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1900 Transvaal: an interesting mahogany box, the hinged cover carved with a named profile of S. P. Krieger flanked by devices for “Free State” and “Transvaal” inscribed “Made by P.O.W. St. Helena” and a silver plated campaign cup engraved with a device inscribed “St Helena” and dated 1901 complete with red leather case (3) £40-80
1897 Jubilee: a good quality ivory paperknife with scroll cast and engraved hallmarked silver handle for Sheffield 1898 terminating in a cobalt blue porcelain sphere painted with a likeness of the young Queen Victoria within a profusely gilded cartouche the reverse with VR monogram dated 1837, 315mm long £200-400 Illustrated and in colour on page 25
Boris Israilovich Anisfeld, 1879-1973 costume designs for a production of Sadko four, all variously inscribed in Cyrillic and numbered watercolour and gouache over pencil on paper heightened with silver and gold paint each 45 by 33cm., 17.75 by 13in. (4) provenance collection of Major Harold de Vahl Rubin exhibited paris, Musee des Arts Decoratifs, Ballets Russes, 1939, Nos. 18, 19 and 20
A tryptich icon, 18th century the central panel composed of the Visitation of the Shepherd surmounted by the Almighty Sabaoth flanked on either side by images of Saint Nicholas, Saint Alexandra and Saint Barbara, the Vladmirskaya Mother of God and the Kazan Mother of God, surmounted by Cherubim and Seraphim, held in a silver gilt hinged oklad height: 20cm., 7.75in wings open: 24cm; 9.5in
Christ Pantocrator, 19th century finely painted, the repousse and chased silver gilt oklad applied with pierced and elaborately decorated shaded enamel halo and corner pieces, marked Ivan Alekseevich Alekseev, 84 standard; held within a velvet-lined wooden fitted kiot with glass cover size of icon: 27 by 22.25cm., 10.5 by 8.75in.
The Mother of God of Smolensk, circa 1500 the robes of the Christ child painted in 19th century, the details highlighted with gilt, the background and borders stripped to the gesso, within a fine silver-gilt oklad elaborately cast and chased with floral and foliate motifs, the pierced halo similarly decorated, maker's mark VL, Moscow, 1827 31.2 by 26.5cm., 12.25 by 10.5in
The Tikhvin Mother of God, 18th Century flanked by miniature depictions of the Guardian Angel, Saint Anne and two others, held in a silver oklad, cast and chased with grapes and vine leaves, the pierced halo set at intervals with rosettes, with maker's mark for Alexander Affanasiev, 1880, 84 standard 45.2 by 37.5cm., 17.75 by 14.75in
A silver-gilt feeding funnel and a silver-gilt beaker, the funnel Gavril Ustinov, Moscow, 1838 engraved with an angel and Cyrillic inscription in floral cartouches, 84 standard; the beaker with unidentified maker's mark S.B in Cyrillic, Moscow, 1780, moulded with eagles perched on scrolling plinths length of funnel: 11.5cm, 4.5in for similar beakers, see A. von Solodkoff, Russian Gold and Silver, 1981, plates 19 and 20.
A four piece, silver and cut-glass desk-set, Gerasim Mitrofanov, Moscow, 1908-1917 comprising: a cut-glass inkwell with silver cover and shaped stand, ink-blotter and paper-knife, all similarly decorated in Art-nouveu style with foliate scrolls, 84 standard (4) lenght of ink-stand: 34cm., 13.5in
A silver water-jug, Sazikov, St Petersburg, 1850 the bulbous body cast and chased to each side with medallions formed from foliate scrolls, the front with engraved initials DO, the neck with collar of rosettes, scroll handle and shaped spout, 84 standard height: 30.5cm., 12in
A set of six silver salts, maker's mark: TH, possibly Timothy Hesketh, St Petersburg, circa 1880 the shaped circular bodies with beaded borders, five with glass inserts, held in original velvet-lined case, together with six associated silver-gilt salt shovels, circa 1890, maker's mark PJS, 84 standard (18) diameter of salt: 4.5cm., 1.75in
A Canteen of silver cutlery, various makers including Khlebnikov, late 19th Century and early 20th Century comprising: nine table-forks, nine table-spoons, nine table-knives with original blades, nine desert-forks, nine desert-spoons, nine bread-knives with silver blades, two fish-knives, nine large teaspoons, nine small teaspoons, a two-forked prong, three cake-slices, and a small serving palette; all with stylised initials TD with an associated four-tier wooden box. (79)
A silver-mounted coconut cup, maker's mark AS?, St Petersburg, circa 1775 carved in relief with profile portraits of Empress Elizabeth, Catherine II and Grand Duke Paul Petrovitch, later Paul I, within military trophy borders, held aloft by a putto, the domed foot engraved with three monograms, gilt interior, cover lacking, assay master Ivan Frolov height 22.5cm, 8.75in.
A silver-gilt and enamel cup saucer and spoon, Gustav Klingert, Moscow, retailed by B.S. Shole, Odessa, 1891 all with opaque white, translucent red and blue enamel honeycomb decoration, the stylised handle formed from leaves in red, blue and white enamel, 84 standard, held in original fitted case marked: B.S. Shole, Odessa (4) height of cup: 6.3cm., 2.5in; diameter of saucer: 12.2cm., 5in
A three-piece cloisonne enamel and silver-gilt tea set, Sazikov, Moscow, 1899-1908 comprising a teapot, covered sugar bowl and cream pitcher, each decorated in shaded enamel with flowers and scrolls, turquoise dot borders, mother of pearl knops, 84 standard height of teapot: 11.8cm, 4.625in
A silver-gilt, shaded and cloisonne enamel spoon, Khlebnikov, Moscow, 1889 the bowl painted with an image of a young woman in a kokoshnik and traditional dress, framed by red translucent enamel leaves and blue enamel borders, the handle with spiral ornament, 88 standard length: 13.5cm., 5.25in
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2475480 item(s)/page