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Preisdatenbank abonnierenKarl Gustav Klingstedt (Swedish, 1657-1734) Venus and Cupidpen and ink and brown wash, circular7.2cm diameterCondition ReportOverall: 32 x 25cmTime staining. A light surface scuff to the background, upper left, and also to the arm of Venus. A little fading, consistent with the age of the work. Appears to be stuck down. Not viewed out of glazed frame.
Italian School, 19th century Portrait study of a girl oil on board33 x 26cmProvenance: Given to the vendor's great-grandfather by Sir Lawrence Alma-Tadema when he lived in St John's Wood.Condition ReportOverall: 43.5 x 34.5cmSurface dirt with some patchiness and discolouration to the varnish. Fine craquelure starting to emerge in places. There is a 6cm vertical crack in the upper right corner, but the split does not appear to go right through the board, please see images. Not examined under UV light, for a full report please contact the department.
English School, 18th century Portrait of a scholar, half-length, in black robes and holding a volume of the works of Thomas Sydenhamoil on canvas80 x 64cmCondition ReportOverall: 98 x 86cmThe canvas has been lined. Surface dirt with scuffs and abrasions. Stretcher marks along the top edge. Some resoration is visible to the background in the upper left quarter. Not examined under UV light, for a full report please contact the department.
William Kay Blacklock (1872-1924) 'Under the Trees'signed 'W. KAY BLACKLOCK' l.r., inscribed with title and dated 'Spring 1920' verso, oil on canvas board18 x 26cmCondition ReportOverall: 32 x 39cmThere is a faint vertical line in the surface of the canvas just left of centre visible under raking light but this is not noticable when viewed on the wall and in our opinion this does not detract from enjoyment of the work. There is a tiny pin sized indentation in the upper right corner. Overall, presents well and is ready to hang. Not viewed under UV light, for a full report please contact the department.
Italian School, 19th century The Loggia dei Lanzi and the Piazza della Signoria, Florenceindistinctly signed l.r., oil on canvas30.5 x 40.5cmCondition ReportOverall: 50 x 60cmCraquelure. There are some larger cracks to the upper half, please refer to illustration, but overall the paint appears stable. Not examined under UV light, for a full report please contact the department.
Circle of George Chinnery (1774-1852) Figures with a sampan near a shrine in a wooded landscapeoil on canvas29 x 23.5cmCondition ReportOverall: 41.5 x 36.5cmCraquelure. A light scratch to the upper left. There is a loss to the centre above the sampan and a further loss to the tree in the upper centre- please refer to illustration. Small losses, scuffs and abrasions to the lower right corner. Not examined under UV light, for a full report please contact the department.
Manner of Nicolas de Neufchâtel Portrait of a man, bust-length, in a black coat and holding a bookoil on canvas61 x 51cm, unframedCondition ReportAppears to be late 17th century. Unlined. Scuffs, scratches and abrasions. Surface dirt with discolouration to the varnish. Thinning to the paint wth retouching evident in places. Not examined under UV light, for a full report please contact the department. Examined under UV light there are patches of overpaint to the top left corner. The lighter area of the beard also fluoresces. The rest of the canvas is obscured by a thick layer of varnish which makes reading difficult and may obscure further restoration. Please see additional images.
William McTaggart RSA (1835-1910) 'The Young Waltonians'oil on canvas45 x 36.5cmCondition ReportOverall: 64 x 56cmWhen viewed on the wall the work presents well. Light surface dirt. There is some patchiness and unevenness to the finish which is largely matt with glossy patches of varnish visible under raking light. In the extreme bottom right corner there appears to be a little shrinkage to the paint which has a slightly bubbly texture. A little discolouration to the upper left edge. Examined under UV light the patchy application of varnish makes it difficult to determine if any restoration has taken place. Please refer to additional condition images.
▲ John Trickett (b.1952) 'Golden Girls'signed 'John Trickett' l.r., oil on canvas 61 x 51cmIllustrated: 'John Trickett: Reflections of the Countryside', compiled and edited by Sally Mitchell, published by Palette Press, Notts., 2008, p.44.Condition ReportOverall:75x 65cmAppears to be in good condition. Well presented and ready to hang. Not examined under UV light, for a full report please contact the department.
▲ Edward Seago RWS (1910-1974) 'The Flooded River'signed 'Edward Seago' l.l., inscribed with title verso, oil on canvas40.5 x 50.5cmProvenance: With P & D Colnaghi & Co. Ltd., London.Condition ReportOverall: 54 x 64cmUnlined. Craquelure. There are some small spots to the sky in the upper right quarter which appear to be minor abrasions, please refer to illustration. There are some marks from the stretcher to the centre of the top edge, please see additional condition images. A tiny pinhole to the extreme upper left corner which is obscured by the frame. Examined under UV light there is no obvious retouching.
Italian School, early 18th century 'Voi Che State A Osservar Questo Quadrato Dite Chi Di Costoro E' In Meglio Stato';'Voi Che State A Osservar Questo Quadrato Dite Chi Di Costoro E' In Peggio Stato'a pair, each with four panels, three in each painting depicting animals and birds fighting, the fourth with a young man drinking and eating in the former, a young man being questioned by lawyers in the latter, oil on canvas86 x 71cm (2)Condition ReportOverall: 94 x 80cmRelined. Craquelure. Thinning to the paint in places. Overall the paintings appear a little dark. Not examined under UV light, for a full report please contact the department.
A Regency rosewood banded ebony and boxwood strung Pembroke games table, circa 1815, in the manner of Gillows, with satinwood reserves and ivory escutcheons, the sliding top with a chequerboard background, the interior with an inlaid backgammon board, 93.5cm wide, 46cm deep, 73cm highIvory registration reference: 333LAH6Y Provenance: Ombersley Court, Worcestershire Light scuffs and scratches commensurate with age and use, small loss to the boxwood inlay on the top, secret drawer to top draw missing, lacking key, one leg with repair (has been broken and rejoined, one castor broken.
A near pair of George III tray top pot cupboards, the galleried tops with pierced handles, enclosed by doors on square chamfered legs, one with shaped apron, 55cm wide, 40.5cm deep, 81cm high and 53.5cm wide, 41cm deep, 81cm highProvenance: Ombersley Court, Worcestershiretops watermarked and faded, all over scuffs, scratches and light wear commensurate with age and use, one cupboard with back right leg restored/replaced but professionally blended. hinges replaced, pocket locks inconsistent between the two cabinets. refer to images for further details
An Ottoman tortoiseshell, bone and mother-of-pearl inlaid walnut table cabinet, Turkish. dated August 1690, elaborately inlaid to all sides with tessellated designs and geometric borders, fitted with eight small drawers, previously with detachable front cover, one drawer inscribed in black ink 'This cabinet I brought out of Turkey, it was made there, August 1690, Eliz: Trumbull', the carcass with further ink markings and the drawers with later locating pencil inscriptions, 41cm wide, 22cm deep, 23.5cm highProvenance: Ombersley Court, WorcestershireElizabeth Trumbull, née Cotterell, was the 1st wife of Mary Marchioness of Downshire and Baroness Sandys' great-grandfather, Sir William Trumbull, Ambassador to Constantinople.Overall with some glue reside from old re-insertions of inlays, scuffs and light scratches commensurate with age and use. Top with loss of ivory moulding to right corner, several small losses to tortoiseshell inlay, Minor old restorations and small losses to chequered surround, some lifting of wood inlays and surround. Left side sunfaded, some wood inlay sectiona lifting. Right side with lifting of wood inlay top left, minor loss to bone inlay to base. Back with loss to heart inlay lower left, some cracks and losses to tortoiseshell inlay exposing backing foil. slight loss to bone inlay to lower left base. Front with restoration to wood frame of front. Fittings for a fall front but not present, poor painted restoration to base bone inlay to left, wood patching where hinges were fitted and drilled holes, slight loss of bone moulding to upper left frame. Drawers a little tightly fitted. Each drawer inscribed to back in pencil with position. Possible replacements to some bone inlays.
A Chinese rosewood set of display shelves, with some carved gallery edges, on a carved plinth, 71cm wide, 28cm deep, 91.5cm highProvenance: Ombersley Court, Worcestershireall over scuffed, losses and light scratches commensurate with age and use. Several gallery sections missing. Some panel movement, loss to back of one shelf as pictured, base mouldings with losses to both sides. one shelf with crack to back. Wear and slight losses to feet. One upright lacking front edge of shelf as pictured.
Collection of Chinese ceramics -Dark blue and gold wave rimmed cup with 6 leaf gold leaved gilt design, light green inner and under base, no aprent mark -Cup with 100 children design, gold rim, white inner, blue Ch'ien Lung reign mark to base, paper label still attached, slight chip and crack to rim - 2 small enamelled wine cups advised Ch'ien Lung but no mark to base, white inner with blue branch and leaf to bottom, slight crazing to inner - approx. 3.5cm x 4.5cm - reddish brown case with lid for sealing wax, white inner, circa 1914 no mark, partial paper label attached - 2 brown saucers with gold design, 3 white panels, one with figures in panels and bamboo design to underside, the other with flower design panels and plain underside both bearing blue Ch'ein Lung reign mark and paper label still attached - red saucer with gold design, white underside , partial paper label attached, Blue reign mark - damage to edge photograph of original owners inventory attached but not included
A light yellow diamond cluster ring, an oval brilliant cut light yellow diamond, claw set to halo surround of brilliant cut diamonds, ring size O (VAT charged on hammer price) Accompanied by report number 16377355 from the Gemological Association of America, GIA, dated 8th November 2007, stating that the diamond is Y to Z range, light yellow, natural color, weight 1.18 carats
A Belle Époque diamond and emerald necklace, with three graduated pear cut diamond drops, the centre with an estimated weight of approximately 1.50 carats, within round cut emerald and old European cut diamond set chain link swags (one diamond lacking), to an old European cut diamond set back chain, all mounted in platinum backed in gold, circa 1915, length 37.5cm (VAT charged on hammer price)Condition Report: Centre pear cut diamond measures approximately 10.0 x 7.2 x 3.5mm. Approx. colour G-H, clarity SI1, Approx. weight of two smaller pear-cut diamonds 0.50 carats, emeralds are of good colour with moderate to light inclusions. diamonds are of good commercial quality. gross weight, 25.7g
A Victorian Archaeological Revival gold and turquoise bangle, with a cluster of pavé turquoise cabochons to the central round boss with applied wire and pellet decoration, and glazed locket to the underside, the hinged bangle similarly decorated with applied crescents and pellets, centre diameter 3.6cm, bangle width 1.4cmCondition Report: Gross weight 48.99 grams. Spherical end possibly missing from base of bangle. One section of twisted wire missing from the base of the bangle. Some minor discolouration to a few of the turquoise. One slight ding to the outer edge of the centrepiece and a slight dent to the underside of the bangle near one of the hinges. Some of the spheres at the clasp and hinges show signs of previous repair. Surface marks/scratches/light tarnish in places.
A pair of carved aquamarine and diamond earrings, each carved as a single polished fluted tapering aquamarine panel with an inset central line of brilliant cut diamonds, stamped 750, unknown maker's mark, post fittings, length 1.8cmCondition Report: Aquarmarines are a good medium blue with good transparency, some typical light inclusions, no chips or damage, diamonds are good commercial quality, no damage or repairs to mounts noted, gross weight 11.7g
Vinyl - Rock, Pop and Alternative Vinyl Records - Chris Rea The Road To Hell Uk WX 317 #246285-1-A; Electric Light Orchestra Out of the blue #UAS1100; Focus Hamburger Concerto #2442124A; Beatles Greatest #7C 038-04207; Dr Hook Best of #CBS S22102; Signs of Life Penguin Cafe Orchestra #A-1U-1-1; Cat Stevens Tea for the Tillerman ILPS-9135; Bob Marley and The Wailers Babylon by Bus; etc
Barber Shop Fitting & Interior - three 1970's teak school cupboards and a bank of drawers, the entire mirror surround architrave, worktop, and the large bevelled mirror plates removed from Saville's Barbers, Division St, Sheffield Buyer Please Note: NOT all cupboards illustrated are in this lot. Belfast sinks, chairs and Tiffany light shades are also NOT included. Cupboards, worktops, mirrors and architrave are dismantled ready for transportation. Not checked for completion. However, all elements dismantled from the premise look to be present. See Images
A 19th/early 20th century Indian painted pen box of rectangular form with rounded sides naively decorated with animal decoration 28cm x 6cm x 5cm together with an early 20th century walnut cigarette case, the lid with incised geometric decoration, 9cm x 9cm and 19th century probably Indian papiermache spherical string box, decorated with floral decoration, 9cm high (3) Further details; Indian box - some flaking to the leading edges and a couple of minor chips but otherwise in good overall condition. Cigarette box - light surface scratches, couple of dents on the reverse but otherwise in good overall condition. String box - wear to the decoration and a few holes and splits.
An early 19th century French Napoleonic prisoner of war work carved bone cribbage board. Inset with small tortoiseshell roundels, plus concentric circle patterns. A small diamond shaped tab to one end may mean that it started life as the lid from a box. A modern piece of wood has been tacked into place at one end, thus making the board will tilt. Approximately 11.9cm x 3.2cm. Condition: normal light wear commensurate with age and wear. Plus, an unusual 19th century miniature shuttlecock, with alternating pink and white feathers, and a carved bone head - approximately 5.3cm height. Good condition. And, a late 19th / early 20th century porcupine quill box, with small inset bone roundels, and a sliding lid. Contained within the quill box is a set of Chinese domino cards. Box size approximately 17.9cm x 9.5cm x 4.4cm. Condition: some quills missing or loose to the lid and sides, but generally solid construction.
A late 19th / early 20th century scratch built model of the mid 19th century clipper, ‘The Blue Jacket’. With black and gold painted body, and a planked deck. Complete with metal fittings that allow the attachment of masts and bowsprit (the aperture for the masts is currently sealed with cork stoppers). On the deck are two viewing windows that reveal some carved and painted figurines of blue jacketed sailors (hence where the ships name comes from), with another window showing the Captain and his wife, plus more sailors. Upon the deck is a turned brass compass. The boat sits upon a single wooden stand. Approximately 89cm length bow to stern, width 21cm. Condition: some age related wear. Some paint chipping and bubbling in places, and some light knocks to the wood.
A scarce WW1 era silver and enameled fighter plane brooch. Fully hallmarked for Birmingham 1917, with the makers mark for G. Loveridge & Co. Vibrant light green enamel to the wings and fuselage, along with the familiar red enamel targets to the wings. Small fixed propeller to the front. Complete with round hinge and C clasp to the reverse side. Approximately 3.4cm length and 2.9cm width across the wings. Condition: very good. Undamaged enamels to the front, and clear hallmarks to the reverse side. Good working pin and catch.
A 19th century malachite enamelled pottery circular paperweight with handle, 10cm diameter together with a 19th century mottled agate enamelled pottery circular paperweight with handle, 10.5cm diameter and a 19th century black enamelled pottery circular paperweight with applied gilt decoration and handle, 9.5cm diameter (3) Further Details; Malachite example light surface scratches but otherwise in good condition, mottled agate example crack to the handle, black enamelled example wear and light surface scratches and wear to the gilding.
A late Georgian era miniature model of a a sailing boat, housed in a purpose built glass and mahogany case. The vessel is simply painted in black, yellow and red, with delicate twine rigging. Glazed to the front and sides with a solid back, and resting on 4 ivory disc feet, and with 5 small turned ivory finials to the top (the 6th one missing). Inked inscription to the underside, reading ‘Christmas 1825’. Approximately 14cm width x 12.5cm height x 5.7cm depth. Condition: generally very good. Missing one of its small ivory finials as mentioned above. A few old light contact marks to the wood in places, but nothing that detracts. The glass is in perfect condition. Cites (Ivory) certificate no: JS6W2JRF
A late 19th century Winsor & Newton crossbanded mahogany single drawer artists box, the hinged lid opening reveal green lined interior gilt embellished blue label, the single drawer with brass campaign style drop handle, 23cm x 18cm x 7cm Further details; Light surface scratches, brass slightly tarnished, label torn and ripped but legible.
A large collection of late 19th or early 20th century British regimental embossed letterhead crests, with some using thermographic printing. Including the 17th Lancers, the Yorks & Lancaster Regiment, the Gloucestershire Regiment, the 5th Royal Irish Lancers, West India Regiment, 7th Dragoon Guards, 2nd Warwicks (24th Foot), 19th Hussars, Royal Dublin Fusiliers, Royal Scots Fusiliers, Inniskilling Dragoons, the 1st Glamorgan Volunteer Artillery, Leicestershire Regiment, Army Hospital Corps, 6th Royal Regiment, Argyll & Sutherland Highlanders, Sherwood Foresters, Royal Irish Rifles, Depot Medical Staff Corps, the Durham Light Infantry, and many more. Many are printed on laid paper, and all are cut to small discs (all approximately 3.8cm diameter). Well in excess of 100 individual crests. Condition: good. A little darkening to the paper on some of the examples, but largely very good condition throughout.
A pair of 20th century vintage 'Wildsmith of St James's, London' dark treen shoe trees, each approx. 32.2cm long, along with a slightly smaller lighter wooden example, approx. 24.4cm long, and another even smaller example, also light wood, approx. 18cm long. (4) Further details: general wear to all, some nibbles and minor loss, signs of usage etc.
An 18th century heart shaped enamel pill box, Bilston, pale blue ground and the top with a floral border with two doves sitting on hearts, and inscription "Take this for a Kiss", circa 1760-70, approx. 5.5cm x 4.5cm diam x 3cm high. Condition: some small chips and light wear to inside, some nibbles and scuffs to outside.
An early 20th century Folk Art figure of a gentleman, in hat and tailored suit, trousers and boots, carrying a box in left hand, possibly a shop display / counter piece, made of light and dark stained wood, on later weighted metal and wooden base / holder, approx. 50.5cm high x 16cm wide x 11cm deep. Further details: large chunks missing from hat to front and back, scratches, wear and loss to wooden areas, general wear etc.
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