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A SAPPHIRE AND DIAMOND PENDANT BROOCH, CIRCA 1870, the central circular mixed-cut sapphire within a border of six old brilliant-cut diamonds each claw and collet set, with radiating diamonds set petals, to an outer undulating knife edge mount set with six circular mixed-cut sapphires at each point, mounted in silver and gold Detachable brooch harness fitting. 2.5cm wide
A MID-19th CENTURY GILT-TOOLED LEATHER BOUND STATIONERY BOX, MECHI & BAZIN, the hinged lid opening to reveal a drop down red silk notice board and blotter, the box fitted with compartments with two silver gilt mounted inkwells, marked for 1859, with ivory and gilt metal implements and three small leather and gilt tooled notebooks titled Accounts, Journal and Calling book (later).
A large late 19th Century Stevens & Williams table centre bowl of footed spherical form with petal edged rim falling to a sea shell scroll handle, the body externally cut with a fine basket weave design, the whole mounted to a silver plated stand decorated with scrolling leaves and buds, 22cm x 30cm
A late 19th Century Stevens & Williams claret jug of shouldered ovoid form with silver hallmarked collar neck, hollow blown handle and stopper, cased in ruby over clear crystal and polished intaglio cut with large anthemion style scrolls with flowers and foliage, hallmarked for London 1895, height 21cm, S/D.
A contemporary Isle of Wight limited edition `Fish` vase in the style of Mdina by Timothy Harris, compressed ovoid body with drawn collar neck cased in clear crystal over deep blue core with silver aventurine decoration, full engraved signature to the base, numbered 1/2, dated 2006, height 26cm.
A most uncommon, imposing and highly collectable silver on hammered finish copper and brass Aesthetic Movement, Arts and Crafts Bracket Clock, possibly Scottish or American School. The arched hand-beaten copper body raised on flared feet extending to a diminishing tapering column at each corner, the beaten face having embossed figures, Arabic numerals and two winding apertures and below it two lines of hand-beaten script in a font of highly stylized capitals, the well known quotation of Benjamin Franklin, one of the founding fathers of the United States: "HE THAT RISETH LATE MUST TROT ALL DAY". The door to the rear having a wrought iron latch handle and riveted hinges opening to reveal a high quality French two-train brass constructed movement by Japy Freres numbered 35469 striking the hours and half hours on a gong. 13 1/8" tall, 9 1/2" wide and 7 1/4" deep.
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2466194 item(s)/page