ELEPHANT, by Patrick Mavros, Zimbabwe, modern, the miniature adult model with tusks realistically cast walking with trunk down. 2.1cm longCONDITION REPORTNot individually named - appears to be one of the five of the 'Elephant Herd' sculpture. Sterling silver, stamped with Zimbabwe triangular standard mark and 'PM' to underside
AN ELIZABETH II MINIATURE SILVER FOUR-PIECE TEA AND COFFEE SET, by John Rose, Birmingham 1964, comprising tea pot, coffee pot, cream jug and sugar bowl, each half fluted, on an elongated two-handled tray. (5) Tray 14.9cm wide, 2 troy ouncesCONDITION REPORTMarks clear and well struck to all pieces. All pieces heavily tarnished. All pieces stand upright, slight rocking to bases of the teapot and sugar. Light surface scratches throughout commensurate with age and use
A PAIR OF GEORGE III SILVER SAUCE TUREENS AND COVERS, by Daniel Smith & Robert Sharp, London 1780 and 1781, oval with a beaded rim, raised on a conforming stepped and beaded oval foot, with twin reeded handles, the domed cover with beaded band and beaded knop finial, the tureen engraved with a crest one side and an armorial the other, the cover engraved with a 'C' within an oval cartouche with Greek key border. (2) 22.9cm across handles, 42 troy ouncesCONDITION REPORTMaker's mark is a cut down version of the original trio of RC/DS/RS - Richard Carter is removed.
A GEORGE III IRISH SILVER TEAPOT, by Richard Sawyer, Dublin 1814, of large proportions, of shaped rectangular form with tongue-moulded rims and paw feet. 33cm long overall, 22.4 troy ouncesCONDITION REPORTMarks clear and well struck to base; further marks to handle and underside of flush-hinged cover. Stands upright, slight diagonal rocking between four feet. Engraved with crest to right side of body. Handle and knop finial with ivory spacers. Top side of spout and outer edge of handle worn/tarnished. Various minor dings throughout. Evidence of repair to front right corner, visible inside and out. Light surface marks and scratches throughout commensurate with age and use
A GEORGE III IRISH SILVER DISH, by Gustavus Byrne, Dublin 1795, circular with reeded raised edge, engraved 'P.S' below a crest. 9cm diameter, 1 troy ounceCONDITION REPORTMarks clear and well struck to underside. Slight dishing to base. Evidence of erasure of previous engraving to underside. Very minor dings, small marks and light surface scratches throughout commensurate with age and use. 8.9cm diameter, 1.06 troy ounces
A SCOTTISH SILVER AND AGATE VESTA CASE, 19th Century, unmarked, oval, the hinged cover inset with various agates to form a flowerhead pattern, the underside with match striker. 5cm wide, 1.2 troy ouncesCONDITION REPORTNo hallmarks. Cover hinge is sturdy. Small chip to red agate on right side. Light surface scratches to underside commensurate with age and use
A SCOTTISH SILVER-MOUNTED HORN, probably 18th Century, carved with flowerheads and conjoined lunettes, the mounts unmarked. 16.5cm longCONDITION REPORTSilver: unmarked. Some small dings to both top and bottom mounts. Areas of tarnishing, especially around pins. Light surface marks and scratches commensurate with age and use Horn: some minor losses to carved sections, but overall in good condition. Drinking cup not a container and has no lid
A GEORGE IV SILVER MUG, maker's mark indistinct, London 1825, tapering cylindrical with twin reeded bands, applied leaf-form band to the base. 7cm high, 4.3 troy ouncesCONDITION REPORTMarks (bar maker's) clear and well struck. Presentation inscription poorly erased from front, shadowy text still visible; possible inscription erasure to underside also. Stands upright, does not rock. Various small dings and dents throughout to rims and body and light surface scratches commensurate with age and use
A PAIR OF GEORGE III SILVER CANDLESTICKS, by Nathaniel Smith & Co, Sheffield 1799, the baluster sticks with double knops and raised girdle band, the urn-shaped holders with conforming girdle, raised on domed and stepped circular feet each engraved with a crest, the detachable circular sconces with stepped edges, weighted. (2) 30cm highCONDITION REPORTOne stick with detachable sconce by Hamilton & Inches, Edinburgh, no date letter, the other by Nathaniel Smith & Co, no town mark or date letter. One scratch engraved '10.15', the other '10.16' to right of hallmarks
AN EDWARDIAN SILVER HIP FLASK, by James Dixon & Sons Ltd, Sheffield 1904, of plain rectangular form, shaped for the pocket, with hinged twist cover, removable cup to the base. 9.5cm high, 3.3 troy ouncesCONDITION REPORTFull set of marks clear and well struck to base of cup, second full set to front of flask lightly rubbed. Stands upright, does not rock. Detachable cup to base gilded to interior. Small dent to shoulder corner, a second smaller bruise approx. 1cm lower down same edge. Cover retains original cork seal - tested with water, small amount of leakage. Light surface marks and scratches throughout commensurate with age and use
A GEORGE III SILVER CAKE BASKET, by Robert Hennell I, London 1793, oval with scalloped and pointed reeded rim, with reeded swing handle, a slat-pierced band above an engraved foliate band, engraved to the centre with a crest, the slat-pierced collet foot with reeded rim. 37.7cm wide, 24.2 troy ounces
A SET OF THREE GEORGE III SILVER WINE LABELS, by Paul Storr, maker's mark only, c.1810, shaped oval form, with Bacchus mask and grapevine decoration, pierced 'OLD-HOCK', 'CLARET' and 'BURGUNDY'. (3) 6cm wide, 1.9 troy ounces grossCONDITION REPORTMaker's mark clear and well struck to 'CLARET', very lightly rubbed to 'BURGUNDY', and heavily rubbed to 'OLD-HOCK'. Slight loss of definition to reeded scrolls and engraving at bottom of label on 'CLARET' and 'OLD-HOCK'. Light surface scratches commensurate with age and use, in generally good condition
A VICTORIAN SILVER SCENT FLASK, by Sampson Mordan II, London 1884, of tapering cylindrical form, engraved with children in rustic landscape setting, in the style of Kate Greenaway. 14cm long, 1.1 troy ouncesKate Greenaway (or Catherine Greenaway) (1846-1901) was a Victorian children’s book illustrator and writer. Daughter of a successful draftsman and wood engraver, she studied graphic design and art between 1858 and 1869. Her first book “Under the Window” was an instant best seller and brought her immediate fame and was followed by numerous highly successful publications. At the same time as her writing career, she excelled as a watercolourist, working with illustrators Walter Crane and Randolph Caldecott. Her distinctive old fashioned style depicting children and young ladies dressed in early 19th Century costume in quaint settings, a style of grace and charm that transformed the children’s book market, her talent described by Walter Crane as “captivating the public in a remarkable way”.CONDITION REPORTMarks are slightly rubbed but legible. Struck to the lid and to the body (maker's mark struck twice to the body). Top screws on and off well but there are two dents to the bulbous area. Cork inside the lid intact. 1.1 troy ounces. Good definition to the engraving.
A VICTORIAN SILVER-GILT CASE, by Sampson Mordan & Co, London 1890, the front and reverse engraved with scenes of children playing in rustic landscape settings, in the style of Kate Greenaway. 10.5cm high, 7cm wide, 2.7 troy ounces Kate Greenaway (or Catherine Greenaway) (1846-1901) was a Victorian children’s book illustrator and writer. Daughter of a successful draftsman and wood engraver, she studied graphic design and art between 1858 and 1869. Her first book “Under the Window” was an instant best seller and brought her immediate fame and was followed by numerous highly successful publications. At the same time as her writing career, she excelled as a watercolourist, working with illustrators Walter Crane and Randolph Caldecott. Her distinctive old fashioned style depicting children and young ladies dressed in early 19th Century costume in quaint settings, a style of grace and charm that transformed the children’s book market, her talent described by Walter Crane as “captivating the public in a remarkable way”. CONDITION REPORTSome rubbing to the gilding around the figures, surface scratches, marks visible but Slightly rubbed, slight dent around the clasp
A PAIR OF ELIZABETH II SILVER PHEASANTS, by Albion Craft Co, London 1970, the first modelled with wings outstretched, the second with wings by its side. (2) Each 18cm long, 12 troy ouncesCONDITION REPORTOne pheasant slightly rocks on its feet but is stable, the other has a slight knock on the tip of the tail, marks clear
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