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A group of Chinese porcelain, 20th century, to include: a large baluster vase converted to a lamp base, decorated to the body

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Roseberys London

Los 162

A group of Chinese porcelain, 20th century, to include: a large baluster vase converted to a lamp base, decorated to the body with exotic birds and chrysanthemums and calligraphy to the other side, atop pierced and carved wood base, 50cm high excluding electrical fittings; two famille noir vases, one a high shoulder vase with exotic birds and flowers, 35.5cm high, the other a baluster vase with flowers, 30cm high; and a famille noir jar and cover decorated with flowers, with iron red character seal to underside, 25cm high (4) It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Each piece appears to be in overall good condition with light surface marks and pitting.

Live Auktion

A group of miniature Chinese blue and white porcelain, 20th century, to include a baluster vase decorated with flowers, 9.5cm

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Roseberys London

Los 163

A group of miniature Chinese blue and white porcelain, 20th century, to include a baluster vase decorated with flowers, 9.5cm high, a globular panelled bowl decorated with branching flowers, 3.8cm diameter, and two trinket boxes, each decorated to the lid with an exotic bird perched in a tree branch, each 5.6cm diameter (4)A repaired loss to the rim of the vase. All pieces with crazing and light cracks to the underside.

Live Auktion

A Chinese carved and parcel-gilded wood figure of a mother and child, 20th century, modelled seated on a chair, her robes pai

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Roseberys London

Los 184

A Chinese carved and parcel-gilded wood figure of a mother and child, 20th century, modelled seated on a chair, her robes painted with phoenixes and clouds raised on wood plinth, 32cm high二十世紀木雕彩漆子母像Light wear, generally good

Live Auktion

After David Roberts, British 1796-1864-Church of the Holy Sepulchre (Jerusalem): InteriorColoured lithograph by Louis Haghe,

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Roseberys London

Los 287

After David Roberts, British 1796-1864-Church of the Holy Sepulchre (Jerusalem): InteriorColoured lithograph by Louis Haghe, 63 x 75.5 cmUnexamined out of frame. Securely in a frame with mount and glaze. Mild undulation to the sides of the lithograph. One crease to the lower centre of the mount. One crease to the lower centre of the print. Possible light foxing/surface dirt to the print. General surface dirt to the outside of the glaze. Otherwise, in good condition overall.

Live Auktion

A French bronze bust of lady, cast by Barbedienne, third quarter 19th century, after the Antique, the interior with paper lab

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Roseberys London

Los 304

A French bronze bust of lady, cast by Barbedienne, third quarter 19th century, after the Antique, the interior with paper label F.BARBEDIENNE 30 Bt Poissonnière BRONZE D'ART, 11cm highProvenance: Works of Art from the Schroder Collection.The bust has a rich, dark brown patination overall. There is a light scuff to her left cheek. There are no further detractions to the lot.

Live Auktion

A brass Rococo styled double inkwell, late 19th / early 20th century, the stand surmounted with a crouching dragon, 29cm long

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Roseberys London

Los 355

A brass Rococo styled double inkwell, late 19th / early 20th century, the stand surmounted with a crouching dragon, 29cm long, 12cm high, together with a pair of brass Rococo styled four light candelabra, each with central stem and three branches, atop baluster stem and stylised base, each 39cm high (3)Heavily tarnished and with general surface wear consistent with age.

Live Auktion

A brass table lamp, 20th century, the faux candlestick electrical fittings with large sconce atop baluster neck, the body wit

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Roseberys London

Los 362

A brass table lamp, 20th century, the faux candlestick electrical fittings with large sconce atop baluster neck, the body with central support and tripod scrolling legs, atop circular stepped base, 82cm high overall, together with a brass six light chandelier, issuing from an urn form stem with pierced foliate decoration, with cut glass sconces, approximately 39cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report

Live Auktion

A French gilt-bronze twin-light candelabrum, late 19th century, converted to electricity, with tri-form base, 46cm high exclu

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Roseberys London

Los 365

A French gilt-bronze twin-light candelabrum, late 19th century, converted to electricity, with tri-form base, 46cm high excluding fitment; together with a white metal oil lamp, late 19th century, converted to electricity, mark TW & S, modelled as a swan, with painted glass reservoir, 39cm high; a Chinese bronze table lamp, 23cm high; a small brass hanging lantern, 36cm high; and a gilt-bronze three-light wall applique, 20th century, the backplate 39cm high (5)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report

Live Auktion

Two pairs of Corinthian column table lamps, American, of recent manufacture, one pair with black marble columns atop plinth b

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Roseberys London

Los 371

Two pairs of Corinthian column table lamps, American, of recent manufacture, one pair with black marble columns atop plinth bases, the other pair with green marble columns atop stepped bases, each stamped 'AW EP', the tallest pair 57cm high overall (4)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Both sets of lamps appear to be in good condition, some light scratches and tarnishing to the metal mounts.

Live Auktion

A pair of two light wall appliques, late 20th century, painted resin, in the form of three arrows about a central floral pate

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Roseberys London

Los 374

A pair of two light wall appliques, late 20th century, painted resin, in the form of three arrows about a central floral patera, each 45cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report

Live Auktion

A pair of gilt-bronze twin-light light wall appliques, second half 20th century, each with ribbon-tied tassel backplate suppo

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Roseberys London

Los 376

A pair of gilt-bronze twin-light light wall appliques, second half 20th century, each with ribbon-tied tassel backplate supporting scrolling branches, 64cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report

Live Auktion

A modern metalwork and glass six-light chandelier, of open cage form, hung with coloured and clear glass drops, 55cm high, 44

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Roseberys London

Los 378

A modern metalwork and glass six-light chandelier, of open cage form, hung with coloured and clear glass drops, 55cm high, 44cm diameterIt is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report

Live Auktion

A gilt and patinated bronze eight-light chandelier, late 20th century, the open cagework body mounted with flowerheads, 57cm

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Roseberys London

Los 379

A gilt and patinated bronze eight-light chandelier, late 20th century, the open cagework body mounted with flowerheads, 57cm high, 59cm diameterIt is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report

Live Auktion

A gilt metal and glass six light chandelier, 20th century, the scrolling branch stems issuing from a pierced circular frame,

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Roseberys London

Los 380

A gilt metal and glass six light chandelier, 20th century, the scrolling branch stems issuing from a pierced circular frame, held by six chains with graduating rings to a laurel wreath decorated ceiling fixture, approximately 95cm highPlease refer to department for condition report

Live Auktion

A Continental glass six-light chandelier, first half 20th century, the open cage frame with applied flower-heads and hung wit

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Roseberys London

Los 381

A Continental glass six-light chandelier, first half 20th century, the open cage frame with applied flower-heads and hung with chains of facetted drops, 92cm high approx; together with a Continental cut-glass six-branch chandelier, first half 20th century, the scroll branches hung with facetted drops, 57cm diameter (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report

Live Auktion

A cut glass five light chandelier, 20th century, with with baluster stem above glass drops and floral motifs, approx. 82cm hi

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Roseberys London

Los 382

A cut glass five light chandelier, 20th century, with with baluster stem above glass drops and floral motifs, approx. 82cm highIt is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report

Live Auktion

The Collected Works of Charles Dickens, the Imperial Edition, original red cloth with gilt tooled upper board and spine and g

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Roseberys London

Los 395

The Collected Works of Charles Dickens, the Imperial Edition, original red cloth with gilt tooled upper board and spine and gilt lettering to spine, with illustrations by various artists, works comprising Sketches by Boz, The Posthumous Papers of the Pickwick Club, Oliver Twist, Nicholas Nickleby, The Old Curiosity Shop, Barnaby Rudge, Martin Chuzzlewit, The Christmas Books, Dombey and Son, David Copperfield, Bleak House, Hard Times and Master Humphrey's Clock, Little Dorrit, and A Tale of Two Cities, together with Charles Dickens: A Critical Study by George Gissing, London: The Gresham Publishing Company, 1903 (15)Only 15 of the 16 volumes in the series present, lacks Great Expectations. Spines are heavily faded, some with tears to the binding, some with staining, front and end pages with light foxing consistent with age.

Live Auktion

A collection of novels and reference material on literature and history, to include: The International Library of Famous Lite

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Roseberys London

Los 400

A collection of novels and reference material on literature and history, to include: The International Library of Famous Literature, ed. Dr Richard Garnett et. al., twenty volumes, half bound in calfskin with marbled boards and end pages, London: The Standard, 1900, together with John Bunyan, The Pilgrim's Progress, twenty-first edition, later three quarter morocco bound with marbled boards and end pages and gilt tooling and lettering to spine, London: J. Clarke, 1724; Wallace Nutting, Furniture Treasury, two volumes, blue cloth bound with gilt lettering to upper board and spine, with protective case, New York: Macmillan Company, 1948; J. K. Rowling, Harry Potter and the Half-Blood Prince, Harry Potter and the Deathly Hallows, first editions, London: Bloomsbury; and various others, approximately 37 books in totalInternational Library: spines are heavily worn revealing orange colour, some with splits. Most other volumes in good condition with light wear to dust covers and bindings

Live Auktion

A set of brass jewellers' weights, held in a fitted wood case with a pair of tweezers, the case inscribed 'A.H.BAIRD EDINBURG

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Roseberys London

Los 416

A set of brass jewellers' weights, held in a fitted wood case with a pair of tweezers, the case inscribed 'A.H.BAIRD EDINBURGH', together with a parcel scale with ounce measurements, 23.5cm high (2)The tweezers once had ivory tips which have since been removed. Some tarnishing to the scale, some light cracks and wear to the case.

Live Auktion

A pair of silver plated three light candelabra, on knopped and foliate decorated stems and shaped bases, 48.5cm high; togethe

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Roseberys London

Los 42

A pair of silver plated three light candelabra, on knopped and foliate decorated stems and shaped bases, 48.5cm high; together with a silver plated basket with sunflower and fruiting vine border and swing handle, on circular foot, 30cm diameter; and a silver plated bowl on circular foot, 10cm high, 18cm diameter (4)Please refer to department for condition report

Live Auktion

A gilt-brass clock garniture, by H. Luppens et decoration, flanked by five light candelabra, all on ebonised giltwood stands

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Roseberys London

Los 463

A gilt-brass clock garniture, by H. Luppens et decoration, flanked by five light candelabra, all on ebonised giltwood stands on bun feet, the enamel dial signed H. Luppens et Cie a Bruxelles (rubbed), the twin train eight day movement striking a bell, the backplate with lozenge for Medaille de Bronze S. Marti et Cie and stamped 10169, striking a bell, clock 52cm high total, candelabra 54cm high total (3)Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece offered for sale.Please refer to department for condition report

Live Auktion

A set of four Victorian aesthetic ebonised dining chairs, burr walnut inlaid, green velour button back upholstery, raised on

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Roseberys London

Los 506

A set of four Victorian aesthetic ebonised dining chairs, burr walnut inlaid, green velour button back upholstery, raised on turned tapered legs (4)scratches and knocks to wood, upholstery is good with a few light stains

Live Auktion

Art Nouveau oak and glazed wall mounted bookcase, early 20th Century, formerly the top section to a larger bookcase, the lead

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Roseberys London

Los 525

Art Nouveau oak and glazed wall mounted bookcase, early 20th Century, formerly the top section to a larger bookcase, the leaded and stained doors with stylised floral motifs, with two shelves, 74.5cm high, 95cm wide, 26cm deep Overall general wear to include light scratches and scuffs to oak. Small crack to right hand glazed panel, lacking two brass shelf supports, some white paint to top surface

Live Auktion

A French flame mahogany secretaire, 19th century, frieze drawer above fall front, enclosing fitted interior, and two cupboard

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Roseberys London

Los 563

A French flame mahogany secretaire, 19th century, frieze drawer above fall front, enclosing fitted interior, and two cupboard doors enclosing shelf space, raised on plinth base, 149cm high, 109cm wide, 47cm deeplarge split to top, many large splits to side panels, back panel has had holes cut into it, large split to both doors, light scratches all over

Live Auktion

A mixed group of Continental porcelain, of academic interest, 18th century and later, comprising: a Meissen dish decorated to

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Roseberys London

Los 91

A mixed group of Continental porcelain, of academic interest, 18th century and later, comprising: a Meissen dish decorated to the centre with ducks and a cockerel in a landscape with gilt foliate design border to the rim, blue crossed swords mark to underside, staple repaired, 13cm diameter; a Meissen figure of a dog standing upright and in aristocratic dress, atop a gilt scrollwork base, blue crossed swords to underside, 13.5cm high; a Meissen rectangular box and cover, decorated to the cover with stylised flowers and with curving gilt adorned finial, blue crossed swords with dot between the blades to the underside, 6.5cm x 13.5cm x 8.5cm; a Meissen blue onion pattern inkwell with blue crossed swords to the underside, 4cm high; a Meissen baluster vase with green foliate banding to the body and blue crossed swords mark to the underside, 10.2cm high; a Nyon cache pot and cover decorated with flowers within geometric purple banding, the cover with gilt flower finial, blue fish mark to the underside, 9.5cm high; a Berlin wrythern moulded teacup with ozier border and decorated with green figures and flowers with pink rim, blue sceptre to underside, 7.5cm diameter; a Dreyfous gilt metal mounted cache pot lacking a cover, decorated with floral sprays within blue diamond banding, 7.5cm high, a French Sevres style teacup and saucer by J. Etienne of Paris, decorated with floral swags and gilt and blue bordering and panelling, the teacup 6.2cm diameter; a French style baluster vase decorated with floral swags and gilt four dot motifs, 10.2cm high; a Dresden style moulded twin handle vase decorated with floral sprays with gilt everted rim, 17cm high; a grisaille panelled milk jug with gilt highlighted cartouches containing grisaille floral sprays, 11cm high; a blue dot decorated cache pot with cover (AF), 8cm high; two covers decorated in Meissen style, and one cover decorated in Sevres style (16)Most pieces with condition issues: staple repair to the Meissen dish, the J. Etienne teacup and saucer with repaired cracks, the Berlin teacup with hairline crack and small loss to the rim, the Meissen dog with restored snout, the Meissen vase with a loss to the rim, the Meissen inkwell with losses to the inside rim, other pieces with wear to the gilding and light surface wear consistent with age.

Live Auktion

‡Richard Pikesley RWS, NEAC (b.1951) Trees against the light, Stanmore Common Oil on linen laid on panel 15 x 20.4cm Provenan

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Woolley & Wallis

Los 17

‡Richard Pikesley RWS, NEAC (b.1951) Trees against the light, Stanmore Common Oil on linen laid on panel 15 x 20.4cm Provenance: The Collection of Bob and Elisabeth Boas

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‡Ken Howard OBE, RA (1932-2022) Afternoon Light from the Ponte degli Scalzi, Venice Signed Ken Howard (lower right) Oil on bo

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Woolley & Wallis

Los 303

‡Ken Howard OBE, RA (1932-2022) Afternoon Light from the Ponte degli Scalzi, Venice Signed Ken Howard (lower right) Oil on board 22.8 x 28.9cm Provenance: Fosse Gallery, Stow-on-the-Wold

Live Auktion

‡Ben Levene RA (1938-2010) Winter Light Signed with monogram (lower right) and inscribed Ben Levene/RA/'WINTER LIGHT' (to rev

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Woolley & Wallis

Los 66

‡Ben Levene RA (1938-2010) Winter Light Signed with monogram (lower right) and inscribed Ben Levene/RA/'WINTER LIGHT' (to reverse) Oil, tempera and silver leaf on board 91.5 x 77cm Provenance: The Collection of Bob and Elisabeth Boas Exhibited: London, Royal Academy, 1992, no.42

Live Auktion

A light oak table, the square top with rounded corners, on reeded tripod base, 71cm high, 49cm wide, 48cm deep.

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Golding Young & Mawer

Los 787

A light oak table, the square top with rounded corners, on reeded tripod base, 71cm high, 49cm wide, 48cm deep.

Live Auktion

A light wood table top display cabinet, with a red lined interior, 37cm x 47cm, 7cm high.

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Golding Young & Mawer

Los 802

A light wood table top display cabinet, with a red lined interior, 37cm x 47cm, 7cm high.

Live Auktion

A substantial oval light oak dining table, the rectangular base with chamfered legs, 74cm high, approximately 220cm wide, 13c

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Golding Young & Mawer

Los 886

A substantial oval light oak dining table, the rectangular base with chamfered legs, 74cm high, approximately 220cm wide, 13cm deep.

Live Auktion

An Ercol light elm dresser, with a plate rack back, the base with arrangement of two cupboard doors, 171cm high, 141cm wide,

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Golding Young & Mawer

Los 953A

An Ercol light elm dresser, with a plate rack back, the base with arrangement of two cupboard doors, 171cm high, 141cm wide, 51cm deep.

Live Auktion

An Ercol light elm bookcase, with four shelf rack with two cupboard base, on stiles, 126cm high, 98cm wide, 30cm deep.

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Golding Young & Mawer

Los 972A

An Ercol light elm bookcase, with four shelf rack with two cupboard base, on stiles, 126cm high, 98cm wide, 30cm deep.

Live Auktion

An Ercol light elm corner cabinet, with three tiered shelf section above single door, 183cm high, 70cm wide, 45cm deep.

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Golding Young & Mawer

Los 974A

An Ercol light elm corner cabinet, with three tiered shelf section above single door, 183cm high, 70cm wide, 45cm deep.

Live Auktion

Tribal Art. Three carved wooden figures, comprising a bald headed gentleman, 28cm high, child, 14cm high, and a figure arched

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Golding Young & Mawer

Los 187

Tribal Art. Three carved wooden figures, comprising a bald headed gentleman, 28cm high, child, 14cm high, and a figure arched over bird, on light wood base, 40cm high. (3)

Live Auktion

Four 1940's/1965's light shades, comprising a white and orange mottled example, a white floral painted example, pink mottled

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Golding Young & Mawer

Los 324

Four 1940's/1965's light shades, comprising a white and orange mottled example, a white floral painted example, pink mottled example and another, each with brass hanging chain.

Live Auktion

A Tiffany style light shade, on red paneled ground, with star design, 26cm diameter.

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Golding Young & Mawer

Los 336

A Tiffany style light shade, on red paneled ground, with star design, 26cm diameter.

Live Auktion

A 20thC brass five branch hanging chandelier, and associated wall light, chandelier 34cm high, wall light 24cm high.

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Golding Young & Mawer

Los 352

A 20thC brass five branch hanging chandelier, and associated wall light, chandelier 34cm high, wall light 24cm high.

Live Auktion

An industrial wall mounted light, in a blue finish, 77cm long.

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Golding Young & Mawer

Los 726

An industrial wall mounted light, in a blue finish, 77cm long.

Live Auktion

δ David Hockney (b. 1937)California SceneOffset lithograph printed in colours, 1966, published by Petersburg Press, New York,

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Forum Auctions

Los 62

δ David Hockney (b. 1937)California SceneOffset lithograph printed in colours, 1966, published by Petersburg Press, New York, on wove paper, the full sheet, sheet 506 x 402mm (19 7/8 x 15 3/4in)Provenance:John Kasmin, London."This colorful California landscape by David Hockney depicts a red, tree-lined house in the background. Palm trees shoot up in the foreground, and two clouds are sketched in light blue. The ground is marked by bold stripes of black and jungle green.We published many David Hockney limited edition etchings, lithographs and books from the early 1960's through the early 1980's. We know of only 4 copies of this print which were probably proofs, never editioned." - Petersburg Pressδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Live Auktion

δ Angus Fairhurst (1966-2008)Proposal for a Public SpaceScreenprint in colours, 2006, signed and dated in pencil verso and nu

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Forum Auctions

Los 80

δ Angus Fairhurst (1966-2008)Proposal for a Public SpaceScreenprint in colours, 2006, signed and dated in pencil verso and numbered from the edition of 50, as included in the portfolio In The Darkest Hour There May Be Light, co-published by the Serpentine Gallery and Other Criteria, London, on wove paper, the full sheet printed to the edges, sheet 297 x 420mm (11 3/4 x 16 1/2 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Live Auktion

ELISEO MEIFRÈN ROIG (Barcelona, 1857 - 1940)."Marina".Oil on canvas.Signed in the lower right corner.Size: 45 x 64 cm; 63 x 8

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Setdart Subastas S.L

Los 35

ELISEO MEIFRÈN ROIG (Barcelona, 1857 - 1940)."Marina".Oil on canvas.Signed in the lower right corner.Size: 45 x 64 cm; 63 x 82 cm (frame).Eliseo Meifrén captures in this painting a subjective nature, of romantic influence. He chooses a convulsive stormy day, looking for a cold, twilight and mysterious atmosphere that gives nature a special lyricism. There is a development of spatial depth; the space is perfectly constructed in the foreground, with marked waves that serve as a backdrop to an intermediate plane with large rocks and the representation of a sailboat tossed by the wind; acting as a backdrop, other boats and a blurred and confused scene, as if covered by a dense fog. In the foreground Meifrén's brushstrokes are dense and precise, and he constructs the forms on the basis of rich, varied chromaticism and subtle, carefully studied changes of light and shade.A disciple of Antonio Caba at the Barcelona School of Fine Arts, after completing his studies he spent some time in Paris, where he coincided with the public beginning of Impressionism and became acquainted with "plen air" painting. He returned to Barcelona in 1879 and that same year he won the gold medal at the Regional Exhibition in Valencia. The following year he made his individual debut at the Sala Parés in Barcelona, where he continued to exhibit regularly from then on. He was a member of the Modernist group and frequented Els Quatre Gats. Although he was also a portraitist, Meifrèn was eminently a landscape and marine painter. He was one of the discoverers of the pictorial possibilities of Cadaqués, and he also used to paint Mallorcan landscapes (he was director of the School of Fine Arts in Palma). He made several trips in search of new landscapes, especially to France, but also to the Canary Islands, Belgium, Italy and the United States. He held exhibitions in Barcelona, Madrid (1881), Chicago (1893), Paris (1899), Brussels (1910), Santiago de Chile (1910), Buenos Aires (1910), Amsterdam (1912) and San Francisco (1915), among many other cities around the world. His style began with the detailed realism that dominated the Catalan school at the end of the 19th century and gradually evolved towards Impressionism, a language that would not be fully evident in his work until his last years. Throughout his career he won numerous prizes, including the first medals at the National Exhibition of Fine Arts in Madrid (1906) and Barcelona (1896), the Nonell prize in Barcelona (1935), the bronze medal at the Universal Exhibition in Paris (1888) and the grand prizes at the International Exhibitions of Buenos Aires (1910) and San Diego (1916). In 1952, Barcelona City Council dedicated a retrospective exhibition to him, held at the Palacio de la Virreina. He is represented in the Museo del Prado, the Museo Nacional de Arte de Cataluña, the MACBA in Barcelona and the Thyssen-Bornemisza, among many others.

Live Auktion

LUIS BLESA Y PRATS (Valencia, 1875-ca. 1934)"Reynaldo and Armida".Oil on canvas. Triptych.It has a perforation on the left s

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Setdart Subastas S.L

Los 54

LUIS BLESA Y PRATS (Valencia, 1875-ca. 1934)"Reynaldo and Armida".Oil on canvas. Triptych.It has a perforation on the left side.It has slight damage to the maro.Signed, titled and dated in the lower left corner.Measurements: 110 x 51 cm (x2); 122 x 150 cm; 134 x 284 cm (frame).Triptych with frame made by the author, which presents a theme based on the text "Jerusalem liberated", written by Torcuato Tasso. The work tells the story of Rinaldo, a Christian warrior, and Armida, who has been sent to prevent the Christians from completing their mission and is about to assassinate Rinaldo while he sleeps, but instead falls in love and creates an enchanted garden where she captures him as a prisoner. Finally, two of Rinaldo's companions find him and place a shield over his face so that he can see his image and remember who he is. Rinaldo can barely resist Armida's pleas, but his comrades insist that he return to his Christian duties. At the end of the poem, when the pagans have lost the final battle, Rinaldo, remembering his promise, prevents Armida from giving in to her suicidal impulses and offers to return her to her lost throne. She yields to this and becomes a Christian.Luis Blesa was a teacher at the San Carlos School of Fine Arts in Valencia, where he studied. He regularly submitted his works to art competitions and contests and was awarded an honourable mention at the National Exhibition of Fine Arts in 1897 and a third medal at the 1910 edition. A Spanish painter specialising in religious themes, the present work is a smaller copy of the canvas painted by Velázquez around 1631-32, now in the Museo del Prado (248 x 169 cm). It is one of the most famous works by the Sevillian master, and was painted for the convent of the Benedictine nuns of San Placido in Madrid. It is said to have been donated by Philip IV as a token of repentance after having seduced a nun who was professing there. It is a work of unusual modernity and elegance, with the figure of Christ vividly illuminated by a tenebrist light, standing out against a dark, neutral background. Special mention should be made of the head, fallen on the chest, with a lock of hair that hides part of the face, a seemingly simple device but one that multiplies the pathos of the image. In this work Velázquez achieves such serenity, majesty and humanity that it has become the best known and most effective image of Spanish devotion.

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Christopher Richard Wynne Nevinson A.R.A (1889-1946)Swooping Down on a Taube (Black 21; Leicester Galleries 28) Lithograph, 1

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Bonhams

Los 7

Christopher Richard Wynne Nevinson A.R.A (1889-1946)Swooping Down on a Taube (Black 21; Leicester Galleries 28) Lithograph, 1917, on Holbein wove paper, signed in pencil, from the edition of 200, published by the Stationery Office, London, as part of the series Britain's Efforts and Ideals: Making Aircraft, with wide margins, framed Image 402 x 300mm. (15 3/4 x 11 3/4in.); Sheet 478 x 390mm. (18 3/4 x 15 3/8in.)Footnotes:Christopher Richard Wynne Nevinson was one of the great printmakers of the early twentieth century, most celebrated as a chronicler of modern warfare and a master of multiple print techniques. He was held in high esteem by contemporaries such as Walter Sickert and Paul Nash for his acute eye for detail, feeling for composition and technical skill. His experiences as an ambulance driver and medical orderly at the Front imbued his work with a strong emotional intensity and his depictions are regarded as some of the most powerful images of World War I.His first major exhibition held at Leicester Galleries in Autumn 1916 was a critical and commercial success and would lead to his commission as an official war artist in 1917. The Ministry of Information commissioned him to create six lithographs on the theme of Building Aircraft to be included in the propaganda series The Great War: Britain's Efforts and Ideals. These works were taken on tour around the country to boost morale and were sold to raise funds for the war effort.The Building Aircraft lithographs detail the process from manufacture, to assembly and finally to flight. Nevinson was particularly interested in aerial combat, which would play an important new role during the First World War and he produced three images of aircraft in flight. In preparation for the series, Nevinson was taken on his first flight in June 1917 and commented 'the whole newness of vision and the excitement of it infected my work and gave it an enthusiasm which can be felt'.In Banking at 4,000 feet he uses variations in tone and steep diagonals to convey the drama and exhilaration of flight, which is literally a white-knuckle ride as indicated by the hand gripping the side of the aircraft. He invites the viewer to share the experience of being in the air by placing them in the cockpit.Swooping down on a Taube depicts a British Sopwith Camel attacking a German Taube. Taube means dove and the plane was named for its bird-like profile. Nevinson conveys a sense of movement and tension using the sweeping arc of the plane's trajectory set against the strong diagonals, representing rays of light, emanating from the searchlights below. He added scratch marks through the crayon to create highlights which intensify the drama.The immediacy of these images and the unusual viewpoints proved popular with visitors to the Fine Art Society exhibition, with one critic commenting that the artist 'contrives to make the visitor almost giddy' and another that he had 'the power of expressing sensations rather than visual facts'.For further information on this lot please visit Bonhams.com

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Poisson exotique fossile (positif et négatif) Exotic Fossil Fish Preserved in Positive/NegativePalaeobalistum goedeli (Egerto

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Bonhams

Los 17

Poisson exotique fossile (positif et négatif) Exotic Fossil Fish Preserved in Positive/NegativePalaeobalistum goedeli (Egerton, 1844)Upper CretaceousHaqil, Byblos, LebanonThis extremely rare fossil fish, represented in both positive and negative plates, is an extinct species that has been preserved in perfect detail and symmetry. The matrix is asymmetrical and textured serving to enhance the beauty of the fossils. The specimen displays fine bone and fin structure with no restoration. The teeth are visible in the preservation, and the dorsal and ventral fins are very detailed. The light to dark brown color of the fossil fish is a lovely contrast to the matrix of cream and pale tan. An added bonus is the presence of a few small fossil fish which linger above. Palaeobalistum is a member of the extinct family of ray-finned fishes known as Pycnodontidae, early ancestors to the Piranhas. They first appeared during the Triassic and peaked during the Jurassic before dying out completely in the Eocene Epoch some 50 million years ago. They were mainly sea dwelling, although some may have lived in brackish water, if not freshwater. This group lacked ganoid scales, and most were as tall as they were long in terms of their shape. They were laterally flattened, and their dorsal and anal fins were long and symmetric. They feature unique dentition whereby they have incisive-shaped teeth in the front and teeth shaped for grazing in back which is a characteristic of this group. Their bodies can be covered by spiny bony plates. Measuring 43 x 35 x 3 cm and 43 x 42 x 3 cm (2) Poissons fossiles exotiques conservés en positif/négatifPalaeobalistum goedeli (Egerton, 1844)Crétacé supérieurHaqil, Byblos, LibanCe poisson fossile extrêmement rare, avec son positif et son négatif, est une espèce éteinte qui a été préservée dans une symétrie et un degré de détails parfaits. La matrice est asymétrique et texturée, ce qui renforce la beauté des fossiles. Le spécimen présente une structure de nageoires et des os très fine, sans restauration. Les dents sont visibles dans la préservation, et les nageoires dorsales et ventrales sont très détaillées. La couleur brun clair à brun foncé du poisson fossile contraste joliment avec la matrice de couleur crème et beige pâle. Un bonus supplémentaire est la présence de quelques petits poissons fossiles qui s'attardent au-dessus.Palaeobalistum est un membre de la famille éteinte des poissons à nageoires rayonnantes connus sous le nom de Pycnodontidae, les premiers ancêtres des Piranhas. Ils sont apparus au Trias et ont atteint leur apogée au Jurassique avant de s'éteindre complètement à l'époque de l'Éocène, il y a environ 50 millions d'années. Ils vivaient principalement en mer, bien que certains aient pu vivre en eau saumâtre, voire en eau douce. Ce groupe était dépourvu d'écailles ganoïdes, et la plupart étaient aussi larges que longs. Ils étaient aplatis latéralement, et leurs nageoires étaient longues et symétriques. Ils présentent une dentition unique, c'est-à-dire qu'ils ont des dents en forme d'incisive à l'avant et des dents formées pour brouter à l'arrière, ce qui est une caractéristique de ce groupe. Leur corps peut être recouvert de plaques osseuses épineuses. 43 x 35 x 3 cm et 43 x 42 x 3 cm (2). For further information on this lot please visit Bonhams.com

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Poisson-lune fossile (positif et négatif) Fossil Moonfish--Positive/NegativeMene rhombea, VOLTA, 1796 Middle Eocene (45 Ma)Mo

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Bonhams

Los 25

Poisson-lune fossile (positif et négatif) Fossil Moonfish--Positive/NegativeMene rhombea, VOLTA, 1796 Middle Eocene (45 Ma)Monte Bolca, near Verona, ItalyRepresenting an assemblage of the earliest known coral reef fishes, specimens found in the Lagerstätte (German meaning 'storage place') of Monte Bolca, northeast of Verona, are highly valued. Monte Bolca was one of the first sites of high quality fossil preservation discovered in Europe. The Monte Bolca deposits were formed in a lagoon, which was separated from the open sea by coral reefs. Volcanic activity on the nearby mainland produced lava and ashes that caused mass extinctions, explaining the abundance of fossils in this area. The fine-grained limestone and amazing preservation suggests that the animals were rapidly buried in an anoxic (oxygen deprived) environment, allowing for beautiful fossilization. This uplifted ancient sea floor was created during the formation of the Alps—has been the source for remarkably well-preserved fish fossils for hundreds of years. As seen in the present specimen, Mene rhombea is closely related to the modern moonfish. A deep-bodied fish, it displays unusual pelvic fins far forward on the body, which are reduced to spines. An extinct perciform (perch-like fishes) they had a flattened body, triangular tail fin, and an upturned mouth. This species is arguably one of the most aesthetically pleasing of all the Monte Bolca fishes. The present specimen displays a compressed diagonal impression due to tectonic forces. Its irregularly shaped rock plaque is highlighted with soft tan and light gray color tones. Length of the fish, on the diagonal: 18 cm. Matrixes measuring 33.3 x 29 x 2.3 cm and 39.5 x 30 x 3 cm (2) Poisson-lune fossile (positif/négatif)Mene rhombea, VOLTA, 1796Éocène moyen (45 millions d'années)Monte Bolca, près de Vérone, Italie Représentant un assemblage des plus anciens poissons de récifs coralliens connus, les spécimens trouvés dans le Lagerstätte (qui signifie 'lieu de stockage' en allemand) du Monte Bolca, au nord-est de Vérone, sont très appréciés. Le Monte Bolca a été l'un des premiers sites de préservation de fossiles de haute qualité découverts en Europe. Les dépôts du Monte Bolca se sont formés dans une lagune, séparée de la haute mer par des récifs coralliens. L'activité volcanique sur le continent voisin a produit de la lave et des cendres qui ont provoqué des extinctions massives, ce qui explique l'abondance de fossiles dans cette zone. Le calcaire à grain fin et la préservation étonnante suggèrent que les animaux ont été rapidement enterrés dans un environnement anoxique (privé d'oxygène), permettant une fossilisation magnifique. Cet ancien fond marin soulevé, créé lors de la formation des Alpes, a été la source de fossiles de poissons remarquablement bien conservés pendant des centaines d'années.Comme le montre le présent spécimen, le Mene rhombea est étroitement lié au poisson-lune moderne. Poisson au corps profond, il présente des nageoires pelviennes inhabituelles très en avant sur le corps, qui sont réduites à des épines. Un perciforme éteint (poisson ressemblant à une perche) avait un corps aplati, une nageoire caudale triangulaire et une bouche tournée vers le haut. Cette espèce est sans doute l'une des plus esthétiques de tous les poissons du Monte Bolca. Le présent spécimen présente une impression diagonale comprimée due aux forces tectoniques. Sa plaque rocheuse de forme irrégulière est soulignée par des tons de couleur beige doux et gris clair. Longueur du poisson, sur la diagonale : 18 cm. Matrices : 33.3 x 29 x 2.3 cm et 39.5 x 30 x 3 cm (2) Footnotes:Provenance: Property of a German CollectorLit: Sorbini, Lorenzo, I FOSSILI DI BOLCA, Verona, 2007/V, tav/ 1. For further information on this lot please visit Bonhams.com

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OVID. P. Ovidii Nasonis Metamorphoseon Libri XV, Interpretatione & Notes. London: J. Nicholson et al., 1708. 8vo (193 x 1

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Toovey's

Los 3538

OVID. P. Ovidii Nasonis Metamorphoseon Libri XV, Interpretatione & Notes. London: J. Nicholson et al., 1708. 8vo (193 x 111mm.) Title in red and black, 1p. publisher's advertisements. (Toning, lacking blanks.) Contemporary calf, later red morocco lettering piece to the spine (rebacked, light rubbing). - And a further twenty-two volumes relating to classical literature (including Philo Junius' 'Junius: Including Letters by the Same Writer, Under Other Signatures, (Now First Collected)', 3 vols., 1812, 8vo) (23).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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JAMES, Montague Rhodes. A Thin Ghost and Others. London: Edward Arnold, 1919. First edition, 8vo (183 x 119mm.) (Toning, mino

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Toovey's

Los 3527

JAMES, Montague Rhodes. A Thin Ghost and Others. London: Edward Arnold, 1919. First edition, 8vo (183 x 119mm.) (Toning, minor spotting to fore-edge.) Original pictorial cloth (light rubbing). Note: James' third collection of stories. Provenance: E.H. Brandt (small stamp to front-free endpaper).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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HARDY, Thomas. The Wessex Novels. London: Macmillan and Co., Limited, 1912-1920. Mixed editions, 8vo (223 x 138mm.) Half-titl

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Toovey's

Los 3590

HARDY, Thomas. The Wessex Novels. London: Macmillan and Co., Limited, 1912-1920. Mixed editions, 8vo (223 x 138mm.) Half-titles, photogravure frontispieces with tissue-guards, 'Maps of the Wessex of the Novels and Poems' to rear of each volume. (Offsetting to titles, toning.) Burgundy cloth (sunning to spines of 'A Changed Man' and 'The Dynasts, Parts 1 and 2', some light staining to covers, white mark to spine of 'A Pair of Blue Eyes') (19).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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SAPPHO. - [Anne DACIER.] Les Poesies D'Anacreon et de Sapho, Traduites de Grec en Francois, avec des Remarques par Mademoisel

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Toovey's

Los 3651

SAPPHO. - [Anne DACIER.] Les Poesies D'Anacreon et de Sapho, Traduites de Grec en Francois, avec des Remarques par Mademoiselle le Fevre. Paris: Denys Thierry & Claude Barbin, 1681. First edition of Dacier's translation, 12mo (161 x 90mm.) Engraved frontispiece, engraved head and tail-pieces, text in French and Greek. (Toning, browning.) Contemporary calf, gilt lettering to spine (light rubbing). Provenance: 'A.C.' (ink inscribed to front pastedown).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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[HARGRAVES, Jennings.] Phallism: A Description of the Worship of Lingam-Yoni… with an Account of Ancient & Modern Crosses

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Toovey's

Los 3680

[HARGRAVES, Jennings.] Phallism: A Description of the Worship of Lingam-Yoni… with an Account of Ancient & Modern Crosses Particularly of the Crux Ansata. London: Privately Printed, 1899. 8vo (180 x 120mm.) (Toning, occasional light spotting, lacking blanks.) Mid-20th century beige half morocco over marbled paper-covered boards, black morocco lettering piece to the spine (endpapers replaced). Provenance: Richard Brandt (bookplate to front pastedown and stamp to title-page). - And a further twenty-three volumes of French literature (including the 'Oeuvres Complètes de Ronsard', 1923-1924, 7 vols., 8vo) (24).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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AUSTEN, Jane. The Novels of Jane Austen. Edinburgh: John Grant, 1911. 3 vols. (only). The 'Winchester Edition', 8vo (208 x 13

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Toovey's

Los 3583

AUSTEN, Jane. The Novels of Jane Austen. Edinburgh: John Grant, 1911. 3 vols. (only). The 'Winchester Edition', 8vo (208 x 137mm.) (Toning, browning to front and rear leaves). Original green cloth, gilt lettering to spine (light rubbing, minor marks to spine panel and upper cover of 'Emma' vol. 1). Note: comprises volume 1 and 2 of 'Emma' and also 'Persuasion'. - And three further volumes by Jane Austen, published by Grant Richards ('Sense and Sensibility', 2 vols., 1898, 8vo, and 'Persuasion', 1898, 8vo) (6).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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JAMES, Montague Rhodes. Ghost Stories of an Antiquary. London: Edward Arnold, 1904. First edition, 8vo (208 x 144mm.) Frontis

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Toovey's

Los 3526

JAMES, Montague Rhodes. Ghost Stories of an Antiquary. London: Edward Arnold, 1904. First edition, 8vo (208 x 144mm.) Frontispiece with tissue-guard and 3 further monochrome plates by James McBryde, 16pp. of publisher's advertisements to rear. (Light spotting to preliminaries and occasionally within.) Original oatmeal buckram with yapp edges (minor marks to upper cover). Provenance: E.H. Brandt (name inscribed to front-free endpaper).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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AFRICA. - A.L. KITCHLING. On the Backwaters of the Nile. London: T. Fisher Unwin, 1912. First edition, 8vo (218 x 140mm.) 56

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Toovey's

Los 3722

AFRICA. - A.L. KITCHLING. On the Backwaters of the Nile. London: T. Fisher Unwin, 1912. First edition, 8vo (218 x 140mm.) 56 photographic illustrations on 48 black and white plates, 1 folding map of 'The Uganda Project' to rear. (Toning, some light to moderate spotting.) Original brown cloth, pictorial gilt to upper cover, t.e.g. (extremities bumped). Provenance: H.R. Nelson (bookplate to the front pastedown). - And a further seventeen volumes, mainly relating to Africa (including John H. Weeks' 'Among Congo Cannibals', 1913, 8vo) (18).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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CHILDERS, Erskine. The Riddle of the Sands, A Record of Secret Service. London: Smith, Elder, & Co., 1908. Second edition

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Toovey's

Los 3582

CHILDERS, Erskine. The Riddle of the Sands, A Record of Secret Service. London: Smith, Elder, & Co., 1908. Second edition, eighth impression, 8vo (186 x 120mm.) 2 maps, 1 folding, 2 charts. (Toning, light spotting to title, blanks replaced.) Near contemporary green half morocco over green cloth boards, gilt lettering to spine, t.e.g. (rubbing to extremities, endpapers replaced). Provenance: Vincent W.G. Granger (gift inscribed to on the initial blank). - And a further four volumes (including a signed copy of David Garnett's 'Go She Must!', 1927, 8vo) (5).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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BINDINGS. - Robert BROWNING. The Poetical Works… London: Smith, Elder, & Co., 1889. 16 vols., 8vo (167 x 109mm.) 4 engrav

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Toovey's

Los 3694

BINDINGS. - Robert BROWNING. The Poetical Works… London: Smith, Elder, & Co., 1889. 16 vols., 8vo (167 x 109mm.) 4 engraved frontispieces. (Toning.) Near contemporary tree calf, green and red morocco lettering pieces to the spines (light rubbing, upper cover of vol. 1 weakening). Provenance: Edith M. Browne (gift inscribed to on the initial blanks). - And a further five volumes (including the Oxford edition of 'The Works of Shakespeare', 3 vols., 1952, 8vo) (21).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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HERMANN, Hugo. Pia Desideria. Lyon: Pierre Guillimin, 1679. New edition, 12mo (113 x 54mm.) 47 numbered and engraved illustra

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Toovey's

Los 3660

HERMANN, Hugo. Pia Desideria. Lyon: Pierre Guillimin, 1679. New edition, 12mo (113 x 54mm.) 47 numbered and engraved illustrations. (Toning, paper repair to last leaf, trimming to upper margins with loss to headlines.) Contemporary calf (lacking lettering piece, upper joint splitting, light rubbing). Note: the emblems are accompanied by Latin verses, taken mostly from the psalms. - And a further five volumes (including, in Greek, Homer's 'Odyssea', 2 vols., 1811, 16mo, and three volumes in Latin) (6).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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LONDON. - Sholto and Reuben PERCY. The Percy Histories, or Interesting Memorials of the Rise, Progress, & Present State o

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Toovey's

Los 3587

LONDON. - Sholto and Reuben PERCY. The Percy Histories, or Interesting Memorials of the Rise, Progress, & Present State of all the Capitals of Europe. London: for T. Boys, 1823. 2 vols., 24mo (133 x 81mm.) Folding engraved map of London by Benjamin Davies, engraved frontispieces of Somerset House and King George IV. (Toning, a 3-inch tear and a further 2-inch tear along the fold of the map, browning to titles, occasional spotting.) Near contemporary black half morocco over marbled paper-covered boards (light rubbing). Provenance: Lydia Monk (name inscribed to front-free endpaper). Note: the map shows London along the River Thames from Chelsea to the East India Docks and from Regents Park to Greenwich Park, showing all the streets, parks and important buildings (2).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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LATHAM, Charles. In English Homes. London: Country Life, 1904-1909. 3 vols., first editions, folio (404 x 275mm.) Numerous ph

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Toovey's

Los 3720

LATHAM, Charles. In English Homes. London: Country Life, 1904-1909. 3 vols., first editions, folio (404 x 275mm.) Numerous photographic illustrations. (Mild toning, browning to endpapers.) Original blue cloth, gilt decorated to upper covers, g.e. (light rubbing to spine ends, minor marks to lower cover of vol. 2.), dust-jacket (small tears and minor loss to extremities, lacking dust-jackets to vol. 1 and 2). - And a further four volumes (H. Avray Tipping's 'English Homes', 1929, 3 vols., folio, being the first volumes only for Periods 2-4, all second impressions, and also Tipping's 'English Homes of the Early Renaissance', [1912], folio) (7).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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ARCHITECTURE. - Peter Frederick ROBINSON. Designs for Ornamental Villas. London: James Carpenter and Son, 1827. First edition

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Toovey's

Los 3547

ARCHITECTURE. - Peter Frederick ROBINSON. Designs for Ornamental Villas. London: James Carpenter and Son, 1827. First edition, 4to (287 x 231mm.) Letterpress title, 96 lithographic plates, including 17 mounted on India paper. (Lacking decorative title, occasional spotting and browning.) Contemporary green half morocco over marbled paper-covered boards, g.e. (light rubbing). Provenance: Joseph Neeld, politician (armorial bookplate to front pastedown).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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534297 Los(e)

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