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534325 Los(e)/Seite
Potter (Beatrix) - two first editions large format, 12mo, with original boards and front paste downs, comprising: The Pie and the Patty-Pan, 1st edition, London: Frederick Warne, 1905, date on title and mottled lavender endpapers; and Ginger & Pickles, 1st ed., 1909, later issue without date to title. (2) *- Pie: Backstrip cracking and lifting at head and tail - also chipped to tail. Corners worn. End papers heavily toned and with ownership inscriptions in pencil. Ink stamped initials to half title and ink presentation inscription dated 1906 to reverse of half title. Small spotted adhesion marks to lower gutter p.8/9. Some spotting and soiling throughout with heavier spotting to a few pages. Cracking at gutter to p.12/13. - Ginger: Cracking to backstrip to centre front and small chips to head and tail. Faint oil stains top edge of boards. Light toning and spotting.
Salaman (Malcolm C.) The Etchings of James McBey, pub. London & New York, Halton & Truscott Smith Ltd and Minton, Balch & Company, 1929, half title, signed etched frontispiece by McBey, title vignette and 96 plates, original black cloth gilt, t.e.g., 4to. *Corners and spines bumped. Rubbed, two white paint lines to back. End papers and half title foxed, lighter foxing to title. Occasional light spotting elsewhere, slight toning to top edge. Four printed cards by McBey, newspaper obituary cuttings and signed postcard of James & Marguerite McBey pasted to end papers. Envelope containing three exhibition catalogues pasted to free end paper at back.
Ducarel, Andrew Coltee Anglo-Norman Antiquities considered in a Tour Through Part of Normandy, pub. London for the author by T. Spilsbury, 1767, folio, half calf with gilt title, spine gilt in six compartments, 20 plates, 7 engraved text illustrations, a good, clean copy. *Corners bumped, edges of spine worn and cracking to top and bottom, light fading to top of boards, modern bookplate to fep, a few early annotations to margin.
A rare Art Nouveau Arts and Crafts silver & enamel eight piece cruet set by James Fenton Birmingham, 1906, each piece of bellied conical form, raised on four ball feet, comprising a lidded mustard with cobalt blue glass liner and spoon, pair of pepperettes and a pair of open couldron salts with spoons, all with blue and turquoise enamel leaf motifs / stylised flower stem decoration, the peppers standing 3½in. (8.7cm.) high, weight without liners 8.1 tr.oz. *One salt with liner missing; peppers with light bruising, tiny dents and staining; mustard with light surface wear only, very good, pleasing to the eye.
An Edwardian novelty silver stamp moistener and applicator in the form of a paint tube Stuart Clifford & Co, London, 1909, Rd No. 537868, inscribed with initials ‘GW’, detachable screw top, (7.5cm.) long, weight 1.0 tr.oz. *Slight flea-bite nibbles to body, slightly rubbed hallmarks, roller working order, lid unscrews well, light surface wear, overall good.
Shebbeare (John) An authentic narrative of the oppressions of the islanders of Jersey. To which is prefixed a succinct history of the military actions, constitution, laws, customs, and commerce of that island, pub. London: S. Hooper, 1771, 2 vols., orig. calf with red morocco labels to spines, 8vo; together with a second copy of Vol.1. (3) *Bindings worn and hinges starting to crack. Corners worn. Later end papers. Ownership inscriptions to ffeps. Earlier ownership inscription to title (vol.2) and preface (vol.1). Light spotting and toning throughout, a few pages with heavier toning. Handwritten index to back end paper Vol.2. Preface detached vol.1. Handwritten biography of author to ffep of Vol.1. Title to Vol.1 trimmed to top and bottom. The additional vol. 1 is worn and cracking to top of spine. Ownership inscriptions to ffep and title. Some spotting and light toning to margins throughout.
A Chamberlain's Worcester armorial plate printed script c.1811-1840 mark, painted with a seated dog and a unicorn above the motto 'Pauca Suspexi Pauciora Despexi' (I have admired few things, I have despised fewer), within a broad blue and gilt border and gadroon, shell and foliate moulded parcel gilt rim, 9½in. (24.2cm.) diameter. *Minor gilt wear and a few light glaze scratches. No other faults - good condition.
Rolex - an early stainless steel automatic Explorer wrist watch Ref: 6150, "Bubbleback", c.1953. signed Cal:775 18J Movement No. 27044, Serial No. 944732, very early black service dial with silver 'Rolex Oyster Perpetual Explorer', 'OCC' print above 6, 'T Swiss T' below 6 and chapter ring, luminous baton and 3-6-9 Arabic markers with large arrow at 12, Mercedes hour and minute hands with small lumed circle lollipop seconds hand, 35mm tonneau shaped case, with screw down crown with Rolex logo and case back, non-Rolex leather strap, no box or papers. *Winds and in running order. Hands adjust correctly. Overall good condition. Dial good with minor darkening to edges of luming on hands. Old polished scratches visible to outside of the perspex glass and light scratches to case. Some deep scratches to case back in places due to use of case back tools. Modern strap in VGC.
A collection of various vintage light / exposure meters and view finders to include a Leica Meter MR in original box; Watkins meter for small cine cameras f/8 series, pocket watch form; artram Electo Bewi hand-held meter; Weston meter in original leather case; Weston Master III, leather cased; Zeiss Ikon Ikophot hand-held meter; Voigtlander 100mm viewfinder; Gossen Sixti viewfinder; Rolleilux combined lens hood and exposure meter in leather case, with various other meters and view finders, together with a pair of Carl Zeiss Jena Turita folding pocket binoculars. (18) *We are not experts in this field please satisfy yourself before bidding, Varying conditions, surface rubs from handling etc, not tested, sold as seen.
A Salvatore Ferragamo leopard print The Studio top handle tote bag the pony hide bag with leopard print design, rolled top handles, adjustable shoulder strap, front zipped pocket behind flap, gold toned hardware with flip-lock closure, black smooth calf skin lining with two compartments, zipped pocket and two card pockets, 13½ x 11 x 7½in. (34.25 x 28 x 19cm.) plus handles, with dust bag. *Notable wear to pony skin to back of rear handle and a little light wear to top of front handle. Wear to pony skin two corners of base of bag and a few tiny nicks to metal studs to base. No other faults.
A Victorian silver military belt whistle Joseph Jennings & Co, Birmingham, 1870, the tapering sheath topped with a raised band of oak leaves, terminating with foliate and ribbed decoration atop an acorn finial, the whistle with loose ribbed attachment ring accessed with push rod, sheath length without ring 3 1/5in. (8cm.) long, weight 1.1 tr.oz. *Working, light surface wear only, very good.
A mid-late 19th century oval pendant mount for portrait miniatures, probably by John Brogden, the yellow metal mount with blue and white enamel border set with pendant lug with rope and bead wire work embellishment, the reverse of the lug with plaque signed 'J.B', the pendant housing an oval miniture on card depiciting Lt-General Nicholas Nepean (Royal Navy). Governor of Cape Breton, Nova Scotia, (1757-1823), with label to the reverse 'Under the Patronage of H.M. The Queen & Royal Family Painted by Miss Bond Oakley Place Southsea', the pendant measures approx 87mm x 52mm (including lug)Condition:Some small chips and losses to some of the enamel work, a few light scratches, other than this just general wear commensurate with age, weight approx 42g, refer to images
H&R Daniel - A dessert service, circa 1824-5of cusped form, pattern 3835, with lilac sprigged vines and grapes, decorated with gilt sprays and individual flower specimens to the centre of each piece, the service comprising seventeen dessert plates, 21.6cm diameter; three oval dessert dishes, 28cm wide and a pair of curved triangular dishes, 23.5cm wide, some pieces numbered (some damages)Provenance: The Michael Berthoud Collection.Condition:Pair of triangular dishes - 1 slightly stained and rubbed.Three oval dishes - 1 with hairline, also crazed. All three with some light wear to the gilt foliage. Plates - all generally with varying degrees of rubbing. Three plates badly cracked, one with two hairline cracks to rim, one broken and repaired. Please note that this service includes two plates without gilding, one of which is also cracked.See additional images.
H&R Daniel - A teacup and saucer, circa 1824of 'London' shape, with ribbon and wreath moulding, pattern 3867, enamelled with flowers and butterflies, unmarked, cup 6.5cm high and saucer 14.4cm diameter (2)Provenance: The Michael Berthoud Collection.Literature: Illustrated in Berthoud, H&R Daniel, pl. 2 and 3 and Smith and Beardmore, Identifying Daniel Tablewares, p. 101.Condition:No damages or repairs. Gilding wear to the wreath moulding. Some light signs of use/scratching. Both pieces ring true when tapped. No crazing to the glaze.
A silver ice bucket/wine cooler, P H Vogel & Co, Birmingham 1988, of circular form with four reeded bands to the waist and two lion mask loop handles, the body with interior rubber and glass lining, the cover with flaming finial, 19.5cm highCondition:Hallmarks clear, some light scratches in keeping with use, general wear but no significant visible damage, refer to images
A large Meredith Hughes bronze horizontal sundial, English, 1778Signed Meredith Hughes Fecit 1778, the circular dial of light brown patina and well-engraved with compass rose, calendar scale and hour and minutes scale, the shaped and scroll-pierced gnomon for latitude 50 degrees 0 minutes37.5cm (14.75in) radius
H&R Daniel - A small sweetmeat dish circa 1827, of 'Shrewsbury' shape, with a green and lemon yellow border and a centre ground painted with scattered flowers, with rare puce script mark 'H&R Daniel, Stoke upon Trent, Staffordshire' to the base, 14.5cm diameter Provenance: The Michael Berthoud Collection. This dish is believed to have been part of the Earl of Shrewsbury order. Literature: Illustrated H&R Daniel, pl. 36. Condition:In good condition with no damages or repairs. There are a few scratches to the green border, a few light surface scratches to the white ground and a short firing crack to the underside of the foot.
H&R Daniel - A dessert centrepiece, circa 1835 pattern 6681, likely the dessert version of the 'Second Bell' teaware shape, of twin-handled form, with a 'French' mid-blue border featuring gilt scaled panels and a combed inner edge, painted to the centre of the dish with male and female capercaillies in a landscape, unmarked, 20cm high Provenance: The Micheal Berthoud Collection. Literature: Illustrated in Smith, Identifying Daniel Ornamental Wares, p.71. Condition:Good condition with no damages or repairs. Some minor rubbing to the gilt around the central landscape and to the scrolling on the base. A couple of patches of wear to the gilding around the upper rim. A few light short scratches just above the upper right-hand side of the landscape scene.
H&R Daniel - A dessert shell side dish with two dessert plates, circa 1822-3of cusped form, painted with scattered flower sprays in polychrome with a gilt edge, two pieces numbered, shell dish 22.5cm wide and plates 22cm diameter(3)Provenance: The Michael Berthoud Collection.Literature: A similar plate in pattern 3820 is illustrated in Berthoud, H&R Daniel, pl. 13. For pattern 3840, see Smith and Beardmore, Identifying Daniel Tablewares, p.99.Condition:Shell dish - Patches of wear to the gilded rim on one side. The larger bunch of flowers on this dish is also covering a small firing crack.One plate has yellow discolouration throughout the front. All three pieces have signs of light use, including a few scratches through the enamels of the principal flowers.
H&R Daniel - A group of earthenwarescomprising an oval twin-handled sauce tureen stand, with a hexagonal well, transfer-printed in the 'Chinese Scenery' pattern (type C), printed 'Scroll China' mark, 20.8cm wide; a small 'Japan Groups' platter, pattern 1906, associated printed blue factory mark, 25cm wide; and a similar 'Japan Groups' plate, pattern 1929, 25.5cm diameter and also a standing comport, pattern 1902, printed mark and numbered, 14cm high; a 'Japan Stone Ware / Lion and Scroll Pennant' pattern plate, transfer-printed in and green and red with hand-colouring, printed factory mark, 23.2cm diameter; a 'Polychrome Birds' plate, of 'plain-edge' form, transfer-printed, with underglaze blue Arms mark with 'Daniel' scroll, then over-printed in black with Mason's Patent Ironstone mark, 25.5cm diameter; a Shell-Shaped dish, numbered 1763, 22cm diameter; an 'Oriental Vases' dinner plate, 26.5cm diameter, printed in brown/black, printed 'Ne Plus Ultra' factory mark, 26.5cm diameter; together with speculative items comprising a plate, with printed pink border, printed and handcoloured flowers, numbered 4573 in iron red, 22.2cm diameter; and a tureen stand, printed in red, faint impressed mark, 21cm wideProvenance: The Michael Berthoud Collection.Condition:Chinese Scenery sauce tureen stand - Two chips and one nibble to foot rim.Shell shaped dish - Rim chip, cracked.Japan Groups platter - Hairline crack to rim, one further shorter crack, some scratching and light staining. Japan Groups plate - Small foot rim chip. Japan Groups comport - Large break to rim with associated crack.'Japan Stone Ware / Lion and Scroll Pennant plate - Hairline crack to rim, approximately 3.4cm long. Crazing throughout.'Polychrome Birds' plate - Glaze fault to rim and a few losses to the green ground. The well is quite scratched from use.'Oriental Vases' plate - Stress cracks to underside of rim.Speculative plate - Large rim chip, stained, crazed. Further smaller chips and a hairline.
H&R Daniel - A trio of a teacup, a coffee cup and a saucer circa 1827 pattern 4413, of 'C' scroll shape, decorated with pink vine leaves, gilt leaves and tendrils, the cups raised on three 'daisy wheel' feet, saucer numbered in gilt, coffee cup 7.6cm high, saucer 14.5cm diameter (3) Provenance: The Michael Berthoud Collection.Literature: A teapot in this pattern is illustrated in Berthoud, 'H.&R. Daniel 1822-1846' and Smith, B., & Beardmore, B. 2009. 'H&R Daniel (1822 - 1846) Identifying Daniel Porcelain Tablewares. Reading: Daniel Collectors Circle, page 126 (hereafter referred to as 'Daniel Porcelain Tablewares'). Condition:The condition overall is good. No damages or repairs. Teacup - Some spots of internal light brown staining. Some discolouration and loss of glaze to the bottom petals on the feet. Dark brown pitting spots to the exterior of the cup. Spot of rubbing to the gilt on the top spout of the handle. Coffee cup - Short firing crack to the interior of the cup, together with a couple of other black firing spots to the interior. Each foot with small loss of glaze to the bottom petal. Some fine crazing visible to the underside of the cup. Saucer - Finely crazed throughout.
H&R Daniel - A pair of square porcelain cabinet plates, circa 1824 pattern number 3902, of 'cusped' shape with ribbon and wreath moulding, painted by William Pollard with central sprays of strawberries and flowers including harebells, roses and forget-me-nots, one plate numbered to the reverse, 21.5cm square (2) Provenance: The Michael Berthoud Collection. Literature: One plate is illustrated in Berthoud, H&R Daniel, colour plate B(i). Condition:Pattern numbered plate - Two small chips to foot rim. Concentric hairline crack running around the foot and a couple of further slight hairlines to the rim. Second plate - Several hairlines/crazing lines are visible to the underside of the rim's edge.The decoration by Pollard on both plates remains in good order with no obvious scratches or sections of wear. The gilding only has light wear commensurate with age/handling. Both plates ring when tapped but one is slightly duller than the other.
H&R Daniel - A teacup and saucer, circa 1844-46of 'Savoy' shape, the cup of pedestal form, pattern 8837, pink ground with gilt mouldings, numbered, teacup 9cm high, saucer 15.5cm diameter (2)Provenance: The Michael Berthoud Collection.Literature: Illustrated in Smith and Beardmore, 'Identifying Daniel Tablewares', p.204.Condition:No damages or repairs. The cup with some fine crazing visible to the handle, and light elements of wear to the gilding around the upper rim. The saucer has a few scratches to the well from general use.
A group of H&R Daniel scent bottles or essence jars, lacking coverscirca 1830-35of baluster form with moulded flowers and leaves, with pale pink, pale blue, light green and dark blue grounds, variously painted with fruit, a landscape and birds, unmarked, 24cm high (damages, repairs) (4)Provenance: The Michael Berthoud Collection.Literature: Illustrated in Identifying Daniel Ornamental Wares, page 83.Condition:Pink example - small section of Handle broken and re-stuck.Blue - Missing handle. Numerous breakages to flowers, foot with crude repairs. Neck broken and again crudely repaired.Green - Handle missing. Re-glued break to spout. Flaking to landscape panels.Light blue - Crack to handle. Breakages and losses to relief foliage.
An 18ct gold lady's open face pocket watchDate: Circa 1904Movement: Full plate, engraved cock, signed Chas. Seymour, Birmingham, stamped 87478, key wind and setDial: Gilt turned and engraved, black Roman hour markers, blued handsCase: Engine turned, stamped 18ct to stem, loop, inside back, inside dust coverSize: 39mmWeight: 51.8g grossAccompaniments: Associated key/winderCondition:Case: A little worn in places with a few tiny dentsCrystal: Moderate to heavy abrasions.Dial: Some tarnishing in placesHands: Some light scratches and tarnishing visible under 10xMovement: Winds and sets, will only run for a few secondsNot guaranteed for timekeeping - it is advised that this watch is inspected and serviced by a qualified jeweller or horologist before full use.
A late 19th century diamond set brooch, the central old cut diamond star set to circular mount with rope twist border, the enclosed reverse set with lock of hair, with attached safety chain, 30mm diameter, weight approx 14.3gCondition:Some small dings and light scratches in keeping with age, general wear, refer to images
Cecil Charles Windsor Aldin (1870-1935) A study of a foxhoundsigned lower left 'Cecil Aldin'coloured chalks heightened with white on buff paper45 x 58cmSmall area of discolouration to the background lower right. Very light creasing in bottom right quadrant, past the dog's hind leg and in bottom left corner. Fly spots under glass mostly to the mount. Framed 77.5 x 90cm
§ Lady Rhoda Birley (1899-1981) Sprats on a green dishsigned with initials and dated lower left 'RB. / 1968'oil on board30.5 x 36cmProvenance:Lady Birley (1899-1981),Her sale, Christie's, held on the premises, Charleston Manor, Alfriston, Sussex; The remaining contents of Sir Oswald Birley's Studio, together with pictures and sculpture by other artists..., 13 October 1980, lot 165Light surface scuffs. Panel is in good condition. Paintwork in good original order. Framed 38.5 x 43.5cm
An Arts and Crafts oak long footstool, of traditional pegged construction with stop-chamfered legs united by a single cross-stretcher and professionally re-upholstered in a multi-coloured flame-stitch fabric34 x 93 x 36cmBoth timber and fabric is super order with only expected light wear to the frame.Structurally very sound with no play in the joints.Good, rich colour which may benefit further from a wax.The drop-in seat (which will lift out if necessary) has been recently professionally re-upholstered and is therefore is superb condition
Miss Hope Meade, circa 1901 Study of Tocrin, a bloodhoundsigned and dated lower right 'Hope Meade / April 5 1901' and inscribed 'Mrs. S.T. Meare's Bloodhound Tocrin'oil on canvas39.5 x 32cmProvenance:Bonhams, London, 27 January 1994, lot 308,The late Christina Clarke, Elsenham PlaceLined. In good restored condition. Light scattered retouchings under the dog's nose and in top right quadrant. Framed 53.5 x 46cm
§ John Cyril Harrison (1898-1985) Partridge shootingsigned and dated lower left 'J. C. Harrison / 1922' watercolour on paper46.5 x 32.5cmFramed 69 x 53.5cmLight foxing throughout, notably to the upper and lower sections of the picture. Two small raised areas to the paper in the top left and right corners. Mount slightly loose in frame.
Italian School, 1881 Harvest scene with a hay cart signed and dated lower right ‘Mo(n?)frorli…1881’ oil on panel 11.5 x 21cmPaint layer is stable. Light surface dirt. A scuff, approximately 2.5 inches long, running vertically from the cart towards the houses on the right. Few other smaller surface scuffs. Under UV few scattered retouchings in the sky and around the edges. Framed 31 x 40.5cm
An Italian walnut side table, 17th century, the part hinged rectangular top with single frieze drawer on turned legs and stretchers75 x 110 x 60cmSome light worm damage, marks to top, wear commensurate with age and use, central stretcher bar possibly replaced but certainly not recently and has age, top is locked and not been opened
Benedict Angell Hyland (1859-1933) Bluecap - a head study of a bloodhoundsigned and dated lower left 'B A Hyland / 1886'inscribed to the reverse 'Bluecap - Kennel Club Stud Book No. 15089. Purchased from Mr. Edwin Brough 1885'oil on canvas 45.5 x 40cmProvenance:Sworders, 23 September 2009, lot 1426,The late Christina Clarke, Elsenham PlaceUnlined. Some craquelure. Small retouching near the dog's eye and light scattered retouchings in the dog's head and background retouching old cracks bottom left. Degraded varnish layer, particularly along the ledge edge. Framed 67.5 x 61.5cm
A pair of French beech and gilt painted bergère armchairs, early 20th century, the carved and moulded frames on tapered and fluted legs, upholstered in a floral needlework fabric 89 x 73 x 57cm Provenance Baldwin Manor, Swaffham Prior, Cambridgeshire some light wear commensurate with age and use, general condition good
After John Leech An oak four-fold screen painted with eight scenes of Mr Jorrocks after illustrations from Handley Cross, Or Mr Jorrocks’s Hunt by Robert Smith Surtees, publ. 1854 each signed with initials lower right 'MCO', one signed in full 'MCOakeley', each dated between 1889-90 and inscribed with title below the screen inscribed to the reverse 'From M.O. & M.C.O.'oil on woodeach scene 22 x 27cm, screen 123 x 160cmLight surface scuffs and scratches. Some abrasion to one of the scenes - The Kill - running through Mr Jorrocks' legs. The screen is stable and the hinges operate well. Split to one of the legs.
Gilbert Joseph Holiday (1879-1937) A mare with her foal signed with monogram lower leftoil on board36 x 42.5cmOil on canvasboard. Good overall condition. Light craquelure particularly to the sky area and the horse's head due to the thickness of the original impasto. Light surface dirt. Framed 48 x 55cm
Rembrandt Harmensz. van Rijn (1606-1669) Jan Lutma, Goldsmith (B., Holl. 276; New Holl. 293; H. 290)etching, engraving and drypoint on laid paper, 1656, a good impression of New Hollstein's second/third state (of five), trimmed to platemark197 x 148 mm (Pl.)On laid paper. A short nick bottom centre. A repaired tear above the bowl, near the lettering. A little tear in the paper in the top right quadrant and another short nick along the top edge. Little staining below the window. Slightly frayed corners. Little skinning to the paper in the lower left quadrant and near the lettering above the repaired tear. Some light creasing near the top margin. No visible watermark.
§ Charles Johnson Payne, 'Snaffles' (1884-1967) 'The Tigers' - An officer of the Royal Leicestershire Regimentsigned right centre 'Snaffles' and inscribed with title upper leftwatercolour and bodycolour on paper33 x 25.5cmDiscolouration to the paper, which is more pronounced in top left corner. Some light spotting. The colours are good. Not examined out of frame. Framed 52.5 x 42cm
A fine Persian silk carpet, possibly Tabriz, with central interlacing medallion incorporating Shah Abassi motifs and bearing signature to one end310 x 193cmSuperb quality and amazing condition having apparently only ever been stored away due to it being given as a gift from a Dubai dignitaryFringes all intact and no obvious marks. It would seem the carpet hasn't ever been walked-on(although may recieve light traffic whilst on view in the saleroom).
Cecil Charles Windsor Aldin (1870-1935) Cynthia - a foxhoundsigned lower left 'Cecil Aldin', inscribed with the dog's name and dated upper right '1914'coloured chalks heightened with white on board45.5 x 57.5cmExhibited:Leicester, London and Billinghurst, The Leicestershire Museum and Art Gallery, The Alpine Gallery and Sotheby's, The British Sporting Art Trust, Cecil Aldin 1870-1935, RBA, A Loan Exhibition of His Art..., 13th October - 18th December 1990, no. 18Minor surface dirt under glass. Minor cracks to glass top left and top right corners. Frame overall good stable condition with light wear. Framed 77 x 89.5cm
§ Charles Johnson Payne, 'Snaffles' (1884-1967) 'The Leicesters'signed right centre 'Snaffles' and inscribed with title upper left bodycolour on paper33 x 25.5cmPaper is discoloured. Light scattered spotting. Little surface dirt under glass. The colours appear strong. Not examined out of frame. Framed 52.5 x 42cm
A gilt and gesso frame, 19th century, with laurel leaf-and-berry ornament at the top edge and guilloche at the back edge sight size 60.5 x 90.5cm, overall size 98 x 129cmLight chips and wear commensurate with age. In stable condition. Natural separation to the plasterwork. Slip slightly loose. Slip thought to be later.
Sir Oswald Birley MC, RA, ROI (1880-1952) The Dining Room at Charleston Manor oil on canvas 73.5 x 62cm Provenance: By descent to the artist's wife, Lady Birley (1899-1981), Her sale, Christie's, held on the premises, Charleston Manor, Alfriston, Sussex; The remaining contents of Sir Oswald Birley's Studio, together with pictures and sculpture by other artists..., 13 October 1980, lot 20 The favourite painter of the elite and fashionable classes on both sides of the Atlantic, Oswald Birley’s formal portrait commissions have traditionally eclipsed - what he termed - his ‘off-duty’ works. These works, painted informally and principally for pleasure, included his still lifes, landscapes, interior scenes and architectural studies. Depicting the dining room at Charleston Manor, the present lot is an informal and intimate glimpse of Birley’s personal life. Like his portraiture, the present lot does not simply represent the view at Charleston, but, through the inclusion of paintings, ornaments and fine furnishings, presents the artist as a refined and cultured gentleman. The painting is executed in oil on a canvas support. The canvas tension is slightly slack. The paint layers are in a good, stable condition overall. There are some localised areas of wear and abrasion. The painting is unvarnished and there is a light layer of dirt present. Framed 84.5 x 73cm
Frederick Frith (1819-1871), a silhouette portrait of three gentlemen, being Lt Col A C McBarnett, Captain Donald McNarnett, and Captain Cockburn McBarnett, signed and dated 'Frith 1851' (lower left) 31 x 25cmlight spotting and slight discoloration to sheet, otherwise in general good condition
A George III style mahogany four-poster bed, late 19th century, with later peach ground floral glazed cotton pelmets and hangings, the similar padded arched headboard with recessed light, the reeded front posts carved with acanthus, on block feet227 x 140 x 203cmProvenance: The Earl of Dalhousie, Panmure House, sold Christie's House Sale, Hopetoun House, 19 July 1993, lot 73 A Norfolk Country House

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534325 Los(e)/Seite