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A Masonic silver gilt medal, Birmingham 1910, in blue enamel, Belgrano Lodge No.3466, in enamel shield above, depicting clasped hands, and tree, suspended on a pale green ribbon, fixed with star and member bar above, medal set in the form of a cartouche, the head and shoulders of a gentleman.
HANNAH B BARLOW: A ROYAL DOULTON LAMBETH STONEWARE COMPOSITE THREE PIECE TEA SERVIVE comprising teapot of compressed cylindrical form, the amber and blue wash ground with "sgraffito" decoration of kangeroos and emus with silver mount and cover, 4", together with small cream jug and sugar bowl, impressed marks, monogrammed EHB and dated 1878 (3).
Punch. Punch or the London Charivari, vol. 1, July to December 1841, wood eng. illusts. throughout, some closed tears and crude sellotape repairs to first few leaves, some spotting throughout and some leaves sprung, a.e.g., orig. pimpled cloth gilt, worn, 4to. Laid in the front of the volume is an albumen print [by London Stereoscopic Company, 11th May 1867], of the Green Room, group portrait of thirteen sitters including Sir Arthur Sullivan, Sir John Tenniel, Ellen Terry, George Du Maurier, Mark Lemon (editor of Punch), Quintin Twiss and others, approx. 17 x 23 cm with arched top. On the following blank endpapers are a presentation inscription from the proprietors of Punch, 'presented to John Knowles Esq. on the occasion of the amateur performance in Manchester in aid of the "Bennett Fund", 29th July 1867', signed by W. H. Bradbury, F. W. Evans, and William, Thomas and J. Agnew. On the facing leaf underneath a small ink sketch of Mr. Punch and his dog [by John Tenniel?] are twenty signatures of those involved including Mark Lemon, Tom Taylor, John Tenniel, Henry Silver, F. C. Burnand, Arthur S. Sullivan, Charles S. Keene, Kate Terry and others. Another copy of the photograph is held by the National Portrait Gallery. (1)
New Testament [Greek]. Novum Testamentum... ed. Johannes Leusden, Amsterdam, 1698, addn. eng. title (close-trimmed to fore- and lower margins, printed title in red and black, two folding eng. maps, a.e.g., early 19th c. maroon morocco, blind and gilt decorated, with silver clasps in working order, very sl. rubbed, 12mo (1)
Faber Monographs. Early Staffordshire Pottery, by Bernard Rackham, 1951, Worcester Porcelain, by Franklin A. Barrett, 1953, Longton Hall Porcelain, by Bernard Watney, 1957, English Cream-coloured Earthenware, by Donald C. Towner, 1957, English Blue & White Porcelain of the 18th Century, by Bernard Watney, 1963, and eleven other Faber monographs on pottery and porcelain, plus two on glass, four on furniture and five on silver, num. col. and b & w illusts., all orig. cloth in frayed and chipped d.j.s, tall 8vo (27)
Oliver Cromwell, Lord Protector, a silver crown piece, 1658 by Thomas Simon, laureate and draped bust left, OLIVAR.D.G.P.ANG.SCO.HIB &c PRO., rev. crowned arms of the protectorate, PAX.QVAERITVR.BELLO, lettered edge HAS. NISI. PERITVRVS.MIHI.ADIMAT.NEMO ESC 10; S.3226). Very fine and toned, the usual die flaw in an early stage.
Hammered Silver Coins (4), Pennies of the Edwards (2), Long Cross, London mint; Henry VIII (1509-1547), Groat, Second coinage, crowned profile portrait bust right, mintmark lis (S.2337 E); Elizabeth I (1558-1603), Sixpence, 1566 Third issue, mintmark lion (S.2562), fair to fine but small segment missing from third and fourth pierced; together with Roman silvered Antoniniani (2), very fine; and other ancient bronze coins (4). (10)
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2466194 item(s)/page