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Pictorialist Photographers, Bromoil/Mezzotone processes - Will Till, Hon. FRPS, including `The Mirror`, `Solitude` and `Pastoral Peace` (7), with RPS Pictorial Group booklet of his work, 1963, and correspondence between Till and Herbert Jones, and Daisy Snoddy, FRPS, FRSA, green carbon and sepia carbon prints, various Still Life studies, signed and title on mount verso, exhibition labels recto (6), with Frederick Evans, `The Sea of Steps, Wells Cathedral`, modern RPS silver print copy, and various photographers, gum bichromate and silver prints (11), various sizes up to 280mm x 370mm (a lot)
Jose Ortiz Echagüe (1886-1980), archive relating to Ortiz Echagüe and his friendship and correspondence with T Herbert Jones, including twenty-two t.l.s. (typed letters signed), in Spanish and English, discussing Ortiz Echagüe`s long career, his cameras, his technique - including Fresson and Carbondir paper - his family life, his brother Antonio and his health, with typescript by Jones about him titled `The Greatest Living Photographer`, with two signed photographs, silver print of Ortiz Echagüe by Ignacio Barcelo, 1976, and print of Antonio Ortiz Echagüe at his easel (a lot) *José Ortiz Echagüe (1886-1980)Lot 720 to Lot 740José Ortiz Echagüe (1886-1980) wasbrought up in Logrono in NorthernSpain and always thought of theRioja district as his homeland. Hewent to the Academy of MilitaryEngineers in 1903, serving in aballoon unit in the Spanish Armyin Morocco in 1909. In 1923 hefounded CASA, the renownedaircraft manufacturer, now part ofthe EADS Airbus group. In 1950 hefounded the car manufacturer SEAT,now part of VAG, the Volkswagengroup.His cultural legacy is asdistinguished as his industrialone - he is widely recognised asone of the greatest 20th centurySpanish photographers. He startedphotography at the age of 12, andin 1903 took the first of his majorpieces, an image in a village church‘Village Sermon’ (see Lot 731).This period also saw his first use ofprints made using the Fresson internegativecarbon direct process; thiscomplex technique gave his printsa moody and abstracted quality.After 1966 he carried on the processunder his own name, Carbondir,continuing until he was well intohis 80s.His work has been widely publishedand exhibited around the world.The main holding if his work isin the University of Navarra, butis also held in the MetropolitanMuseum of Art in New York. Thiscollection covers all periods of hiswork and was the property of THerbert Jones and is a testamentto their long friendship and sharedpassion for photography.
Vocal records, 10-inch: 180, by Schmidt, Lemeshev, Borgioli, Sibiriakov (EK 52), Megane (E320), Beddoe (Brunswick, edge-chip), Teyte (Voice of Firestone), Titterton, Myers (Col. black & silver), Hesch, Herold, Journet (DA 260), Doria, Zenatello, Thill, Morturier, Badini, Schmedes (G&T 2-42519), Tubiana, Lindsay, Korsoff, Lennartson, Meyen, Agnoletto, Volker, Vallin, Rosing, Mardones, Daffetye, Auguez de Montalant, Denis O`Sullivan, Constantino, Devries, Nespoulous nad others, in 2 racks
A Half-Calf Gilt Photograph Album dated 1884, topographical albumen and silver prints - including UK - Torquay, Francis Frith - Cockington, Berry Pomeroy and Paignton, Sidmouth, Exeter, G W Wilson - Edinburgh, Tantallon Castle, The Bass Rock, J Valentine - Edinburgh, Europe including Switzerland, France, Mentone earthquake 1886, pp 66, folio, F
British Motor Racing 3¼in square Magic Lantern Slides circa 1937, including Bernd Rosemeyer in Auto Union Silver Arrow at Donington, 1937, Mercedes W125 Silver Arrow racing no. 1 in same race, cars on Brooklands banking, Bugatti at Brooklands, and others, G, mildew to some tape (12)
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