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DIAMOND STARBURST BROOCH, CIRCA 1890Of floral, foliate and starburst design, set with cushion and rose-cut diamonds, mounted in silver and gold, brooch fitting detachable, cushion-shaped diamonds approx. 3.60cts total, length 5.5cm, fitted case by Frazer & Haws From Garrards, 31. Regent St, accompanied by two hair pinsFor further information on this lot please visit Bonhams.com
DIAMOND AND SEED PEARL BAR BROOCH AND SAPPHIRE AND DIAMOND RING1st: Circa 1900, old brilliant-cut diamonds and seed pearls, mounted in gold and silver, 2nd: Oval-cut sapphire, cushion-shaped diamonds, diamonds approx. 1.10cts total, 1st: cased by Hunt & Roskell, London (2)For further information on this lot please visit Bonhams.com
THREE CULTURED PEARL NECKLACES1st: 6.4-6.8mm cultured pearls, with a blue hardstone and half-pearl clasp, mounted in 9 carat gold, 2nd: 3.7-7.4mm cultured pearls, with white stone-set clasp, mounted in silver, 3rd: 6.7-7.4mm cultured pearls, 1st London hallmark, 3rd one strand broken - requires re-stringing before wear, lengths: 1st 137.0cm, 2nd shortest strand 39.7cm, 3rd 37.0cm (3)For further information on this lot please visit Bonhams.com
GEM-SET NECKLACE AND EARRINGS, 18TH - 19TH CENTURYOval-cut citrine, yellow paste and circular-cut rubies in foiled, closed-back settings, with similarly-set rose and lasques-cut diamonds, the pendant set with an oval-cut colourless quartz, mounted in silver and gold, deficient two diamonds, many stones later replacements, earrings later conversion, lengths: necklace 39.2cm, pendant 6.0cm, earrings 3.2cm (2)For further information on this lot please visit Bonhams.com
NATURAL PEARL AND DIAMOND NECKLACE, LATE 19TH CENTURYOf wreath design, with central flowerhead motif, set with cushion and rose-cut diamonds, and natural pearls, mounted in silver and gold, cushion-shaped diamonds approx. 2.00cts total, length 39.5cm, fitted case by R&S.Garrard & Co, 25 Haymarket LondonFootnotes:The Gem & Pearl Laboratory: Nineteen Natural Saltwater pearls. Report number 23928, 24 November 2023.For further information on this lot please visit Bonhams.com
DIAMOND NEGLIGÉE NECKLACE, CIRCA 1905Old brilliant and single-cut diamonds, pendant mounted in silver and gold, on a silver chain, principal diamonds approx. 2.15cts total, length: pendant 4.4cm, necklace 39.4cm fitted case (damaged)For further information on this lot please visit Bonhams.com
DIAMOND PENDANT, CIRCA 1870The central old cushion-shaped diamond, weighing 2.10 carats, framed by an openwork foliate surround of similarly-cut diamonds, suspending a fringe of five old cushion-shaped diamonds in pinch collet settings, mounted in silver and gold, remaining diamonds approximately 6.95cts total, length 8.0cm, fitted caseFor further information on this lot please visit Bonhams.com
NATURAL PEARL AND DIAMOND HORSESHOE BROOCH, CIRCA 1880Of openwork design, with 3.1-5.3mm pearls and old brilliant-cut and cushion-shaped diamonds, mounted in silver and gold, diamonds approx. 2.2cts total, length 3.4cmFootnotes:GCS: Natural Saltwater, no indications of treatment, report number 5783-2790, 30th May 2023.For further information on this lot please visit Bonhams.com
Matchbox series die-cast model vehicles, six including model 7 Ford Anglia, light blue body, boxed; model 30 Ford Prefect, fawn body, boxed; model 44 Rolls-Royce Silver Cloud, grey body, boxed; model 66 Citroen D.S.19, yellow body; boxed; model 65 Jaguar 3.4 litre, blue body; model 22 1958 Vauxhall Cresta, pink body, boxed.Qty: 6
Hornby OO gauge model railway steam locomotives, six including ref. R515 GWR 0-6-0 class 8750 pannier tank locomotive no.8751; ref. R302 BR 0-6-0 class 3F 'Jinty' tank locomotive no.47480; ref. R312 LNER 4-6-2 class A4 'Silver Link' steam locomotive and tender no.2509; ref. R857 BR 2-6-0 Ivatt class 2 steam locomotive and tender no.46400; ref. R150 NE 4-6-0 class B12 steam locomotive and tender no.7476; ref. R759 GWR 4-60 Hall class 'Albert Hall' steam locomotive and tender no. 4983, all boxedQty: 6
A cased silver christening set together with a framed French medallion, small paperweight, cased William Wyon Victorian medallion, a pair of framed oil paintings of Cardiff docks entrance 1996, Neale Howell - Fragment oil painting 2000, Thomas Jones (1742-1803) National Museum of Wales catalogue 2003, silver and mother of pearl knife and fork cased, pottery cat, lighthouse etc
Victorian Photograph AlbumsA Silver Mounted Bog Oak Photograph Album.Bog oak boards, the upper board ornately carved in relief with an Irish scene, composed of a sighthound laid before a round tower with a harp and tree adjacent, oak leaves and acorns below ground level, a border of shamrock which enters the image, the upper border with a coronet. Simple shamrock carved lower board. Silver mounted with clasp (opens without key), hallmarked London 1863, maker RK, all edges gilt, morroco spine. Well stocked with carte de visite portraits.A Victorian photograph album with attractive chromolitho plates depicting flowers and butterflies.Gift inscription dated 1893, cabinet cards and cartes de visite of a Tyneside family, additional photographs loosely inserted, worn diced calf binding (upper joint split) (2)
Vittorio Sella [1859-1943]. Mountain Views, six large format silver print photographs, comprising: 230 - Torre Mustagh dal Campo XI ai piedi de Golden Throne (telefotografia) [Muztagh or Mustagh Tower in the Karakoram range]. view taken by telephoto lens, lightly tinted, printed description on slip to lower margin, blind-stamped ‘Vittorio Sella, Biella’ lower right, portrait; 91 bis - Masherbrum dal Boltoro [Pakistan, formerly known as K1]. printed description on slip to lower margin, blind-stamped ‘Vittorio Sella, Biella’ lower right, 'Karakorum-Himalaya' or reverse, portrait; 90 bis - Masherbrum dal Baltoro [Pakistan, formerly known as K1]. Lightly tinted, printed description on slip to lower margin, landscape; [Trango Towers, Northern Pakistan]. untitled, landscape; [Snow covered summit, unidentified]. lightly tinted, blind-stamped ‘Vittorio Sella, Biella’ lower right, landscape; [Unidentified mountain range with scree slopes in the foreground, possibly Siniolchu]. lightly tinted, landscape. Silver prints on bromide double weight paper, sheet size 300mm x 397mm, unglazed glossy. [provenance, the photographs were purchased in 1945 by the vendor’s father, a British Army Captain, while stationed in the town of Biella]. C Douglas Milner described Vittorio Bella as ‘the greatest of all photographers of [his] generation’ (A Century of Mountain Photography, Alpine Club Journal, Nov 1957). For a detailed description of his life and work, see Ronald Clark’s monograph ‘The Splendid Hills, The Life and Photographs of Vittorio Sella, 1859-1943’, Phoenix House, 1948. (6) A little dust marking on reverse of some prints, edges a little curled, otherwise no obvious defects.
Vittorio Sella [1859-1943].The Matterhorn (Cervino), six large format silver print photographs of the mountain, comprising:5 - Alte Alpi. Cervino dall’Unter-Theodule Gletscher, nell’inverno 1884, depicting a figure on the glacier looking towards the peak.Slight retouching to the figure and glacier surface, manuscript description to lower margin, portrait;124 - Cervino dalla Valle Zmutt (Zermatt) 4 Agosto 1883, an unusual view of the ridge.Blind-stamped ‘Vittorio Sella, Biella’ lower right, printed title on slip to lower margin, portrait;423 - Cervino (Matterhorn) e Monte Rosa dal Col des Grandes-Murailles 4000m circa, view of the peak with mountain range in background. Very lightly tinted, matt, blind-stamped ‘Vittorio Sella, Biella’ to lower right, printed title on slip to lower margin, landscape;With three untitled views, one portrait and two landscape, one in which the tinted foreground of two mountaineers and equipment is skilfully superimposed over a view of the Matterhorn (this image has some retouching to the skyline and some red scuffing to top right). The other landscape photograph is framed and glazed and appears to have had its margins removed or folded.Silver prints on bromide double weight paper, sheet size 300mm x 397mm, unglazed glossy unless stated, believed printed later than the dates given.C Douglas Milner described Vittorio Bella as ‘the greatest of all photographers of [his] generation’ (A Century of Mountain Photography, Alpine Club Journal, Nov 1957). For a detailed description of his life and work, see Ronald Clark’s monograph ‘The Splendid Hills, The Life and Photographs of Vittorio Sella, 1859-1943’, Phoenix House, 1948.[provenance, the photographs were purchased in 1945 by the vendor’s father, a British Army Captain, while stationed in the town of Biella]. (6)The untitled valley view has nicked top margin and stain to lower margin, there are a couple of scratches in the image. The composed view has red scuff marks to the RHS as described. There are also some small indentations to the LHS. There is a small indentation to the lower part of 124. A little dust marking present on reverse of some prints, edges a little curled.
Vittorio Sella [1859-1943].Alpine Ranges, six large format silver print photographs of the Monte Rosa massif and others, comprising:358 - Monte Rosa - Lyskamm - Castore e Pollure - dalla cresta del Welsshorn (Agosto 1887).Manuscript description to lower margin, blind-stamped ‘Vittorio Sella, Biella’ lower right, landscape;1790 [bis]- Monte Rosa dal Passo di M. Moro (Macugnaga)Printed description to lower margin, landscape;1796 - Monte Rosa dal declivio boscoso sopra Macugnaga, alla sera. Agosto 1895.Skillfully tinted, printed title on slip to lower margin, portrait;1572- Vincent Pyramide - Parrotspitz e ghiarriajo della Pisse dalla cima del Fallenhorn (Alagna) Settembre 1892. Matt finish, blind-stamped ‘Vittorio Sella, Biella’ to lower right, manuscript title to lower margin, landscape;107- Mischabel - Alphubel - Allalinhorn - Rimpfischhorn- & Valle di Zermatt dalla vetta del Cervino 4482 (29 Luglis 1882) Matt finish, blind-stamped ‘Vittorio Sella, Biella’ to lower right, manuscript title to lower margin, landscape;150 - Dente del Gigante versante Occidentale (Monte Bianco).The Giant’s Tooth in the Mont Blanc massif, skillfully tinted, printed title on slip to lower margin, landscape.Silver prints on bromide double weight paper, sheet size 300mm x 397mm, unglazed glossy unless stated, believed to be printed later than the dates given. [provenance, the photographs were purchased in 1945 by the vendor’s father, a British Army Captain, while stationed in the town of Biella]. C Douglas Milner described Vittorio Bella as ‘the greatest of all photographers of [his] generation’ (A Century of Mountain Photography, Alpine Club Journal, Nov 1957). For a detailed description of his life and work, see Ronald Clark’s monograph ‘The Splendid Hills, The Life and Photographs of Vittorio Sella, 1859-1943’, Phoenix House, 1948. (6)Slight crease? to 1790bis, Small spot touched in on 358. Several spots touched in on 107 (preprinting). Some minor scuffs and small indentation (c.4mm) to 150). A little dust marking on reverse of some prints, edges a little curled, otherwise no obvious defects.
A commemorative Silver Jubilee miniature silver relief cased carriage clock by Charles Frodsham, London, with bevelled glass panels, enamelled dial and Roman numerals, number 0370, 3 1/4" high overall (no key present)Condition:Case is tarnished, balance wheel moves freely, glass intact, we cannot guarantee it keeps good time.
A commemorative Silver Jubilee miniature silver relief cased carriage clock by Charles Frodsham, London, with bevelled glass panels, enamelled dial and Roman numerals, number 0399, with silver key, 3 1/4" high overallCondition:Case is tarnished, balance wheel moves freely, glass intact, we cannot guarantee it keeps good time.

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2720569 item(s)/page