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Lot 715

A second grade 835/1000 silver tweezers with ear spoon.

Lot 595

A set of nine first grade 925/1000 silver knife rests, 210 grams. Total 9x.

Lot 732

A 3rd grade 800/1000 silver women's pocket watch depicting a bird, circa 1900. Running.

Lot 515

A lot of various second grade 835/1000 silver, including mechanical pencils, total gross weight 190 grams. Hereby fragrance flacon, tot. 9x.

Lot 461

A second grade 835/1000 silver two-light candlestick, 1st half of the 20th century. Gross weight 352 grams.

Lot 771

Five assorted silver rings, tot. 5x.

Lot 702

Etagere silver. A 2nd grade 835/1000 silver cheese carriers + girl on a swing (defective), 20th century, tot. 2x.

Lot 578

A 2nd grade 835/1000 silver pie scoop, hammered floral decor. C.J. Desire Utrecht 1885.

Lot 76

A 2nd grade 835/1000 silver teapot with ebony handle on matching chafing dish and milk jug, P, de Meyer, 's Gravenhage, year letter 1849. Master's mark: Meijer, Philip de, 's Gravenhage (1842/1853), total 1284.5 grams , until. 5x.

Lot 369

A blue/white contoured porcelain dish with second grade 835/1000 silver handle of a later date, China, Qianlong, 18th century, Ø 13.5 cm.

Lot 211

A second grade 835/1000 silver place setting with the text 'Aan M.N.N van J.N.G 1-12-1953', Groningen, mid 20th century. Master's mark:

Lot 410

A silver-plated inkwell with application of football player with ball "souvenir L.E.V.C Go-ahead", 1st half 20th century. (damage jars)

Lot 157

A 2nd grade 835/1000 silver spoon, Groningen, 1790-. Master's mark: Wed. Jan van Giffen, Groningen, l 21 cm.

Lot 3

A 1st grade 925/1000 silver needle cushion in the shape of a shoe.

Lot 714

Three various, including 1st grade 925/1000 silver necklaces and a bracelet, tot. 4x.

Lot 101

A second grade 835/1000 silver Groningen model brandy bowl, 18th century. Lobed model, unclear maker's mark. Groningen 1713-1714. Partly polished.

Lot 475

A 2nd grade 835/1000 silver lump tongs, 1st half 20th century. Here are three others, to. 4x.

Lot 390

A men's pocket watch, so-called. tuber in silver case, 18th century. Marked in the dial: D.D. Neveren, on a silver Frisian model watch chain 19th century, chain length 21 cm, tot. 2x.

Lot 31

A set of 2nd grade 835/1000 silver two-light candlesticks marked Hessenberg, 1st half 20th century. Height 16 cm, gross weight 800 grams. Total 2x.

Lot 606

Etagere silver. A 2nd grade 835/1000 silver horn gramophone, 20th century, h 5 cm.

Lot 355

Two 2nd grade 835/1000 silver forks, Amsterdam 18th century. Master stamp: Simon Woortman, Amsterdam (1789-1844), l 20.5 cm, tot. 2x.

Lot 517

A 1st grade 925/1000 silver watch chain, gourmet link, England, circa 1900.

Lot 150

A pierced second grade 835/1000 silver bread basket with handle and pearl rim decoration, 20th century.

Lot 167

A 1st grade 925 silver vintage design Chevron cuff bracelet, Native American Navajo, signed Tom Hawk, wide/inner size 6.5 cm.

Lot 678

A Sterling silver bracelet. Indonesia 20th century. Hereby other, to. 2x.

Lot 79

An ebony walking stick with a silver Jugendstil handle, Germany around 1900, l 89 cm.

Lot 758

Five assorted silver rings, tot. 5x.

Lot 760

Five assorted silver rings, tot. 5x.

Lot 442

A series of twelve 2nd grade 835/1000 silver pastry forks, point fillet, 20th century. Hereby four ditto teaspoons and tea thumb, to. 17x.

Lot 692

A silver cross pendant, bracelet and earrings, tot. 4x.

Lot 112

A MOONSTONE BROOCH, BY RIONORE OF KILKENNY, CIRCA 1970The central oval-shaped moonstone cabochon within gold frame with reeded detailing, mounted in 18K gold, with maker's mark 'RK', indistinct hallmarks, width 4cmEstablished in the 1960s in Kilkenny, Rionore was initially known for it’s production of silver jewellery and was headed up by Bill Blunden and Basil Goulding. However early on in the company’s existence, the arrival of renowned gold and silversmith Rudolf Heltzel, influenced the move into using gold as a primary material. Fostering Irish design and craft traditions, their designs combined luxurious precious stones with a minimal aesthetic. In 1970 they exhibited at Booty Jewellery in New Bond Street and a full retrospective of Heltzel’s work was shown in The National Craft Gallery, Kilkenny in  2005.Condition Report: Normal signs of wear, overall in good conditionTotal gross weight approx. 25g

Lot 132

A LADY'S DIAMOND-SET COCKTAIL WATCH, BY OMEGA, CIRCA 1970The 17-jewel Cal-620 manual wind movement with a circular silver dial, black baton indicators, within a brilliant-cut diamond bezel, on fitted integral link strap of brushed finish, dial and movement signed, mov. no. 26773333, case 22mm, length 17.1cm Condition Report: Glass: a minor scratch visible under a bright light sourceDial: obvious moist stains near all baton indicatorsDiamonds: bright and livelyBracelet: normal signs of wearIn running condition at the time of inspectionTotal gross weight approx. 39.5gAn external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.

Lot 136

A FINE PAIR OF CULTURED PEARL AND DIAMOND PENDENT EARCLIPS, BY VERDURAEach surmount designed as stylised knots pavé-set with brilliant-cut diamonds, suspending a detachable cultured pearl drop of white or black tint, each caped with similarly-cut diamonds, mounted in 18K gold and platinum, diamonds approximately 7.50cts total, signed Verdura, with maker's mark for 'Amalphy', French assay marks, stamped 'Made in France', with maker's pouch, length 4.7cm and without pearl 2.3cmBorn in 1899 in Palermo, Italy, to an aristocratic family, Fulco Santostefano della Cerda’s, Duke of Verdura's, earliest beginnings were steeped in the beauty and sumptuousness inherent to both his homeland and social status. A vivacious and imaginative child, Fulco’s later designs would be deeply influenced by the family’s 18th century home, Villa Niscemi, as well as his love of nature and happy childhood days rambling around the vast estate. Inheriting the title of duke at the young age of, it became clear that the family’s financial situation did not reflect its noble status, and Verdura knew he would have to make a career for himself in order to upkeep the extravagant lifestyle to which he was accustomed. Having joined the army in 1916, Verdura would have to abandon a promising military career after sustaining a serious should injury which took months of recuperation to heal from. Luckily, the young duke had a wealth of family connections that placed him at the centre of Europe’s glittering interwar society.While on a visit to Venice in 1927 with his good friends, celebrated composer Cole Porter and his socialite wife Linda, Verdura was introduced to Coco Chanel. The two connected instantly, and shortly thereafter Verdura moved to Paris to work for Chanel as a textile designer. However, the young duke’s flair for jewellery design soon became evident and he began to help Chanel rework pieces from her own personal collection, some of which would be copied to be sold at the iconic 31 Rue Cambon location. Little of Verdura’s early work from this period survives, however by 1930 the design that would solidify his representation as one of the period’s foremost jewellery designers came into being. The Maltese Cross jewels consisted of two mismatched gold crosses set with an array of colourful gems, both Byzantian yet oddly contemporary in look. Verdura’s first Maltese Cross pieces were a pair of brooches which he gifted to the renowned fashion editor Diana Vreeland. Next came a pair of white enamel cuffs for Chanel herself, which she wore constantly. The lack of symmetry, yellow gold and brightly coloured stones were in stark contrast to the clean lines and white gold and platinum favoured by other jewellery designers of the time.In 1934, Verdura left Paris for the United States, where his charm, pedigree and good looks allowed him to easily insert himself into high society. Landing in New York before making his way to California, Verdura would meet Paul Flato, Hollywood’s most prominent jewellery designer, and soon became his Head of Design, his work appearing on the necks, arms, and fingers of era’s most standout starlets. By the late 1930s however, Verdura was ready to strike out on his own. His first solo store was opened at 712 Fifth Avenue on September 1st, 1939, the very day war was declared in Europe. The war denied American jewellery connoisseurs the ability to commission works from the master French and Italian ateliers, but Verdura filled the gap by introducing a uniquely European flair to the American market. He continued to produce commissions for actresses, notably Joan Fontaine, and New York society queens throughout the decade, but a collaboration with surrealist artist Salvador Dalí in 1940 allowed Verdura to explore his love of fine art through the lens of jewellery making. The collection consisted of five miniatures painted by Dalí, set by Verdura with gold and jewels. The pieces were exhibited at both the Julien Levy Gallery and the Museum of Modern Art in New York throughout 1941 and 1942, before being bought into private collections, although some re-merged for the Verdura company’s 75th anniversary exhibition The Power of Style: Verdura at 75 in 2014.Verdura’s success continued throughout the 40s, 50s and 60s. It seems he designed pieces for almost every style icon of the era, from royalty to socialites. Notable pieces include the Indian Feather Tiara created in 1957 for Betsey Cushing Whitney and the Double Crescent bracelet, which first appeared in 1940s and but was revived in popularity when it was worn by Princess Diana in 1997.After decades living in the world of glitter and gold, Verdura retired to London in 1973, passing on the company to his long-time business associate Joseph Alfano. The duke would spend the last few years of life indulging his other creative loves, publishing his childhood memoir The Happy Summer Days in 1976. He died in 1978 and was buried in his beloved hometown of Palermo.The Verdura company, meanwhile, continued to maintain its place in the world of fine jewellery. In 1983 the company was sold to Ward Landrigan, the former Head of Jewellery at Sotheby’s. The sale included the complete Verdura archives, consisting of over 10,000 original drawings and sketches, almost half of which were never realised. Landrigan aimed to re-introduce Verdura’s genius to a new generation and in 2004 was joined in the business by his son, Nico Landrigan, who became the company’s president in 2009. Today, Verdura’s classic collections are still available for purchase, including the Constellation Collection, the Caged Collection, the Byzantium Collection, and the Stardust Collection, each with their own unique backstory that offers insight into the mind of their brilliant creator.Verdura’s jewellery was never produced on a mass scale and his most famous pieces were often commissioned works. This has made the Verdura name all the more collectible for the discerning jewellery lover at auction.Condition Report: Cultured pearls:One black: Very good lustre, with green and pink overtones, minor natural blemishes visible under a bright light sourceOne White: Very good lustre, with green, pink and silver overtones, superficial natural blemishes visible under a bright light sourceDiamonds: approx. 7.50cts total, bright and livelySignature, French assay marks and maker's marks located on the clip fittingsEarclips for non pierced ears, includes rubber bands on the back fittingsEagle's head for French 18K gold and dog's head for French platinumMinor signs of wear, overall in good conditionTotal gross weight approx. 47.40g

Lot 168

A DIAMOND DRESS RING, BY ENIGMADesigned as stylised lips, pavé-set with brilliant-cut diamonds throughout, mounted in 18K gold, signed Enigma, Italian registry mark, with maker's pouch, ring size N¾Gianni Bulgari was born in 1935, the eldest son of Giorgio Bulgari and grandson of the founder, Sotirio. Together with his cousin Marina Bulgari, he led the family company as co-CEO for a number of years before taking over the full title until 1985.He left Bulgari after selling his stake to his brothers, Nicola and Paolo in 1987 and spent the next ten years as chairman of the Italian sportswear brand Fila. At the same time, Gianni was also working on another project of his own making. He established GB-Enigma, a luxury watch-making company, in 1989 but it was not until 2002 that he began to solely focus on the brand.Together with his son, Giorgio, he opened the first GB-Enigma store in Rome in 2005, and another in Geneva in 2006. The brand later extended into fine jewellery creating lines that are immediately recognisable and individual.Citing the decorative arts and specifically Art Deco and Bauhaus of the 1920s and 30s as inspirations, he injected new and challenging energy into the high jewellery market. With a focus on precious metals and superior craftsmanship, GB-Enigma reintroduced lesser used materials such as jet and silver with a bang, working them into bold eye-catching designs. It is very much a brand of its time, designed to complement the personality of the wearer. Condition Report: Diamonds: bright and livelyNormal signs of wear, overall in good conditionTotal gross weight approx. 9.3g

Lot 170

A DIAMOND, SILVER AND GOLD SNAKE BRACELETDesigned as a stylised serpent, the articulated body composed of brushed silver scales, the head and tail pavé-set with circular-cut black diamonds and brilliant-cut diamond eyes, mounted in silver and 18K gold, Italian registry mark Condition Report: Minor signs of wear, overall in good conditionTotal gross weight approx. 127.10g

Lot 189

A CULTURED PEARL NECKLACEComposed of a single row of graduated Tahitian cultured pearls measuring approximately from 12mm to 14.89mm, with an 18K gold spherical clasp, length 46.5cmCondition Report: Pearls: good lustre with green, pink and silver overtones, some minor blemishes visible on some pearlsIt is already recommended to restring a pearl necklace bought second handMinor signs of wear, overall in good conditionTotal gross weight approx. 108.8g

Lot 217

A CULTURED PEARL, OPAL AND DIAMOND DRESS RINGThe central round-shaped South Sea cultured pearl measuring approximately 14.13mm, within a brilliant-cut diamond surround to a further circular-cut opal cabochons, mounted in blacked 18K gold, French import mark, ring size MCondition Report: Pearl: of white tint, good lustre with silver overtones, minor natural blemishesDiamonds: bright and livelyOpals: overall well matchedSuperficial signs of wearOwl mark outside the hoop for 18K gold imported in FranceSuperficial signs of wear, overall in good conditionTotal gross weight approx. 10.7g

Lot 22

A PAIR OF CULTURED PEARL AND DIAMOND 'OLIVE' PENDENT EARRINGS, BY MIKIMOTOOf foliate design, set with Akoya cultured pearls accented with brilliant-cut diamonds, mounted in 18K gold, with maker's mark 'Mltd' for Mikimoto, with maker's case, length 3.2cmCondition Report: Pearls: of white tint with pink, green and silver overtones, very good luster, no blemishes observedDiamonds: bright and livelySuperficial signs of wear, overall in good conditionA similar pair retails on Mikimoto (co.uk) website for £4,400Total gross weight approx. 5.8g

Lot 25

TWO LATE 19TH CENTURY NOVELTY BROOCHES, CIRCA 1880One brooch designed as a swallow bird in flight with its wings stretched, embellished with carved moonstone plaques and cabochon, accented with rose-cut diamonds and ruby cabochons for eyes, mounted in silver and gold, width 3.8cm; Together with a bar brooch, the newly hatched baby chick embellished with rose-cut diamonds and ruby cabochon eye between white enamel egg shells, mounted in silver and gold, width 4.5cm Swallows are birds which are known for their fierce loyalty, mating for life and returning to their nests even after long journey’s away. As migratory birds they travel great distances each September to warmer shores and return to cooler climates in the summer. As symbols, these qualities of the swallow have been used to signify enduring love and constancy. They appear quite frequently in jewellery items, often as wedding gifts, to young couples as a mark of faithfulness.They also bear particular importance for seafarers, especially in the Victorian period when such enterprises of fishermen and sailors carried significant danger. Swallows’ incredible ability to always find their way back to their nests has led them to be thought of as a signal that land was nearby or have given rise to legends that they could guide ships to a safe harbour. They were often gifted to loved ones about to embark on a long journey to carry with them as talismans’ and bring them home free from harm.   Condition Report: Swallow bird: two small rose-cut diamond deficient - moonstones in good condition, pin fitting slightly loose, normal signs of wear, overall in good condition, total gross weight approx. 6.8gBar brooch: egg: some minor enamel loss - egg slightly loose on bar brooch - normal signs of wear, total gross weight approx. 6.7g

Lot 27

A LATE VICTORIAN RUBY AND DIAMOND BROOCH, CIRCA 1890Designed as a crescent set with cushion-shaped rubies, old brilliant, single and rose-cut diamonds, mounted in silver and gold, diamonds approximately 1.20ct total, length 3cmCondition Report: Rubies: of pinkish-red, medium tone, good saturation, good transparency, overall well matchedDiamonds: bright and lively - approx. 1.20ct totalNormal signs of wear, overall in good conditionTotal gross weight approx. 5.8g

Lot 28

A LATE 19TH CENTURY DIAMOND BROOCH, CIRCA 1890Designed as a stylised tripartite leaf set throughout with old and rose-cut diamonds, mounted in silver and gold, diamonds approximately 1.40ct total, with leather and suede case, length 3.4cmCondition Report: Diamonds: bright and livelyNormal signs of wear, overall in good conditionTotal gross weight approx. 5.2g

Lot 30

A LATE 19TH CENTURY GEM-SET NOVELTY BROOCH, FRENCH, CIRCA 1880Realistically modelled as a bee, the wings set with rose-cut diamonds, the body set with chatoyant dark greenish-blue gem, circular cabochon rubies for eyes, mounted in silver and gold, with maker's mark, French assay marks, removable brooch fitting, length 3.2cmCondition Report: Normal signs of wear, overall in good conditionEagle's head for French, goldUnable to identify the maker's markTotal gross weight approx. 12.7g

Lot 31

A LATE 19TH CENTURY DIAMOND BROOCH, CIRCA 1880Of crescent design set with old cushion-shaped diamonds and rose-cut diamond accents, mounted in silver and gold, diamonds approximately 3.00cts, with maker's mark 'ET', length 2.7cmCondition Report: Diamonds: approx. 3.00cts total, estimated colour J/K, estimated clarity good SIMaker's mark ETNormal signs of wear, overall in good conditionTotal gross weight approx. 5.7g

Lot 36

A LATE 19TH CENTURY DIAMOND AND RUBY NOVELTY BROOCH, CIRCA 1880Modelled as a lizard, the body set with rose-cut diamonds throughout and ruby cabochon eyes, mounted in silver and gold, with gold safety chain, length 6.1cmCondition Report: One rose-cut diamond efficientNormal signs of wear, overall in good conditionPossible French assay marks - difficult to distinguishTotal gross weight approx. 11.20g

Lot 38

A FINE EMERALD AND DIAMOND DRESS RING, CIRCA 1900The rectangular emerald weighing approximately 3.50cts within collet-setting, within an old brilliant-cut diamond surround, mounted in silver and gold, diamonds approximately 2.00cts total, with maker's mark, French assay mark, ring size QCondition Report: Emerald: of bluish-green hue, medium tone, good saturation, good transparency, very minor inclusions visible with naked eyeDiamonds: approx. 2.00cts total, estimated colour H/I, estimated clarity SIFrench assay mark for Silver & Gold: Boar head with eagle's head juxtaposedMaker's mark: horizontal lozenge with 'C' or 'G' and 'D'Normal signs of wear, overall in good conditionTotal gross weight approx. 5.5g

Lot 1026

Paar JardinierenSilber, vergoldet; Kristallglas; ovaler Stand auf jeweils 8 Füßen, die Wandung umlaufend mit Blumenrankendekor und Löwen; reich geschliffene Kristallglasschale; gemarkt: Sheffielder Kronen- und Löwenmarke, Datierungsbuchstabe "U", Zollstempel und Meistermarke "JD&S" für James Dixon & Son, tätig ab 1867 (siehe: Jackson's Silver & Gold Marks, S. 446)9,5 x 22,6 x 14,6 cm; Bruttogesamtgewicht: 1.632 g

Lot 105

Silver bracelet on gold and diamond roses Rigid bracelet in yellow 18-carat gold and silver set with thirteen pink-sized diamonds whose sizes range from 5.3 mm to 3 mm arranged in fall. Chain clasp and safety chain. Marked: none D: 6 cm approximate for oval bracelet Weight: 16.2 g gross weight

Lot 108

BELLE EPOQUE Bracelet Belle Epoque Rigid silver bracelet on yellow 18-carat gold set with sixteen diamonds pink size and five sapphires Verneuil, clasp pressure fitted with a safety. Dedication engraved on the inside of the bracelet: 19-7-1871-1896. Marked: none Weight : 8.3 g gross weight

Lot 123

Brooch. Silver on yellow gold, set with 24 baguette-cut red stones, a diamond pave around three old-cut diamonds. Marked : 750 W : 1 cm L : 4.5 cm Weight : 5.5 g

Lot 127

Baccarat Floral ring Floral motif of six purple petals in cut crystal and an orange and yellow heart, the body of the ring is in silver 925 thousandths. Ring comes with original case. Finger size: 57 (US: 8) Marked : flower, 925, poov Weight : 13.5 g gross weight

Lot 150

Brooch set with a cameo with gold and enamel appliqué Edge engraved and tooled in yellow 14-carat gold. The cameo depicts a profile of a woman on the draped bodice underlined by a blackened and enamelled silver appliqué, her hair is decorated with a diadem of gold and enamel. Marked: none H : 6 cm W : 5 cm Weight : 19.9 g gross weight

Lot 158

Lot of silver jewellery and a beautiful brooch by Dior - Silver necklace and pendant with golf ball. Weight : 8, 1gr. Marked : none - A silver stiff bracelet decorated with a palm cross. To note: strong deformation of the rounding. Weight: 14.8g. Marked : none - A pair of silver and silver-plated clip earrings ? Weight: 10.3 gr. Marked: bear's head and unreadable. - A brooch in gilt metal, signed Chr Dior, decorated with a profusion of different stones and pearls. Weight : 27.6 gr. Diameter : 5.6 cm. Signature : 19Chr Dior, C,65, Germany Weight : 33.2 g Gross weight only of the pieces in Ag.

Lot 162

TARTS Onion pocket watch Signed Tarts London 12054. Silver and brass dial, Roman numerals for the hours, embossed Arabic numerals for the minutes, hour scale with arcade decoration, single hand. mechanism not verified. Smooth silver case with IM hallmark and crown. Weight : 81 g gross weight.

Lot 201

Gold and silver minaudiere GUCCI Grooved silver clutch bag with two compartments with two mirrors, a powder case and a lipstick holder. Signed GUCCI on the inside, Hallmark 925. Opening with a sliding buckle in 18 K gold, Hallmark 750? GUCCI HALLMARK. Broken mirror. H: 7 cm W: 15 cm

Lot 206

"Bonne Année du Soleil 1994" pendant lock HERMES Silver charm padlock pendant celebrating the year of the sun (1994). The pin is a little off centre. Weight : 26 g

Lot 257

Set of clutches Fendi / Céline Including: - a Fendi city bag that can become a clutch (adjustable and detachable shoulder strap). In navy blue grained leather; gold/silver trim; snap closure signed "FENDI"; inside pocket with zipper closure; inside lined in navy blue lambskin. In its Fendi Feutrine. - A three-coloured Céline clutch bag in smooth grain matte leather; the body of the clutch bag is in midnight blue leather and the flap is in nude with a press stud closure. The bag has several compartments divided as follows: a. an orange outer pocket b. a main compartment divided into two gusseted pockets and twelve card compartments as well as a side pocket with zip closure. Interior lined with leather, same finish as the body of the bag. Signed "Céline Paris" made in Italy. Identification card and instructions for leather care Fendi: good general condition and chips; Céline: superb condition, traces of bic on the flap

Lot 26

Emerald and diamond ring In silver and white gold 375 thousandths, set with an emerald cabochon (4. 8 x 5. 8 x 5. 8 mm) in a setting of eighteen old-cut diamonds. Marked: 9 Ct & SIL Finger size: 57 (US 8) Weight: 4.1 g

Lot 300

Six day bags Prada, Tods, Etro, Braccialini, Mulberry Including: - a brown suede Prada baluchon bag with embroidery - a Tods bag in orange grained leather, lined in beige cotton, several compartments; silver trim - an Etro bag in Etro canvas, lined inside, three zipped pockets and two compartments; silver trim - an Etro "Profumi" beach bag in canvas, lined inside, adjustable shoulder strap - a Braccialini bag in straw and ribbons, lined interior, several compartments - a Mulberry bag with red crocodile print; two handles; suede lined interior, zip pocket Two pairs of leather gloves, summer white (8.5?) and winter brown (7?) Good general condition of the lot; scratches

Lot 301

Set of evening bags Including: - A black velvet minaudiere with multicoloured woven ribbons H: 14.5 cm, W: 18 cm - A small black embroidered beaded bag and a small black satin card holder H: 17 cm, W: 15 cm - A black satin evening bag with its original pocket mirror and gold metal flap clasp inlaid with blue (turquoise), pale pink and white pearl cabochons (Siro house, Roma) H: 6,5 cm; W: 19,5 cm - A nice crocodile bag from the house of A. Diomedi, Roma with original suede purse, black suede lining, two gusseted pockets, one zippered pocket, black lacquered hard closure outside, silvered inside, silver rhinestone clasp, one cabochon missing. H: 8 cm, W: 21,5 cm. Very good condition. NB : A CITES is mandatory for any export at the buyer's expense.

Lot 304

Folding stool, "2005, Au fil du fleuve" HERMES Folding stool, ""2005 - Au fil du fleuve"", H-canvas seat, silver aluminium trestle, brown ties, in its original H-canvas cover. Made in Taiwan Very good condition, chip on one of the legs, stain on the cover H: 36 cm W: 35 cm

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