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Lot 171

A George III silver child's feeding bowl (Pap Boat), London 1798 maker PB over AB (Peter & Ann Bateman), approx 61g.

Lot 181

Two row cultured pearl bracelet, two row of 6mm pearls with silver fittings and 13.5mm matching pearl clasp.

Lot 191

A beautiful Antique emerald, diamond and pearl necklace set with ten octagon cut emeralds sizes ranging from 4.3mm x 3.25mm to 7.25mm x 600mm, seven baroque pearls and six fresh water pearls. Two 12cm foliate sections with two bow shaped sections on either side of central open work cartouche. All sections pave set with diamonds, total length 40cm, assessed silver front with gold backing, fitted in a brown velvet lined hinged case embossed Christmas 1909, considered to be of French origin.

Lot 237

Rolex, a vintage silver cushion cased wristwatch, dial marked Brufords, Exeter, approx. 29 x 28mm.

Lot 248

Omega, a gents steel automatic date 'Geneva' wristwatch, circa 1972/73, silver batton dial.

Lot 35

EDWARD ATKINSON HORNEL (SCOTTISH 1864 - 1933), BURMESE DANCING GIRLS oil on canvas laid down on panel 56cm x 23cm Framed and under glass. Provenance: Sotheby's, Scottish Silver and Jewels, Scottish and Sporting Paintings, Drawings and Watercolours. Gleneagles, Monday 25th August and 26th August, 1986 Lot 882. Deceased estate. Note: Hornel was born in Bacchus Marsh, Victoria Australia, on 17 July 1864 of Scottish parents, and he was brought up and lived practically all his life in Scotland after his family moved back to Kirkcudbright in 1866. He studied for three years at the art school at Edinburgh, and for two years at Antwerp under Professor Verlat. Returning from Antwerp in 1885, he met George Henry and associated himself with the Glasgow Boys. Hornel and Henry collaborated upon The Druids Bringing in the Mistletoe (1890), a procession of druidic priests bringing in the sacred mistletoe, gorgeous with polychrome and gold. The two worked side by side to achieve decorative splendour of colour, Hornel boldly and freely employing texture effects produced by loading and scraping, roughening, smoothing, and staining. In 1893–94 the two artists spent a year and a half in Japan, where Hornel learned much about decorative design and spacing. Towards the close of the nineties his colours, while preserving their glow and richness, became more refined and more Verlat atmospheric, and his drawing more naturalistic, combining sensuous appeal with emotional and poetic significance. In 1901 he declined election to the Royal Scottish Academy. A member of Glasgow Art Club, Hornel exhibited in the club's annual exhibitions.In 1901 he acquired Broughton House, a townhouse and garden in Kirkcudbright, which was his main residence for the rest of his life with his sister Elizabeth. There he made several modifications to the house and designed garden taking inspiration from his travels in Japan. he also made an addition of a gallery for his paintings. On his death the house and library were donated for the benefit of the citizens of Kirkcudbright and Broughton House is now administered by the National Trust for Scotland.183 examples of Hornel's work are held in UK public collections and an unknown number in major museums around the world, including in the USA and Canada.

Lot 44

JAMES KAY RSA RSW (SCOTTISH 1858 - 1942), SUNSET, THE CLYDE oil on panel, signed 26cm x 36cm Framed. Label verso: A F Armstrong, Fine Art Consultant, 147 Bath Street, Glasgow. Provenance: Acquired by the current vendor May 18th 1972. Private Scottish collection. Note: James Kay (22 October 1858 - 26 September 1942) was a Scottish painter who achieved significant critical acclaim and commercial success in Scotland and in Europe. Born on the Isle of Arran Kay spent much of his working life with a studio in Glasgow and living at Portincaple on Loch Long in Argyll. He was elected to the Royal Scottish Society of Painters in Watercolour (RSW) in 1906 and to the Royal Scottish Academy (RSA) in 1938. Primarily a landscape artist, Kay is best known for his portrayals of "the glory of the busy shipping reaches of the Clyde". He showed great originality, influenced by the emergence of impressionism in the 1880s. Kay achieved regular recognition at exhibitions in Europe. He exhibited at the Salon in Paris in 1894, and at the 1895 La Libre Esthetique in Brussells was awarded an honourable mention. In 1903 his painting Toil and Grime was awarded the silver medal at the Societe des Amis des Arts in Rouen, while another work, River of the North , won the gold medal at the Paris Salon. In 1907 his painting Launch of the Lusitania was purchased by the Corporation of Glasgow for the city's art collection.

Lot 86

* PIERRE DE CLAUSADE (FRENCH 1910 - 1976), PEACE OF THE INFINITE oil on canvas, signed 50cm x 100cm Framed. Note: Born in Paris on April 15, 1910 Pierre de Clausade’s formal education in architecture is evident throughout the body of work he produced until his death in 1976. After attending the Beaux-Arts Academy in Paris, he began endless experiments in an effort to develop an entirely personal method of expression. Clausade took his cue from the Cubists, with their simplified form and the Art Nouveau themes of order and harmony with monochromatic style and made it his own. His objective was to develop a style that was unique, but with which he was comfortable. After trials and failures lasting several years, he finally held his first exhibition at the 1941 Paris Salon where he was awarded a Silver medal. Thereafter he began exhibiting regularly at the Societe des Beaux Arts. In 1945, he was accepted as a member of the Salon d´Hiver and with the continued success of his Salon exhibitions, Clausade began receiving invitations to exhibit worldwide. In January 1953 he was awarded the Medaille d’ Argent by the jury of the Paris Salon. He died in 1976 and with him passed one of the most dramatic and striking individual expressions of art.

Lot 14

British C/W, mainly Cyprus, Gibraltar & Malta, in album, stockbook & album pages incl. Cyprus 1934 set F/U, 1935 Silver Jubilee set F/U, 1948 Silver Wedding £1 M, Gibraltar 1948 Silver Wedding £1 M, etc. (many 100s)

Lot 173

2020 Alderney .925 Sterling Silver Proof £1, £2 & £5 coins (total weight 52.78g) in 3 Benham Dunkirk Evacuation coin covers in folder.

Lot 175

2020 Brexit .925 Sterling Silver Proof 50p coin in Benham coin cover in folder

Lot 182

GB & other silver coins (13) + few modern crowns & old pennies.

Lot 183

Mainly GB in 2 albums incl. GV-GVI silver coins, etc. (100s)

Lot 217

1935 Silver Jubilee set Mint. SG 31-34 Cat £55 (4)

Lot 226

1935 Silver Jubilee set Mint, fine. SG 156-8 Cat £42 (3)

Lot 257

1935 Silver Jubilee set on registered commercial envelope to New Orleans, fine. Cat £95

Lot 431

1935 Silver Jubilee set Mint. SG 133-6 Cat £65 (4)

Lot 470

1948 Silver Wedding 20c x 88 in large blocks U/M. Cat £88 (88)

Lot 48

1935 Silver Jubilee virtually complete Mint, few only used, on stocksheets (approx 250)

Lot 49

1935 Silver Jubilee: Antigua, Bahamas, Barbados, Basutoland & Bermuda sets Mint. Cat £115 (24)

Lot 50

1935 Silver Jubilee: Nigeria, N.Rhodesia, Nyasaland, St Helena, Sierra Leone & Somaliland Mint. Cat £144 (24)

Lot 51

1935 Silver Jubilee: Solomon Is, Cayman Is, Gibraltar, Gold Coast, Grenada & Leeward Is. Mint. Cat £149 (24)

Lot 52

1935 Silver Jubilee: Straits, Malta, Mauritius, Morocco Agencies, Tangier & Newfoundland Mint. Cat £116 (24)

Lot 58

1948 Silver Wedding complete Mint set on Hagner sheets. Cat £2250 (138)

Lot 65

1972 Silver Wedding, 1973 Royal Wedding & 1977 Silver Jubilee U/M collections in 3 small albums (200+)

Lot 82

1977 Silver Jubilee in album & GB FDCs in 3 albums incl. some Benham (approx 200 covers)

Lot 105

Arts and Crafts Design Superb Quality (Thick Gauge) Sterling Silver Four Piece Tea Service of wonderful design and proportions, hallmarked Chester 1928, maker S B and Sons, S Blanckensee and Sons; height of water jug 8.25 inches (20.5cms), height of tea pot 7 inches (17.5cms), silver weight 54ozs; all aspects of condition superb - confirm with photo; low estimate for this quality

Lot 120A

Natural Blue Zircon and Diamond Ring, three octagon cut blue zircons, the central stone slightly larger than those to either side, totalling 3.3cts, enhanced to each side by baguette cut diamonds; the natural zircons, an example of one of the earliest stones ever mined on Earth, have a warmth in the blue particularly suited to the octagon cut, the diamonds supplying extra light and sparkle from the sides; the whole set in rhodium vermeil and silver; size S

Lot 187

Victorian Period Gents Small or Ladies Sterling Silver Decorative Cased Keywind Fob Watch with English lever/fusee movement. Plain balance, single rough cut end stone, serial No. 21843. Hallmark London 1866. Case, movement, dial all excellent condition.

Lot 194

Ruby and Diamond Ring, an octagon cut 3.5ct ruby of rich red colour, flanked by two similar rubies of .5ct each, accented by baguette cut diamonds to each shoulder of the platinum vermeil and silver shank; an elegant and classic style for the Birthstone for July; size S

Lot 195

Art Deco Marcasite Set Silver Watch Brooch, in the form of a bird on a branch; 2 inches high x 1.5 wide

Lot 203

Edwardian Period Striking Novelty Sterling Silver Capstan Inkwell in the form of a large bell, hallmarked Birmingham 1910, 134.3grams, loaded base; wonderful condition in all aspects

Lot 259

Rose de France Amethyst Butterfly Ring, the wings formed from two marquise cut Rose de France amethysts and two smaller pear cuts, totalling 2.5cts, set in a rose gold vermeil and silver openwork mount; size R

Lot 261

Rose Spinel Pink Quartz Solitaire Ring, the 10ct, warm, antique rose colour, deep oval cut, solitaire sits in a scrolled openwork silver mount on a part textured shank; size Q

Lot 271

Georgian Silver Ladle of Small Proportions, 6 inches long, hallmarked rubbed

Lot 273

Edwardian Period Sterling Silver Lidded Small Box of Pleasing Proportions. Hallmark Birmingham 1910. 2 x 2.75 Inches - 5 x 6.9 cm. 192.7 grams Total Weight.

Lot 17

A late Victorian silver plated dinner gong with attached gong mechanism; various plated sweet meat baskets; a silver plated four stem epergne centrepiece (6)

Lot 18

A late Victorian/early 20th century silver plated cruet set on stand c.1900; an early 20th century plated comport with Etruscan cameo plaque swing handle; Barker Ellis jug profusely chased throughout with vacant cartouche;etc

Lot 182

Silver Plate - a Prima cased canteen of cutlery; a part canteen of cutlery; other cutlery; a glass condiment jar and stand

Lot 226

A silver fronted address book, unused, with sinuous whiplash embossed decoration

Lot 23

An early Macintyre jug 'The Bell Edmonton - The Diverting History of John Gilpin', with silver rim, Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, London 1895, 18cm

Lot 230

An early 20th century weighted silver goblet; three silver napkin rings

Lot 27

Flatware - a silver plated Kings Pattern cutlery including table knives, forks, dessert knives, forks, dessert spoons, serving spoon assorted manufactures including Walker & Hall; a cased set of silver plated fish knives & forks for twelve, Richard Martin & Ebenezer Hall; a conforming cased set of fish servers; other flat ware

Lot 35

Silver & Plate - Walker & Hall silver mounted scent bottle with porcelain stopper, monogrammed, other silver mounted scent bottles; silver plated cruets; Victorian silver plated teapot; etc qty

Lot 37

A substantial silver plated shaped gallery tray pierced fretwork edge

Lot 62

A Royal Crown Derby paperweight, Hummingbird, second quality, silver stopper, boxed; another Cat, second,boxed; a rabbit paperweight, second,boxed; various boxed Royal Crown Derby Derby Posies vases, dressing table box; mainly boxed,etc

Lot 7

An early 20th century Walker & Hall silver plated four piece tea set comprising tea pot, sugar bowl, milk jug & tea strainer & holder (4)

Lot 70

An George III silver circular box & cover, the cover monogrammed JW, EP, London 1766 53.4g

Lot 71

A Victorian silver scent bottle, sprung hinged lid, self seal glass liner, chased & engraved with scrolls, monogrammed to lid EW, engraved E Warnes to side, Sampson Mordan & Co (Sampson Mordan II), London, 1883 63.4g gross

Lot 72

An Art Deco silver three piece tea setting by Gladwin Ltd dated 1931 1,200g gross

Lot 73

A silver and guilloché enamel cigarette case, hinged cover and verso engine turned and decorated in tones of blue, gilt interior, Deakin & Francis Ltd, 1924 82.8g gross

Lot 74

A George V silver sauce boat, scroll handle, hoof feet, J W Benson, Birmingham, 1912 101.5g

Lot 75

A silver capstan inkwell, hinged cover, rubbed marks, 160g gross

Lot 76

A pair of George III silver Old English serving spoons, * L, London, 1813; another Victorian silver rat tail serving spoon, John Stone, Exeter, 1858 197.6g (3)

Lot 77

A late Victorian silver cream jug, embossed in relief with scrolls, vacant cartouche, scroll handle, Barnett Henry Abrahams, Birmingham, 1895; another three lion masks to base terminating in lion paw feet, scroll handle, T H Hazlewood & Co, Birmingham, 1920; a Hong Kong stamped white metal cruet set engraved with flowering prunus & fanciful bird, clear glass liner conforming mustard pot, rubbed marks; a small silver mounted photo frame, Charles Penny Brown, Birmingham, 1904 144.9g

Lot 79

Two silver and gilt pendants; a silver Albert; a silver thimble

Lot 81

An early Victorian silver mustard,chased throughout

Lot 83

An Edwardian silver trophy 336.3g

Lot 84

A silver Blue John and marcasite ring, size M; a silver and three red stone ring, size M1/2; a pair of yellow metal sapphire and white stone cluster earrings; another white stone pair; a yellow metal dental bridge; a mother of pearl Art Deco buckle; marcasite brooch and earrings, etc

Lot 85

Four George IV silver fiddle back dessert spoons, Richard Britton, London, 1824; two Victorian fiddle back spoons Robert Wallis, London, one 1847 the other 1844 258.2g

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