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Preisdatenbank abonnierenA vintage early 2000s Danish inspired light oak curved tapering sides sideboard cabinet. The credenza having a straight top over curved tapering sides flanking three single door cupboard spaces with chrome pull handles. The sideboard together with a cylindrical low occasional table having a rotating circular glazed top over a bank of two drawers, raised on castors. The sideboard measuring approx. 80cm x 158cm x 55cm.
A pair of Regency and later painted and parcel gilt library armchairs with floral carved cresting rail flanked by tongues of acanthus above channelled and tied Reed outlines, with distinctive double crescent open arms above stop fluted seat rails painted with quatrefoils, supported by reeded tapering legs. 61 cm wide x 71 cm deep x 89 cm overall height, 45 cm height to the seat.A private estate.Both chairs have been through the mill and show a number of poor but effective reapairs, the legs have been reduced and the front legs show signs of turned pegs inserted presumably to effect the re-fitting of some former cup castors, strangely the bottom knop of the legs seems to be gilded twine!!!having removed the dust cover from one chair it is apparent that some elements are period but some seem to be teplacements but the frames show signs of runs from being washed back and repainted and some gilded.I have eased of the domes of silence from a foot and it shows evidence of being reduced.To sum up these chairs are a mix of old and more recent components and these are therefore NOT wholly period but nevertheless very decorative.Please see the extra images supplied.The chairs show knocks and wear consistent with rough use but the former repairs are effective if a little crude and render the frames solid/ rigid,the seat rails show some slight historic wood worm flight holes but not to the point of powdery infestation, "just a light peppering"?
Maxwell Ashby Armfield (1881-1972) British, a costume design, for 'Phoenix Ceremony: I Don Valo? as David / Geranos', pencil and watercolour on paper, 37.5 cm x 31.5 cm framed and glazed.From the estate of the late Peter Farley. https://www.theguardian.com/stage/2022/nov/17/peter-farley-obituarySome foxing spots visible to the paper, but no obvious damage. See additional photos taken in natural light to illustrate the colour / fade levels.
Follower of Allan Ramsay (1713-1784), portrait of a gentleman, oil on canvas, the sitter named verso 'Keith Urquhart of Meldrum; Married to Lady Jane Duff, Aunt to the present Earl of Fife 1853', 73 cm x 60.5 cm in a gilt frame.Canvas relined and cleaned. Signs of some previous restoration and retouching in places under close examination - two areas more evident under UV (see images). Frame is later and in good condition (light crack to the bottom horizontal section).
A 19th-century French porcelain, brass and enamel trinket box, of oval form with hinged lid, the cover with a central painted reserve of a mother and her children flanked by two vertical green guilloché lozenges, the body with further enamel decoration between gilt highlighted portraits, all on a purple enamel ground, the interior decorated with handpainted floral sprays, 9 cm wide x 7.5 cm deep x 4 cm high.No structural damage or repair. Enamel appears good, with only some surface marks and rubbing. Painted image rubbed with light surface scratches. Underside with wear commensurate with age
Attributed to Walter Heath Williams (1835-1906), Figures in a landscape with cottage and cattle, unsigned, oil on canvas, 60 x 90 cm, framedCanvas relined. Previous craquelure evident on close inspection. Some overpainting evident far left and right in the sky disguised as wisps of cloud. In a more recent giltwood frame. Frame in good condition with light wear to the corners.
A Chinese-turned translucent light green Jade circular tea bowl with everted rim, 20th century, bearing a two-character mark to the base, 10 cm diameter x 5 cm high, together with a group of other Chinese and Eastern items including a small pale green jade figure of a recumbent horse 19th century carved russett soapstone figure group of Guanyin and Imortals and a buffalo, and a pair of soapstone book ends, a pair of turned green marble dice tumblers, three early 20th century Canton enamel circular dishes and two Indian sandalwood hair combs with bird terminals and silver inlay and other items.Slight chip to jade bowls rimSome natural cracking to the jade recumbent horse, does not sit flat on a surface. length 6 cm, height 3.5 cm (see additional images)Canton enamel items are AF
Säbel M an XI für Mannschaften der leichten Kavallerie, Sammleranfertigung Leicht geschwungene Rückenklinge mit beidseitigen Hohlkehlen, der Rücken am Ansatz mit geätztem Hersteller "Klingenthal". Messingbügelgefäß, belederte Hilze. Schwere Eisenscheide mit zwei beweglichen Trageringen (fleckig). Länge 105 cm. A French sabre M an XI for light cavalry troopers, collector's replica Leicht geschwungene Rückenklinge mit beidseitigen Hohlkehlen, der Rücken am Ansatz mit geätztem Hersteller "Klingenthal". Messingbügelgefäß, belederte Hilze. Schwere Eisenscheide mit zwei beweglichen Trageringen (fleckig). Länge 105 cm.
Säbel M 1822 für Mannschaften der leichten Kavallerie Kräftige, beidseitig gekehlte Rückenklinge (Rostspuren), am Rücken die geätzte Herstellersignatur von Chatelleraut 1882. Messingbügelgefäß mit zwei Terzspangen, der Bügel gestempelt "1345", Hilze mit Lederummantelung (Fehlstelle) und Drahtwicklung. Schwere Eisenscheide (rostig, vereinzelt Dellen) mit einem beweglichen Tragering. Gebrauchs- und Altersspuren. Länge 110 cm. Getragenes, genuines Stück. A sabre M 1822 for light cavalry troopers Kräftige, beidseitig gekehlte Rückenklinge (Rostspuren), am Rücken die geätzte Herstellersignatur von Chatelleraut 1882. Messingbügelgefäß mit zwei Terzspangen, der Bügel gestempelt "1345", Hilze mit Lederummantelung (Fehlstelle) und Drahtwicklung. Schwere Eisenscheide (rostig, vereinzelt Dellen) mit einem beweglichen Tragering. Gebrauchs- und Altersspuren. Länge 110 cm. Getragenes, genuines Stück.
Meister von Landshut, 1475 – 1485, nachweisbarMUSEALE HEILIGENFIGURHöhe: 47,5 cm.Rückseitig an der Plinthe wohl alte Sammlungsnummer in Schwarz „M 105“.Die beiliegende Begutachtung durch den Leiter der Skulpturensammlung Germanisches Nationalmuseum Nürnberg von 2011 erkennt in der Figur eindeutig die Arbeit eines Landshuter Meisters, jener Werkstatt, die an der (Landshuter) Stadtpfarrkirche St. Martin Figurenzyklen um 1474/85 schuf. Die Entstehungszeit der Figur ist also gegen 1485 zu datieren.In hellem Ton gebrannte Standfigur einer weiblichen Heiligen, auf mitgearbeiteter, achtseitiger Plinthe wurde bereits 2012 anlässlich einer Ausstellung der Stadt Landshut ausgestellt (siehe Literatur).Die Körperhaltung leicht S-förmig gestaltet, im sog. Weichen Stil. Kühn und schwungvoll gestaltete Mantel- und Kleiderfalten, bei hochsitzender, gegürteter Taille. Kragenausschnitt V-förmig, mit runder Agraffe. Das üppige Haar fällt seitlich der Schultern wellig herab, der Kopf mit einem feinen Tuch bedeckt. Eine leichte Einziehung des Tuches überhalb der Stirne, das auch nach hinten zieht, sowie eine kleine Lochung oben seitlich lassen erkennen, dass hier ehemals eine Krone aufgesetzt war. Diese Beobachtung und die Gesamterscheinung lassen auch vermuten, dass es sich hier um eine Marienfigur handelt. Die Handschrift des Bildhauers ist insbesondere an der Gestaltung des Gesichts - mit auffallend schweren Augenlidern, betonter Nase und den vollen Lippen - zu erkennen.Der hellfarbige Ton findet sich in der Landshuter Region. In den Faltentiefen, vor allem an der Rückseite Zinnober-Farbreste (Bolus ?). Rechte Hand und linker Unterarm fehlen. A.R.Literatur:Die Figur wurde 2012 zusammen mit weiteren Werken der Landshuter Werkstatt ausgestellt, im Katalog ausführlich besprochen und abgebildet in: Franz Niehoff, Die Stadt als Bühne der Bilder. Skulpturenstadt Landshut, Katalog anlässlich der Ausstellung der Museen der Stadt Landshut in der Spitalkirche Heiliggeist, 15. Juni-14. Oktober 2012, Landshut 2012, Kat. 7, S. 199 f. (1340431) (11)Master of Landshut,1475 – 1485, verifiableFIGURE OF A SAINT OF MUSEUM QUALITYHeight: 47.5 cm.Probably old collection no. “M 105” in black on the back of the plinth.The enclosed expert´s report by the director of the sculptures collection of the Germanisches Nationalmuseum in Nuremberg from 2011 clearly recognizes the work of a Landshut master in the figure, “the very workshop that created figure cycles for the (Landshut) parish church of Saint Martin around 1474/85”. The time of creation of the figure can therefore be dated around 1485.Standing figure of a female saint fired in a light tone, on an eight-sided plinth worked in one piece together with the figure, was already shown in 2012 in an exhibition of the city of Landshut (see ref.).Literature:The figure was exhibited in 2012 together with other works by the Landshut workshop, discussed in detail in the exhibition catalogue and illustrated in: Franz Niehoff, Die Stadt als Bühne der Bilder: Skulpturenstadt Landshut 2012, cat. 7, p. 199 f.
Nicolas Tournier, 1590 Montbéliard – um 1657 ToulouseGEFANGENNAHME CHRISTIÖl auf Leinwand. Doubliert.116 x 147 cm.In vergoldetem ornamental verziertem Rahmen.Maurizio Marini ist für die Zuschreibung an den genannten Künstler zu danken.Vor einer dunklen Hintergrundfolie die zentral caravaggesk beleuchtete Dreiviertelfigur Christi in einem weißen Schurz leicht nach rechts gerichtet. Die Gefangennahme (Matt. 26,47 - 52; Markus 14.43 - 47; Lukas 22,47-51; Johannes 18,1-11) wird unmittelbar vor dem Betrachter vollzogen; zwei Männer sind im Begriff, die Hände des Christus mit einem Strick zu binden, während sie von zwei Geharnischten am Bildrand beaufsichtigt werden. Durch Marini kann das hier vorliegende großformatige Gemälde auf die Jahre 1619 - 1626 datiert werden, also auf die Zeit, die Tournier nachweislich in Rom verbracht hat, wenngleich eine Chronologie mangels gesicherter datierter Werke dieser Zeit momentan nicht mit Gewissheit möglich ist. Bedeutender französischer Maler der Caravaggio-Nachfolge. Der italienische Stil des Malers erklärt sich aus seinem Aufenthalt zwischen 1619 und 1626 in Rom, woraufhin er nach Südfrankreich übersiedelte. 1627 hielt er sich in Carcassonne und ab 1632 in Toulouse auf. Neben Simon Vouet (1590-1649), Valentin de Boulogne (1594-1632) und Nicolas Régnier (1590-1667) gilt er als einer der führenden französischen Caravaggisten. Nach einigen Quellen soll er bei de Boulogne gelernt haben, außerdem ist er beeinflusst durch den Caravaggisten Bartolomeo Manfredi (um 1580-um 1620). Werke seiner Hand im Louvre, in Toulouse, im Prado sowie der Eremitage, aber auch in Museen der USA. Eine Ausstellung wurde dem Maler 2001 in Toulouse gewidmet.Literatur:V. Rossi in: Light and Shadow, Caravaggism in Europe, Ausstellungskatalog, Lampronti Gallery, Rom, 2015, Katalognummer 31, S. 88 - 89.Tra il Sacro e il Profano, Ausstellungskatalog durch Marcella di Martino, Lampronti Gallery, Januar 2020, Kat. Nr. 17, S. 42 - 43.Vgl.: B. Nicholson, Caravaggism in Europe, Turin, II, 1979, S. 198, Nr. 630.Vgl.: A. Brejon de Lavergnée, Pour Nicolas Tournier sur son Sejour Romain, Paragone, Nr. 287, Januar 1974, S. 44 - 55. Vgl.: A. Brejon de Lavergnée, in: Valentin et les Caravagesques Francais, Ausstellungskatalog, Rom – Paris, 1974, S. 106 – 121.Vgl.: Nicolas Tournier. 1590 - 1639. Un peintre caravagesque, Ausstellungskatalog, Musée des Augustins, Toulouse, 29. März - 1. Juli 2001, Paris / Toulouse 2001.Vgl.: Pascal-François Bertrand et. al., Nicolas Tournier. Et la peinture caravagesque en Italie, en France et en Espagne, Tagungsband, Toulouse 2020.Vergleiche:Eine ähnliche Komposition Tourniers wird in den Musées Royaux des Beaux – Arts de Belgique in Brüssel verwahrt. Auch eine Vertreibung der Händler aus dem Tempel kann hinsichtlich der hell erleuchteten Mittelfigur kann gut als Vergleich herangezogen werden, auch wenn diese Figur eben nicht Christus selbst ist, der links am Rand erscheint (Christie‘s, Rom, 7. April 1987, lot 130). (1360555) (13) (†)Nicolas Tournier,1590 Montbéliard – ca. 1657 ToulouseTHE TAKING OF CHRIST Oil on canvas. Relined. 116 x 147 cm.Maurizio Marini is to be thanked for identifying the above-mentioned artist for the present painting.
Flämischer Maler um 1700PARKLANDSCHAFT MIT TIEREN IM LICHT DER UNTERGEHENDEN SONNEÖl auf Leinwand. Doubliert.109,5 x 105 cm.In dekorativem Rahmen.In Landschaft vor einem großen Baumstück auf einem steinernen Fragment sitzend ein eleganter Pfau mit prachtvollem Federkleid und bläulichem Hals, den er nach links abgewendet hat. Rechts von ihm, auf einem Ast eines Baumstammes sitzend, ein leuchtend roter Ara, der auf eine am Boden befindliche, teils pickende Schar Hühner und rechtsseitig einen stolzen Hahn blickt. Links des Pfaus eine große Steinvase auf einem Sockel und dahinter erstreckt sich eine hügelige Landschaft im warmen Licht der rötlich untergehenden Sonne. Dekorative Darstellung, teils an Arbeiten des Melchior de Hondecoeter (1636-1695) erinnernd. (1361192) (1) (18)Flemish School, ca. 1700PARK LANDSCAPE WITH ANIMALS IN THE LIGHT OF THE SETTING SUN Oil on canvas. Relined.109.5 x 105 cm.
Francesco Fidanza, 1747 Rom – 1819 Mailand, zug.HAFENLANDSCHAFT BEI SONNENUNTERGANGÖl auf Leinwand. Doubliert.75 x 100 cm.In vergoldetem, teils geschnitztem Rahmen.Blick auf eine Küstenlandschaft mit einem kleinen Uferstück im Vordergrund auf dem drei Figuren und ein ankerndes Boot zu erkennen sind, über die Bucht hinweg bis zum Horizont unter hohem Himmel im warmen, teils gelb-orangen Licht der untergehenden Sonne, die sich malerisch im ruhigen Wasser widerspiegelt. Am rechten Bildrand ein großes, hochragendes Felsenstück, auf dessen Anhöhe sich ein Gebäude und eine antike Ruinenanlage befinden. Zudem ragt eine Landzunge vom Ufer ins Wasser mit einem großen Rundturm. Auf dem Wasser selbst ein Segelschiff und im Hintergrund vor Felsenkulisse die Silhouette einer Stadt im diffusen Licht. Das Gemälde zeigt sich stark beeinflusst von den im Gegenlicht geschaffenen Meeresstimmungen des französischen Malers Joseph Vernet (1714 - 1789). (1360196) (3) (18)Francesco Fidanza,1747 Rome – 1819 Milan, attributedHARBOUR LANDSCAPE AT SUNSET Oil on canvas. Relined.75 x 100 cm.The painting is strongly influenced by the French painter Joseph Vernet’s sea impressions, which he created against the light.
Johann Bernard Klombeck, 1815 bei Kleve – 1893 ebendaWALDLANDSCHAFT MIT FIGUREN IM WARMEN LICHT DER UNTERGEHENDEN SONNEÖl auf Leinwand. Doubliert.73 x 93 cm.Rechts unten signiert „J.B. Klombeck“.In vergoldetem Prunkrahmen.Am Ufer eines kleinen Flusses ein sonnenbeschienener Wald mit großen alten, weit verzweigten Bäumen in frischem Grün, durch den ein schmaler Pfad führt, auf dem ein Mann mit seinem Sohn und einem Hündchen laufen und von dem seitlich in der Nähe des Ufers eine Gruppe von Bauern mit Kindern im Gespräch ist. Nach links Durchblick in die Ferne mit einer einsam stehenden Hütte im romantischen Licht der langsam untergehenden Sonne. Für den Künstler typisch romantische Darstellung in vielen differenzierten Farbtönen. Der Künstler war ein Landschaftsmaler, welcher der sogenannten Klever Romantik zuzuordnen ist. Ab 1841 wurde er in der damals neu gegründeten Kunstakademie in Kleve durch den niederländischen Landschaftsmaler Barend Cornelis Koekkoek (1803-1862) unterrichtet. Zwischen 1843 und 1856 wurden seine Werke auf großen Ausstellungen gezeigt, u.a. in Amsterdam, Dresden und Berlin. (13611910) (1) (18)Johann Bernard Klombeck,1815 near Cleves – 1893 ibid.FOREST LANDSCAPE WITH FIGURES IN THE WARM LIGHT OF THE SETTING SUN Oil on canvas. Relined.73 x 93 cm.Signed lower right “J.B. Klombeck”.
Eugène Boudin, 1824 Honfleur – 1898 DeauvilleMARKTTREIBEN VOR DER KATHEDRALE IN DIEPPE „LA PLACE NATIONALE À DIEPPE – UN JOUR DE MARCHÉ“Öl auf Mahagoni.46 x 37,5 cm.Links unten signiert. Entstanden um 1892/96.Boudin gilt als bedeutender Vorläufer des Impressionismus und war einer der ersten Freilichtmaler. Der Sohn eines Hafenarbeiters und bereits zehnjährig als Schiffsjunge auf einer Fähre, zog mit seiner Familie 1835 nach Le Havre. Sein Vater betrieb dort einen Bilderrahmenladen, was dazu führte, dass er etliche Maler kennenlernen konnte, deren Gemälde er auch im Laden ausgestellt hat. Auf Anraten von Künstlern wie Jean Francois Millet, Eugen Isabey oder Constant Troyon, griff er selbst alsbald zum Pinsel, um schließlich 22-jährig als freischaffender Maler zu wirken und den Laden aufzugeben. 1851 konnte er in Paris studieren, unterstützt durch die Förderung der Stadt Le Havre. Ausgedehnte Reisen ließen mannigfache Landschafts- vor allem Strandmotive entstehen. In Ferme Saint-Simeón, nahe Honfleur, bildete er zudem einen Kreis mit den Malern Courbet, Jongkind oder vor allem Monet, die als seine Schüler nun auch der Freilichtmalerei zugewandt wurden.Im Pariser Salon war er bereits ab 1859 vertreten, zwanzig Jahre später kam es mit ihm zur ersten Impressionisten-Ausstellung im Studio Nadar. Einen Großteil seines Nachlasses besitzen das Musée Boudin in Honfleur sowie das Musée Malraux in Le Havre.Neben seinen vielen Strand- und Küstenlandschaften, für die er berühmt wurde, ist die kleinere Zahl der impressionistischen Stadtbilder nicht weniger bedeutend. So findet sich in seinem Werk etwa das „Strassenbild mit Kathedrale St. Volfran“ in Abbeville, aber auch das hier vorliegende Markttreiben vor der Kathedrale von Dieppe. Flirrendes Licht liegt über dem Marktplatz, die Figuren verschwimmen, was dem Treiben eine sonst kaum vermittelbare Bewegung gibt. A.R.Provenienz:Das Gemälde ist mit bedeutender, früh verbürgter Provenienz dokumentiert:Hôtel Drouot, Paris, 20./21. März 1899, „vente Atelier Boudin“, Kat.Nr. 5 (620 Fr.)Hôtel Drouot, Paris, 15. Dezember 1941, Saal 12, „vente Collection Delacre“ Kat.Nr. 34, m. Abb. Nr. 34. (82.000 Fr.). Auktion zusammen mit Skulpturen von Rodin (Collection Delacre).Literatur:Robert Schmit, Eugène Boudin. 1824-1898, 3 Bde., Paris 1973, Nr. 3056, Abb. S. 177.Anne-Marie Bergeret-Gourbin, mit Mitarbeit von Laurent Manouvre, Eugène Boudin. Paintings and drawings. Catalogue raisonné, Paris 1996.Jens Rosteck, Himmelskönig, Strandpoet. Wie Eugène Boudin in seinen Seestücken die Anfänge des Badetourismus in der Normandie festhielt. Erfinder des Strandbilds und Wegbereiter des Impressionismus, in: mare Nr. 98, Juni/Juli 2013, S. 98-109.Katalog Musée Eugène Boudin Honfleur, Honfleur 1983.Online-Katalog Musée Malraux in Le Havre, Ausstellung: Eugène Boudin, l’atelier de la lumière, 16. April – 26. September 2016.Laurent Salomé (hrsg.), A City for Impressionism. Monet, Pissarro and Gauguin in Rouen, Katalog zur Ausstellung im Museé des Beaux-Arts de Rouen, 4. Juni – 26. September 2010, Paris u.a. 2010. (1361111) (11)Eugène Boudin,1824 Honfleur – 1898 DeauvilleMARKET BUSTLE IN FRONT OF THE CATHEDRAL OF DIEPPE “LA PLACE NATIONALE À DIEPPE – UN JOUR DE MARCHÉ”Oil on mahogany.46 x 37.5 cm.Signed lower left.Created ca. 1892/96.The Musée Boudin in Honfleur and the Musée Malraux in Le Havre own a large part of the artist’s estate. In addition to his many beach- and coastal landscapes for which he became famous, the smaller number of Impressionist cityscapes is no less significant. Thus, his oeuvre includes a painting titled “Street view with the Cathedral of Saint Vulfran” in Abbeville, but also the market bustle in front of the Dieppe Cathedral in this lot. The market square is shown in shimmering light, the figures blurred, giving the hustle and bustle an otherwise hard to convey sense of motion.Provenance:The painting is recorded with an important, early proven provenance:Hôtel Drouot, Paris, 20/21 March 1899, “vente Atelier Boudin”, cat. no. 5 (620 Fr.)Hôtel Drouot, Paris, 15 December 1941, room 12, “vente Collection Delacre” cat. no. 34, with. ill. no. 34. (82.000 Fr.). Auction with sculptures by Rodin (Delacre Collection).Literature:Robert Schmit, Eugène Boudin. 1824-1898, 3 vol., Paris 1973, no. 3056, ill. p. 177.Anne-Marie Bergeret-Gourbin, with the collaboration of Laurent Manouvre, Eugène Boudin. Paintings and drawings. Catalogue raisonné, Paris 1996.Jens Rosteck, Himmelskönig, Strandpoet. Wie Eugène Boudin in seinen Seestücken die Anfänge des Badetourismus in der Normandie festhielt. Erfinder des Strandbilds und Wegbereiter des Impressionismus, in: mare no. 98, June/July 2013, pp. 98-109.Catalogue Musée Eugène Boudin Honfleur, Honfleur 1983.Online catalogue Musée Malraux in Le Havre, exhibition: Eugène Boudin, l’atelier de la lumière, 16 April – 26 September 2016.Laurent Salomé (ed.), A City for Impressionism. Monet, Pissarro and Gauguin in Rouen, catalogue for the exhibition at the Museé des Beaux-Arts de Rouen, 4 June - 26 September 2010, Paris et al. 2010.
PRANCER (1989) - Hand-Painted Michael Pangrazio Neighborhood in Snow Matte Painting - A hand-painted Michael Pangrazio neighborhood in snow matte painting from John D. Hancock's fantasy drama film Prancer. Jessica Riggs (Rebecca Harrell ) and Carol Wetherby (Ariana Richards) walked on the snowy hill and talked as they pulled their sled.This lot consists of one oversize matte painting on a framed glass panel. It features a hand-painted image of a snow-covered town with a matte-black area over the lower half of the painting. The back features production-applied tape and paper with light blue and beige paint. This lot exhibits scratches and lifted tape. Dimensions: 49.5" x 61" x 1" (125.75 cm x 155 cm x 2.5 cm)Special shipping required; see notice in the Buyer's Guide.Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: $1,500 - 3,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
SEVEN PSYCHOPATHS (2012) - Light-Up Bomb Belt - A light-up bomb belt from Martin McDonagh's crime-comedy Seven Psychopaths. Vietnamese priest "Psychopath No. 4" (Long Nguyen) kept a bomb belt beside him when he met with a prostitute. This dark green nylon belt features dynamite wooden sticks wrapped in paper with Asian characters and is secured to the belt with zip ties. They have various yellow and blue cables connecting to a battery operated light-up panel that functions by a small toggle near the battery. This lot exhibits grime on the paper coverings and restoration. Dimensions: 17" x 12" x 6" (43.25 cm x 30.5 cm x 15.25 cm)Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $800 - 1,600Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
SPIDER-MAN 2 (2004) - Doc Ock's (Alfred Molina) Tentacle Claw - Doc Ock's (Alfred Molina) tentacle claw from Sam Raimi's action-sci-fi film Spider-Man 2. After a failed science experiment, Dr. Otto Octavius was fused with mechanical tentacles that earned him the villain name of Doc Ock as he tried to recreate his experiment. This metal tentacle claw features three closed prongs with two having yellow paint at the base. The base of the tentacle claw is marked "Closed Heavy Weight 1 Head" in black marker. This tentacle claw exhibits intentional distressing from production along the prong seams to resemble rust and light welding. Dimensions: 15" x 5.5" x 5.5" (38.25 cm x 14 cm x 14 cm)Estimate: $3,000 - 6,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
DOCTOR WHO (T.V. SERIES, 2005 - PRESENT) - Replica TARDIS Police Box Used for Various Non-BBC Productions - A replica TARDIS police box based on the 11th and 12th Doctors' configuration from Steven Moffat's sci-fi series Doctor Who. The Doctor (Matt Smith and Peter Capaldi) sought adventure through time and space with various human companions and outsmarting countless nemeses, including Daleks and the Weeping Angels.This replica was used in a variety of trade shows and rented out to various non-BBC productions, including The Late Late Show with Craig Ferguson, and is constructed for fast setup and striking as needed. Built primarily from spruce wood and painted "Sydney Blue" to emulate the original production pieces, it features light and sound options that are remote controllable. Its light-up functions include the top-mounted lantern, in addition to various acrylic signages: "Police Box" headers, windows, and the "Pull to Open" door sign with hand-applied acrylic lettering. A speaker allows for the audio playback of key effects, including the iconic TARDIS "Vworp!" materialization and dematerialization, the Cloister Bell catastrophe alarm, and the door lock's "chirp chirp." Light and sound effects are coordinated, depending on pre-programmed remote-controlled instructions. The instruction manual detailing assembly, takedown, and functionality, as well as a radio-control remote and power source, is included. The display exhibits scratches, nicks, grime, scuffs, and wear at the panel connections. Dimensions: 60" x 60" x 122 (152.5 cm x 152.5 cm x 310 cm)Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see notice in the Buyer's Guide.Estimate: $15,000 - 30,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
STAR TREK: THE MOTION PICTURE (1979) - Hikaru Sulu's (George Takei) Helm Station Control Panel - Hikaru Sulu's (George Takei) helm station control panel from Robert Wise's sci-fi film Star Trek: The Motion Picture. As the Enterprise helmsman, Sulu helped fly the ship with his control panel. This lot consists of a black acrylic panel designed to appear illuminated when backlit. It features 38 clear buttons and a yellow half-cylindrical light cover. When illuminated from behind, the panel shows labels for "Neural Command Override" and "Comp Monitor In Put." The rear has an acrylic box held in place with metal screws and a metal spring attached to a tab. Included is a 10" x 7" (25.5 cm x 18 cm) production photography sheet. This lot exhibits adhesive residue and scratches on the panel's finish. Dimensions: 9.25" x 7" x 1" (23.5 cm x 18 cm x 2.75 cm)Estimate: $3,000 - 6,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR TREK V: THE FINAL FRONTIER (1989) - Cast- and Gene Roddenberry-Autographed Photo - A photo autographed by Gene Roddenberry and the cast of William Shatner's sci-fi sequel Star Trek V: The Final Frontier. The photo, taken for the promotion of the fifth film, depicted the cast in the iconic maroon uniforms they famously wore in Star Trek II through Star Trek VI.This lot consists of a color-printed photo of the main cast on the bridge of the Enterprise-A, and has been signed by Gene Roddenberry, William Shatner, Leonard Nimoy, James Doohan, George Takei, Nichelle Nichols, Walter Koenig, and DeForest Kelley. The photo's glossy finish exhibits a bit of light scratching. Dimensions: 8" x 10" (20.5 cm x 25.5 cm)Estimate: $2,000 - 4,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR TREK (2009) - Light-Up Medical Tricorder - A light-up medical tricorder from J.J. Abrams' 2009 sci-fi film Star Trek. A medical officer used her medical tricorder on Captain Christopher Pike (Bruce Greenwood) as he was helped aboard the Enterprise.This lot consists of a white medical tricorder that lights up with white light and remains lit when a button is pressed. Another button lights up the screen with a pale blue light but only while pressed. This tricorder takes three AAA batteries. It exhibits mild scratching and discoloration from production. Dimensions: 7.75" x 4" x 2" (19.75 cm x 10.25 cm x 5.25 cm)Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $3,000 - 6,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR TREK II: THE WRATH OF KHAN (1982) - Light-Up Replica Studio-Scale Refit U.S.S. Enterprise NCC-1701 Model - A light-up replica studio-scale model of the refit U.S.S. Enterprise NCC-1701 from Nicholas Meyer's sci-fi sequel Star Trek II: The Wrath of Khan. Created for Quantum Mechanix, this light-up 1:350 scale replica features a composite resin and fiberglass body over a steel endoskeletal frame; the vessel's distinctive Aztec hull plating pattern painted on through meticulous masking and airbrushing; applied ship lettering and graphics; and extensive lighting effects designed to include white LED interior lighting visible through the windows, blue LED warp-engine illumination, blinking formation and anti-collision lights, and lighting in the deflector dish, all of which are powered by a 12-volt power adapter and controlled through a three-function remote control. Internal details visible through the windows including the officers' lounge, botanical garden, recreation deck, and a shuttle bay visible by removing a cover piece on the stern of the starship. The model is displayed on an adjustable metal mount attached to a black wooden base with a gold-color metal plaque featuring the ship's information, a quote, and the logo for "The FX Company". The lot exhibits minimal wear from use and age. Dimensions: 36" x 17" x 18" (91.5 cm x 43.25 cm x 45.75 cm)Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $8,000 - 16,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR TREK: THE ORIGINAL SERIES (T.V. SERIES, 1966 - 1969) - Cast- and Gene Roddenberry-Autographed Photo - A photo autographed by Gene Roddenberry and the cast of Star Trek: The Original Series. The cast photo was taken for the promotion of the third and final season, and is one of the sets of photos that includes Majel Barrett, Roddenberry's future wife, with the Enterprise's primary crew.This lot consists of a color-printed photo of the main cast on the bridge of the Enterprise, and has been signed by Gene Roddenberry, Majel Barrett, William Shatner, Leonard Nimoy, James Doohan, George Takei, Nichelle Nichols, Walter Koenig, and DeForest Kelley. The photo's glossy finish exhibits a bit of light scratching. Dimensions: 8" x 10" (20.5 cm x 25.5 cm)Estimate: $2,000 - 4,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR TREK: THE ORIGINAL SERIES (T.V. SERIES, 1966 - 1969) - Light-Up Master Replicas Signature Edition 40th Anniversary Studio-Scale Enterprise Model - A light-up Master Replicas signature edition 40th anniversary studio-scale model of the Enterprise from Gene Roddenberry's classic sci-fi series Star Trek. The series followed the adventures of the starship Enterprise as its crew explored space, the final frontier.This injection-molded ABS plastic, 1/350th scale model lies over an internal metal armature painted like the screen-used model miniature, and features illuminated elements. Its display stand base is shaped like the command-division delta and features a power switch on the side. Included are a power adapter; a commemorative plaque numbered 116 of 250 and signed by principal actors Shatner, Nimoy, Takei, Nichols, and Koenig, with printed signatures of the late DeForest Kelley and James Doohan; a plaque stand; an information pamphlet; an instruction packet; two mail forms; an envelope; and its original shipping box. The box exhibits denting, taping, and remnants of multiple shipping labels. Dimensions: 33" x 15" x 14" (84 cm x 38.25 cm x 35.75 cm)Contains electronics; see notice in the Buyer's Guide.Estimate: $4,000 - 8,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR TREK: THE NEXT GENERATION (T.V. SERIES, 1992) - Framed Light-Up Medical LCARS Panel - A framed light-up medical LCARS panel from the sci-fi television series Star Trek: The Next Generation. In Season 6's episode six, "True Q," Q (John de Lancie) and Amanda Rogers (Olivia d'Abo) discussed her situation in the medical lab.This light-up, custom-framed LCARS panel with an adapter is designed to appear illuminated when backlit. The black film panel features colored plastic gels adhered to the back and backed with white tissue paper acting as a light diffuser. The frame is topped with smoke-colored plexiglass. When illuminated, it shows "Synaptic Activity Data," "Bio-Neural Graph 9861" with a simulated yellow and purple body showing the circulatory system. It exhibits imperfections on the frame corners and mild scratching on the surface. Dimensions: 25.75" x 19" x 1" (65.5 cm x 48.25 cm x 2.5 cm)Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $2,000 - 4,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR TREK: THE NEXT GENERATION (T.V. SERIES, 1987 - 1994) - LCARS Door Panel - A LCARS door panel from the sci-fi series Star Trek: The Next Generation. The starship Enterprise crew used keypad-like panels placed throughout the ship to access its computer system, with panels of this size often placed near doorways to open, lock, and request entrance.This lot consists of a black acrylic panel with light blue and cream-color graphics made to appear like numbered touch-screen buttons in the iconic LCARS (Library Computer Access and Retrieval System) style seen in Starfleet technology of the era. The acrylic exhibits scratching, including through some of the graphics. Dimensions: 3" x 7.5" x 0.25" (7.75 cm x 19.25 cm x 0.75 cm)Estimate: $800 - 1,600Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
ELF (2003) - Light-Up Empire State Building Elevator Button Panel - A light-up Empire State Building elevator button panel from Jon Favreau's Christmas movie Elf. After he witnessed an elevator button lighting up, Buddy (Will Ferrell) was overcome with excitement and pushed every button to light more up.Custom-made by SPFX Coordinator Tony Lazarowich's team, this lot consists of a metal elevator panel with working buttons and individual plugs and cables rigged to each light. The back bottom of the panel features a written label for "Tony SFX." The panel requires a 12V car battery to operate the lights. This lot exhibits burnt out bulbs in buttons 80, 76, 78, 49, 51, 24, 17, L, and Alarm. Dimensions: 15" x 51.5" x 3" (38.25 cm x 131 cm x 7.75 cm)Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see notice in the Buyer's Guide.Estimate: $15,000 - 30,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
STAR TREK: THE NEXT GENERATION (T.V. SERIES, 1987 - 1994) - Light-Up Computer - A light-up computer from the sci-fi series Star Trek: The Next Generation. Small silver-color computers were used throughout the series, appearing as Klingon computers in Season 5's "Redemption II" and "Unification II," and as a Federation computer in Season 6's "Descent."This lot consists of an acrylic computer painted silver-color with a black acrylic screen, a small black rubber ribbed embellishment on the front, and black decals throughout. A blue button on the base makes two small green lights blink, powered by a 9V battery. It exhibits some scratching to the acrylic and the bottom panel is loose. Dimensions: 11.5" x 8.5" x 10.5" (29.25 cm x 21.75 cm x 26.75 cm)Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $3,000 - 6,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR TREK: DEEP SPACE NINE (T.V. SERIES, 1996) - Light-Up Bajoran Tricorder - A light-up Bajoran tricorder from Rick Berman and Michael Piller's sci-fi series Star Trek: Deep Space Nine. Major Kira Nerys (Nana Visitor) used a Bajoran tricorder in her search for survivors of a crashed Cardassian prison transport in Season 4's episode "Indiscretion."The resin hollow-cast tricorder features burgundy, red, gold, and bronze-color paint to resemble metal; black painted side and bottom grips; and small red and green acrylic button insets. A round black button powers a backlit acrylic translite to emulate a digital read-out and insets. The underside features a removable plate to access electronics and battery via six Phillips-head screws. Exhibits chipping, scratching, scuffing, pitting, and a missing screw. Dimensions: 6" x 3.5" x 2" (15.25 cm x 9 cm x 5 cm)Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $3,000 - 6,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
ELF (2003) - Santa's (Ed Asner) Light-Up Scaled Sleigh Dashboard with Spirit Clausometer - Santa's (Ed Asner) light-up, scaled sleigh dashboard with a Spirit Clausometer from Jon Favreau's Christmas movie Elf. Jovie (Zooey Deschanel) started a sing-along to raise the Clausometer on Santa's sleigh after Buddy (Will Ferrell) lost his Christmas spirit.This dashboard was custom-made by the SFX team for shots of the fully-operational sleigh at a smaller scale in order to make Buddy appear oversized. It features a panel of chrome-plated buttons and gauges, including a "Spirit Clausometer," a pressure gauge, and buttons labeled "Ho Ho Ho," inset into a polished wooden compartment. Following production, electronics on the reverse were switched out by SFX crew with a more automated system which illuminates buttons and raises gauges when connected to an AC outlet. Several lights are dimming and the wood exhibits scratches from production use. Dimensions: 23" x 7" x 11" (58.5 cm x 18 cm x 28 cm)Contains electronic components; see notice in the Buyer's Guide.Estimate: $10,000 - 20,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
STAR TREK: VOYAGER (T.V. SERIES, 1995 - 2001) - Light-Up Alien Scanning Device - A light-up alien scanning device from the sci-fi series Star Trek: Voyager. The starship Voyager crew encountered different alien species during its journey through the Delta Quadrant.This lot consists of a cast resin textured handle painted black with a copper-color circle on the bottom and metal embellishments. Frontal lights are powered by two N-size 1.5 volt batteries inserted beneath a battery cover. It exhibits scuffing to the painted finish from use and age, and current electronic functionality remains untested . Dimensions: 7" x 4.75" x 2" (18 cm x 12.25 cm x 5.25 cm)Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $1,000 - 2,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR TREK: ENTERPRISE (T.V. SERIES, 2001 - 2005) - Light-Up QMx Replica Studio-Scale Enterprise NX-01 Promotional Model - A light-up QMx replica studio-scale promotional model of the Enterprise NX-01 from the sci-fi series Star Trek: Enterprise. Captain Jonathan Archer (Scott Bakula) and his crew forged alliances and engaged in missions aboard Enterprise. This lot consists of the 1:350 scale model Quantum Mechanix (QMx) convention display and sales page photography model constructed of polystyrene, acrylic, and polyresin. It features a metallic enamel painted exterior. 150 LED lights emulate functioning engines, formation signals, and windows; backed by sound features for phasers and torpedoes, controlled via a keyless fob attached to a clear acrylic "Starfleet" logo. The miniature mounts via metal pole to an MDF base featuring two aluminum Starfleet logo plaques, one unsigned, the other featuring "QMx FX Cinema Arts" and "0 of 100." An egg crate-padded wood shipping crate is included. The lot exhibits scuffing, scratching, and edge wear. Dimensions: (on base) 28" x 18" x 9" (71.25 x 45.75 cm x 23 cm)Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $6,000 - 12,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
LUCASFILM - George Lucas' Business Card and Subsidiary Letterheads - George Lucas' business card and subsidiary letterheads from Lucasfilm Ltd. This lot consists of George Lucas' Lucasfilm Limited business card on cardstock; one Star Wars Revenge of the Jedi subsidiary; one Star Wars The Empire Strikes Back subsidiary; one Radio Pictures Inc. subsidiary; one Raiders of The Lost Ark subsidiary; one Industrial Light & Magic (ILM) subsidiary; one Black Falcon Ltd. subsidiary; and two Star Wars subsidiaries. This lot exhibits minor discoloration from age. Dimensions: (card) 3.5" x 2" (9 cm x 5 cm); (subsidiary) 8.5" x 11" (21.75 cm x 28 cm)Estimate: $800 - 1,600Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR WARS: A NEW HOPE (1977) - Kit Kat-Style High-Altitude Death Star Surface Model Miniature Panel - A high-altitude Death Star surface model miniature panel from George Lucas' Star Wars: A New Hope. This kit kat-style panel, so known for its distinctive shape, was designed and constructed by Industrial Light & Magic (ILM) as part of the vast miniature Death Star set, specifically for shots where Rebel fighters flew high above its massive surface.This biscuit foam panel is decorated with cast greeblies and finished in industrial gray paint. Its paint has discolored from age and its underside features a splotch of paint from production. Dimensions: 3" x 3" x 1.25" (7.75 cm x 7.75 cm x 3 cm)Estimate: $2,000 - 4,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR WARS: A NEW HOPE (1977) - Death Star Surface Model Miniature Component - A Death Star surface model miniature component from Star Wars: A New Hope. Panels of this style were made in several different patterns, cast in bulk, then painted by hand and assembled to create the overall surface of the Death Star.This dense foam panel comes from the collection of veteran model maker Dave Jones. Designed and constructed by Industrial Light & Magic's (ILM) model miniature department, it is hand-painted gray and carved in a grid-like pattern to simulate paneled construction. This lot exhibits chipped paint and a buildup of grime. Dimensions: 3" x 3" x 0.75" (7.75 cm x 7.75 cm x 2 cm)Estimate: $1,500 - 3,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR WARS: ORIGINAL TRILOGY (1977 - 1983) - Low Altitude Death Star Surface Model Miniature with Printed Design Reference Packet - A low altitude Death Star surface model miniature from George Lucas' Star Wars: A New Hope with a printed design reference packet. This panel was designed and constructed by Industrial Light & Magic (ILM) as part of the vast miniature Death Star set for shots where Rebel fighters flew close to its massive surface. This lot consists of a biscuit foam panel decorated with cast greeblies and finished in industrial gray paint, as well as a stapled five-page packet of printed design illustrations labeled "Death Star Module." The panel exhibits brown stains on the top. Dimensions: 6" x 6" x 1" (15.25 cm x 15.25 cm x 2.5 cm)Estimate: $3,000 - 6,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR WARS: A NEW HOPE (1977) - Imperial TIE Fighter Pyro Model Miniature Wing Strut - An Imperial TIE fighter pyro model miniature wing component from the production of George Lucas' Star Wars: A New Hope. TIE fighters were the standard combat ships of the Galactic Empire.This wing strut, an incomplete section of a TIE fighter's solar array support frame, comes from the collection of veteran model maker Dave Jones. Designed and constructed by Industrial Light & Magic's (ILM) miniature department for SFX shots of TIE fighters being shot down by Rebel fighters, it is cast from epoxy resin with detailed greebles and an industrial black paint finish. Its base exhibits fracturing and discoloration from being exploded during production, and it exhibits a hole at top. Dimensions: 9.5" x 2.5" x 0.5" (24.25 cm x 6.5 cm x 1.25 cm)Estimate: $1,000 - 2,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR WARS: A NEW HOPE (1977) - Production-Made Imperial TIE Fighter Model Miniature Components - Imperial TIE fighter model miniature components from the production of George Lucas' Star Wars: A New Hope. Imperial TIE fighters were the standard combat ships of the Galactic Empire. This set of unfinished resin components cast by Industrial Light & Magic's (ILM) miniatures team for the TIE models comes from the collection of veteran model maker Dave Jones. It consists of two bottom hatch sections painted black and silver, an unpainted wing collar, and a gray blaster light with its bulb painted orange. The set exhibits paint flaking throughout, and the hatch sections are scratched from production. Dimensions: (largest) 3" x 3" x 1" (7.75 cm x 7.75 cm x 2.5 cm)Estimate: $1,200 - 2,400Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR WARS: A NEW HOPE (1977) - Annotated Opening Crawl Storyboard Copy - An annotated opening crawl storyboard copy from George Lucas' Star Wars: A New Hope. This crawl was created by Industrial Light & Magic (ILM) as a visual test before locking the final in-camera version added to prints in lusophone theatrical markets.This opening crawl storyboard copy is labeled "BOARD #1" and from "SCRIPT #1." The storyboard features handwritten notes along the top in pen and graphite. This lot exhibits creases, folds, and minor tears along the edges. Dimensions: 8.5" x 11" (21.75 cm x 28 cm)Estimate: $600 - 1,200Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR WARS: A NEW HOPE (1977) - Charles Lippincott Collection: Production Storyboard Binder with Negative Element Reports - A production storyboard binder with negative element reports from George Lucas' Star Wars: A New Hope. This binder was created by production to explain the usage of the optical and control functions from Industrial Light & Magic (ILM). This lot comes from the collection of the film's advertising and publicity supervisor Charles "Charley" Lippincott. It consists of a green three-ring binder featuring 90 pages of storyboard copies and corresponding negative element reports with printed annotations, including the binder's objective page from ILM. This lot exhibits grime and ink residue to the cover and a broken sheet lifter. Dimensions: 11" x 12" x 3" (28 cm x 30.5 cm x 7.75 cm)Estimate: $3,000 - 6,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR WARS: A NEW HOPE (1977) - Charles Lippincott Collection: "Star Nars" X-Wing Crew T-Shirt - A "Star Nars" X-wing crew shirt from the production of George Lucas' Star Wars: A New Hope. Given to Industrial Light & Magic (ILM) crew members early in production, this style of shirt came to be known as the "Star Nars" shirt due to the letter "W" being cut off.This beige cotton crew-cut T-shirt (size L) comes from the collection of the film's advertising and publicity supervisor Charles "Charley" Lippincott. It features the words "STAR WARS" in bold red and black block letters behind an early illustration of an X-wing. The shirt exhibits mild discoloration and a stretched hem.Estimate: $1,000 - 2,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
INDUSTRIAL LIGHT & MAGIC (ILM) - Mole-Richardson Stage Light with ILM Logos - A Mole-Richardson stage light from Industrial Light & Magic (ILM). The visual effects company used a number of different stage lights in the creation of many iconic motion picture sequences over the years, and often marked their equipment with their logo.This stage light, built by Mole-Richardson, is made of cast aluminum with maroon enamel, sheet steel, and features a three-pronged house plug, a knob for switching from spot to flood, attachable barn doors, and an Industrial Light & Magic information label. The light itself and the barn doors feature the ILM lightbulb logo stenciled on. The light exhibits scuffing throughout from use and age, and is currently non-functional. Dimensions: 14" x 8" x 10" (35.75 cm x 20.5 cm x 25.5 cm)Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $1,500 - 3,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
STAR WARS: THE EMPIRE STRIKES BACK (1980) - Set of Three AT-AT Reference and Shipment Contact Sheets - Three AT-AT reference and shipment contact sheets from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. Industrial Light & Magic (ILM) produced contact sheets of photos taken throughout the film's production.This lot consists of three contact sheets: one with 38 images of an elephant to reference for the AT-AT's walking movement, one with 33 images of an AT-AT model's foot and a cat, and one labeled "8/78 Blue Screen & Starfield Shipments" with 38 images of a transport truck. They exhibit bending and scratching from use and age, and a stain near the top of the elephant sheet. Dimensions: (each) 11" x 14" (28 cm x 35.75 cm)Estimate: $800 - 1,600Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
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