A late Victorian ruby and diamond swallow bird brooch, 3-dimensionally formed and pave set with rose-cut diamonds, in unmarked silver and gold settings, wingspan 44.3mm, 8.1gAll stones present, diamonds relatively bright, a few tiny spots of solder on backing underneath brooch fitting and tail join, brooch fitting working, unmarked
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A George III silver-gilt fob watch case combination vinaigrette-locket, by Thomas Newbold, circular form with front and back applied with turquoise and garnet flowerheads, chased foliate border and double compartments containing foliate grille and photo locket, diameter 27.1mm, 19.7gNo damage or repairs, all stones present, garnets have abraded surfaces, high points slightly worn, hinges and catches working perfectly, hallmarks slightly rubbed
An early 20th century 9ct rose gold curb link charm bracelet, with 15 x 9ct charms, 1 x 1913 half sovereign charm, and 1 x 9ct gold and silver Masonic ball charm, bracelet hallmarks Chester 1920, bracelet length 17cm, 121.6g grossNo obvious damage, general wear to high points, no broken links, clasp working, hallmarks clear, stamped 375
A large Art Deco gem set leaf brooch, unmarked gold and silver settings, gemstones include emerald ruby sapphire diamond citrine and blue topaz, unsigned, brooch length 72.5mm, 14.5gNo damage or repair, all stones present, some minor abrasions on facet edges, settings lightly abraded, brooch fitting is slightly bent but still working, unmarked
FOOTBALL AND CRICKET MEDALS 1902 - 1907 Thirteen silver hallmarked medals, 2 cricket and 11 football medals. Some are engraved on the front with AJW which we believe is A.J. Wilson. The only references to a club is Crown United for both football and cricket. We also believe that S.C.L. is the Southern Counties League which is not the Southern League. Every medal has a silver hallmark and is engraved on the reverse. Good
LUIS DE MADRAZO Y KUNTZ (Madrid, 1825 - 1897)."Portrait of a Lady with a Cat.Oil on canvas. Re-coloured.With restorations.Provenance: Private Collection of Luis García Berlanga.Signed in the lower right corner.Measurements: 81 x 54 cm; 100 x 72 cm (frame).Like the rest of his family, Luis de Madrazo cultivated the portrait. The quality of the master responsible for the painting is clear: first, for the economy of means, which keeps the spectator's attention focused on the lady (something to which the neutral background of the painting and the tonal play between the dress and the pale skin of the lady also contribute); second, for the quality of the drawing used, above all, in the face (drawing which predominates over the colour and the brushstroke, as it was usual in the art of the 19th century derived from the Neoclassicism of the Fine Arts Academies).The son of José de Madrazo and brother of Federico and Pedro, Luis de Madrazo enjoyed great prestige during his lifetime, first as a teacher (professor of Old and Ropajes Drawing) and later as director of the Madrid School of Painting, Sculpture and Engraving, and was recognised with honours such as the appointment of Commander of the Order of Isabella the Catholic, as well as a full member of the San Fernando Royal Academy of Fine Arts. He was a cultivator of religious and historical themes, although he was particularly praised as a portraitist. He began his training with his father and later furthered it at the San Fernando School in Madrid. As early as 1845 he was already working as an illustrator for "El Semanario Pintoresco". Later he also worked as a draughtsman for the "Semanario Pintoresco Español". In 1848 he went to Rome to further his artistic studies at the National Academy of St. Luke and the French Academy of the Villa Medici. In Rome he came into contact with Friedrich Overbeck through Antonio Solá. He received a powerful Nazarene influence from the German Romantic painter, which can be seen in his work from then on. Later he travelled to Paris, Venice, Munich and Berlin before returning to Italy in the 1890s, settling in Pompeii with the painters Bernardino Montañés and Francisco Sáinz. He finally returned to Spain to begin his teaching career in San Fernando and was introduced into the artistic circles of Madrid by his father and brother Federico. He worked with the latter at the Prado Museum. As a painter, Luis de Madrazo devoted himself almost exclusively to portraiture, working for official bodies and also for the nobility. He made his work, characterised by the purity of lines and the sharpness of colour and light typical of the strictest Nazarene aesthetic, known through various competitions and official exhibitions held both in Spain and abroad. In 1855 he was a major success at the Universal Exhibition in Paris, and the following year he won the first medal at the National Fine Arts Exhibition in Madrid for his work "Pelayo en Covadonga" ("Pelayo in Covadonga"). He was also awarded a silver medal at the Franco-Spanish Exhibition of 1864. Luis de Madrazo is currently represented in the Prado Museum, the Royal Academy of History in Madrid, the Lázaro Galdiano Museum in the same city and other important public and private collections.
VICENTE MARCH Y MARCO (Valencia, 1859 - 1927)."Country scene".Oil on panel.Provenance: Private Collection of Luis García Berlanga.Signed and located (Rome), in the lower left corner.Measurements: 28,5 x 18 cm; 52 x 40 cm (frame).A Valencian painter trained at the San Carlos School of Fine Arts, Vicente March completed his studies in Rome at the Chigi Academy. Later he also travelled to North Africa, where he began to paint orientalist themes. During his lifetime he received numerous prizes and honours, such as the silver medal at the Valencia Regional Exhibition (1881), prizes at the Berlin and Munich exhibitions at which he regularly presented his work from 1888 onwards, the silver medal at the Rome International Exhibition (1893) and, to round off his career, the appointment as Knight of the Order of Charles III by the Spanish government shortly before his death. In 1994 the town council of Subiaco dedicated a retrospective exhibition to him. The bulk of March's work is distributed in Germany, Belgium, Brazil, England, the United States, Argentina, France and Sweden. In Spain his work is little represented, and is concentrated in the hands of private individuals.
NORMAN GRANT (SCOTTISH, BORN 1943), SILVER AND ENAMELLED FLORAL PENDANT,bearing Edinburgh hallmarks and N. G. initials, 2.3cm diameter, suspended on an unmarked white metal chainCondition generally good. Some light wear, including to the enamel. Minor area not covered by enamel, though this doesn't appear to be a chip. Additional images now available.
Schachfiguren. Amerika. Schachspiel aus Marmor und Stein mit dazugehörigem Brett aus Marmor. Die eine Partei aus weißbraunem Marmor, die andere aus schwarzem Stein. Arbeit aus dem Ende des 20. Jahrhunderts. Höhe: König 7,5 cm; Bauer 4 cm. Größe Brett: 25,5 x 25,5 cm. (22)* Reizvolles komplettes Schachspiel aus Marmor und Stein, das nach stilisierten indianischen Motiven gearbeitet ist. Die Rückseite ist nicht bearbeitet. Das Brett hat einem Kreis mit Verzierung nach indianischen Motiven. Zustand: Mit kleineren materialbedingten Benutzungsspuren, Fehlstellen und Defekten. Beiliegt: Griechenland. Schachfiguren aus Metall - Figuren aus der griechischen Mythologie. Beide Parteien gleich, eine Partei ist silberfarben, die andere bronzefarben. Produktion der Firma Forma aus der zweiten Hälfte des 20. Jahrhunderts. Höhe König 5,2 cm; Bauer 4,0 cm. Komplettes Metallschachspiel. Die Figuren haben geringe Benutzungsspuren. / America. Chess set made of marble and stone with chessboard made of marble. One side of white-brown marble, the other of black stone. Produced at the end of 20th century. King 7,5 cm high; pawn 4 cm high. Board size: 25,5 x 25,5 cm. Complete set of marble and stone chess, according to stylized Native American motifs. With minor chips and damages. / Greece. Metal chess set - Greek mythological figures in historic style. Both sides identical, one side stained light silver, the other light bronze. Produced of Forma in the second part of the 20th century. King 5,2 cm high, pawn 4,0 cm. Complete metal chess set. With minor chips and damages.
A pair of boxed Arthur price silver plated mustard and salt spoons, one in Kings pattern, the other Dubarry, in unused condition along with a selection of plate and white metal teaspoons and a pair of EPNS sugar tongs. A Vintage travelling Case (4) All items inside travelling case.
20 Lesney Matchbox Regular Wheels boxed cars and vehicles 20 Lesney Matchbox Regular Wheels boxed cars and vehicles to include 2d Mercedes Trailer, 4d Dodge Stake Truck with blue back and unpainted base, 5d London Routemaster Bus Visco Static, 58c DAF girder truck in a 10c box carrying pipes instead of girders,13d Dodge Wreck Truck, 14d Iso Grifo, 15c Dennis Refuse Truck, 17d Foden Hoveringham 8-wheel Tipper, 18d Caterpillar Bulldozer, 20c Chevrolet Impala taxi-cab, 21c Commer Bottle Milk Float, 24c Roll-Royce Silver Shadow in dark metallic red, 27d Mercedes-Benz 230SL, 26b Foden Cement Mixer, 28c Jaguar Mark (MK) Ten, 29c Fire Pumper Truck, 31c Lincoln Continental in metallic blue, 33c Lamborghini Miura in yellow, 35b Snow-Trac, 36a Opel Diplomat in metallic gold. All in type E boxes.Qty: 19
10 Moko Lesney Matchbox Series boxed cars and vehicles 10 Moko Lesney Matchbox Series boxed cars and vehicles to include 33a Ford Zodiac dark green body, 35a Marshall Horse Box MK 7, 36a Austin A50 Cambridge, 37a Karrier Bantam Lorry with uneven load and Coca-Cola livery, 41a D Type Jaguar green body #41 with grey metal wheels, 43a Hillman Minx blue grey body, 44a Rolls Royce Silver Cloud, 49a M3 Personnel Carrier Half Track with one broken track, 52a Maserati 4 CLT Racing Car no decal, 53a Aston Martin DB2-4 Mk.I
Nine hallmarked silver and gold sports medals Nine hallmarked silver and gold sports fobs/medals for football, cricket, snooker and bowls. Two with 9ct .375 gold hallmarks, the rest silver with some enamelling. Most date from the early 20th century, 1900-1950, with local interest for Whitchurch and potentially Market Drayton (M.D.C.C.). Also included are two boxed silver badges made by 'The Scout Shop' with the Scouts insignia and the message 'With Thanks', C.1970.
Tom Clare 1889 England football cap Tom Clare 1889 First England football cap, blue, potentially from the 2nd March 1889, England v Ireland (6-1) at Anfield Road, Anfield, Liverpool, aged 24. Cap with silver wire English rose design, made by Foster & Co. Oxford.
Tom Clare 1894 England football cap Tom Clare 1894 England football cap, purple, from the 7th April 1894, Scotland v England (2-2) at Celtic Park, Kerrydale Street, Glasgow, aged 29. Cap with silver wire English rose design, made by Foster & Co. Oxford.Thomas Clare (12 March 1865 – 27 December 1929) was an English international footballer, who played at right-back, and football manager. He began his playing career with Stoke in July 1884, having moved from Burslem Port Vale. He spent the next fourteen years with Stoke, playing 251 games in all competitions, helping them to the Football Alliance title in 1890–91. In 1897 he signed with Manchester City via Port Vale, before returning to Vale for a three-year spell in 1898, helping them to the Staffordshire Senior Cup on his arrival. He also won four England caps between 1889 and 1894. He was appointed as manager-secretary of Burslem Port Vale in 1905, a position he held for the next six years.
8 Lesney Matchbox Series boxed cars and vehicles 8 Lesney Matchbox Series boxed cars and vehicles to include 44b Rolls Royce Phantom V in mauve, 48b Sports Boat and Trailer with red deck and cream hull on dark blue trailer, 51a Albion Chieftain 'Blue Circle Portland Cement' decal, 53b Mercedes Benz 220SE in dark red, 2x 65b Jaguar 3.4 Litre MkII, 74a Mobile Canteen ‘Refreshments’ with silver body, all in type D boxes. Plus 51b Tipping Trailer with barrels on spruce, In type E box.
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2475480 item(s)/page