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Lot 4081

Africa -- Photography agency: Georg and Otto Haeckel (1873-1942, 1872-1945). Inhabitants of East Africa. Circa 1910. 7 vintage gelatin silver prints. Between circa 18 x 12,7 cm and 8,5 x 14 cm. A few with typed text label on verso.The press photographers Georg and Otto Haeckel played a significant role in the development of photography in Germany. As press photographers, the brothers traveled extensively throughout the world, and would often accompany Reichstag officials on their journeys through German East Africa before their expulsion from the former colony at the end of WWI. The tribes depicted in these photographs include the Wavumba, Wanjamwesi, and Wageia of present-day Rwanda and Burundi – A few light handling marks, otherwise in very good condition.

Lot 4085

Architecture & Design -- Photographer: Wilhelm Niemann (1891-1981). International World's Fair Barcelona, Pavilion of the German Electrical Industry, designed by Ludwig Mies van der Rohe. 1929. Vintage gelatin silver print. 16,2 x 20,9 cm. Berliner Bild Bericht agency stamp on the verso.Wilhelm Niemann had an influential role in early 20th-century architectural photography. He contributed substantially to the documentation and promotion of modernist and Bauhaus architecture and captured iconic designs by Mies van der Rohe, such as the German Pavilion at the 1929 International World Exposition in Barcelona. – A fine tonal print in very good condition.Lit.: Zentralblatt der Bauverwaltung. Vol. 49, iss. 34, 1929, p. 546 (titled: Pavillon der Deutschen Elektrizität-Lieferungsindustrie).Helmut Reuter and Birgit Schulte (eds.): Mies und das Neue Wohnen. Räume, Möbel. Fotografie. Ostfildern 2008, ill. 258 (variant), p. 269.

Lot 4087

[*] Aviation -- Construction of the Hindenburg airship. 1932-1937. 5 vintage gelatin silver prints. Each ca. 17,5 x 23,5 cm. With Luftschiffbau Zeppelin Friedrichshafen copyright stamp on verso. These images provide a glimpse into the Friedrichshafen airship wharf during the construction phase of the infamous Hindenburg Zeppelin. The photographs of the interior offer a profound insight into the vast scale of this ambitious endeavor. – Corners slightly bumped, some scuff marks, otherwise in very good condition.

Lot 4089

Bailey, David -- South India. 1960s. Vintage gelatin silver print on Agfa-Brovira paper. 22 x 33 cm (30,5 x 40,5). Photographer's stamp, annotated in pencil and newspaper article taped to the verso.Renowned British fashion photographer David Bailey has made multiple trips to India since the 1960s, creating a rich and varied collection of images that beautifully showcase the country's diverse landscapes, people, and culture. In addition to his portraits of prominent figures like Mother Teresa and Indian actress Aishwarya Rai, Bailey's portfolio also includes a series of black-and-white landscape photographs imbued with a sense of subtle contemplation. – Handling creases throughout, especially in margins.

Lot 4090

Balász Studio -- Portrait of the Danish silent screen actor Arne Molander. Late 1920s. Vintage matte sepia-toned gelatin silver print. 22,7 x 17 cm. Mounted to original board (soiled, pinholes in corners), signed by the photographer in pencil below the image on the mount; photographer's studio stamp and annotated in pencil on the verso.Danish actor Arne Molander had a relatively limited presence in German cinema, featuring in just three films. He had a leading part in the war drama Richthofen, der Rote Ritter der Luft (Peter Joseph, Desider Kertesz, 1929) as the son of the famous German Baron and WWI hero. Following this, his subsequent appearances were smaller parts in Der höhere Befehl (Gerhard Lamprecht, 1935) and Schlussakkord (Douglas Sierck [later Douglas Sirk], 1936). – Light silver mirroring in edges, otherwise in near excellent condition.

Lot 4091

Balkin, Serge -- Female nude studies. 1920s. 2 vintage gelatin silver prints. Each circa 17 x 22,7 cm. Each with photographer's/copyright stamps and annotated in pencil on the verso. Sergeij Balkin, originally from Russia, started his career in the late 1920s in Berlin-Charlottenburg, primarily working with the agency Photo-Ballé. Photos from this time are quite rare, and only a few have his personal copyright stamp, as the ones presented here. In the early 1930s, he moved to the United States and began a successful photography career with Condé Nast Publications, spanning more than two decades. His highly sought-after fashion spreads, in both black and white and color, appeared in prestigious magazines like Vogue, Glamour, House & Garden, and others. In 1950, Balkin co-founded a commercial photography studio with photographers Fredrich Baker, Constantin Joffé, and Herbert Matter. – Some mirroring in edges, a few small surface spots, some small nicks in edges, otherwise in good condition.

Lot 4092

Baur, Max -- Campanula with grass. 1930s. Vintage gelatin silver print on doubleweight ivory paper. 29 x 20,5 cm. Mounted to board, signed by the photographer in pencil below image on mount in lower right.The German photographer Max Baur photographer is known for his significant contributions to the New Objectivity movement in the early 20th century. His photography primarily focused on industrial subjects, architecture, and urban landscapes, characterized by precise composition and sharp lines. Baur also created exquisite flower still life photographs, showcasing his versatility and artistic depth within the New Objectivity style. – Slight mirroring in lower portion, retouched spot in negative, otherwise a fine warm-toned print in very good condition.

Lot 4093

Berlin 1960s -- Photographer: Herbert Jacobi (1915-1978). Berlin dance and strip clubs and other buildings around Bülowstr., Schöneberg and Charlottenburg, Berlin. 1966. 33 vintage ferrotyped gelatin silver prints. Various sizes between circa 19 x 17 cm, 17 x 23 cm and 23 x 17 cm. Most mounted to card with hole punches on left side, annotated in pencil in German on mounts.Herbert Jacobi began photographing in his hometown Berlin at the end of the war. From the early 1960s, he was employed by the Berlin Gas Works. The task of documenting the extensive facilities scattered across the western part of the city was an artistic challenge for Jacobi, resulting in panoramic shots and detailed views, some of which featured impressive compositions. This collection includes photographs of dance and strip clubs near Bülowstrasse in Berlin, as well as shots of buildings near Niebuhr Strasse and Pestalozzistrasse. It also contains some personal images, including those of Jacobi with his partner. – A few photos with bumped corners, otherwise in very good condition.

Lot 4094

[*] Berlin Wall -- Photographer unknown. Early views of the Berlin Wall. 1961. 25 vintage gelatin silver prints on doubleweight paper. Between 17,7 x 23,7 cm and 20,7 x 25 cm. Annotated in pencil and with Zollfahdungsstelle Berlin copyright stamp on verso. Accompanied by an official document issued by the Berlin Customs Office. These photographs, commissioned by the Berlin Customs Office, serve as a detailed chronicle of the initial stages of the construction of the Berlin Wall spanning from August to November 1961. Within this collection, significant historical moments are vividly captured, such as scenes at the Brandenburg Gate border crossing, families waving to each other across the wall, border officials stationed at Potsdamer Platz and Bernauer Strasse, and the iconic confrontation between Russian and American tanks at Checkpoint Charlie. This remarkable archive holds immense historical significance, offering a poignant glimpse into a pivotal period in Berlin's history. – Some buckling, creases and pressure marks, otherwise in very good condition.

Lot 4098

Bokelberg, Werner -- Romy Schneider, Paris. 1966/printed later. Gelatin silver print. 17,4 x 24,5 cm (23,6 x 30,3 cm). Annotated and dated in pencil on the verso.Werner Bokelberg captured actress Romy Schneider through a series of photographs that have since achieved iconic status in the realm of portrait photography. Bokelberg possessed a discerning eye for encapsulating her innate beauty and charisma, frequently portraying her in a candid and relaxed manner, as exemplified in this particular portrait where she graces a carpet in evening attire, bathed in the soft glow of candlelight. – Slightly buckled in upper edge, light handling marks, otherwise in very good condition.

Lot 4099

Both, Katt -- "Atikah Cigaretten", from "Bauhaus - 20 Photographs" portfolio 1931/printed 1984. Gelatin silver print. 27,2 x 20,8 cm (30 x 23,5 cm). Annotated in pencil and Pressprint & Copyright Galerie Rudolf Kicken stamp on the verso.The Bauhaus left a significant imprint on advertising photography and design, highlighting the importance of clean lines, basic geometric shapes, and clear typography to produce uncluttered visuals that effectively communicate messages, as seen in this advertising sketch for Atikah cigarettes. – A few light smudges in margins, otherwise in very good condition.

Lot 4107

Chaldej, Jewgeni -- Berlin, May 2, 1945. Printed 1990s. Gelatin silver print. 29,8 x 39,5 cm. Signed by the photographer in marker on the verso.Jewgeni Chaldej, a Soviet photojournalist, is renowned for his photographs documenting the capture of Berlin by Soviet troops on May 2, 1945, marking the end of World War II in Europe. His images, particularly the iconic scene of the Soviet flag being raised on the Reichstag building, have become crucial visual records of this historic moment. – Some buckling, some handling marks, fold mark in right edge, otherwise in good condition.Lit.: Ernst Volland/Heinz Krimmer (eds.). Von Moskau nach Berlin. Bilder des russischen Fotografen Jewgeni Chaldej. Berlin 1999, ill. p. 81.

Lot 4108

China/Ernst Boerschmann -- Photographer: Ernst Boerschmann (1873-1949) and unknown. Architectural photographic views and drawings/studies of China. 1910-1940. Circa 156 gelatin silver and collodion paper prints. Various sizes between circa 5,5 x 9 cm, 17 x 13 cm (most) and 32 x 24 cm. Most annotated by Boerschmann in pencil/ink on the verso.Distinguished for his extensive research and photography focused on historical Chinese architecture, Ernst Boerschmann, a German sinologist, architect, architectural historian, and photographer, holds the distinction of being the first foreigner to systematically document China's ancient cultural structures. On several trips to China in the early 20th century, he collected thousands of photographs, sketches, and architectural images. Boerschmann's journey began in 1906 with financial support from the German Empire and lasted until the outbreak of World War I in 1914, when he served as a scientific advisor to the German Foreign Office. His expeditions yielded valuable material, and in 1912 his photographic work was featured in a major exhibition at the Museum of Decorative Arts in Berlin. After World War I, he shared his knowledge of Chinese architecture in lectures in Königsberg and other German cities. As of 1927 he was a professor at the Technical University in Berlin. His publications, including "Baukunst und Landschaft", "Picturesque China" and "Chinesische Architektur" in the 1920s, brought him much international recognition. "Picturesque China", published in English in 1923, became his best-known work. The majority of the photographs in this extensive collection were taken by Ernst Boerschmann. Some of the photographs, such as three studio portraits of Chinese ladies in traditional costumes, are believed to have been taken by a local photographer, as is another large albumen print in which he is seen with photographer Sanshichiro Yamamoto at the Great Wall. The collection presents many ancient Chinese temples, some of which no longer exist or were ruinous at the time. Boerschmann's interest in valuable carved architectural details is also documented in many photographs, as are some picturesque villages and landscapes. This compilation includes a detailed list of image titles. A significant portion of Boerschmann's estate is housed in the University Library of Cologne, and another notable collection of his photographs is in the Stephan Loewentheil Collection. – Some with traces of use, most with curled edges, otherwise many in good to very good condition.Lit.: Ernst Boerschmann. Old China in Historic Photographs. 288 Views by Ernst Boerschmann. New York 1982, ill. pp. 14, 38, 40, 43, 55, 193, 225, 231 and 245. Provenance: Ernst Boerschmann estate

Lot 4112

Clergue, Lucien -- "Urban Nude". 1979. Vintage gelatin silver print. 30,2 x 23,7 cm. Photographer's stamp (partially cut off), layout notations and dated in pencil on the verso.Renowned French photographer Lucien Clergue is celebrated for his captivating and artistic nude photography. While he is primarily associated with naturalistic outdoor nude studies, he also delved into the realm of urban nudes, enabling him to juxtapose the human form with architectural and urban landscapes. In this new context, he experimented with angles, reflections, and compositions to produce images that pushed the boundaries of traditional nude photography, achieving a unique fusion of sensuality and urban surroundings. – Some handling creases, especially in right and lower edge, corners bumped, otherwise in good condition.

Lot 4113

Cohen, Serge -- Richard Avedon. 1994. Vintage gelatin silver print. 22 x 26 cm (29,4 x 39,5 cm). Signed, titled and dated by the photographer in marker on verso.Serge Cohen's photographic repertoire covers a wide array of subjects, spanning architecture, landscapes, and reportage, with his most recognized work being his skillfully staged portraits. The featured photograph depicts the celebrated American fashion and portrait photographer Richard Avedon, whose groundbreaking contributions reshaped the industry and elegantly captured the essence of his subjects. – Creases in upper corners in margins, a few handling dents, otherwise in good condition.Provenance: Uta and Wilfried Wiegand Collection

Lot 4118

Dutton, Allen A. -- Surrealistic collage. 1970s. Vintage gelatin silver print. 19 x 23,2 cm. Mounted to card, with photographer's stamp and annotated in ink on the verso.Born in 1922 in Kingman, Arizona, Allen Dutton studied painting and sculpture at the Art Center School in Los Angeles. He held a variety of teaching posts in public schools in Arizona, before joining the art department at Phoenix College in 1960, where he taught photography and later served as head of the department until 1982. Between 1963-1964, he studied with Minor White and has acknowledged this time to be one of the greatest influences in his photographic development. His work is in the collections of the Museum of Modern Art, Bibliothéque Nationale in Paris and the Corcoran Gallery in Washington DC. – Light crease in upper left corner of photo, crease in upper right corner of mount, otherwise in very good condition.

Lot 4120

Madame D'Ora -- Madame Domergue, wife of the painter Gabriel Domergue, in a cloak designed by her husband. Circa 1920. Vintage gelatin silver print. 22,2 x 12,5 cm. Photographer's stamp, annotated in pencil and typed press text label on the verso.Dora Kallmus, known professionally as Madame D'Ora, was an Austrian photographer who became famous for her portrait and fashion photography during the early 20th century. Born in Vienna in 1881, she became known for her striking portraits of famous personalities such as Pablo Picasso, Josephine Baker, and Gustav Klimt. Her innovative and elegant approach to fashion photography made her a leading figure in the Parisian fashion scene during the 1920s and 1930s, leaving a lasting impact on the industry. – A few small nicks in edges, minimal mirroring in lower area and upper edges, corners slightly bumped, otherwise in very good condition.

Lot 4121

Madame D'Ora -- Fashion photo. Circa 1925. Vintage matte gelatin silver print. on chamois paper 22,3 x 29,5 cm. Signed by the photographer in pencil in lower right; photographer's RUE Eugène-Flachat, Paris stamp and number in pencil on the verso.Madame D'ora's fashion photographs from Paris showcase her remarkable ability to capture the elegance and style of the city's fashionable society during the early 20th century. – Traces of previous mounting on the verso, otherwise a fine tonal print in excellent condition.

Lot 4126

Erwitt, Elliott -- "Orléans, France“. 1952/printed 1974. Gelatin silver print. 22,5 x 34 cm. Mounted to board, signed by the photographer in black ink below image on mount; Elliott Erwitt portfolio label signed, therein numbered 2 of portfolio 6 from an edition of 25 on mount verso.Elliott Erwitt's photographic work is characterized by his candid and often humorous street photography, offering a unique perspective on everyday scenes. His images from Orleans reflect his exceptional ability to distill moments and offer insightful commentary on life's moments, exemplifying his talent for visual storytelling. – Print in excellent condition, lifting off from mount, one small spot on right side of mount.Lit.: Elliott Erwitt. Snaps. London 2001, ill. pp. 438-439.Provenance: Collection Prof. Hans Kollhoff, Berlin

Lot 4127

[*] Entartete Kunst -- Proscription postcards showing works in the "Entartete Kunst" (Degenerate Art) exhibition. 1937. 6 vintage gelatin silver photo postcards. Each circa 9 x 14 cm. The "Entartete Kunst" (Degenerate Art) exhibition holds historical significance as a symbol of the Nazi regime's suppression of artistic freedom, censorship of modern art, and the persecution of artists during the era of National Socialism in Germany. Among the displayed works was Otto Dix's haunting portrayal of four wounded veterans, "Die Kriegskrüppel" (1920), considered a masterpiece of the New Objectivity movement. Unfortunately it went missing in the aftermath of the exhibition. – Corners slightly bumped, otherwise in very good condition.

Lot 4128

Fashion 1920s -- Photographer: Paul Géniaux (1873-1930). Fashion photos. 1923. 16 vintage gelatin silver prints. Circa 18 x 13 cm. Most with number in the negative in upper/lower corner; most with photographer's stamp and some annotated in pencil on the verso.Paul Géniaux's photography is distinguished by a unique artistic sensibility, covering a diverse array of subjects, from landscapes and portraits to genre scenes and fashion photography. In the early 1920s, he produced several striking series that beautifully encapsulate the elegance and style of French fashion in the early 20th century. – Edges slightly curled, some with silver mirroring, otherwise in very good condition.

Lot 4129

Feininger, Andreas -- "Rockefeller Center, New York". 1942. Vintage large-format gelatin silver print. 47 x 40 cm. Titled by the photographer on label, affixed in lower left, flush-mounted to board, annotated Please return to Andreas Feininger c/o LIFE PHOTO LAB, 5th floor 9 Rockefeller Plaza, NYC. and signed by the photographer in ink, Life Picture Service stamp and with 2 exhibition labels on mount verso, framed under museum glass in gilded wooden frame with glass backing.Andreas Feininger's photography in New York is distinguished by his expert handling of light and composition, skillfully capturing the city's urban landscape with a sense of dynamism and allure. His photographs frequently highlight the interaction between architecture, shadows, and human activity, providing a distinct and visually captivating view of the city's lively atmosphere. The two exhibition labels on the verso of the mount confirm that this photograph was featured in two exhibitions during the 1940s, and it stands out as an exceptionally well-crafted print, further enhanced by its rarity in this larger vintage format. – A fine tonal print in very good condition.Provenance: Collection Prof. Hans Kollhoff, Berlin

Lot 4131

[*] Film Photography -- Photographer unknown. Portrait of Marlene Dietrich for "Dishonored". 1931. Vintage ferrotyped gelatin silver print. 25,8 x 20 cm. Negative number in lower right; annotated in pencil on the verso.In the 1931 film "Dishonored," Marlene Dietrich delivered a captivating and sophisticated performance as a Viennese prostitute turned Austrian spy during World War I. Her portrayal showcased her alluring and complex character, solidifying her status as an iconic actress of classic Hollywood cinema. – Some handling/crease marks, crease in lower right, a few light surface scratches, slightly soiled, otherwise in good condition.

Lot 4135

[*] Fleischmann, Trude -- Wilhelm Furtwängler. Circa 1920. Vintage gelatin silver print mounted to board. 22,9 x 16,7 cm (37,7 x 29,8 cm). Photographer's studio reference in negative in lower left corner. Trude Fleischmann's portraits of celebrities are marked by their candid and intimate quality. During the 1920s and 1930s, her Vienna studio became a gathering place for avant-garde artists and cultural figures, leading to the creation of striking portraits that captured the essence and personality of her subjects. Trude Fleischmann's portrait of Wilhelm Furtwängler, a renowned German conductor and composer, is a prime example of her work capturing prominent cultural figures of her time. – Some finger prints, a few retouched spots, some slight oxidation along edges of print, otherwise in good condition.

Lot 4140

Freed, Leonard -- Harlem, New York. 1963/printed later. Gelatin silver print. 33 x 22 cm (35,5 x 27,8 cm). Signed, titled and dated in pencil and with the photographer's copyright stamp on verso. In excellent condition. Lit.: Leonard Freed. Black in White America. New York 2010.

Lot 4143

Bergemann, Sibylle -- DOME (Dominique Hollenstein). 1990s. Vintage gelatin silver print. 14,7 x 19 cm (17,7 x 24 cm). Signed and titled by the photographer in ink on verso. This photograph shows Dominique Hollenstein, a German artist and model who emerged as an icon within the East German underground scene, making her a recurring subject in the portfolios of photographers like Sibylle Bergemann, Arno Fischer, Sven Marquardt, and Robert Paris. – Some light creases and scuff marks, otherwise in very good condition.

Lot 4144

[*] Christel, Detlef -- Kids, Berlin. 1980s. Vintage gelatin silver print. 42,7 x 32,7 cm. Photographer's stamp on versoDetlef Christel pursued a photography education at the Hochschule für Grafik und Buchkunst Leipzig between 1976 and 1981. Subsequently, from 1982 to 1991, he worked as a photojournalist for the magazine Freie Welt, with a significant focus on capturing the lives of children in the GDR and their transition into adulthood. His approach involved portraying them in candid, everyday scenarios, offering insights into their inner worlds and the surrounding social circumstances. – In excellent condition.Provenance: From the estate of the photographer

Lot 4146

[*] Christel, Detlef -- Palast der Republik, Berlin. 1980s. Vintage ferrotyped gelatin silver print. 29 x 39 cm. Photographer's stamp on verso.The Palast der Republik in Berlin, built between 1973 and 1976, was a notable structure that functioned as both the headquarters of the East German parliament and a hub for cultural activities. It boasted a unique copper-toned exterior and accommodated theaters, art galleries, dining establishments, and various entertainment amenities. – Some surface pitting, light fold mark upper left, otherwise in very good condition.Provenance: From the estate of the photographer.

Lot 4147

Fischer, Arno -- "West-Berlin, Weihnachtsmarkt, Lustgarten". 1952. Vintage gelatin silver print. 18,7 x 28,8 cm. Signed, titled and dated by the photographer in pencil on the verso.Arno Fischer's photographs of 1950s West Berlin provide a valuable window into the city during a time when it existed as an isolated enclave within East Germany. His images document post-war rebuilding, street scenes, and the city's vibrant cultural life, offering a snapshot of daily life in the pre-Berlin Wall era. Fischer's documentary-style photographs offer a timeless glimpse into the challenges and resilience of the city's inhabitants during this period, making them valuable historical records and works of art. – Corners bumped and lower left corner with creases, small fold mark in right edge, otherwise in good condition.

Lot 4148

Fischer, Arno -- "West-Berlin, Kurfürstendamm". 1956. Vintage gelatin silver print. 18,7 x 28,8 cm. Signed, titled and dated by the photographer in pencil on the verso.Corners bumped and with small creases, a few light handling marks, otherwise in good condition.Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 36.

Lot 4149

Fischer, Arno -- "West-Berlin, Masurenallee". 1958/printed 1980s. Gelatin silver print. 27,5 x 40,8 cm. Signed, titled and dated by the photographer in pencil and with photographer's oval stamp on the verso.In excellent condition.Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 149.

Lot 4150

Fischer, Arno -- "West-Berlin, 1. Mai, Tiergarten". 1959/printed 1980s. Gelatin silver print. 27,5 x 42 cm. Signed, titled and dated by the photographer in pencil and with photographer's oval stamp on the verso.A few retouched lines, otherwise in excellent condition.Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 54.

Lot 4155

Marquardt, Sven -- Fashion. 1986. Vintage gelatin silver print. 20,8 x 30 cm. Signed and dated by the photographer in pencil in lower margin; dedicated, signed and dated by the photographer in green ink on verso.Some light creases, a few indentation spots and paint traces on recto, corners slightly bumped.

Lot 4160

Paris, Robert -- Berlin. 1980s. 2 vintage gelatin silver prints. 10,5 x 14,8 cm and 18,3 x 24 cm. Both signed by the photographer on verso, 1 also annotated in pencil and with photographer's copyright stamp on verso.During the 1980s, photographer Robert Paris traversed the deteriorating streets of East Berlin, capturing the decaying facades, forsaken factories, and empty squares. He embarked on a mission to preserve the essence of his city, transforming its buildings, streets, and urban vistas into subjects that he portrayed with a unique blend of nostalgia and stark realism. The transient quality evident in his photographs foreshadowed the imminent decline of the GDR system as the decade drew to a close. – Corners slightly bumped, some creases and pin holes in corners, otherwise in good condition. Lit.: Robert Paris. Entschwundene Stadt: Berlin 1980-1989. Mitteldeutscher Verlag, 2013.

Lot 4161

Richter, Evelyn -- "Berlin 23. Dezember 1989". 1989/printed 1990s. Gelatin silver print. 20,6 x 31,3 cm (26,5 x 38,2 cm). Evelyn Richter often explores the intricacies of daily life, human relationships, and the passage of time in her photography. Her work is characterized by its emotional depth and ability to capture poignant moments, such as this portrait of a couple embracing in front of the Brandenburg Gate, where the Berlin Wall once stood. – Some minor scuff marks on print surface, otherwise a fine tonal print in excellent condition. Lit.: Hans-Werner Schmidt. Evelyn Richter: Rückblick, Konzepte, Fragmente. Bielefeld and Berlin, 2005.

Lot 4162

Richter, Evelyn -- "Selbstportrait in Cell (Eyes and Mirrors) von Louise Bourgeois, Tate Modern, London". 2007/printed 2019. Gelatin silver print. 32 x 21,2 cm (39 x 28 cm). Signed, dated and numbered 6/10 by the photographer in pencil on verso, mounted to window mat.In near excellent condition.

Lot 4164

[*] Sewcz, Hans-Martin -- Rostock. 1971. 4 gelatin silver prints mounted on board. Each circa 19,2 x 29,4 cm (72,2 x 87,2 cm). Each print signed, titled, numbered and dated, with the photographer's stamp on verso; signed, titled and dated in pencil on mount. Hans Martin Sewcz is a multifaceted German artist known for his work in photography and conceptual art. His creative pursuits span a diverse array of styles, ranging from documentary to subjective photography. Moreover, since the 1990s, he has successfully ventured into installation and video art. A notable aspect of Sewcz's artistic journey is his exploration of "everyday culture" during the era of the German Democratic Republic (GDR). – Some very light scuff marks, otherwise in excellent condition.

Lot 4173

Häusser, Robert -- "Nescafé". 1956. Vintage ferrotyped gelatin silver print. 15,5 x 23 cm. Mounted to board, signed, titled and dated by the photographer in pencil below the image on the mount; photographer's stamp and titled and dated by the photographer in pencil on mount verso.Throughout his career, Robert Häusser consistently exhibited an extraordinary talent for encapsulating the quintessence of his subjects, whether they were people, landscapes, or still life. His photography is marked by a pervasive sense of timelessness, achieved through a meticulous dedication to detail and a keen eye for composition. Häusser's ability to transcend temporal boundaries and convey the enduring beauty of his subjects is a hallmark of his remarkable body of work. – Light surface pitting visible at an angle, upper edge slightly bumped, otherwise a rich dark print in very good condition.Lit.: Robert Häusser. Photographische Bilder. Werkübersicht der Jahre 1941 - 1987 (exhibition catalog). Stuttgart 1988, ill. plate 216.

Lot 4180

[*] Himalayas -- Photographer: Vonderthann, Berchtesgaden. Himalaya Mountains. 1930s. 5 vintage gelatin silver prints on Agfa-Brovira paper. Various sizes between 30 x 25 cm and 26 x 34,4 cm (39,5 x 30 cm). Each with printed title/photo data and photographer's logo on verso. A few smudges and minor paper yellowing in margins, otherwise beautiful, atmospheric prints in excellent condition.

Lot 4186

Izis -- "Jardin de Tuilleries, Paris". 1948/printed 1970s. Gelatin silver print. 33 x 26,9 cm (40,4 x 30,4 cm). Signed by the photographer in ink in margin lower right; signed, titled and dated by the photographer in pencil on verso. Izis Bidermanas, known simply as "Izis," was a Lithuanian-born French photographer renowned for his poetic and humanistic approach to photography. His evocative and emotionally charged photographs captures the essence of everyday life in Paris and beyond. The image featured here served as the cover for the book "Grand Bal du Printemps," which he co-authored with Jacques Prévert in 1951. – Some creases along edges of print and traces of previous mounting on verso, otherwise in excellent condition.Lit.: Marie de Thezy. Izis Captive Dreams: Photographs 1944-1980, London: Thames and Hudson. 1993. p. 111.

Lot 4190

Kempe, Fritz -- Otto Steinert. 1970. Silver gelatin print. 37,3 x 27,1 cm (39,5 x 28,5 cm). Signed, titled and dated by the photographer in felt-tip pen, with photographer's copyright stamp and negative number in pencil on verso.Fritz Kempe's portrait photography is a masterful exploration of human expression and emotion, capturing the essence of his subjects with a unique blend of intimacy and artistic flair, inviting viewers to connect with the personalities and stories behind each face. In this image the German photographer Otto Steinert (1915-1978) is depicted, one of the key proponents of the "Subjective Photography" movement, who played a significant role in the development of post-war European photography. – Corners slightly bumped, some handling creases, otherwise in good condition.

Lot 4192

Kirchherr, Astrid -- "Paul McCartney, Heiligengeistfeld, Hamburg". 1960/ printed later. Ferrotyped gelatin silver print on doubleweight paper. 30,2 x 39 cm. Signed by the photographer in silver pen lower left. Astrid Kirchherr's portraits of Paul McCartney in Heiligengeistfeld, Hamburg, reveal a captivating glimpse into the early days of The Beatles and their transformative years in Germany. These images not only provide a historical record of The Beatles' formative period but also underscore Kirchherr's role as a pioneering photographer who helped shape the band's image and contributed significantly to their enduring cultural impact. – A few creases and handling marks, upper left corner slightly bumped, otherwise in good condition.

Lot 4197

Klemm, Barbara -- Leonid Breschnew with Willy Brandt in Bonn. 1973. Vintage ferrotyped gelatin silver print. 29 x 39 cm. Photographer's/copyright 6 Frankfurt/Main Brüder-Grimm-Strasse 39 stamp and annotated by the photographer in pencil on the verso.Barbara Klemm, the highly acclaimed German photojournalist, has made extraordinary contributions to the field of documentary photography. Her work not only captured historical events but also provided a valuable glimpse into the intricacies of Cold War politics and diplomacy, leaving a lasting impact on the field. – Some edge wear, corners bumped, crease marks throughout, small paper loss on the verso, otherwise in good condition. – With: Some newspaper clippings pertaining to the event.

Lot 4202

Krolow, Wolfgang -- Ku'damm Eck, Berlin. 1980s. Vintage gelatin silver print. 40 x 27,3 cm. Signed by the photographer in pencil and photographer's/copyright stamp on the verso. Minimally buckled, otherwise in very good condition

Lot 4205

Landauer, Lou -- Photogram of oat grass. 1942. Vintage gelatin silver print. 24 x 18 cm. Photographer's estate stamp on the verso.Born in 1897 in Cologne, Lou Levi married Georg Landauer, a prominent Zionist politician, in 1923 after attending the Commercial Academy in Cologne. Her passion for photography led her to the Staatliche Fotoschule in Munich in 1928/29. She continued her photographic studies in Berlin, at the Lette Verein, and in 1934, she immigrated to Palestine with her husband and parents. Lou Landauer worked as a press photographer for the Jüdische Rundschau, still published in Berlin at the time, and later as a photography teacher at the Bezalel Hechadash, the new arts and crafts school in Jerusalem. In 1949, she relocated to the USA, where she pursued a career as an advertising photographer and experimented with the Carbro process before transitioning to an assistant librarian position at the Leo Baeck Institute in New York. – Some light handling marks, corners slightly bumped, light spot in upper right, otherwise in very good condition. Provenance: From a descendant of the photographer

Lot 4206

Landauer, Lou -- Stapelia. 1944. Vintage matte gelatin silver print on strong paper. 28 x 23,5 cm. Annotated and dated by the photographer in ink/pencil and photographer's Jerusalem stamp on the verso.A rich tonal print in very good condition. Provenance: From a descendant of the photographer

Lot 4214

List, Herbert -- Jean Cocteau, Paris. 1948. Vintage gelatin silver print on Agfa-Brovira paper. 23 x 28,5 cm. Photographer's/copyright stamps and annotated in ink/pencil on the verso.Herbert List's portraits of Jean Cocteau, the acclaimed French writer, artist, and filmmaker, are a testament to List's ability to capture the essence of his subjects, conveying the multifaceted persona of Cocteau through evocative and thought-provoking imagery. – Light buckling, small liquid surface spot in upper left, minimal surface scuffing more visible in raking light, light crease mark in lower right corner, corners slightly bumped, otherwise a rich, dark print in very good condition.Lit.: Max Scheler/Matthias Harder (eds.). Herbert List. The Monograph. Munich 2000, ill. p. 205 (image from the same sitting).Provenance: Uta and Wilfried Wiegand Collection

Lot 4218

Man Ray -- Rayographs. 1924/1928. 2 gelatin silver prints, printed 1980s. 27,8 x 20,8 cm (30,6 x 23,8 cm). Both prints annotated in pencil on verso, one print annotated Man Ray in pencil and with the photographer's studio stamp and one with A.D.A.G.P. Paris stamp, both with Tirage original réalisé par Pierre Gassmann stamp and Foto von einem Fotogramm stamp on the verso . Man Ray's rayographs involved placing objects directly onto photosensitive paper and exposing them to light, resulting in ethereal and often abstract compositions. This technique allowed him to explore the interplay of light and shadow, shape and form, in a way that challenged conventional photography. Offered here are two photographs of Man Ray's photograms made by Pierre Gassmann. The original prints of these works are in the collection of the Museum of Modern Art in New York. – Minimal buckling along edges of prints, a few handling marks, otherwise in excellent condition.

Lot 4219

Mapplethorpe, Robert -- "Dennis Speight, New York City" from "Portfolio Z". 1980/printed later. Gelatin silver print. 35 x 35 cm (50,8 x 40,6 cm). Signed and editioned 6/15 by the photographer in ink in lower margin, edition/copyright stamp, therein signed and numbered by the photographer in ink and titled, numbered and dated in pencil in lower edge on verso, framed under glass in silver gilded wooden frame.Robert Mapplethorpe's oeuvre is distinguished by his meticulous black-and-white photography, which explores themes like sexuality, beauty, and the human form. His work pushes the boundaries of artistic expression and has left a significant mark on the world of photography. This work is from Mapplethorpe's notorious "Z" portfolio, notable for its explicit exploration of sexuality, which challenged societal norms and prompted debates about artistic freedom and censorship. It remains a pivotal part of the artistic discourse on these themes. – A fine tonal print in excellent condition.Lit.: Robert Mapplethorpe. Black Males. Galerie Jurka, Amsterdam 1980, illustrated.

Lot 4224

McBride, Will -- Boys playing in the sand. 1950s. Vintage ferrotyped gelatin silver print on Agfa-Brovira paper. 30 x 24 cm. Annotated in ballpoint pen on the verso.A few minimal handling marks, some pitting/irregularities to ferrotype surface, otherwise in good condition.

Lot 4225

McBride, Will -- "Jungs schmeißen Wasser auf sich, Schule Schloss Salem". 1963/printed 1990. Gelatin silver print. 36 x 54 cm (50,5 x 60,5 cm). Signed, titled, dated and editioned 1/12 by the photographer in pencil and collector's stamp on the verso.Will McBride's photographs of Schule Schloss Salem capture the everyday life and educational activities at the progressive co-educational boarding school in Germany during the 1950s, characterized by their candid and documentary style, while some of the images are slightlty controversial for their depiction of young students in various stages of undress. – Buckled in side edges, otherwise in near excellent condition.Provenance: Directly from the photographer to the present owner

Lot 4226

McBride, Will -- "Mike schmeißt Wasser auf sich, Schule Schloß Salem". 1963/printed 1990. Gelatin silver print. 53,5 x 36 cm (60,5 x 51 cm). Signed, annotated, dated and numbered 1/12 by the photographer in pencil and collection stamp on the verso. Matted.Buckled in upper portion, slightly buckled in lower edge, otherwise in very good condition.Provenance: Directly from the photographer to the present owner.

Lot 4233

Meydenbauer, Albrecht -- Messbild photographs of Eltz Castle, Magdeburger Dome, Limburg Dome, St. Lambert's Church Münster, and Cologne Cathedral. 1910s. 5 vintage gelatin silver prints. Each circa 38 x 38,8 cm. Each annotated in pencil and Cologne image with stamps on the verso and AUSSCHUSS perforated stamp in lower right. Albrecht Meydenbauer, a distinguished German architect and civil engineer, gained recognition for his significant advancements in photogrammetry, a field focused on acquiring accurate information about physical objects and environments by recording, measuring, and interpreting photographic data. Through his work at the image measurement institute he founded in 1885, Meydenbauer established an extensive monument archive, now recognized as one of the world's largest and protected of such archives by UNESCO. – Two with handling creases, otherwise in good condition.Lit.: Rudolf Meyer (Hrsg.). Albrecht Meydenbauer. Baukunst in historischen Photographien. Leipzig 1985.

Lot 4234

Munkácsi, Martin -- Horseback riding at Wannsee. 1930s. 2 vintage ferrotyped gelatin silver prints on doubleweight paper. Each circa 24,5 x 30 cm. Each with photographer´s stamp on verso. Martin Munkácsi, born in Hungary in 1896, stands as a pioneering figure in the realms of fashion and sports photography. His groundbreaking work reshaped the world of fashion photography by liberating models from the confines of the studio, capturing their dynamic grace in outdoor settings. – Some creases, scratches and handling marks, one print with retouched lines in upper sky area and slight mirroring visible in dark areas, more visible at an angle, one with light rust stain in upper left, otherwise in good condition.

Lot 4242

Neusüss, Floris M. -- Rondanini Medusa, Glyptothek, Munich. 2002. Vintage gelatin silver after a photogram. 36 x 17 cm (40,2 x 30,5). Signed, titled and dedicated by the photographer in pencil and photographer's stamp on the verso.In very good condition.

Lot 4250

Perckhammer, Heinz von -- Female nude. 1932. Vintage gelatin silver print on chamois paper. 23,4 x 17,4 cm. Photographer's/copyright stamps and annotated in pencil on the verso. Heinz von Perckhammer, an accomplished photographer originating from Tyrol, gained recognition for his remarkable body of work, prominently featuring Chinese nudes and street scenes from the bustling city of Beijing. His nude portraits stand out due to their exquisite elegance, gracefully bridging the realms of classical aesthetics and contemporary sensibilities. Perckhammer's artistic depictions of the human form carry a profound sense of intimacy and vulnerability, forging a powerful connection that resonates between the viewer and the subject. – Minimal oxidation mirroring in right and upper edge, more visible at an angle, otherwise in very good condition.Lit.: Published in: Das Leben, July 1932, vol. 10, issue 1, titled "Das Kleid aus Nichts" (variant).

Lot 4254

[*] Reidt, Hedda -- Hands with ring. Circa 1925. Vintage gelatin silver print mounted to board (lifting off of mount). 12 x 17 cm (29 x 21 cm). Signed by the photographer in pencil below image, lower right on mount; photographer's stamp on print verso. Hedda Reidt trained in photography in Munich from 1917 to 1919, studying alongside future cinematographer Willy Zielke and fellow photographer Lotte Jacobi. During her development as a photographer she transitioned from Pictorialism to embracing the New Objectivity style. By 1928, she had established herself as an independent photographer, and her assignments included product photography for diverse clients, such as designers, educational institutions, and the Deutsche Werkstätten. Her material-focused photographs garnered recognition and were featured in prominent photography exhibitions. – Upper left corner slightly bumped, some light mirroring in edges, only visible in raling light, otherwise in very good condition.

Lot 4258

[*] Riefenstahl, Leni -- Self-portrait. Circa 1930. Vintage gelatin silver print (photo postcard). 11 x 8 cm (14 x 9,2 cm). Signed by the photographer in the negative in lower margin. This self-portrait captures Riefenstahl in a somber and dramatic style that mirrors the intense lighting seen in her later cinematic works. While her artistic talents were evident, her association with the Nazi regime and her role in propaganda filmmaking remain subjects of significant debate and criticism. – Corners slightly bumped, minimal mirroring along edges of print, otherwise in very good condition.

Lot 4261

Ronkholz, Tata -- "Duisburg-Neudorf, Kammstrasse 131" from the 'Trinkhallen' series. 1978. Vintage ferrotyped gelatin silver print on Agfa paper. 30,5 x 40,4 cm. Number notation 65 by the photographer in pencil on the verso.Some surface scuff marks/rubbing, light surface scratch in upper right near edge, otherwise in very good condition.

Lot 4264

[*] Sander, August -- Individual studio portraits. Circa 1902-1909. 3 vintage gelatin silver prints mounted to original studio board. Between 9,7 x 6,5 cm and 20,2 x 9,6 cm. Photographer's studio logo on recto and verso of mount. August Sander is celebrated for his pioneering approach to portrait photography, capturing the diverse faces of German society in the early 20th century through his monumental project "People of the 20th Century." Offered here are three early portraits from the photographer's studio in Linz. – Edges of mounts slightly rubbed, some light foxing and surface scuff marks, otherwise in good condition.

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