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Click here to subscribeMatchbox Models of Yesteryear Code 2 issues (1) MBC01 1930 4.5 litre Bentley - dark red, black seats and wheels, gold parts; (2) similar but silver body; (3) GJ-GS01 2-model gift set comprising 1914 Stutz E4 Roadster and 1907 Peugeot both in blue but with dark cream wheels - Near Mint to Mint in Near Mint boxes. (3)
Matchbox Models of Yesteryear Y24 1928 Bugatti T44 - colour trial model - light grey body, dark red chassis, mid-grey luggage trunk, brown seats, chrome parts, silver solid wheels - nearside door panel in light blue, offside panel in maroon - factory riveted base, Excellent unboxed.
Peter Webb (British, 1942-2021)The Rolling Stones, Sticky Fingers Session – Cool Stones, 1971, printed laterArtist's Proof, 1 of 10, silver gelatin print, signed and numbered in black ink by the photographer to the lower mount, framed and glazed 64 x 64cm (25 x 25in)Footnotes:Peter Webb photographed The Rolling Stones for their 'Sticky Fingers' album, and famously then lost his negatives for almost 40 years.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Vivienne Westwood (British, 1941-2022)Pink Spandex Boulle Dress, Fall/Winter 1991-1992 Dressing Up Collectionpink Lycra and silk fabric with silver-metal-thread neoclassical design, inspired by French cabinet maker André Charles Boulle, chest 32in/82cm, waist 22-24in/56-62cm, hips 30-34in/76-87cm, Made in Englandlabelled size 1Footnotes:Linda Evangelista modelled this look on the runway.For further information on this lot please visit Bonhams.com
Sara Pope (British, born 1973)ROX, 2023 signed and inscribed 'AP' in silver ink (an artist's proof aside from the numbered edition of 50)screenprint in colours on red mirrored card70 x 70cm (27 9/16 x 27 9/16in).Published by Jealous Gallery, LondonThis lot is subject to the following lot symbols: ††VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Vivienne Westwood (British, 1941-2022)Prince of Wales Check Crown, Britain Must Go Pagan Collection, Spring/Summer 1988 grey check fabric with metallic gold and silver velvet trim, faux ermine fur trim, Made in Englandlabelled size M For further information on this lot please visit Bonhams.com
Terry O'Neill (British, 1938-2019)Sir Laurence Olivier Playing Cricket, 1977, printed laterNo.10/50, silver gelatin photographic print, taken as Laurence Olivier enjoyed a break from filming A Bridge Too Far in Arnhem, Netherlands, signed and numbered by the photographer to the lower margin, unframed 38 x 51cm (15 x 20in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Colin Jones (British, 1936 - 2021)Pete Townshend, The Who, 1966archival silver gelatin print, signed, titled and dated in pencil by the photographer to the verso, also bearing his copyright stamp and blindstamp, mounted, framed and glazed 40.5 x 51cm (16 x 20in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Tracey Emin (born 1963)Docket in my hand, 2014 incised with the artist's initials, date, and stamp-numbered 89/100 to the undersidebronze multiple with silver nitrate patina10 x 5 x 5cm (4 x 2 x 2in).Produced by the Modern Art Foundry, New York, with their foundry mark 'MA'This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Terry O'Neill (British, 1938-2019)David Bowie Diamond Dogs, 1974, printed laterAP from an edition of 50, silver gelatin photographic print, showing Bowie with a jumping dog for the artwork of his 1974 album 'Diamond Dogs' in London, signed and numbered in black ink by the photographer to the lower margin, published by Iconic Images 51 x 76cm (20 x 30in)Footnotes:This work is accompanied by a certificate of authenticity.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Damien Hirst (born 1965)The Souls I - Oriental Gold/Silver Gloss/Leaf Green, 2010 signed and numbered 2/15 in pencilfoil block print in colours72 x 51cm (28 3/8 x 20 1/16in).Co-published by Other Criteria and Paul Stolper, LondonThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Terry O'Neill (British, 1938-2019)Jean Shrimpton With Dolls, 1964, printed laterNo.20 of 50, silver gelatin photographic print, signed and numbered in black ink by the photographer to the lower margin, framed and glazed 51 x 61cm (20 x 24in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Ian Gibson Smith Lucian Freud In His Studio With Zebra Head, circa 1943vintage silver gelatin photographic print, mounted, framed and glazed 32 x 26cm (12.5 x 10in)Footnotes:A striking, seemingly unrecorded, photograph of Lucian Freud in his studio at Abercorn Place. He is seated and full length, wearing a top hat, with his arm around the head of a taxidermized zebra head. In the middle ground is his celebrated first self-portrait Man with a Feather (1943).'The 1943 photograph of Freud stroking the zebra head, which he had purchased from a taxidermist that autumn, underlines the identification he had for the animal.' (Lucian Freud: New Perspectives ed. D. Herrmann, 2022)For further information on this lot please visit Bonhams.com
Banksy (born 1974)Formica Flag - Silver, 2007 incised with the artist's signature, numbered 10/20 in ink on the lower left corner (verso)screenprint in colours on formica50 x 70cm (19 11/16 x 27 9/16in).Published by Pictures on Walls, LondonFootnotes:ProvenanceLazarides Gallery, LondonAcquired directly from the above by the current ownerThis work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Tracey Emin (born 1963)The Kiss Was Beautiful, 2016 signed and inscribed 'X' in silver felt-tip penoffset lithographic poster in colours68.5 x 50cm (26 15/16 x 19 11/16in).From the edition of 500, published by Emin International, LondonThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Philip Treacy (born 1967)Set of Three Marilyn Monroe Bags, 2003after Andy Warhol's 1967 Marilyn Diptych screen print, to include a square tote bag with pink patent trim, 11in/28cm wide, a small pink square evening bag with silver chain, 5in/12cm wide, and a pale blue purse with soup can lining, 3¼in/8cm wide, (3)For further information on this lot please visit Bonhams.com
Terry O'Neill (British, 1938-2019)Elton John, Dodgers Stadium, 1975, printed laterNo.18/25, silver gelatin photographic print, signed and numbered by the photographer in black ink to the lower margin, print affixed in mount 40.5 x 51cm (16 x 20in)Footnotes:ProvenanceWon by the vendor via a competition in The Sunday Times in 2009. Accompanied by a compliments slip from the Competitions Customer Liaison Department at News International Newspapers Ltd.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Bruce Bernard (British, 1928-2000) Francis Bacon In The Studio Doorway, 1983gelatin silver print, inscribed by the photographer on verso, 'For Noel and June in memory of a wonderfully cooked dinner Bruce 14/6/1987', unnumbered, mounted, framed and glazed 34 x 25cm (13 x 10in)Footnotes:ProvenanceGifted to the vendor by the photographerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Colin Jones (British, 1936 - 2021)The Who, Manchester, 1966, printed laterAP, archival silver gelatin print, signed, titled and dated in pencil by the photographer to the verso, also bearing his copyright stamp and blindstamp, in mount 40.5 x 51cm (16 x 20in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Terry O'Neill (British, 1938-2019)The Rolling Stones Outside St. George's Church, Hanover Square, London, 1964, printed laterNo.5/50, silver gelatin photographic print, signed and numbered in black ink by the photographer to the lower margin 76 x 101cm (30 x 40in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Terry O'Neill (British, 1938-2019)Eric Clapton, Surrey, England, 1993, printed laterNo.4/50, silver gelatin photographic print, signed and numbered in black ink by the photographer to the lower margin, framed and glazed 51 x 61cm (20 x 24in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A silver woven collar style necklace,the woven collar 29mm wide, with multiple suspended silver bead drops, to a tubular clasp, tested as approximately silver, 435mm long, 156.69gCondition ReportThe woven edges are split in a few places.The neckalce is a little misshapen.The clasp is slightly bent.Surface scratches and tarnish to the silver.
A collection of silver,to include a sterling silver paste hat pin, by Charles Horner, Chester 1910, with metal pin, a silver shield ring, two engraved lockets, a plain locket with articulated engraved bale, suspended on a silver curb chain, a sombrero brooch with articulated rope and shoes, a pair of paste cluster drop stud earrings, a single Chinese character cufflink, etc., all tested as approximately silver, 60.68g total (qty.)Condition ReportMaker's mark hat pin CH.Glue to back of paste of hat pin.Heavily tarnished.Marks/scratches/dents to surfaces.As found.
A quantity of silver and costume jewellery,to include a pair of silver cultured pearl and marcasite stud earrings, with cultured round pearls, peg set to the centre of star shape frame, grain set with marcasite, to posts and butterfly clips, tested as approximately silver, a horseshoe and clover marcasite brooch, to roller catch and pin, tested as approximately silver, a marcasite lizard brooch, with green paste eyes, to pin and roller catch, and a quantity of costume jewellery to include a military medal style bar brooch by Butler & Wilson, earrings, brooches, etc (qty.)
Three cased sets of gold gentlemen's dress studs,to include a set of three 18ct gold dress studs, in 'Hunt & Roskwell Ltd.' case, marked 18ct, a set of three gold and pearl dress studs, marked 9ct, tested as approximately 9ct, in 'Poile & Smith Ltd. 22. Orchard Street' case, and a set of six gold plated mother of pearl dress studs, one deficient.18ct 2.79, 9ct 2.71g,and a quantity of gold jewellery,to include a 9ct gold compass pendant, a nephrite pendant, a 9ct gold single cufflink, two gold charms and a gold bracelet with a silver charm, all hallmarked or tested as approximately silver, 9ct, 18ct.9ct 19.90g, 18ct 0.61gCondition ReportSurface scratches and marks.
A quantity of Victorian silver brooches,to include a Scottish silver and malachite brooch, of tubular form with inlaid malachite sections and hand engraved decoration between, 34mm diameter, a silver circular Blue John fluorite brooch with metal pin and 'C' catch, 27mm diameter, a silver Maltese cross form brooch, with locket verso, pin and 'C' catch, a silver haematite and split pearl shamrock brooch, with a trefoil of round cabochon haematite, claw set to stem, grain set with a row of split pearls, to pin and 'C' catch, 8.55g, a silver and paste brooch, with three interlinking crescent motifs, set with rows of graduated paste to pin and 'C' catch, a silver enamel and split pearl brooch, to pin and 'C' catch, a gilt metal enamel and split pearl brooch, grain set with split pearls, to pin and 'C' catch, 7.48g, a silver enamel pendant, with a round cut sapphire milligrain set to the centre, to an openwork lattice and border of blue guilloche enamel, 1.69g, a sterling silver buckle ring, with hand engraved decoration, 2.31g, a sterling silver hat pin, the silver finials designed as acorns, with carved agate for the kernel, to whiplash frame and metal pin, Birmingham 1910, and a silver charm in the form of a ship's wheel, with compass to one side and hand engraved decoration to the other, 6.58g, all tested as approxmately sterling silver. Silver 62.72g totalCondition ReportMalachite brooch: surface scratches, tarnish to the silver, one malachite inlay bit cracked.Blue John fluorite brooch: pin bentMaltese cross brooch: glazed panel chipped, some tarnish to the silver.Crescent brooch: pin a little loose.Blue enamel oval brooch: wear to the enamel, centre stone abraded.Buckle ring size N.
A sterling silver open faced John Walker pocket watch,of 50mm diameter, a white enamel dial, with Roman numerals, blue enamel hands, subsidiary seconds dial, case maker mark J.T.W. for James Thomas White, London 1877, a silver inner cuvette similarly marked, movement engraved 'John Walker no. 16469, 68 Cornhill, 230 Regent Street & 76 Strand', 127.13gCondition ReportWinds and ticking. No guarantee as per keeping time and running.Water damage to the dial, with condensation inside the glass.Suface scratches and marks.Heavily tarnished.
A Victorian silver vinaigrette,of rectangular shape, with scrolling hand engraved decoration to the cover and the sides and cartouche to the top cover, engraved with the initials 'MB', maker's mark GU for George Unite, Birmingham 1846, 15.51gCondition ReportSome tarnish to the interior.
A ladies' Must de Cartier quartz strap watch,with Tank design silver gilt case, 27mm x 20mm, a cream dial, Roman numerals, sapphire cabochon crown, case no.3 133366, Swiss assay marks for sterling silver, 0.925 standard, with lizard leather strap and gold plated buckle, box and papers dated 1980. 21.72gCondition ReportHands adjust. Ticking and running.No guarantees as to keeping time.Gilding wearing off at the four lugs.Strap very worn.Some scratches to the glass.Enamel dial a bit crazed.
A Victorian jewellery box with a quantity of costume jewellery,to include a Victorian tortoiseshell locket with scroll surmount, detached and damaged, with short section of tortoiseshell chain detached, a red coral bead necklace, a set of three buttons in the original case, a hairpin with damaged surmount decoration, a silver ammonite brooch, to 'C' catch and pin, a butterscotch amber flower head brooch, three petals deficient, and assorted bead necklaces, brooches, loose hardstones, loose beads, pendants, etc (qty.)Condition ReportThe Victorian hairpin got damaged during viewing.
A collection of silver and costume jewellery,to include two silver butterfly wing brooches and a matching ring, a set of six silver teaspoons, Sheffield 1928, two Scottish silver hardstone brooches with metal pin, one hardstone plaque deficient, a pair of silver sugar tongs with bird claw design, Sheffield 1902, a silver napkin ring, two souvenir spoons, a set of six lobsters clips with textured handle, together with a quantity of costume jewellery, to include a bracelet, stick pins, brooches, etc. Silver- 124.56g (qty.)
Two Georgian sterling silver mother of pearl handled forks,one Sheffield 1839, the other without full mark, a collection of five sterling silver mother of pearl handled fruit knives, Birmingham 1866, indistinct probably Sheffield 1817, Birmingham 1849, Birmingham 1904, one Georgian without full mark, and a sterling silver mother of pearl handled button hook, Sheffield 1901.252g total
A quantity of period silver and costume jewellery,to include a Victorian silver aesthetic movement brooch, with applied rose gold leaves and boat shaped panel, to a silver frame with 'C' catch and pin, Birmingham 1897, a Scottish silver and amethyst grouse foot brooch, with safety catch and pin, Glasgow 1954, a silver gilt micromosaic brooch, and a quantity of costume jewellery to include a Victorian gold cased oval shield memorial brooch, an Edwardian sovereign coin holder, a micromosaic bracelet, bead necklaces, brooches, bracelets, etc (qty.) Silver 29.64g total
A Norwegian silver enamel butterfly brooch, by Marius Hammer,with blue, brown and white wings, silver eyes, to 'C' catch and pin, maker's mark for Marius Hammer, marked 930S, 5.00g. 32mm x21mm,together with a silver blue chalcedony brooch,with an oval blue chalcedony cabochon rub set to ornate collet, with Celtic three spirals on either side, tested as approximately sterling silver, 18mm x 40mm, a micromosaic gilt brooch, and a three stone paste bar brooch, with trombone clasp and metal pin, tested as approximately sterling silver, 12.00g (2)Condition ReportMarius Hammer brooch:chips and scratches to the enamel.The enamel at the centre of the butterfly is deficient.Various scratches to the back and to the edges of the wings.Pin bent.
A gold Longines ladies mechanical bracelet watch,the 18ct gold squared case, 17mm x 17mm, with a silver dial, gold tone hour batons and hands, no.7473.4.37, 17 jewels calibre 410 mechanical movement, 'Fab.Suisse Swiss Made' engraved to the case, assay mark for Helvetia, poinçon de maître no.221, import mark London 1965, to 9ct gold cross hatched design bracelet with ladder clasp, '670-02615' and 'Wristwear' engraved to the clasp, London.23.91g Condition ReportHands adjust. Winds and ticking. No guarantees as per keeping time and running.Surface scratches to thec ase, with a dent to the edge of the case back.200mm in lenght in total.
A 9ct gold single stone amethyst ring,with an oval mixed cut amethyst claw set to plain collet, to chenier shoulders, and plain shank, Birmingham, 4.80g, together with a silver synthetic blue spinel ring, tested as approximately silver, and a metal and paste ring. Silver 4.60gCondition ReportLight to the amethyst, mainly to the girdle.Surface scratches and marks.
A quantity of silver and costume jewellery,to include a silver and pearl leaf spray brooch, a silver and hardstone inlay panel bracelet, a quantity of silver pendants, brooches, chains and rings, tested as approximately 925 silver, a cultured pearl single row necklace broken in one place, untested, together with a quantity of costume jewellery to include an enamel leaping frog pin, necklaces, bangles, etc. (qty.) Silver - 158g total
A small collection of silver and costume jewellery,to include two sterling silver brooches for the Guild of Freeman of the City of London, one bearing the arms, and one the coat of arms, a single row graduated cultured pearl necklace, a sterling silver pendant, a base metal butterscotch amber and cognac amber cluster brooch, a quantity of costume jewellery, etc. (qty.)
A quantity of gold, silver and costume jewellery,to include a single stone diamond single stud earring, with an old cut diamond, claw set to post and butterfly fittings, hallmarked 18ct, 0.66g, a silver and paste double trefoil motif brooch, with peg fittings, pearls deficient, a silver and dyed green chalcedony open work panel brooch, a silver woven ring, two silver bangles, etc, and a quantity of assorted costume jewellery, necklaces, brooches, rings, etc. (qty.)Silver 75.24g total
A quantity of silver jewellery,to include a silver and citrine necklace, with a central oval mixed cut citrine, suspending two oval mixed cut citrine drops, one deficient, all rub set with twisted wire and bead borders, to trace link chain and bolt ring clasp, tested as approximately silver, a silver and citrine brooch with pin and 'C' claps, tested as approximately silver, a floral design amethyst and split pearl brooch, with three pear mixed cut amethysts all claw set to plain collets, with leaves grain set with split pearls, to pin and 'C' catch, etc (2), tested as approximately silver. Silver 59.81g - totalCondition ReportOne citrine drop detached from the necklace.Tarnish to the silver.Amethyst brooch: pin bent.
A pair of gold plated mother of pearl opera glasses,decorated with mother of pearl, with detachable handle, together with a small quantity of period costume jewellery,to include a heart shaped silver and paste necklace, Chester 1904, a single row coral bead necklace, a freshwater pearl brooch, and an imitation turquoise metal brooch. Silver 2.81gCondition ReportLens a little dirty.Mechanism working.No damage to the enamel sections.
A quantity of Taxco and Scottish silver jewellery,to include a Taxco silver flower design brooch, marked 'D'Molina MEX925' TM 90, a Mexican silver heart shape panel bracelet, marked Mexico 925, a Scottish silver Celtic design brooch, Edinburgh 1971, a silver brooch depicting the Uffington White Horse, London 1990, a silver robin brooch signed Ola Gorie, marked OMG St Sil, and a Scottish Celtic dragon brooch, Edinburgh 1990. Silver 51.21g
A collection of Taxco and Mexican Modernist silver jewellery,to include a silver and abalone panel bracelet, with engraved panels alternating to bead decorated panels, all set with abalone, to concealed clasp, engraved 'Hecho En Mexico D.F.', unidentified mark MAP, marked sterling 925 Taxco, and a pair of silver cufflinks, by Sigi Tasco, together with a tie bar clip, of the same design, marked 'Sterling Hecho En Mexico no.46', 79.45gCondition ReportTarnish to the bracelet.Scratches to the abalone sections.Tarnish to the cufflinks and tie bar.Bracelet 185mm in length (excluding the clasp tongue), panels about 28mm to 31mm wide.
A three row cultured pearl necklace,three rows of graduated cultured pearls strung knotted to a 9ct box clasp, with oval mixed cut amethyst claw set to the collet, with split pearl surround, hallmarked 9ct, together with a five row cultured pearl bracelet,five rows of graduated cultured pearls strung plain to paste and metal Art Deco style clasp, tongue broken, and a quantity of silver and costume jewellery,to include a silver 'The King's Royal Rifle Corps' brooch, Birmingham, 10.64g, an Art Deco style Czech glass panel bracelet, etc.Condition ReportPearl necklace:pearls a little dirty. Would benefit from being clean.Blemishes.Uneven in shape.Pearl bracelet:claps broken. Can't be locked.
A Mexican silver bracelet, by Gonzalo Moreno,the gate style bracelet, with a series of plain silver boat shape panels and dyed crackle quartz cabochon in boat shaped collets, to concealed clasp and safety chain. Marked G Moreno Sterling Mexico, 0.925, 70.97gCondition ReportSome dents to the outer links.Tarnish, surface marks and scratches.Join line visible to some outer links.Various chips and visible abrasions to the cabochon.230mm in length approximately.
A multi-stone silver and labradorite necklace,with graduated faceted labradorite of irregular shape rub set to silver collets, all joined by jump rings, to an adjustable chain and toggle clasp. Marked silver, Birmingham. 64.68gCondition ReportScratches and surface reaching inlcusions to the labradorite.Silver collects slightly tarnished.Surface scratches to the links and collets.Labradorite approximately 9mm x 11mm to 16mm x 22mm.
A pair of 9ct gold amethyst bow drop earrings,with oval mixed cut amethyst rub set to plain collets, suspended on a bow with post fitting, butterfly deficient, import mark London, together with a pair of 9ct gold haematite half hoop earrings,with haematite beads alternating to circular ribbed gold spacers, to post and butterfly, Birmingham, and a silver 'blue morpho' butterfly wings panel necklace, the centre oval panel with iridescent butterfly wing covered by a clear dome, suspended on knife edge bar, to jump ring with oval butterfly wing panels on either side, to trace link chain, tested as approximately sterling silver. 9ct 6.77g (2), silver 4.10g (1)
A Norwegian silver gilt trefoil pendant, by Marius Hammer,the openwork pendant, with filigree and bead scrolls to the centre of each leaf, to trefoil shaped enamel frame, marked 930S, maker mark for Marius Hammer, suspended on a mixed link chain, 5.09g,together with a Norwegian silver gilt sølje brooch,two domed circular pieces, with applied swivel flower heads, and filigree decoration to the centre, cabochon and enamel drops, to 'C' catch and pin, marked 925S, 8.84gCondition ReportMarius Hammer pendant:Wear and damage to the enamel.Wear to the gilding.Wear to the silver edges of the enamel sections.Sølje brooch:One enamel petal deficient.Tarnish to the silver.The gilding is almost entirely worn off.
A pair of turquoise earrings,a circular bombé cluster with a round mixed cut garnet star set to the centre, to surround of round cabochon turquoise all bead set in silver, to the concave section of a crescent, with twisted wire and bead decorations, suspended on later rolled gold screw back clips. Tested as approximately 18ct gold, with applied metal fitting to the back, 5.71gCondition ReportScrew backs are a later replacement.Damage to one of the garnets. Chip to the other one.Indentation to one of the crescents.Solder marks and pitting.Metal pieces applied to the gold back.
An Edwardian silver minaudiere, the oval shape minaudiere, with internal silver compartments, to include face powder, mirror and sovereign coin holder, suspended from a chain with finger ring, Birmingham 1913,125gCondition ReportSome dents and scratches to the outside.Interior a little dirty. Some face powder still present.
An onyx and split pearl cross brooch,an onyx Latin cross, with applied gold cross to the centre, bead set with split pearls, with hand engraved gold end caps, to 'C' catch and pin, tested as approximately 9ct, 4.94g,together with a split pearl and enamel cross pendant,a central silver Latin cross, set with a row of split pearls to gold openwork frame and black enamel decoration, with suspension loop and jump ring, tested as approximately 15ct gold and silver, 4.40gCondition ReportDamage to the cross pendant: one arm split.Evidence of previous soldering to the other arm and to the centre. Wear to the split pearls.Scratches and chips to the edge of the onyx.Onyx cross: 32x40mm including end caps.Gold and pearl cross: 35x50mm
A collection of silver gem-set rings, to include a brown and white diamond cluster ring, two diamond set crossover rings, a tanzanite cluster ring, an amethyst cluster ring, a citrine cluster ring, a marcasite and garnet ring, a white danburite and white topaz ring, etc., 44.59g total (11)Condition ReportAppear to be unworn. Some tarnish, and minor surface marks/scratches from handling.Surface reaching inclusions to some of the gemstones.
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