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Lot 498

Silver egg cup and 2 silver napkin rings, total w: 1.9 ozt

Lot 499

Pair of silver backed gents hairbrushes

Lot 500

Silver purse 6” long, w: 2.5 ozt

Lot 501

Silver shell dish and 3 small silver goblets, total w: 3.9 ozt

Lot 502

Silver stamp box 2” long, w: 0.7 ozt

Lot 503

Silver inkwell box 9” long x 5” wide x 2.5” high. Contains 2 glass inkwells (1 damaged). Total weight of box without inkwells 33.9 ozt

Lot 504

9 piece silver backed brush set comprising 2 hand brushes, hand mirror, 2 clothes brushes, comb top and 3 silver topped glass jars

Lot 505

Viners Tudor 100 piece silver plated ‘Kings Royal’ canteen of cutlery

Lot 575

Silver charm bracelet with heart lock and 17 charms, total w: 2 ozt

Lot 576

Continental silver ladle, 14” long, w: 9.1 ozt

Lot 577

Silver pocket watch marked ‘Centre Seconds 24809 Chronograph’, 2.5” diameter, total w: 6 ozt, not running

Lot 578

Silver pocket watch marked ‘Kay’s Keyless Triumph’, 2” diameter, with silver chain. Total w: 3.7 ozt. Not running

Lot 579

Silver pocket watch marked ‘Fattorini & Sons, 53645’, no glass and hand missing, 1.5” long, w: 1.6 ozt and plated ‘Combat’ pocket watch, 2” long, running

Lot 580

Silver menorah candlestick, 10” high. Total w: 14.4 ozt (filled base) damaged

Lot 10

A late 19th Century/early 20th Century folio European West Indies and Far East Travel Album, bound to match previous lot, mainly commercial images - Austria, Lichtenstein and Germany (10), Italy including Taormina (28), Malta, Algiers, including panorama of harbour, 1890, Tangiers, Egypt, camel trains and merchants by Nile, silver prints of Jamaica and West Indies including banana, sugar cane, cocao and pineapple plantations and workers (20), four-section panorama of Cattaro/Kotor, Montenegro and other views of location (4), Norway, Scotland and Devon, including Lynmouth, Bideford harbour, Clovelly, Killarney, tinted Japanese portraits, with postcards, F-G (apx. 209 images)

Lot 170

An Olympus mju II Compact Camera, silver, powers up, shutter working, flash working, self timer working, body G-VG, elements G-VG, with wrist strap

Lot 171

An Olympus mju II Compact Camera, silver, powers up, shutter working, flash working, self timer working, body G, light wear, elements G-VG, with wrist strap

Lot 172

An Olympus mju II Compact Camera, silver, powers up, shutter working, flash working, self timer working, body G-VG, elements G-VG, with wrist strap

Lot 116

An Arts and Crafts silver travelling pyx, maker's marks for Omar Ramsden, London 1924,in three parts, surmounted with a cross, centred with a wafer compartment, the base forming a chalice with hinged handles, inscribed to the underside 'Omar Ramsden Me Fecit',12.5cm high, in a travelling case, 5.2ozt (2)Condition ReportThe inside rim of the chalice with rubbing to the gilding, likely from assembly and disassembly. The gilding appealing slightly faded. The assembly groves with some wear. With some tarnish built up underneath the handles and to the deeper recesses - most notably on the cross. The underneath of the handles with some rubbing. The inside with some filed down solder remnants - these appear to be synchronous with manufacture as they appear underneath the gilding. Throughout with minor scratches and marks. Additional images uploaded.

Lot 14

An Art Nouveau WMF claret jug and stopper,of slender tapering form, silver-plated and green glass, with a handle and mounts cast with sinuous fruit, two maidens to the base mount, with a hinged and pierced stopper, raised on pad feet, stamped marks,41cm high (2)Condition ReportGood overall. No cracks to the glass. Condition of the silver plating good throughout - with some tarnish to the crevaces and recesses. A few surface scratches occurring. The relief is clear. With a small nick to the hinge. Additional images of the marks uploades. 

Lot 172

A silver-plated and gilt 'recipe' cocktail shaker, c.1930, with a strainer section, the gilded inner sleeve rotating to give the recipes for fifteen cocktails, stamped marks 'Napier US Patents also Foreign Patents', 27.5cm highCondition ReportGood overall condition. Re-plated and gilded.The sleeve turns smoothly. Haven't attempted to make any cocktails in it - would you require a Manhattan?

Lot 173

A Joseph Heinrichs silver-plated cocktail shaker, with a faceted tapering body with a domed cover, the spout with a cover and chain, stamped 'Jos Heinrichs Paris New York Nickelsilver PAT FEB 22 1910',21cm highCondition ReportSome old pitting to the collar of the base. Minor dents to the cover

Lot 174

An American Art Deco silver-plated cocktail shaker,c.1930, in the form of a milk churn, stamped 'Reed & Barton 27/32oz', 24cm high Condition ReportCork stopper to the spout with some wear. Some minor scratches to the body.

Lot 175

An American Art Deco silver-plated cocktail shaker,c.1930, in the form of a milk churn, stamped 'Reed & Barton 25/64', 27cm highCondition ReportSome wear to the cork in the spout.Few knocks to the handle of the cover, also to the edge of the cover. And to the handle on the body.Some minor scratches to the body

Lot 176

A silver-plated cocktail shaker,designed by Keith Murray, maker's marks for Mappin and Webb, of conical form with horizontal bands, enclosing a concave perforated sifter, stamped marks,24cm highCondition ReportSilver plate in good overall condition. Good clear marks.

Lot 177

An Art Deco 'The Master Incolor' cocktail shaker,in red Bakelite and silver-plated, with a swivel panel in the cover revealing cocktail recipes, moulded marks to the underside,28.5cm highCondition ReportSome mottling to the body of the shaker. Seal to the body is slightly degraded. Good overall.

Lot 20

An Art Nouveau sang-de-boeuf glazed vase, c.1900, of squat form with a short ribbed neck, mounted with a silver rim and a silver collar on the shoulder, stamped 'AD', the underside inscribed 'B', 11.5cm highCondition ReportRim is loose, but fixed, The collar is loose - stamped 'AD' either side a bird. Some discolouration to the collar and rim. Diameter 12 cm. The collar with remnants of blue tack to the underneath holding it in place. Additional images uploaded.

Lot 230

A Drakes silver-plated and chrome drinks trolley,by Drakes Silversmiths, mounted with three faux rosewood tiers, the top fitted with six removable basins with further accessories, the second tier with four removable racks, the underside fitted with a pull-out surface to the side, labelled 'Drakes Silversmiths Limited, Brewers St, London W1 Model L/t No.', 104cm wide49cm deep111cm highBought in 1975 from the Ritz Hotel, London.Condition ReportSome discolouration to the edges, chip to the glass cocktail pourer.Further images uploaded - this shows water to the castors, tarnished supports.No other supporting provenance about the Ritz, only that it was bought in 1975 from there.

Lot 263

A Knoll Studios 'Tulip' dining table, of modern manufacture, originally designed in 1955 by Eero Saarinen for Knoll as part of the Pedestal Collection, with an oval Carrera marble top, raised on a silver-coloured base, labelled to the underneath of the foot with manufacturer's badge with facsimile signature,244cm wide137cm deep74cm highProvenance: The Collection of the former Dunhill Pipe Factory in Notting Hill.Buying this vintage dining table could save up to 0.46 tonnes of CO2e compared to buying new.Condition ReportThe table was bought 10-15 years ago when the vendors moved into the house.the table has a small chip to the edge of the marble top - photos added.The base is in good overall condition.

Lot 264

A set of eight Knoll Studios 'Tulip' dining chairs,of modern manufacture, originally designed in 1955 by Eero Saarinen by Knoll as part of the Pedestal Collection, comprising six singles and two carvers, all with swivel function, with silver coloured shells and bases, labelled to the underneath with manufacturer's badge and facsimile signature,carver 68cm wide59cm deep81cm high, seat 48cm high,single 49cm wide51cm deep81cm high, seat 48cm high (8)Provenance: The Collection of the former Dunhill Pipe Factory in Notting Hill.Condition ReportThe chairs with some scratches and marks to the frame. The upholstery is generally in good order - with wear commensurate with age and use. Acquired by the present owner 10-15 years ago with wear reflecting domestic use since.

Lot 37

A WMF silver-plated dressing table mirror,of lobed form with a reeded border, inset with a bevelled mirror plate, with an easel back, stamped marks, 39.5cm wide 48.5cm high with easelCondition ReportMarks worn. some knocks to the edges

Lot 75

A silver pepperette, by the Guild of Handicrafts, London 1903,with a hammered finish, mounted with cabochons and a domed cover, 6cm high, 1.5oztCondition ReportTarnishing to the surface. Minor knocks to the edges of the base.Further photos uploaded 

Lot 76

A silver-plated muffin dish and cover,designed by Charles Robert Ashbee (1863-1942), with an openwork wire mount set with a chrysoprase cabochon, with an applied beaded rim and hot water compartment,24.3cm diameter (2)Condition ReportWear to the silver plate. Terminal slightly knocked. Base rim is worn and with some bent areas.Wear to the base rim.

Lot 77

A Liberty and Co 'Cymric' silver Edward VII coronation spoon,designed by Archibald Knox, Birmingham 1901,with stamped registration marks 'RD391476', 16.5cm long, 2.5oztCondition ReportSome minor wear to the edges of the bowl and a scratch to the handle above the bowl.

Lot 79

An Arts and Crafts silver twin-handled porringer,designed by Charles Robert Ashbee (1863-1942), maker's marks for Guild of Handicraft, London 1901,the rim with some perforations, the twin handles set with green chrysoprase stones,25cm wide, 6cm high, 5.7ozt Condition ReportThe bowl slightly asymmetrical - appears slightly compressed to one end. With tarnish and buildup throughout, more prominently to the recesses. The underneat of the foot with scratches. The handles slightly bent in places. The makers mark rubbed. Additional images uploaded

Lot 80

An Arts and Crafts silver presentation bowl,by Omar Ramsden and Alwyn Carr, London 1915,embossed with a band of fruit to a planished ground, the foot engraved 'To James Hector Dickson & Jessie his wife on their silver wedding day from Mary Scott Sep. 20th 1890-1915',15.5cm diameter, 10oztCondition ReportMinor knocks, scuffs and scratches. Otherwise, good order.

Lot 9

Émile Gallé (1846-1904),c.1900, a cameo glass vase, cased, cut and polished with trees before mountains, in blue, purple and green, with a later silver rim, cameo signature,19.7cm highCondition ReportDespite the addition of the collar, it does not appear to have been cut down given the fullness of the decoration. Nibbles to the edge of the foot, possibly due to manufacture. General scratching and wear commensurate with age. Rim tests silver - unmarked.

Lot 131

INRO À QUATRE COMPARTIMENTS EN LAQUE D'ORJapon, époque Edo (1615-1868), fin du XVIIe/début du XVIIIe siècleA GOLD-LACQUER FOUR-CASE INROJapan, Edo Period (1615-1868), late 17th/early 18th centuryOf upright wide form, decorated with an autumnal scene mainly in gold, red and silver takamaki-e and gold hiramaki-e, the cord runners of dense inlaid shell, with discrete details of kirikane, one side with a cat on an engawa overlooking pavilions set within a mountainous Chinese landscape, the other with a prominent shibagaki (brushwood fence) on the lower left foreground from behind which issues tall flowering kikyo (Chinese bellflowers) in front of a fusuma door, overlooking ducks, sheltered beneath pine branches swimming on a river, the interior of nashiji; unsigned. 6.5cm (2 1/2in) x 5.5cm (2 1/8in). Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021) 來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏For further information on this lot please visit Bonhams.com

Lot 132

INRO À QUATRE COMPARTIMENTS EN LAQUE D'ORJapon, époque Edo (1615-1868), fin du XVIIe/début du XVIIIe siècleA GOLD LACQUER FOUR-CASE INROJapan, Edo Period (1615-1868), late 17th/early 18th centuryOf upright wide form, decorated with a continuous autumnal scene mainly in gold, red and silver takamaki-e with discrete details inlaid in shell, one side with two courtiers beside a tall shibagaki (brushwood fence) from behind which grows tall stems of flowering hagi (bush clover), the design continuing on the reverse with more hagi and chrysanthemums growing against the full moon in the distance, the interior of plain black lacquer; unsigned. 7cm (2 3/4in) x 7cm (2 3/4in).Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021) 來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏For further information on this lot please visit Bonhams.com

Lot 147

INRO À QUATRE COMPARTIMENTS EN LAQUE D'ORJapon, époque Edo (1615-1868), XIXe siècleA GOLD-LACQUER FOUR-CASE INROJapan, Edo Period (1615-1868), 19th centuryOf upright form, the kinji ground decorated with a continuous scene of abundant cherry blossoms issuing from a hilly landscape on one side and branches of cherry blossoms growing over a waterfall continuing from the surface of the top case on the other, all lacquered in gold and silver takamaki-e with kirikane details, the interior of rich nashiji; unsigned. 9cm (3 1/2in) x 5.2cm (2in).Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021) 來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏For further information on this lot please visit Bonhams.com

Lot 148

INRO À QUATRE COMPARTIMENTS EN LAQUE D'ORJapon, lignée d'Hasegawa Shigeyoshi, probablement Shigeyoshi II (actif vers 1750-1849), époque Edo (1615-1868), probablement XIXe siècleA GOLD-LACQUER FOUR-CASE INROJapan, Hasegawa Shigeyoshi Lineage, probably Shigeyoshi II (active c.1750-1849), Edo Period (1615-1868), probably 19th centuryOf upright form, the kinji ground decorated with an all-over design, depicting cranes in flight over probably Yoshino, typically showing abundant cherry trees growing in a hilly landscape, lacquered in gold, silver takamaki-e and kirikane, the interior of rich gyobu-nashiji; signed on the base of the bottom case in gold hiramaki-e Hasegawa Shigeyoshi saku with a red-lacquered pot seal. 8cm (3 1/8in) x 4.5cm (1 3/4in). Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021) 來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏The artist is recorded by E. A. Wrangham, The Index of Inro Artists, Alnwick, Northumberland, Harehope Publications, 1995, p.239. Wrangham surmises that the artist is perhaps linked to the Kajikawa School, due perhaps to Shigeyoshi's frequent use of a red pot seal with his signature, as is seen in this presented lot.For further information on this lot please visit Bonhams.com

Lot 152

INRO À TROIS COMPARTIMENTS EN LAQUE D'ORJapon, par Koma Bunsai, époque Edo (1615-1868), début/milieu du XIXe siècleA GOLD-LACQUER THREE-CASE INROJapan, by Koma Bunsai, Edo Period (1615-1868), early-mid 19th centuryOf upright form, the kinji ground decorated with a continuous design of two mounted elaborately-attired aristocratic riders engaged in a horse race, sheltered beneath maple branches, a scene probably alluding to the annual horse race at Kamo Shrine, lacquered in gold and iro-e takamaki-e, silver hiramaki-e and kirikane, the interior of rich gyobu-nashiji; signed inside the top case in gold lacquer Komai Bunsai; with a silvered-metal ojime in the form of a snail, unsigned; and a lacquered-wood netsuke in form of a frog crouched on a straw sandal; unsigned. The inro: 7.4cm (2 7/8in) x 5.3cm (2 1/16in); the netsuke: 5.8cm (2 5/16in) long.Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021) 來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏For further information on this lot please visit Bonhams.com

Lot 153

INRO À QUATRE COMPARTIMENTS EN LAQUE D'ORJapon, époque Edo (1615-1868), XIXe siècleA GOLD-LACQUER FOUR-CASE INROJapan, Edo Period (1615-1868), 19th centuryOf upright, wide form, the e-nashiji ground decorated with an all-over design of an autumn scene depicting a flock of geese in flight and descending towards flowering chrysanthemum and hagi (bush clover), all lacquered in gold and silver takamaki-e and kirikane details, the interior of nashiji; unsigned. 8.1cm (3 1/8in) x 5.5cm (2 3/8in).Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021) 來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏For further information on this lot please visit Bonhams.com

Lot 215

VASE COUVERT TRIPODE EN BRONZE DORÉ À DÉCOR INCISÉ DE SCÈNE DE CHASSE ET D'ANIMAUX FANTASTIQUES, LIANDynastie des Han occidentaux (206 av. J.-C. - 9 ap. J.-C.)A VERY RARE GILT-BRONZE INCISED 'HUNTING SCENE' TRIPOD CONTAINER AND COVER, LIANWestern Han Dynasty (206 BC-9 AD)The cylindrical vessel raised on three kneeling bear supports, divided into registers by three bowstrings, variously decorated around the sides with an intricate incised designs of lappets and scrollwork with a scene of a man wielding a spear hunting a mythical beast, flanked with a pair of taotie-mask and ring handles, the cover with an external border decorated with a similar hunting scene, around the internal medallion with lappets alternating with six animals including an owl and a toad around a four lappets encircling an aperture. 23.5cm (9 2/8in) diam. x 23.5cm (9 2/8in) high. (2).Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired prior to 1935Jean-Pierre Rousset, Paris (1936-2021) Cast as a miniature 'mountain' decorated with spear-armed men hunting mythical beasts, the present vessel was once entirely gilt and thus particularly precious. Although the shape is probably inspired by ritual wine containers, zun, produced during the Warring States period (475-221 BC), the vessel could have been used also as a cosmetic box or in the ritual context, may have acted as a visual aid for the tomb occupant to envision the mythical Immortal land of Penglai which they were hoped to reach in their afterlife.According to the Classic of Mountains and Seas, Shanhai Jing, likely compiled during the 4th century BC, Penglai was one of the Immortal islands located in the Eastern Bohai sea, which vanished from sight as voyagers glimpsed them and hoped to land on them in their search of Immortality-granting elixirs. These islands were defined by high mountains dotted with caves where Immortals were thought to live. Based on the Daoist idea of a peaked island, the miniature landscape presented on this vessel may have represented the deceased's journey through a winding obstacle-laden landscape, in search of the elixir of eternal life. '(..) Having transcended sacred mountains, one will gain supernatural powers, controlling the wind and rain, and finally reach to Heaven, the Abode of the Celestial Emperor', mentions the 'Masters from Huainan', Huainanzi, in the 2nd century BC. See A.G.Wenley, 'The Question of the Po-Shan-Hsiang-Lu', in Archives of the Chinese Art Society of America, no.3, 1948, pp.5-12.Mountains were highly regarded in China as primary components of the universe, because of their ability to produce water, the life-giving element, from the clouds swirling around them. They were linked with a profound interest in meeting the Immortal spirits inhabiting their naturally high peaks, which provided the closest connection with heaven. From at least the time of emperor Wudi (r.141-87 BC), the mountains located on the Immortal islands in the Eastern Sea were thought to be reached in two ways, wither during one's earthly lifespan, through the ingestion of magical potions, or following one's death, through the preservation of the body and soul in the burial. See J.Rawson, Mysteries of Ancient China: New Discoveries From the Early Dynasties, London, 1996, pp.172-173; see also S.Erickson, 'Boshanlu: Mountain Censer of the Western Han Period: A Typological and Iconographical Analysis', in Archives of Asian Art, 1992, vol.45, pp.6-28. The animals populating the mythical mountain depicted on the present vessel were probably inspired by the mythical creatures inhabiting the wondrous realms described in the Shanghai Jing (Classic of Mountains and Seas), the Huainanzi, compiled sometime before 139 BC, and the Zhuangzi (Master Zhuang) of the late Warring States period (476-221 BC). It is also quite possible that the animals may have been inspired by those involved in the imperial hunts that were carefully staged in the royal parks during the Han dynasty. The Han emperors had an unprecedented passion for building brilliant parks of great size where the rulers staged symbolical conquests of the natural world through ritual hunts and animal combats. See E.H.Schafer, 'Hunting Parks and Animal Enclosures in ancient China', in Journal of the Economic and Social History of the Orient, 1968, vol.11, no.3, pp.318-343.The taotie mask designs decorating the ring handles and the three bears shaping the feet were probably aimed at protecting the deceased against the evil influences they may encounter in their afterlife. Although the actual significance of the taotie motif is still the subjects of extensive academic research, it is mentioned in the 'Spring and Autumn Rituals' as bodiless monster swallowing hostile tribes. By the same token, the 'Classics of Mountains and Seas' praises the bear for its bravery and refers to the creature as the gate guardian of the mythical mountains invoked by Daoists. See D.Jenkins (et al.), Mysterious Spirits, Strange Beasts, Earthly Delights: Early Chinese Art from the Arlene and Harold Schnitzer Collection, Portland, 2005, pp.34-35.Compare a closely related gilt openwork lian and cover, Han dynasty, in the Cleveland Museum of Art (Leonard C. Hanna, Jr. Fund 1972.44); see also a related gilt and silver bronze example, Han dynasty, in the Minneapolis Institute of Art (acc.no.50.46.49a,b).A related bronze un-gilt and plain lian and cover, Han dynasty, with tiger supports and ram finials, was sold at Sotheby's New York, 22 March 2011, lot 195.Réalisé à l'image d'une montagne miniature et décoré d'hommes armés de lances chassant des animaux fabuleux, ce vase tripode était à l'origine entièrement doré et donc particulièrement précieux. Bien que sa forme soit probablement inspirée des récipients rituels à alcool de type zun, produits durant l'époque des Royaumes Combattants (475 – 221 av. J.-C.), ce récipient a aussi pu servir de boîte à cosmétiques ou, dans un contexte rituel, faire office de support visuel pour aider l'occupant de la tombe à imaginer l'île mythique des immortels Penglai, dans l'espoir d'atteindre l'au-delà.Selon le Classique des Montagnes et des Mers, Shanhai Jing, sans doute compilé au IVe siècle av. J.-C., Penglai était une des îles des Immortels situées dans la mer orientale de Bohai, îles qui disparaissaient une fois aperçues par les voyageurs espérant y parvenir dans leur quête de l'élixir d'immortalité. Ces îles étaient formées de hautes montagnes parsemées de grottes où vivaient, pensait-on, les Immortels.Basé sur l'idée taoïste d'une île formant un pic montagneux, le paysage miniature présenté sur ce récipient pourrait avoir représenté le voyage du défunt à travers un paysage sinueux plein d'obstacles, à la recherche de l'élixir d'immortalité. « (...) Après avoir dépassé les montagnes sacrées, on obtiendra des pouvoirs magiques, contrôlant le vent et la pluie, et on accèdera finalement au Ciel, « la Demeure de l'Empereur Céleste » dit le Huainanzi (Le Maître de Huainan) au IIe siècle av. J.-C. Voir A. G. Wenley, «The Question of the Po-Shan-Hsiang-Lu », dans Archives of the Chinese Art Society of America, n°3, 1948, pp.5-12.Les montagnes étaient considérées avec un grand respect, en Chine, en tant qu'éléments primordiaux de l'univers, en raison de leur capacité à produire de l'eau, l'élément donnant la vie, depuis les nuages tourbillonnant autour d'elles. Elles étaient associées au d... For further information on this lot please visit Bonhams.com

Lot 291

BOL D'AUMÔNE COUVERT EN ALLIAGE D'ARGENT PARTIELLEMENT DORÉ ET INCRUSTÉ DE PIERREMongolie, XVIIIe/XIXe siècleA PARCEL-GILT SILVER-ALLOY STONE-INLAID ALMS BOWL AND COVER Mongolia, 18th/19th centuryThe exterior profusely decorated in relief with cartouches enclosing the Eight Buddhist Emblems, bajixiang, alternating with dense foliate lotus sprays, between a band of lotus petal panels above the foot and around the shoulders decorated with Mongolian characters alternating with turquoise and coral inlaid cabochons, all below beaded inverted rim, the base finely incised with a double-vajra, set with a wide-rimmed domed cover similarly decorated with four auspicious emblems below the teardrop shaped openwork finial, the interior rim of the cover with a European embossed mark. 16.2cm (6 3/8in) high. (2).Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021) 蒙古 十八/十九世紀 局部鎏金銀合金八吉祥紋蓋缽來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏For further information on this lot please visit Bonhams.com

Lot 84

BOL COUVERT SUR PIED EN ALLIAGE D'ARGENT INCRUSTÉMongolie, XIXe siècle avec éléments antérieursAN INLAID SILVER-ALLOY STEM BOWL AND COVERMongolia, 19th century with earlier elementsThe deep rounded bowl flanked by a pair of mythical beast handles, with a wide brim and a stepped inverted rim, supported on an openwork lotus stem raised on four Buddhist lions set on a circular stepped disc, surmounted with a domed stepped silver and jade cover with a compressed globular finial decorated in relief with six chi-dragons below the jade bead finial, variously decorated with foliate lotus sprays. 26.5cm (10 3/8in) high. (2).Footnotes:蒙古 十九世紀 銀合金嵌寶花卉紋雙獸耳高足蓋盌Provenance:Jean-Pierre Rousset, Paris (1936-2021) 來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

Lot 85

LAMPE À BEURRE EN ALLIAGE D'ARGENTTibet, XIXe siècleA SILVER ALLOY BUTTER LAMPTibet, 19th centurySet on a domed lotus base with bulbous mid section incised with flowerheads, the flaring cup with bands of petals and shaped panels containing the auspicious symbols of the chakravartin. 23cm (9in) high.Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021)The butter lamp, also called 'The Dharma Light', is an essential ritual item in Tibetan Buddhism facilitating the offering of light to enlightened beings. The lamp would have been prominently displayed beside a temple altar and kept burning as a perpetual flame, tended by monks.西藏 十九世紀 銀酥油燈來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏For further information on this lot please visit Bonhams.com

Lot 235

Two silver cream boats, Indian white metal bowl etc.

Lot 242

A set of silver cased teaspoons together with two pill boxes

Lot 243

A two handled silver pierced basket, together with a small bon bon dish

Lot 244

A silver quaich table salt together with flatwareCONDITION REPORTquaich is hallmarkedCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.

Lot 275

A small silver cased travelling clock, scent bottle etc.

Lot 280

A set of Second World War medals with miniatures, other First World War medals and silver golfing spoons etc.

Lot 394

A Silver Crest fan heater and portable power system

Lot 413

An assorted collection of metal ware, including a miniature silver photo frame, silver cuff links and brass Chinese bowl

Lot 417

Assorted silver plated items - on two shelves

Lot 432

A brass pestle and mortar, together with assorted silver plate

Lot 485

A medley of glass and ceramic collectables, silver plated and metal ware, together with a set of vintage cast iron scales etc.

Lot 486

A Royal Crown Derby paperweight together with silver collared perfume bottles etc.

Lot 524

Assorted silver plated itemsCONDITION REPORTWe have attached a number of additional images to showcase the lot in further detail.

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