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Lot 188

A collection of 19th century American silver tablewareTiffany & Co, New York 1873-1891, stamped 'M' for Edward Moore period and TIFFANY & CO / STERLING / M Including a set of ten teaspoons in the Tiffany 'Vine' pattern with the 'gourd' motif; a large serving fork in the 'Dolphin' pattern, additionally stamped '1883.M' to the back of the stem; and a spiral fluted cream jug and matching two-handled sugar bowl, both incuse stamped pattern and order numbers '8333 M 2179' to the underside. (13)For further information on this lot please visit Bonhams.com

Lot 189

An American silver bowlTiffany & Co, 1902 - 1907, under the directorship of Charles T Cook, with incuse pattern and order numbers 13780 and 3239, also stamped STERLING SILVER 915 - 1000, also with importers mark for Albert William Feavearyear (Tiffany & Co), import marks for London 1906Deep circular bowl with embossed and open-work border of clover and chrysanthemums among scrolls, height 9cm, diameter 35.5cm, weight 31oz.For further information on this lot please visit Bonhams.com

Lot 19

A silver and silver-gilt model of a soldier on Camel backMeiling & Gartrell, London 1981The standing gilded camel mounted with a kneeling bearded soldier in Bedouin style dress clutching a Lee Enfield rifle under his arm, on a stone plinth base, height 27cm, length of camel 22.5cm.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 190

A 19th century American silver coffee potCharters, Cann & Dunn, New York, also incuse stamped ROBERT RAIT, circa 1850Lobed baluster form, each lobe with a foliate spray between acanthus, ornate spout and leaf embellished scroll handle, on open-work bracket feet, hinged cover with bird finial, on a leafy branch, the handle with ivory insulators, height 30.5cm.Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). With non-transferable reference (YVXC97SD).This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

Lot 191

An American silver 'Wild Rose' pattern table service of flatwareby International, also marked STERLING, 20th century Shaped stems with acanthus and flower head detail, comprising: six table forks, twelve table spoons, twelve soup spoons, sixteen dessert forks, another two, twenty-four dessert spoons, twenty-four cake forks, twenty-three teaspoons, twelve coffee spoons, eight ice cream spoons, four pickle forks, one butter knife, one serving spoon, three serving forks, two serving spoons with scallop shaped bowls, three small ladles and three others with pierced bowls, twelve table knives, twelve dessert knives, twelve steak knives, handles incuse stamped 'STERLING HANDLE', with stainless steel blades, a carving knife and fork, together with two pastry slices and three other serving knives with stainless steel blades, weight of weighable silver only 193oz. (Qty)For further information on this lot please visit Bonhams.com

Lot 192

An American part service of silver flatwareGorham Manufacturing Company, Providence, Rhode Island circa 1882, incuse stamped STERLING Including sixteen table forks and ten table / serving spoons in the 'Medici Old' pattern, engraved with an armorial bar four forks, together with eight coffee spoons in the 'Fontainebleau' pattern, weight 58oz. (34)Footnotes:This appears to be the crest associated with the arms of the DORMER family of Wyng, Buckinghamshire. They were created barons in the Peerage of England in 1615. At the time of assay the barony was held by John Baptist Joseph DORMER (1830-1890) 12th Baron the son of Joseph Thaddeus DORMER (1790-1871) 11th Baron by Elizabeth Anne TICHBORNE (1807-1883) daughter of Sir Henry TICHBORNE 8th Baronet. He married twice: Firstly in 1866 Louisa Frances Mary TENISON (died 1867) daughter of Edward King TENISON of Kilronan Castle, co. Rosscommon. Secondly in 1871 Emily Constance Campbell BALD (1864-1919) daughter of John BALD of Monzie Castle Perthshire.For further information on this lot please visit Bonhams.com

Lot 193

An American silver-mounted glass flaskTiffany & Co, New York 1870-91, incuse stamped 'M' for Moore period, 4712-M-4305 STERLINGCompressed oval form, the glass etched with a traditional oriental gentleman fishing, a crane next to him, rocks below and birds flying overhead, to the top a screw-off cover with plain polished neck and spot-hammered top, height 17cm.For further information on this lot please visit Bonhams.com

Lot 194

A Chinese export silver four-piece tea and coffee service, together with a trayWang Hing, also with stamp 90, and character mark, circa 1900Compressed globular form, applied and chased with leafy branches and chrysanthemum flowers over a polished ground, with bamboo form handles and spouts, the tea and coffee pot handles with ivory insulators, covered two-handled sugar bowl and a cream jug, the rectangular tray with open-work raised border, similar floral chased centre over a spot hammered surface, vacant reserve to the centre, on fluted bun feet, together with a pair of matching sugar tongs, length of tray 38cm, weight total 106oz. (6)Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). With non-transferable reference (FLZ7KU52).This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

Lot 195

A Chinese export silver three-piece tea serviceSunshing, also stamped 90 and with character mark, circa 1900Compressed globular form, chased in high relief with chrysanthemum flowers and buds over a stippled ground, with branch form handles and spout, the handle of the teapot with ivory insulators, weight total 31oz. (3)Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). With non-transferrable reference (BXA5RBYP).This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

Lot 196

Two Chinese export pierced silver bowlsthe first large bowl, Wang Hing, circa 1900, stamped WH, character mark and 90 the smaller bowl, stamped KC and character markCircular form with pierced sides, also profusely chased with four dragons chasing the flaming pearl of wisdom among clouds, on a plain collet foot, the small bowl of similar form, diameter 20.5cm and 11cm, weight 22.9oz. (2)For further information on this lot please visit Bonhams.com

Lot 197

A set of six Chinese export silver cups and saucerscups only with character mark, also with French swan import mark, circa 1900 Circular with slightly tapering sides, each of the cups with simulated bamboo handles and applied with two songbirds among leafy bamboo branches and flowers over a plain ground, on collet foot, the saucers with chased decoration around a central roundel, height of cups 5.5cm, diameter of saucers 10.5cm, weight 25.3oz.For further information on this lot please visit Bonhams.com

Lot 198

A pair of Chinese export silver dwarf candlesticksHung Chong, stamped HC and character mark, circa 1900 Each stem formed as two dragons with the tails supporting the nozzle, chased with leafy bamboo, on a rectangular plinth and the skirted rim with dragons in relief, height 11.5cm, weight 6.2oz. (2)For further information on this lot please visit Bonhams.com

Lot 199

A Chinese export silver cigarette boxstamped WA and character mark, late 19th century Rectangular form with hinged cover, on small ball feet, the cover and sides embossed with twisting dragons among swirling clouds over a stippled ground, cover centred with a vacant roundel, interior gilt, length 16.5cm, weight 13.3oz.For further information on this lot please visit Bonhams.com

Lot 200

A Chinese export silver trayLuen Hing, stamped LH90 and character mark, circa 1900Circular form, thee raised petalled rim with ten panels depicting dragons, prunus blossom, chrysanthemum flowers, leafy bamboo branches, all in relief on a stippled ground, the polished centre engraved with two dragons, diameter 41.8cm, weight 46oz.For further information on this lot please visit Bonhams.com

Lot 201

A set of six Chinese export silver bowlsWang Hing, stamped WH, character mark and 90, circa 1900 Hemispherical form with reeded rim, the sides with two dragons among swirling clouds in relief, on a collet foot, height 5.5cm, diameter 11cm. (6)For further information on this lot please visit Bonhams.com

Lot 202

A Chinese export silver cigarette boxWang Hing, stamped WH, character mark and 90, circa 1900 Rectangular, embossed in high relief with a dragon to the cover and two dragons trailing the sides, among a spot hammered surface, wood lined interior, length 15.8cm.For further information on this lot please visit Bonhams.com

Lot 203

Five Chinese silver 'Immortal' figural scroll weightsChinese character marks to base, stamped 900 Traditional Chinese figures all realistically cast, four male Immortals standing, one female in customary dress seated with stringed instrument, all solid and heavy on flat bases, height largest 7cm, weight total 23.5oz. (5)For further information on this lot please visit Bonhams.com

Lot 204

A Victorian silver miniature teapot,by Joseph Willmore, Birmingham 1837 In the Chinese-style, square section, with panels of blossom trees, length 5.5cm, together with an 18th century Dutch miniature coffee pot, by Frederik van Strant II, Amsterdam circa 1730, conical form with flutes and scrolls, now gilded, height 5.8cm, and a miniature Japanned cabinet on stand, imported by George Stockwell 1926, height 4cm. (3)Footnotes:For similar to the second part of the lot, please see page 169, E and E Aardewerk, Tall and Small, Antique Dutch Silver Miniatures (The Hague 2011).For further information on this lot please visit Bonhams.com

Lot 205

A George IV silver-gilt double-lidded table snuff boxby Charles Rawlings, London 1825 Rectangular, the cover with central ovoid sprung panel opening to reveal painted scene on ivory of a shepherdess and courting swain, set on an engine-turned ground within a raised rocaille border, with similar thumbpiece, the engine-turned sides with reeded corners, length 9.7cm.Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). With non-transferable reference (SYA46459).This lot is subject to the following lot symbols: * Y Ф* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.Y Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

Lot 206

A Victorian silver plaqueRosenthal, Jacob & Co, London 1885 Oval form, the whole embossed with a pastoral landscape featuring hills in the distance with a cottage, a river flowing under a bridge, a bird perched on its top rail, and towards the foreground trees and a man fishing, the border with beaded rim, height 30cm, weight 5oz.For further information on this lot please visit Bonhams.com

Lot 207

A George III silver snuff boxby Daniel Hockley and Thomas Bosworth, London 1815 Rectangular, the cover with a relief depiction of the Continence of Scipio, engine-turned sides and base, length 7.5cm.For further information on this lot please visit Bonhams.com

Lot 208

A Victorian silver snuff boxEdward Barnett, Birmingham 1848 Shaped-rectangular form, with hinged cover centred by a vacant cartouche, an applied moustache thumbpiece opening to reveal a gilt interior, the exterior engine-turned with scrolls, foliage, vertical lines and various repeating motifs, plain polished juxtaposed against a matt ground, length 8.5cm, weight 5oz.For further information on this lot please visit Bonhams.com

Lot 209

A Victorian silver card caseby Nathaniel Mills, Birmingham 1839 Engraved with game birds amongst scrolls, length 10cm, together with an unmarked 18th century silver snuff box, the cover with a relief depiction of classical figures and a silver relief-decorated trinket box, imported Chester 1901. (3)For further information on this lot please visit Bonhams.com

Lot 21

A collection of seven Italian silver photograph framessix retailed by Gianni Versace, post 1968 Italian silver mark for Florence numbered 705 and incuse stamped 925 Comprising: two circular frames with Greek key design, a similar rectangular frame with applied Medusa head to each corner, two graduated sized rectangular frames, with Greek key and acanthus scroll design, a tall slender upright frame, incised scroll decoration around an oval aperture, with Greek key border, all Versace Medusa head branded blue material covered easel backs, with applied Gianni Versace plaque, together with an Italian silver photograph frame, retailed Verdura, post 1968 Italian silver marks for Bologna, numbered 9, the square mount embossed with alternating scroll and anthemion motifs over a textured ground, applied acanthus corners, the borders heightened in gilt, wood mount and metal covered with Verdura plaque, height 20cm, 25.5cm 28.5cm, 17.5cm, 24cm and 15cm. (7)For further information on this lot please visit Bonhams.com

Lot 210

A pair of silver nut crackersThomas Bradbury & Sons Ltd, Sheffield 1929Hinged, with textured grips, curved handles, length 9.8cm, together with a quantity of silver flatware, comprising: a set of Victoria pattern table forks, Hayne & Cater, London 1839, six Fiddle and Thread pattern teaspoons, William Eaton, London 1839, five Fiddle pattern table spoons, seven varying 'berry' spoons, all later chased, table and teaspoon sizes, eleven other pieces including mother of pearl handled knife and forks and another knife, weight of weighable silver only 56oz. (Qty)For further information on this lot please visit Bonhams.com

Lot 211

A collection of three silver commemorative piecesHector Miller for Aurum,Comprising: a silver and silver-gilt three-light candelabrum, Hector Miller, London 1981, limited edition numbered 309/400, commissioned by the Dean and Chapter of St. Paul's to commemorate the Wedding of HRH The Prince of Wales and The Lady Diana Spencer, three polished arms, issuing from below a silver-gilt crown with Prince of Wales feathers, the stem with three winged heraldic beasts supporting shields, the spreading foot with three silver-gilt foliate panels, with certificate, height 22.2cm; and two silver-gilt commemorative shell dishes, Hector Miller, London 1982 and 1984, limited edition numbered 71 and 179 of 250, to commemorate the Births of Prince William of Wales and Prince Henry, the shell dishes with upswept handles, each with two seated winged cherubs, length 10.5cm, each with original card boxes, weight 30.4oz. (3)For further information on this lot please visit Bonhams.com

Lot 212

A silver and silver-gilt commemorative clockMappin & Webb, London 1891, underside of base limited edition numbered 154/210Commemorating the marriage of H.R.H. Prince Charles to Lady Diana Spencer, modelled in the form of an urn, with gilt finial over an annular chapter ring with Roman numerals, mask heads supporting a gilt chain, Fluer de Lys between, raised on a spreading foot, a linked chain also on the spreading foot, with an eight day movement, height 28cm.For further information on this lot please visit Bonhams.com

Lot 213

A modern silver and silver-gilt candelabraArgentum (Douglas John Drewry), London 1971 Tripod form, three plain polished cylindrical sconces with removable drip pans screwed into bark effect silver-gilt tapering stems, all of varying heights and mounted on a triangular frame, height 21cm, weight total 21oz.For further information on this lot please visit Bonhams.com

Lot 214

An assorted group of silver animals including a Napoleon figurevarious maker's and dates Including: a silver standing sheep, maker's mark, MM&Co, London 1932, realistically cast on a circular base, length 7.5cm; a silver Alsatian, maker's mark, CSR Ltd, London 1972, realistically modelled in seated position, with naturalistically chased fur and collar, height 7.5cm; a silver rabbit, maker's mark, FGJ, London 1978, realistically cast in seated position, height 6.5cm; a silver Billy goat, importers Samuel Boyce Landeck, Chester circa 1921; a pair of silver collie dogs, unmarked; a silver kangaroo, unmarked; a nickel dachshund and finally a standing silver Napoleon in uniform, no maker's mark, London 1971, realistically cast and wearing a tricorn, height 7.5cm, weight total silver 31oz. (9)For further information on this lot please visit Bonhams.com

Lot 215

A cased pair of commemorative silver beakersAsprey & Co Ltd, London 1936 Plain slightly tapering sides with moulded skirted foot, one to commemorate the Silver Jubilee of King George V and the other the coronation of King George VI, engraved 'Here's a health unto His Majesty' the first with additional dates '1910 - 1935' the other with '12th May 1937 above GVIR crowned cypher, underside of both bases also engraved and initialled, contained in original fitted box, height 8.5cm, weight 9oz. (2)For further information on this lot please visit Bonhams.com

Lot 216

A silver commemorative rose bowlAlgernon Asprey, London 1977, limited edition numbered Circular form with overturned lip, engraved band with an embossed flowering rose between leaves, on a spread circular foot, underside of base engraved 'Designed for The Year of The Rose by Algernon Asprey', 'Algernon Asprey, Bruton Street, London', height 12.3cm, diameter 18.8cm, weight 18.8oz.Footnotes:This bowl was created to celebrate the centenary of The Royal National Rose Society and was offered to members of the society together with Fellows of The Royal Horticultural Society.For further information on this lot please visit Bonhams.com

Lot 217

A Victorian silver cigarette boxL Spiers, Birmingham 1891 Rectangular form with ribbed sides and hinged cover, gilded interior with two compartments, length 20.3cm, weight 27.2oz.For further information on this lot please visit Bonhams.com

Lot 218

A pair of silver and guilloche enamelled photograph framesAlbert Carter, Birmingham 1930Upright rectangular frame, with wood easel back, height 32cm, together with a brass mounted and malachite frame, shaped rectangular form, with brass easel back and ring attachment, height 23.5cm. (3)For further information on this lot please visit Bonhams.com

Lot 219

A collection of silver itemsComprising: a set of six goblets, J B Chatterley & Sons Ltd, Birmingham 1975, one 1973, plain bowls with flared rim, baluster knop stem on a spreading circular foot, height 12cm, six oval napkin rings, J B Chatterley & Sons Ltd, Birmingham 1975, together with five tot cups, maker's mark ESC, Birmingham 1975, circular tapering sides, interiors gilt, height 5cm, weight 52oz. (17)For further information on this lot please visit Bonhams.com

Lot 22

Three large silver photograph frames and a folding tryptic photograph frameColen Hewer Cheshire, Chester 1910, William Thomas Bell, London 1905, an Italian silver frame, stamped 925, the tryptic frame, Asprey & Co Ltd, Birmingham 1996Rectangular forms, height 52.3cm, 43cm, 38.1cm, 20.5cm. (4)For further information on this lot please visit Bonhams.com

Lot 221

A silver mugCharles Frederick Hancock & Co, London 1933Tapering cylindrical form with flared rim, the sides with engraved bands below the rim, an applied girdle on a skirted foot, height 12cm, weight 14.6oz.For further information on this lot please visit Bonhams.com

Lot 222

A pair of Elizabeth II silver and glass novelty 'light bulb' pepper and salt shakersC J Vander Ltd, Sheffield 2002, also stamped with the commemorative Queen Elizabeth II Platinum Jubilee mark The screw-fitting covers with screw thread fitment and bulbous frosted glass bodies, height 10cm. (2)For further information on this lot please visit Bonhams.com

Lot 223

CLARE RANSOM: two silver 'Shell' vesselsfine '999' standard silver, London 2009Hand-raised, stretched and folded to create these pleated shaped conical form vessels, the satin finish with a burnished edge, approximate width 10cm, weight 10.4oz. (2)Footnotes:Provenance:Private collectionPurchased from John Higgins Modern and Contemporary Silver selling exhibition June 2013.CLARE RANSOM (1964)Clare graduated with a BA in 3D Design Metalwork and Jewellery from Surrey Institute of Art and Design in 2005, and in 2007 an MA in Contemporary Craft Practice.In 2005 Clare won the New Designers Goldsmiths' Graduate Award for silversmithing and in 2006, she won two gold awards at the Goldsmiths Craft and Design Council Awards.She explores the intrinsic qualities of silver as a craft material. Using hammers and punches worked over nylon formers to manipulate a single sheet of silver, drawing it inwards into soft, flowing organic bowls and vessels.For further information on this lot please visit Bonhams.com

Lot 224

LESLIE GORDON DURBIN: a modern silver bowlLondon 1963Plain hemispherical form with a delicate all-over spot hammered finish, the lip slightly out-turned, on a collet foot, diameter 26cm, weight 44.4oz.Footnotes:LESLIE GORDON DURBIN MVO CBE (1913 - 2005)Born in Fulham in 1913, Leslie Gordon Durbin secured a London County Council Trade scholarship at the age of 13. He went on to study at the Central School of Arts & Crafts, and was later recommended by the Head of the Silversmithing Department to Omar Ramsden who took him on as an apprentice. One of Durbin's duties was to engrave the words 'OMAR RAMSDEN ME FECIT' on finished objects. In 1938 he won a Worshipful Company of Goldsmiths' scholarship for a full-time place at the Central School.At the outbreak of war Durbin was aged 26. He was not called up until 1941, and in 1943 he was given leave from the Royal Air Force to work on the Stalingrad Sword for which he was made an MVO.Reference: John Andrew and Derek Styles, 'Designer British Silver', 2015, pp.186-193.For further information on this lot please visit Bonhams.com

Lot 226

Six silver place matsfive Douglas John Drewry, London 1972, and an unmarked matched example Circular with slightly tapering edge, the centres with a rayed bark-effect textured border issuing from a shaped polished centred, diameter 19.5cm. (6)For further information on this lot please visit Bonhams.com

Lot 227

GERALD BENNEY: a silver and gold cigarette boxLondon 1967, incuse stamped GERALD BENNEY LONDON, 54 and STERLING AND 18K Rectangular form, the hinged cover decorated with nine horizontal textured bands, the edge and thumbpiece in 18 carat gold, opening to reveal a leather lined interior, the external sides featuring a vertical bark-effect textured surface, all on an inset rectangular plain polished collet foot, length 12.5cm, weight 15.5oz.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 229

GERALD BENNEY: a pair of silver gobletsLondon 1966The slightly curved bark effect textured surface below a polished rim, polished stem and circular foot, boxed, height 12.7cm, weight 15.4oz. (2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 23

Three silver photograph frames,Asprey & Co Ltd, London 1996 and Birmingham 1997, the third, Richard Lawrence Geere, retailed by Asprey, London 1994First, shaped-oval with cast border of flowers among scrolls in high relief, wood easel back, rectangular ribbed frame, wood easel back, rectangular engine-turned frame, easel back, height 32.5cm, 28.2cm, and 23.3cm. (3)For further information on this lot please visit Bonhams.com

Lot 230

GERALD BENNEY: a silver and enamelled gobletLondon 1971, also with master enamellers mark AAE, for Alan Alfred Evans, underside of foot incuse stamped GERALD BENNEY LONDON, also incuse mark, HJ Co, 925Tapering cylindrical cream enamelled bowl, with a narrow polished rim and gilt interior, with slender polished stem on a circular base, height 11.1cm, diameter 5.5cm, weight total 5.6oz.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 231

GERALD BENNEY: a rare large silver-gilt and enamelled boxLondon 1972, also stamped 'Gerald Benney London'Rectangular form with bark-effect texturing on the sides, the underside with radiating texturing, the cover decorated with dark blue and white enamel, the blue enamel over a textured ground resembling moiré silk, with a black leather-lined interior, height 6.7cm, length 20.8cm, weight total 50.5oz.Footnotes:GERALD BENNEY CBE RDI (1930-2008)Gerald Benney was one of the most outstanding goldsmiths of the 20th century, with works being continuously produced for over fifty years, from private commissions to mass production. Born in Hull, Yorkshire, in 1930, Benney received many commissions from the Royal Family and was the first craftsman to hold four Royal Warrants simultaneously: from Queen Elizabeth II, Queen Elizabeth The Queen Mother, the Duke of Edinburgh and the Prince of Wales.Gerald Benney decided that his home at Beenham House in Berkshire was the place to develop the use of enamels. The first steps were to travel to Zurich to find an enameller who worked for Burch Korrodi. By chance he came across the Norwegian Berger Bergensen, who had worked for the House of Bolin as well as Burch. Bergensen was persuaded to come to Beenham House and taught the Benney workforce all he knew about enamelling. Both Alan Evans and Robert Winter becoming notable master enamellers for Benney.It took several years to master the craft. He refined and mastered this art, enamelling larger surface areas than Fabergé.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 232

PHIL BARNES: a unique silver and enamelled 'Blue Leaves' vaseLondon 2015Plain polished body, the sides engraved and basse-taille enamelled in blue with leaves among trailing branches, further bright cut engraved leaves engraved to give more depth after enamelling, height 11.8cm, diameter at widest point 0.58cm, weight 8.1oz.Footnotes:Provenance:Private collectionPurchased from John Higgins Modern and Contemporary Silver selling exhibition July 2015.PHIL BARNES (1952-2019)Phil Barnes described the basse-taille technique, where the enamel is laid over a low relief engraved design giving variations of colour due to the different thicknesses of the enamel. A monotone effect is achieved with darker and lighter shades due to the variation of the depth of the engraving.Phil's working life spanned more than fifty years as a full-time professional enameller. Phil Barnes began his enamelling career in 1967, at the age of fifteen, following in his father's footsteps. He completed his apprenticeship with his father's company C F Barnes & Co in 1971 and in the same year won the coveted Jacques Cartier 'Craftsman of the Year' Memorial Award. The Cartier Award is given for work showing exceptional and outstanding craft skills, serving as a benchmark of the highest technical quality and Phil became the youngest ever recipient of the prized Cartier Award. He went on to become a working partner in the business and later set up his own workshop in Clapham, London following his father's retirement in 1983.By 2017 Phil had been awarded thirty-five Goldsmiths' Craft and Design Council awards for enamelling, engraving and designer finished pieces and in 2019 'Abstract Vase No. 1' was included into the Goldsmiths' collection. The passing on of knowledge was important to Phil and in 2019 he achieved his ambition to leave a written record of his way of working when his book 'Engraving and Enamelling – The Art of Champlevé' was published. This lot is recorded in this publication on page 107.Literature:Illustrated Phil Barnes, 'Engraving and Enamelling - The Art of Champlevé', (The Crowwood Press Ltd, 2019), page 107.For further information on this lot please visit Bonhams.com

Lot 234

JANE SHORT: a rare silver and enamelled 'Galaxy' vaseLondon 2008Cylindrical flared form vase, finely engraved and enamelled in champlevé and basse-taille techniques, with subtle engraving swirls around the sides, the central theme are the numerous stars incorporated into the design, some plain, others engraved or enamelled, on one side a central star is surrounded by a red enamelled burst of rays and with swirls enamelled in blues emanating from the flames, gilded to the interior, height 21.5cm, diameter at top 13.5cm, weight 29.5oz.Footnotes:Provenance:Private collectionPurchased from John Higgins Modern and Contemporary Silver selling exhibition June 2010.JANE SHORT MBE (1954)Jane was introduced to enamelling in 1974 whilst studying at the Central School of Art and Design, and every work since has been enamelled. In 1976 she studied at The Royal College of Art under Professor Gerald Benney graduating in 1979. Jane is an artist enameller, who combines the techniques of engraving and champlevé and basse-taille enamel to produce rich painterly images drawn from nature.Jane has become one of the best known and established enamellers, and has taught enamelling widely throughout her career, in 2016 she was awarded an Member of the Order of the British Empire (MBE) for services to the Craft of Enamelling.She was winner of the Jacques Cartier Memorial Award awarded by the Goldsmiths' Craft and Design Council in 2008 for outstanding craftsmanship.Jane has exhibited widely and her work is represented in the collections of many important museums, such as the Victoria and Albert Museum, the Fitzwilliam and Ashmolean Museums, The Keatley Trust, The Silver Trust Collection for use at 10 Downing Street and the Goldsmiths' Collection.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 235

A monumental silver African bull elephantdesigned and modelled by Victor Hayton for the World Wildlife Fund, maker's mark for Hamilton and Inches, Edinburgh 1997, signed 'Hayton', limited edition numbered 2 of 5, script '94 and additional markA realistically modelled African bull elephant, naturalistically cast and chased in intricate detail, the powerful animal suspended in motion, with animated expression and powerful polished tusks to the fore, comes with a framed limited edition lithograph bearing the image of the elephant, signed by the artist and certifying this is model number two of only five cast, and inscribed 'Amboseli, June 1993', height 38cm, length 60cm, weight 428oz. (2)Footnotes:Amboseli National Park is part of a vast, cross-border wildlife ecosystem about 200 kilometres south of Nairobi. An oasis supporting over 1,800 elephants and other megafauna in the dusty shadows of Mount Kilimanjaro, it is a UNESCO Man and Biosphere Reserve and the only national park in Kenya established through negotiations with community landowners. The park's African elephants have thrived in this small, semi-arid landscape. Water from seasonal swamps sustains them, and the community lands provide safe and secure spaces to graze. Amboseli National Park therefore offers some of the best opportunities to see African wildlife, because of the sparse vegetation due to the long, dry months. The protected area is not only home to African bush elephant, but also to Cape buffalo, impala, lion, cheetah, spotted hyena, Masai giraffe, Grant's zebra, and blue wildebeest, with a whole host of large and small birds.In the 1990s, this magnificent African bull elephant silver sculpture was purportedly commissioned by the Duke of Edinburgh on behalf of the World Wildlife Fund (WWF). Beautifully executed by the artist Victor Hayton, it is number two out of a limited edition of five made. Given the date of this piece, it is possible (although not confirmed) that this was a representation of 'Tim', the famous great tusker who roamed freely across Amboseli National Park for over 50 years, and was its most famous resident. With his giant stature and spectacular tusks, watching Tim stride out across the Kenyan plains was without doubt a sight to behold, and was a huge draw for the many tourists who visited the Kenyan reserve in the hope of seeing him.Born in January 1969, Tim was four years old when he first came to the attention of wildlife conservation organisations operating in Amboseli. They watched as he grew and became independent, observed him as he reached maturity, and were proud to see him become one of Africa's most famous elephant's, thanks, in part, to his exceptional tusks. Tim was a magnificent bull elephant; one of Kenya's last great tuskers. But it wasn't just his tusks which set him apart from the herd. Amongst those who observed him, he was renowned for his calm and gentle nature, and was popular with other elephants of all ages. He was known to nurture friendships with younger males who were learning to be independent, and was a favourite choice of mate for females, fathering multiple calves over his lifetime. He died of natural causes in 2020, creating global headlines, with the world mourning his passing. The Duke of Edinburgh, way before it became fashionable, carried out pioneering work promoting environmental causes, having encouraged conservation in his singular style throughout his life. His passion for conservation and the environment was best characterised by his long relationship with the World Wildlife Fund (WWF). He toured the world to draw attention to the plight of wildlife endangered by poaching, deforestation and pollution, photographing seals in Antarctica, feeding elephants in Africa and posing with pandas in China. 'We depend on being part of the web of life, we depend on every other living thing on this planet, just as much as they depend on us,' he once reflected. Tim, alongside the other protected African elephants and wildlife at Amboseli, was a testament to what effective conservation could achieve. This symbolic sculpture was purportedly offered to chosen Heads of State to promote the organisation's aims and raise funds, a tool to encourage conservation activism globally (please note, this information is anecdotal rather than verified). As such, His Royal Highness was actively involved with the World Wildlife Fund from 1961 in a variety of roles, from President of the UK branch, to member of the International Board to International President and finally President Emeritus. At the invitation of Sir Peter Scott, the founding chairman of the World Wildlife Fund, The Duke of Edinburgh became President of the Fund's UK Branch in 1961. Between 1965 and 1980 he was a member of the Board of Trustees of WWF International. In 1981 His Royal Highness gave up the UK Presidency and became International President until 1996 when he retired and became President Emeritus.As Pavan Sukhdev, President of WWF International stated on the passing of HRH The Duke of Edinburgh in 2021:-'The Duke of Edinburgh has been a tireless champion for the environmental cause and a passionate ambassador for conservation issues around the world for decades. His Royal Highness helped chart the course of WWF from its very beginning and has truly made enormous contributions to the organization.'Across more than 50 years, His Royal Highness, Prince Philip's efforts on behalf of WWF have been inestimable – visiting WWF projects in over fifty countries on five continents, promoting conservation issues at the highest government and corporate levels, and helping with essential fundraising and awareness promotion...'This imposing silver sculpture of a proud and free roaming African bull elephant symbolises what the World Wildlife Fund represents, and what we need to protect and preserve for future generations.Literature:Born Free Foundation, 'Remembering Tim: 1969 - 2020', accessed via https://www.bornfree.org.uk/articles/remembering-timKenya Wildlife Service, 'Amboseli National Park', accessed via https://www.kws.go.ke/amboseli-national-parkThe Independent, 'How Prince Philip tacked conservation and climate change', 9th April 2021, accessed via https://www.independent.co.uk/climate-change/news/prince-philip-conservation-climate-change-b1829227.htmlWorld Wildlife Fund, 'HRH The Duke of Edinburgh', accessed via https://wwf.panda.org/wwf_news/?1995941/A-champion-for-the-environmentFor further information on this lot please visit Bonhams.com

Lot 236

PATRICK MAVROS: a silver candelabrum centrepiece featuring sand grouseZimbabwe 2001, signed 'Patrick Mavros 7.9.2001 Harare' Realistically cast, the whole naturalistically embossed in high and low relief, featuring two square form bark effect candle stems of differing heights, topped by removable moss effect drip pans, four cast sand grouse with detailed chased feathering and features, discretely applied to the stems and base at varying points, wings outspread recreating animated flight, swooping through the sculptural form, all atop a shaped oval base consisting of cast rocky and moss covered outcrops against a textured ground, height 31cm, length 46cm, weight 135oz.Footnotes:This centrepiece, along with the four matching sand grouse candlesticks in the next lot, were all privately commissioned directly from Patrick Mavros. As such, this centrepiece and the matching candlesticks are a unique design.For further information on this lot please visit Bonhams.com

Lot 237

PATRICK MAVROS: a set of four silver sand grouse candle holdersZimbabwe 2001, signed 'Patrick Mavros 7.9.2001 Harare' and 'PM' Realistically cast, four separate models complimenting one another in various sizes, naturalistically embossed in high and low relief, each with one square form bark effect candle stem, topped by a removable moss effect drip pan, featuring cast sand grouse with detailed chased feathers and features, discretely applied to the stem and base, grouse in various poses on each candle holder, the smallest with one sand grouse landing, height 25cm, weight 52ozt, the next with two resting grouse, height 25cm, weight 76ozt, and the final two having two grouse flying, wings outspread in flight, swooping through the sculptural form, height 24cm, weight 72ozt and height 26cm, weight 76ozt, each one atop different shaped oval bases consisting of cast rocky and moss covered outcrops against a textured ground, weight total 276oz. (4)For further information on this lot please visit Bonhams.com

Lot 238

PATRICK MAVROS: a set of three silver graduated date palm tree candle holdersZimbabwe 2004 / 2006 / 2007, signed with facsimile signature and date Realistically cast, all intricately embossed in high and low relief, each sconce bearing naturalistic palm leaves and a removable cover, lifting off to reveal the holder for a candle, when covered resembling a whole date palm tree as a sculptural form, each on a rocky ground shaped oval base, graduated sizes, height with cover 34cm, 24cm and 19cm, weight total 84oz.For further information on this lot please visit Bonhams.com

Lot 239

A silver 'dragonfly' vasestamped Thistle & Bee, London, recently hallmarked with London Assay Office mark, London 2023 Tall baluster form, highly polished surface applied with three cast dragonflies, height 33.8cm, weight 26.2oz.Footnotes:A similar vase hallmarked for London 1999 was sold in these rooms 15th November 2016.For further information on this lot please visit Bonhams.com

Lot 240

A stylish modern design large silver jugBoodle & Dunthorne, London 2001Plain polished surfaces of curving form, the angled top steeply slants and the integral handle scrolls down, with elliptical opening and gilt interior, height 36cm, weight 73.5oz.For further information on this lot please visit Bonhams.com

Lot 241

A stylish modern design silver jugBoodle & Dunthorne, London 2001Plain polished surfaces of curving form, the angled top steeply slants and the integral handle scrolls down, with elliptical opening and gilt interior, height 22cm, weight 26.8oz.For further information on this lot please visit Bonhams.com

Lot 242

A modern design silver bowlBoodle & Dunthorne, London, with 2002 Golden Jubilee markWith shallow plain polished curved circular form, on three shallow scroll supports, height 8.3cm, diameter 33cm, weight 81oz.For further information on this lot please visit Bonhams.com

Lot 244

A pair of silver pepper and salt millsBoodle & Dunthorne, London 1998Plain polished tapering curved cylindrical form, with 'tap handle' rotating tops, each on four small wheels, height 17cm.For further information on this lot please visit Bonhams.com

Lot 245

HIROSHI SUZUKI: a silver and enamelled 'Seni Dom' beakerfine '999' standard silver, London 2014, also stamped with maker's symbol, also 'SS 09' and date '2014'Hammer-raised and chased, the surface enamelled in translucent mottled shades of greens and blues over a light textured ground, with original lidded wood box, height 8.5cm, diameter at top 8.5cm, weight total 9.9oz.Footnotes:Property of a private collectorHIROSHI SUZUKI (1961)Hiroshi Suzuki has an extraordinary talent for raising silver from single flat sheets to create vessels that are full of flowing, vigorous, graceful lines. His work is intuitive and combines traditional skills with a unique and personal visual vocabulary.He was born in Sendai, Miyagi, Japan in 1961 and studied at Musashino Art University in Tokyo before coming to London to study at Camberwell College of Art and the Royal College of Art. After graduating with an MA in 1999 he set up a studio in Camberwell with fellow students.His first major selling exhibition was in 2000 and in 2002 Suzuki had his own workshop at the Harley Foundation on the Welbeck Estate in Nottingham.In 2003 Suzuki held his first solo exhibition in the UK, titled 'Statis in Motion' at the Lesley Graze Gallery.In 2005 he was short-listed for the Jerwood Applied Arts Prize: Metal (UK), and he won the Schoonhoven Silver Award in 2009 (The Netherlands).A retrospective exhibition was held at The Goldsmiths Company entitled 'Silver Waves' in 2010.He is currently Professor of Metalwork and Jewellery at Musashino Art University, with studios in Tokyo and London.Hiroshi Suzuki's works appear in numerous public collections including The Worshipful Company of Goldsmiths'.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 246

HIROSHI SUZUKI: a silver and enamelled 'Seni Dom' beakerfine '999' standard silver, London 2014, also stamped with maker's symbol, also 'SS 07' and date 2014 Hammer raised and chased, the surface enamelled in mottled blues and white over a light textured ground, with original lidded wood box, height 8.5cm, diameter 8.5cm, weight 9.8oz.Footnotes:Property of a private collectorHIROSHI SUZUKI (1961)Hiroshi Suzuki has an extraordinary talent for raising silver from single flat sheets to create vessels that are full of flowing, vigorous, graceful lines. His work is intuitive and combines traditional skills with a unique and personal visual vocabulary.He was born in Sendai, Miyagi, Japan in 1961 and studied at Musashino Art University in Tokyo before coming to London to study at Camberwell College of Art and the Royal College of Art. After graduating with an MA in 1999 he set up a studio in Camberwell with fellow students.His first major selling exhibition was in 2000 and in 2002 Suzuki had his own workshop at the Harley Foundation on the Welbeck Estate in Nottingham.In 2003 Suzuki held his first solo exhibition in the UK, titled 'Statis in Motion' at the Lesley Graze Gallery.In 2005 he was short-listed for the Jerwood Applied Arts Prize: Metal (UK), and he won the Schoonhoven Silver Award in 2009 (The Netherlands).A retrospective exhibition was held at The Goldsmiths Company entitled 'Silver Waves' in 2010.He is currently Professor of Metalwork and Jewellery at Musashino Art University, with studios in Tokyo and London.Hiroshi Suzuki's works appear in numerous public collections including The Worshipful Company of Goldsmiths'.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 247

HIROSHI SUZUKI: a silver and enamelled 'Seni Dom' beakerfine '999' standard silver, London 2014, also stamped with maker's symbol, also 'SS 05' and date 2014 Hammer-raised and chased, the surface enamelled in translucent mottled shades of green and blue over a light textured ground, with original lidded wood box, height 8.5cm, diameter 8.5cm, weight 9.8oz.Footnotes:Property of a private collectorHIROSHI SUZUKI (1961)Hiroshi Suzuki has an extraordinary talent for raising silver from single flat sheets to create vessels that are full of flowing, vigorous, graceful lines. His work is intuitive and combines traditional skills with a unique and personal visual vocabulary.He was born in Sendai, Miyagi, Japan in 1961 and studied at Musashino Art University in Tokyo before coming to London to study at Camberwell College of Art and the Royal College of Art. After graduating with an MA in 1999 he set up a studio in Camberwell with fellow students.His first major selling exhibition was in 2000 and in 2002 Suzuki had his own workshop at the Harley Foundation on the Welbeck Estate in Nottingham.In 2003 Suzuki held his first solo exhibition in the UK, titled 'Statis in Motion' at the Lesley Graze Gallery.In 2005 he was short-listed for the Jerwood Applied Arts Prize: Metal (UK), and he won the Schoonhoven Silver Award in 2009 (The Netherlands).A retrospective exhibition was held at The Goldsmiths Company entitled 'Silver Waves' in 2010.He is currently Professor of Metalwork and Jewellery at Musashino Art University, with studios in Tokyo and London.Hiroshi Suzuki's works appear in numerous public collections including The Worshipful Company of Goldsmiths'.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 248

ANGUS McFADYEN: a silver and finely engraved 'Square Vase'Edinburgh 2019 Tapering square form, hand-raised and gently curved, the interior richly gilded, the exterior intricately engraved in delicate sprigs of foliage, sprays to the foreground plain polished, others differing in depth and shade appearing in the background, forming a subtle multi-layered fauna effect against a matt stippled ground, height 11cm, diameter circa 11cm, weight 11.75oz.Footnotes:The creation of 'Square Vase'This beautiful square shaped silver vase has the accolade of being the first 'square' that Angus McFadyen ever hand-raised! The whole piece is created from just one sheet of silver and the exterior is intricately hand-engraved. Angus had to make 1,100 minute engraved marks per square centimetre to achieve this complex multi-layered foliage effect. This piece is a real testament to his skill and mastery as a silversmith and engraver.BiographyAngus McFadyen is a world renowned goldsmith, silversmith and engraver working to commission and for exhibitions. He specialises in hand engraving and inlaying techniques.Angus is a member of Contemporary British Silversmiths and a Freeman of the Worshipful Company of Goldsmiths'. He has work in the Victoria and Albert Museum and the Worshipful Company of Goldsmiths' collections. In addition, he is the current Chair of the Hand Engravers Association, where he teaches on the short course programme as well as regularly demonstrating at industry events.Angus McFadyen became a silversmith more by accident than by design. As a child he was often to be found in his father's woodwork shop and initially went to college to learn to make furniture, but was drawn to metalwork instead. Some years after leaving college he taught himself to engrave – a technique that has since come to characterise his work. Angus is best known for his silver vessels, most of them hand-raised and decorated with botanical motifs – clocks, teapots, vases and bowls adorned with golden foliage, chrysanthemums, ferns and roses.He explains that his attraction to engraving in particular is as much concerned with line and texture as it is with the form and finish of an object.'Now I either engrave or carve nearly everything I make, to the point that I sometimes make a piece just to have something on which to do some engraving. I have always been drawn to low relief carving in stone, such as the Elgin Marbles. It is not just the carving, it is the monotone quality that appeals. I think a lot of the time I am trying to reproduce drawings on silver.'For further information on this lot please visit Bonhams.com

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