A silver heart-shaped pendant by Arthur and Georgina Gaskin, wire work heart-shaped frame cast and chased with leaves, set with central heart shaped opal, smaller opal cabochon and paste stones, with two paste drops and a central moonstone drop, unsigned, 5cm. long Provenance Private collection of Arts and Crafts jewellery. Exhibited Art and Fashion, Cheltenham Art Gallery & Museum Literature Elyse Zorn Karlin Jewelry & Metalwork in the Arts and Crafts Tradition, Schiffer, page 65 for two comparable brooches of similar form and design illustrated.
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A Murrle Bennett silver and turquoise brooch, circular form, cast with simple wavy line and dot border, inside pierced scroll border, set with central turquoise stone, unmarked, etched P/L, 3cm. diam. Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A silver and enamel brooch, circular with pierced panels, cast in low relief with blue enamel flowers, set with central turquoise stone, unsigned, 2.5cm. diam. Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
An Art Nouveau Murrle Bennett silver and enamel pendant, shield shape with cast honesty foliate panels, enamelled blue and green, with central mother of pearl roundel and pearl drop, stamped marks MB Co mark and 950, 3.5cm. long Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A James Fenton silver and enamel pendant, cast in low relief with Art Nouveau stylised foliate design, enamelled green and blue, with a blue enamel drop and another Art Nouveau silver and enamel pendant stamped marks, Birmingham 1910, 5cm. long (2) Provenance Private collection of Arts and Crafts jewellery. Exhibited Art and Fashion, Cheltenham Art Gallery & Museum
A William Thomas Blackband Medieval Revival silver brooch, circular with cast geometric bands and a band of black and white enamel, set with five carnelian stones, unmarked 4cm. diam. Provenance Private collection of Arts and Crafts jewellery. Catalogue notes William Thomas Blackband was an assistant to the Gaskins and succeeded Arthur Gaskin as headmaster at Vittoria Street in 1924. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A silver brooch by Edgar Simpson, cast and chased with two scaly fish amongst scrolling waterweed, set with four pale green chalcedony cabochon, stamped ES hallmarks, 6cm. long Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A silver and enamel pendant necklace and chain, the wirework frame cast with seven flower panels, and blister pearl drop, the central enamel panel painted with a central red rose stem and radiating leaves, enamel indistinctly signed E C, 9cm. high Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A silver and chrysoprase pendant necklace the design attributed to Omar Ramsden, wirework body with pierced and chased silver leaves, set with nine chrysoprase cabochon, the waterfall drop set with three further chrysoprase, unmarked, 7cm. long Provenance Private collection of Arts and Crafts jewellery. Exhibited Art and Fashion, Cheltenham Art Gallery & Museum
A Liberty & Co silver pendant by William H Haseler, the pierced and chased circular pendant with scrolling berried foliage, central polished abalone roundel and pearl drop, on link chain, stamped WHH marks, 4.5cm. long Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A Liberty & Co silver pendant necklace, the pierced silver oval pendant decorated with sprays of berried foliage, central pear-shaped polished abalone cabochon, the heart-shaped clasp and Liberty silver link chain, etched marks to back plate, 4cm. long Provenance Private collection of Arts and Crafts jewellery.
A Liberty & Co silver pendant necklace and chain, the wirework frame cast with foliate panels, set with a central abalone panel, with three green chrysoprase drops, the link chain set with two chrysoprase beads unsigned, 6cm. long Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A silver and moonstone pendant necklace probably Liberty & Co, the worked, wirework frame supporting three radiating moonstones, above single small moonstone and larger moonstone drop, unsigned, 6.5cm. long Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A Liberty & Co silver and turquoise pendant necklace, cast with dicentra (bleeding heart) flowers above turquoise stone, the drop with tiny pearl, single dicentra flower and turquoise, unmarked, 5.5cm. long Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A Liberty & Co silver and enamel bar brooch in the manner of Archibald Knox, cast as a frieze of stylised foliage, enamelled yellow, red, green and blue, stamped L & Co silver, 4.5cm. wide. Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
An Art Nouveau silver and enamel pendant, the floriform body enamelled in shades of blue and green, flanked with wirework knots and set with central mother of pearl cabochon, unsigned, 4.5cm. long Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A silver pendant necklace probably by G H Penny, cast and pierced with berried foliage, set with central claret coloured stone above pearl and pearl bead drop, stamped GHP mark, 3.5cm. long Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A silver and Amazonite ring, wide, slender amazonite on cast, off-set foliate mount, the shank of squared section with cast foliate motif, unsigned 2.5cm. wide, size U Provenance Didier Antiques Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A silver ring the design attributed to Kate Eadie, with cast gold flowers to the shoulder and set with a citrine, and another ring pierced and cast foliate design set with an elliptical rutilated quartz stone, unsigned, size M½ (both) (2) Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A silver pendant necklace, the heart-shaped wirework body with scrolls and set with a central turquoise, and a silver brooch cast with flower stems and set with central mother of pearl panel, unmarked, 3.5cm. long (2). Provenance Private collection of Arts and Crafts jewellery.
A large silver and jadeite pendant the design attributed to Amy Sandheim, cast sprays of foliage set with jade body, the large drop with similar silver mount set with moonstone cabochon, unsigned, 8.5cm. long Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A silver and turquoise pendant, cast in low relief with foliate border, set with abalone shell, two citrines and turquoise stones, and turquoise drop, unsigned, 6cm. long Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A silver and turquoise Celtic cross pendant, cast in low relief with wirework borders and decoration, set with four turquoise stones to the terminals and a central abalone shell, and a silver St Cecilia amulet attributed to Sarah Madeleine Martineau unsigned, 7cm. long (cross), (2) Provenance Shapiro (cross pendant) John Jesse (Sarah Madeleine Martineau) Private collection of Arts and Crafts jewellery.
A silver and amethyst link necklace, set with amethyst and clear paste stones and double line chain, and a silver and pearl necklace possibly retailed by Liberty & Co, unsigned, 36cm. long, (2) Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A Bernard Instone silver and enamel brooch, the circular frame cast with flowers and foliage in pink, blue and green, a Murrle Bennett gold clef brooch set with small turquoise, a silver brooch cast and enamelled with yellow flowers and foliage and set with a citrine, smaller circular brooch, a pair of earrings, and a ring, stamped marks, to Clef, 3cm. square (main brooch), (7) Provenance Private collection of Arts and Crafts jewellery. Exhibited Art and Fashion, Cheltenham Art Gallery & Museum
A Celtic silver and blister pearl brooch, cast and pierced with entrelac and rope panels, set with two blister pearls, and a link bracelet similar, unmarked, 5cm. wide. (2) Provenance Private collection of Arts and Crafts jewellery. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A Murrle Bennett silver stick pin, with shield terminal set with an opal, a Child & Child stick pin set enamelled with a maple leaf, an Art Nouveau gold stick pin, five other stick pins and an enamelled tie stud stamped marks, 5.5cm. long (9) Provenance Private collection of Arts and Crafts jewellery. Exhibited Art and Fashion, Cheltenham Art Gallery & Museum (part).
A silver cruet set by Sibyl Dunlop, comprising salt with glass liner, pepper pot and cover and a mustard pot with hinged cover and glass liner, each with cast band of stylised foliage, in original velvet lined presentation case, with two matched spoons, stamped marks, London 1932, 7cm. high (pepper) (5) Provenance Private collection of Arts and Crafts jewellery.
A fine Artificers Guild silver and gold pendant necklace designed by Edward Spencer, probably made by E Minns, the elliptical wirework body modelled with a frieze of flower and foliage, with three flower-heads picked out in gilt, set with sapphire, pearl and chrysoprase stones and large central elliptical opal, with foliate drop set with moonstone, in Artificers Guild Ltd fitted presentation case, 6.5cm. long Provenance Tadema Gallery Private collection Literature Nancy Schiffer Silver Jewellery Design, page 63 this pendant illustrated.
An interesting collection of jewellery, studio materials and ephemera relating to Miss Bertha Lillian L Goff, including; a silver and blue enamel cloak clasp, six silver and abalone shell buttons, four copper panels, two silver belt buckles with wirework decoration, three silver hat pins, a volume of original jewellery design in pencil, enamelling tools, enamels, a copy of the 1900 and 1905 National Competition books, Enamelling a book by Lewis F Day, three other books on ornament and enamelling, twenty plaster moulds an interesting group of photos in a photo album entitled The Irish Series by Betha Goff, and a collection of photographs and ephemera, (a lot) Provenance Bertha Lillian Goff, thence by descent to her great niece. 20th Century Jewellery, Christie's South Kensington 19th June 2001, lot 18. Private collection. Catalogue Notes Bertha Goff (1877-1971) studied at both the Holloway School of Art and the Slade. Her archive first came to public notice at the B.B.C. Antiques Roadshow in Derby where it was shown to Geoffrey Munn.
A Bertha Goff silver Putti belt, each link of triptych form, cast in low relief with a putti at work and play, flanked with Celtic knot motif, with small knot links, the buckle with two facing putti and knot panels set with chrysoprase unsigned 70.5cm. wide Provenance Private collection
A Ramsden and Carr silver goblet by Alwyn Carr, simple form with knopped stem decorated with heart motif, the top of the foot inscribed I was wrought for John Menzies Kay in 1920, hammered finish to bowl, stamped marks London 1917 and inscribed to base Alwyn Carr me fecit, 11.5cm. high
A Liberty & Co Cymric silver and enamel Coronation spoon designed by Archibald Knox, the streamlined stem pierced and cast with entrelac, the bowl cast with entrelac and AC ER VII, enamelled in blue and green, stamped marks, Birmingham 1901, 12.5cm. long Literature Stephen A Martin Archibald Knox, Artmedia, page 212 this spoon design illustrated.
A Liberty & Co Cymric silver and enamel Coronation spoon designed by Archibald Knox, cast with pierced entrelac knot to stem, the bowl with entrelac and Anno Coron ER VII, enamelled in green and blue stamped marks, Birmingham 1902, 15.5cm. long Literature Stephen A Martin Archibald Knox, Artmedia, page 212 this spoon design illustrated.
A large Liberty & Co Cymric silver and enamel Coronation spoon designed by Archibald Knox, the stem cast with panels of entrelac repeat, the bowl with large entrelacs, enamelled to stem and bowl with green and blue panels, over shallow cast inscription Anno Coron ERVII, stamped marks, Birmingham 1901, repaired, 20.5cm. long Literature Stephen A Martin Archibald Knox, Artmedia, page 212 this spoon design illustrated.
A Ruskin Pottery high-fired stoneware vase by William Howson-Taylor, dated 1933, ovoid with cylindrical neck, covered in a mottled sang de boeuf glaze with lavender, turquoise and silver-grey splashes, impressed marks, 1933, professional restoration to neck, 21cm. high Provenance Private collection.
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2466194 item(s)/page