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534297 Los(e)/Seite
A French Second Empire ormolu and alabaster portico clock garniture, 7.5cm convex enamel dial inscribed with Arabic numerals and decorated with flowering swags, gilt leafy scroll hands, twin winding holes, 14-day margin movement striking on a bell, the drum head case surmounted by a scantily clad putto, above a niche of nine columns, pine cone finials, the frieze with a tassled chain swag, knop feet, 48cm high, flanked by a pair of five-light, four-branch candelabra, conforming, 43cm, high, c.1860
A Copeland compressed ewer, moulded with bud spout and bull rush handle, registration lozenge, blue marks, c. 1880; a set of five Continental porcelain shaped dessert plates, painted with floral sprigs, c. 1900; a Goss fairing, of a married couple going into bed, the base printed ' The last in bed to put out the light'; a pair of novelty treen clogs
Hand knotted carpet fragment, now a runner, Wilton, England, circa 1870 14ft. x 2ft. 4in. 4.27m. x 0.71m. Note the yellow ground with all over floral sprays. All edges overcast in wool. Provenance: This runner has been taken from a large Wilton carpet specially commissioned to fit the library extension, which featured a bay window, at Newton Surmaville House near Yeovil, Somerset which was completed in 1870. The carpet would therefore have been ordered around 1868-69. It was woven at the Wilton Carpet Company at Wilton in the Yates period 1835-1900. The company was acquired by the Earl of Pembroke at the turn of the century from his country seat at Wilton House when the company became known as The Royal Wilton Carpet Company. The carpet was almost certainly woven on an Axminster loom – the looms having been moved from Axminster to Wilton in 1835. The carpet had been unexposed to the light as the Library had been closed to protect the books. The carpet was re-modelled in recent years and cut down in size to a conventional oblong format; this accounts for the remnant we have here with the pile and pattern being ‘sideways-on’.
Exceptional Yomut Turkmen ensi, Turkmenistan, second half 19th century, 5ft. 6in. x 4ft. 5in. 1.68m. x 1.35m. A most attractive ensi with lustrous wool and beautiful colour especially a light blue. Note the offset rows of the pekvesh motif in the central rectangular panels; the colourful syrga motifs in the ivory ground ‘U’ shaped borders leading to the lower double panel of erre motifs and a chequered brocaded kelim end.
Good Tekke Turkmen 4 x 10 gul main carpet, Turkmenistan, second half 19th century, 10ft. 2in. x 7ft. 6in. 3.20m. x 2.29m. Overall wear and repairs; conservation fabric patches verso lower end. Note the minor ‘chuval’ guls connected by a light brown stripe; complex motifs in the wide main border where the octagons contain the kochanak motif rather than the usual stars; each elem woven with the erre motif. An attractive carpet with good design, colour and soft handle.
Ersari Turkmen chuval face, south west Turkmenistan, late 19th century, 3ft. 1in. x 4ft. 9in. 0.94m. x 1.45m. Overall wear with losses to lower end. Tape to all sides verso. Note the aubergine field colour and the light blue main border. Tree-like motifs to the lower elem and ‘comb’ motifs to the upper elem.
Exceptional early Tekke Turkmen 4 x 10 gul main carpet, Turkmenistan, early 19th century, 7ft. 3in. x 6ft. 3in. 2.21m. x 1.91m. Overall wear, heavier in some places; some repairs and reweaves; some fading and losses to ends; ‘bites’ to left side. Note the stars within octagons in the main border; the good range of colour including a light blue. Finely woven with a soft handle.
Tekke Turkmen 4 x 10 gul main carpet, Turkmenistan, mid-19th century, 7ft. x 5ft. 10in. 2.13m. x 1.78m. Overall wear, slightly heavier in some places; small reweaves in places; losses to ends. Note the intricate main border and the single ‘tree’ motif in the lower right hand side; both sides trimmed in places. Finely woven and soft handle with good range of colour including a light blue.
Ersari Turkmen 3 x 6 gulli-gul main carpet, south west Turkmenistan, second half 19th century, 9ft. x 7ft. 2in. 2.75m. x 2.18m. Overall wear, heavier in some places with holes; losses to lower end; striped kelim turned under at the top end. Note the occasional use of a pale yellow and ivory; the two colourful minor ornaments of star-like motifs in the field and the shades of blue throughout including a light bluey green. See Reuben, David. op. cit., pl, 22 for a very similar carpet.
Two good Japanese silk kimonos, both 20th century, one ivory silk gloriously printed with large flowers with metallic details, and pale blue flowing bands, lined with ivory silk; the other with tiny ivory circles (shibori design) printed on a light red silk ground; brocaded collar; scarlet silk lining to sleeves; ivory silk lining to kimono. Both in good condition.
Hand woven wool hanging, light terracotta ground woven with all over flowering plants, probably English, early 20th century, 65in. x 50in. 166cm. x 128cm. Net backing to lower end verso. With brass hanging pole and fittings. This hanging is from a much larger piece; it is cut at the top end which is wrapped around the pole. Small repair lower end and lower left corner slightly missing.
Liturgical vestment of cope and hood in white silk satin embroidered in coloured floss silks and couched metal threads, the cope with scrolling flowers and foliage, pomegranate-like motifs and exotic birds including peacocks, the hood similarly embroidered with flowers and two confronting peacocks and trimmed with yellow silk ribbons, the cope and hood trimmed throughout with woven bands of gold coloured brocade. Metal thread fringing. Lined with pale yellow cotton. European, 19th century, 54in. long and 113in. wide (top edge) 137cm. x 287cm. The embroidery, most likely to have been executed in Macau, China, for export to the west, has similarities to Castelo Branco embroidery. The vibrant original colours of the silk may be seen under the hood where it has been protected from the light. Time stains and loose threads throughout; some shattering of the silk satin in places; the ground pieced together in places.
CHINESE CARVED IVORY CYLINDRICAL PIERCED NIGHT LIGHT HOLDER overall decorated with figures and buildings amongst foliage on a foliate carved and pierced base. 5" high (13cm). Early 20th Century. CONDITION REPORT: Evident internal crack to base and small vertical cracks around rim. Rather dirty in places. No other obvious losses or damage.
20th CENTURY JAPANESE LACQUERED TWO DRAWER JEWELLERY OR TABLE TOP BOX, having gilt inlaid floral and foliate decoration, standing on bracket feet with ring handles. 10.5"L x 10.5"W x 11"H (27 x 27 x 28cm) CONDITION REPORT: Is missing its handle on top of the box, some losses to the gilt moulding on the sides, light surface wear and minor scratches in places.
A gold and diamond set ring, claw set with a row of the three principal circular cut diamonds at the centre and with diamond set three stone sides to the principal central diamond, detailed 18 K, ring size N and a half, estimated total diamond weight 1.49 ct, with a Gemex Light Performance Analysis Certificate and a part copy of an insurance valuation and a box. Illustrated
BOX 39 - PORTUGESE WINE Pontinho Do Côvo Red 2010 Casa Ferreirinha Vinha Grande 2013 Abastado Grande Reserva Tinto 2009 Aveleda Alvarinho 2013 Mundus Seleccionado Light White 2013 Principal Grande Reserva 2009 Adega de Pegões Cabernet Sauvignon Red 2011 Casaleiro Regional Tejo Colheita Seleccionada Tinto 2013 Tazem Touriga Nacional Unoaked 2011 Marquês Marialva Singular NV Herdade das Albernoas Reserva 2011 Vila Jardim Rosé 2013
BOX 42 - PORTUGESE WINE Terras do Pó 2013 Quinta dos Carvalhais Duque de Viseu 2011 Duas Quintas Reserva Red 2011 Casa Ermelinda Freitas Petit Verdot 2011 Casa do Lago White 2013 Mundus Seleccionado Light White 2013 Adega Mayor Caiado White 2013 Abastado Grande Reserva Tinto 2007 Lello Tinto 2011 Adega Mayor Caiado Rosé 2013 Adega Mayor Caiado 2012 Abastado Grande Reserva Tinto 2009

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534297 Los(e)/Seite