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Lot 2524

A 19TH CENTURY STYLE SILVER PAINTED CONSOLE TABLE WITH PIERCED FOLIATE CARVING TO THE TOP AND FRIEZE, 47" WIDE

Lot 2526

A 19TH CENTURY HARDWOOD SILVER CHEST WITH IRON CARRYING HANDLES AND TWO LOCK CLASPS, 32X24"

Lot 2582

A MODERN SILVER GILT EFFECT OVERMANTEL MIRROR, 48X41"

Lot 275

A LARGE QUANTITY OF ITEMS TO INCLUDE A SILVER PLATED TEASET, FLATWARE, HORSE BITS, BOWLS, MONEY BOX, ETC

Lot 30A

A HALLMARKED SHEFFIELD SILVER 1908 COFFEE POT GROSS WEIGHT 482 GRAMS

Lot 311

THE COMMONWEALTH COLLECTION OF SILVER JUBILEE FIRST DAY COVERS IN SPECIAL BINDER X 52

Lot 32A

TWO SILVER ITEMS TO INCLUDE A SUGAR BOWL AND CREAM JUG BOTH HALLMARKED SHEFFIELD 1911 GROSS WEIGHT 296 GRAMS

Lot 345

A COLLECTION OF TWENTY ONE SILVER FLORINS, FIVE SILVER HALF CROWNS AND A 1944 TWO SHILLINGS COIN

Lot 346

A MIXED COLLECTION OF VINTAGE BRITISH AND SOME FOREIGN COINS TO INCLUDE A 1889 SILVER HALF CROWN COMMEMORATIVE CROWNS, TWO SHILLINGS, FARTHINGS, MALTA CURRENCY, DEUTSCHES TEN PFENNIGS ETC.

Lot 360

TWENTY FIVE SILVER COINS IN A PRESENTATION WALLET

Lot 364

A MARKED SILVER INGOT ONE OUNCE FINE SILVER 999 IN A PRESENTATION POUCH

Lot 371

A MARKED SILVER INGOT ONE OUNCE FINE SILVER 999 IN A PRESENTATION POUCH

Lot 373

AN 1899 VICTORIAN SILVER SHILLING

Lot 386

THE QUEEN ELIZABETH II LONG MAY SHE REIGN FIVE CROWN COIN, CAPSULED AND BOXED WITH CERTIFICATE OF SPECIFICATION. PLATED IN .999 SILVER AND ACCENTED IN 24 CARAT GOLD. DIAMETER 65MM

Lot 387

A QUEEN ELIZABETH II 925 SILVER JUBILEE CROWN 28.28 GRAMS WITH C.O.A. AND FOUR SURROUNDING OVERSIZED COMMEMORATIVE COINS IN A DISPLAY CASE

Lot 390

A COLLECTION OF VARIOUS COMMEMORATIVE COINS TO INCLUDE TWO FINE SILVER COIN COVERS AND OTHER COMMEMORATIVE COIN COVERS TO INCLUDE PENNY BLACK BREXIT ETC.

Lot 40

A LARGE GILT FRAMED MIRROR WITH A MARKED 925 SILVER PANEL

Lot 419

A UK 1821 CROWN , G1V , SUPERB EXAMPLE OF THIS SILVER COIN

Lot 420

UK 2013 ENGLAND FLORAL, SILVER PROOF COIN WITH COA

Lot 424

THE 60TH ANNIVERSARY OF THE QUEEN’S CORONATION , SILVER PROOF PNC . THE WEIGHT OF THE COIN IS 28.28 GRAMS

Lot 425

A UK 2013 CHRISTENING OF PRINCE GEORGE, PIEDFORT SILVER PROOF COIN

Lot 1329

Collection of white metal and silver plate including trophies. Not available for in-house P&P

Lot 1333

Two ebonised walking sticks with silver tops. Not available for in-house P&P

Lot 1363

Quantity of silver plate to include three trays, largest L: 30 cm. Not available for in-house P&P

Lot 1381

Box of mixed metalware including silver plate. Not available for in-house P&P

Lot 1383

Two boxes of mixed items including silver plate. Not available for in-house P&P

Lot 1398

Silver and black Ativa AT-7XN paper shredder. All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order. Not available for in-house P&P

Lot 1561

Six silver plate and white metal serving trays. Not available for in-house P&P

Lot 1075

9ct gold on silver cufflinks and a silver pendant and earring set. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1079

Mixed jewellery including silver. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1081

Mixed thimbles to include a silver example. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1083

Franklin Mint Tokyo medallion gold plated silver, 32g. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1086

Silver St. Christopher medal on a silver chain and a further unmarked example. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1090

Four silver topped glass items including a perfume bottle. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Lot 1091

Silver ingot pendant necklace, cross pendant necklace and a faux pearl necklace (3), combined 32g. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1092

Mixed UK and world coins including some silver. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1093

Mixed coins including silver. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1110

925 silver stone set pendant necklace and earring set, boxed. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1116

Collection of watch keys and a broken silver watch chain. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1118

Boxed sterling silver circular photo frame. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1139

WMF silver plated single goblet, stamped For War Department. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1143

Mixed UK and world coinage including silver. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1163

Olive wood box with collectible contents including Amber and silver pendant. Not available for in-house P&P

Lot 1172

Mixed collectables to include St Helens Victoria Diamond Jubilee plate and an enamel silver brooch etc. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Lot 1304

Four silver plated trophies, tallest H: 35 cm and a mug. Not available for in-house P&P

Lot 1308

Mixed silver plate including a shell form bowl. Not available for in-house P&P

Lot 84

PHILIPPE HALSMAN (Riga, 1906 - New York, 1979)."Cosmic Dalí", 1948.Photograph on silver gelatin.Presents signature, and stamp "Copyright by Philippe Halsman" on the back.Size: 20.5 x 17.5 cm; 44.5 x 41.5 cm (frame).Halsman studied electrical engineering in Dresden, after being accused of the murder of his father, he spent two years in prison. On his release Halsman decided to move to France, where he began contributing to fashion magazines such as Vogue and soon earned a reputation as one of France's finest portrait photographers. Famous for his sharp rather than soft-focus, tightly cropped images. When France was invaded by Germany, Halsman fled to Marseille. He eventually managed to obtain an American visa, with the help of his family friend Albert Einstein, whom he later photographed in 1947. Halsman had his first success in the United States when the cosmetics firm Elizabeth Arden used his image of model Constance Ford against the American flag in an advertising campaign for "Victory Red" lipstick. A year later, in 1942, he found work at Life magazine, photographing hat designs; in 1941 Halsman met the surrealist artist Salvador Dalí and they began collaborating in the late 1940s. The 1948 work Dalí Atomicus explores the idea of suspension, depicting three cats flying, a bucket of water being thrown and Dalí in the air. The title of the photograph is a reference to Dalí's work Leda Atomicus, which can be seen on the right of the photograph behind the two cats. Halsman and Dalí eventually published a compendium of their collaborations in the 1954 book Dali's Moustache, which presents 36 different views of the artist's distinctive moustache. Another famous collaboration between the two was In Voluptas Mors, a surrealist portrait of Dalí next to a large skull, in fact a tableau vivant composed of seven nudes. In 1947 Halsman took what would become one of his most famous photographs of a mournful Albert Einstein, who during the shoot recounted his regret at his role in the United States pursuing the atomic bomb. The photo would later be used in 1966 on a US postage stamp and, in 1999, on the cover of Time magazine, when it called Einstein the "Person of the Century". In 1951, NBC commissioned Halsman to photograph several popular comedians of the time, including Milton Berle, Sid Caesar, Groucho Marx and Bob Hope. The photographer developed a philosophy of jump photography, which he called jumpology. He published Philippe Halsman's Jump Book in 1959, which contained an ironic discussion of jumpology and 178 photographs of famous jumpers.

Lot 10

A late 19th century diamond brooch, circa 1890 Modelled as a foliate branch, set throughout with old brilliant-cut diamonds, mounted in silver and goldDimensions:Length: 4.9cm

Lot 11

A late 19th century diamond brooch, circa 1880 Designed as a floral spray, set throughout with old-cut diamonds, mounted in silver and goldDimensions:Length: 8.0cm

Lot 121

An antique coin dress ring Set with an ancient silver coin with Greek writing, collet-set to a tapered band with beadwork decorationDimensions:Ring size: S

Lot 129

A pair of late 18th / early 19th century Catalan emerald and diamond earrings Each tapered panel set with foil-backed rose-cut diamonds and foil-backed emeralds in raised mounts, mounted in silver and gold, Catalan hallmarksDimensions:Length: 13.7cmNote: The herring earring (in Catalan, arracada d'arengada), is the name given to this traditional style typical of late 18th and early 19th century Catalonia, due to its elongated piscine form. These jewels are crafted with detachable elements, allowing them to be arranged in shorter or longer fashions, depending on the importance of the occasion. Catalan historian Maria Pilar Bertran explains that herring earrings were marriage tokens – a woman was given one as a promise token; wearing both at full length indicated that she was married. Josep Masriera, the founder of the famous Spanish jewellery house created a very similar pair of emerald and diamond herring earrings for his apprentice showpiece in 1838.

Lot 13

A late 19th century emerald and diamond pendant/brooch The square cushion-shaped emerald swing centre, within an openwork cartouche of floral design set throughout with old brilliant and single-cut diamonds, mounted in silver and gold, detachable brooch fitting, drop deficientAccompanied by a report from Gemmological Certification Services (GCS) stating that the emerald, weighing approximately 2.30 carats, is natural with none to insignificant indications of clarity enhancement, origin Colombia. Report no. 5782-2784, dated 17th August 2022.Dimensions:Length: 4.9cm

Lot 162

Fred: A Gerald Genta-designed wristwatch 18ct white gold case with French and Swiss assay marks, signed round silver-coloured dial with applied baton hour markers, pencil hands, bezel with texture formed by concentric curved sections, the case back with 'by Gerald Genta,' and 1640, on an integrated bracelet strap formed by curved cylindrical bars, with a foldover clasp marked 750, with Italian marks, no box and papersDimensions:Case: 34mm excluding crown

Lot 7

A ruby and diamond horseshoe brooch, circa 1900 Set with a graduated row of oval-cut rubies, with rose and old-cut diamonds between, mounted in silver and goldDimensions:Length: 3.9cm

Lot 8

A late 19th century diamond crescent brooch, circa 1880 The central line of five graduated old brilliant-cut diamonds in a rose-cut diamond crescent-shaped surround, mounted in silver and gold, later rhodium plated, one diamond deficient Dimensions:Length: 2.8cm

Lot 84

Gebr. Friedlaender: A fine Belle Epoque diamond pendant necklace, circa 1905 In the Garland style, designed as a wreath of millegrain-set old brilliant and old single-cut diamonds on knife-edge bars, suspending two articulated diamond-set pendants with old cushion-shaped diamond terminals, suspended from a detachable fine link chain interspersed with old cushion-shaped diamonds, detachable brooch fitting, unsignedDimensions:Lengths: pendant 9.8cm, chain 49.0cmProvenance:A very similar pendant was sold at Sotheby's, Antique Jewels, 13th June 2000, lot 287, stating that it was purchased at Friedlander by a family member of the owner.Note: Gebr. Friedlaender was one of the eminent German jewellery houses of the Imperial period, founded in Berlin in 1829 by Zadek Levin Friedlaender. Three generations of the family succeeded him, running the premises on Unter den Linden in Berlin, and receiving the royal warrant as gold-and silversmiths to three generations of German Emperors and their families. They were particularly renowned for their elaborate silver centrepieces. It remained a prominent jewellery house until it was forced to close in 1938, when it was repossessed and renamed Deutsche Goldschmiedekunst-Werkstätten until its doors closed completely in 1945. As they were not known to sign their jewellery, unfortunately most of their jewellery has lost its attribution over time.This pendant is illustrated in Understanding Jewellery, David Bennett and Daniela Mascetti, 2010 reprint, plate 491

Lot 9

A late 19th century diamond star brooch, circa 1890 The twelve-rayed star set throughout with old brilliant and rose-cut diamonds, mounted in silver and gold, detachable brooch fittingDimensions:Length: 2.8cm

Lot 96

Stephen Webster: A pair of limited edition gem-set silver cufflinks Each designed as a silver 'Dom Perignon' label with central mother-of-pearl panel accented with a single brilliant-cut diamond, the edges inscribed 'vintage', the bar connector engraved DP, to shield-shaped terminals, UK hallmark silver 2003, maker's mark, numbered 24/97, maker's pouchDimensions:Length: 1.9cm

Lot 111

TAMI LYNN - I'M GONNA RUN AWAY FROM YOU/ THE BOY NEXT DOOR 7" (UK ATLANTIC - AT.4071). A superb UK pressed 7" cut of mid-60s soul by Tami Lynn; I'm Gonna Run Away From You/ The Boy Next Door (AT.4071, 1965 UK pressing on Atlantic. Black & silver labels are bright and clean. The record is in beautiful Ex condition, displaying a couple of hairline paper marks).

Lot 160

EDDIE SPENCER - YOU'RE SO GOOD TO ME BABY 7" (US NORTHERN - ARC A1206). A superb, scarce slice of late 60s northern by Jamaican singer Eddie Spencer - You're So Good To Me Baby/ If This Is Love (I'd Rather Be Lonely) (A1206, 1969 Canadian pressing on Arc Records. Black & silver labels are lovely, bright and clean with a small white sticker on the Bside label. The record is wonderful and glossy, with only a couple of light paper marks. Strong VG+ condition).

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