534325 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
534325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
534325 Los(e)/Seite
*A cased set of six Royal Worcester coffee cups and saucers, each piece hand-painted with a Scottish castle and signed 'Stinton', views are of Caerlaverock, Dunderave, Dunolly, Dunstaffnage, Dunvegan, and Invergarry, each having puce mark verso, with further ship mark M9005, date code for 1938; together with a matching set of six coffee spoons by James Dixon & Sons, Sheffield 1938, housed in a fitted blue leather case bearing a label to the lid interior for James Ramsey of Dundee. One cup with light crazing and gilt splashed body. Saucers with surface scratches to gilt centre. Light handling wear throughout. Case with splits and general wear. Lacking brass catch to one side of case.
*A cased set of six Royal Worcester coffee cups and saucers, each piece on a light blue ground decorated with blueberries and leaves, having gilt handles and interiors, puce mark verso and numbered 22C 2200, date code for 1923, together with an associated set of six silver coffee spoons, maker Henry James Hulbert, London 1928, housed in a gilt tooled green leather case stamped Asprey London to the lid interior. Approx 5mm hairline crack to rim of one cup. Four hairline cracks to one saucer. Further large crack from rim through pink centre of one saucer. One saucer with crack from top rim to foot rim. One saucer with hairline crack from foot rim.
*A Royal Worcester bone china match-holder, of fan shape to a circular dished base, hand-painted with apples and blackberries, signed A. Shuck, puce mark verso, date code for circa 1939; together with two small bowls and a coffee cup, each painted with fruit by the same artist (4). Very small scratch to either side of striker with some light wear to gilt.Cup with surface scratches to gilt exterior.Saucers with light gilt wear.
*A pair of Royal Worcester twin handled porcelain vases, of squat melon form, each hand-painted with a pheasant amidst landscape, signed R.H. Austin, having green mark verso, date code for 1926, h.8.5cm. Very minor scratches to paint within foliage, only seen under a glass.Mark to underside of one vase.The other vase with discolouration to the rim.Both with light handling wear.
*A Hadley's Worcester bottle vase, having a flared rim to a slender neck and bulbous lower body, hand-painted with roses, having printed backstamp verso, numbered F105 with 10 below, circa 1902, h.22cm; together with a Hadley's Worcester twin handled vase, of squat melon form, with painted floral decoration, printed green mark verso, numbered 15568, h.9cm (2). Bottle vase – light crazing.Small vase – heavily crazed and worn to gilt at rim.
*A large Royal Worcester porcelain blush ivory pot pourri, of globular form, having pierced dome cover with basket weave decoration, with interior cover, the body hand-painted with floral sprays, with further gilt basket weave decoration, puce mark verso, shape No.1286, date code for circa 1910, h.26cm. Very light handling wear only.
*A Royal Worcester porcelain blush ivory lotus leaf bowl, having a gilt edge, painted with floral sprays, having puce mark verso, shape No.1419, date code for circa 1895, dia.22cm; together with a Royal Worcester Chinaworks blush ivory shell shaped bowl, having green shield mark verso, shape No.G324, h.9cm (2). Lotus bowl - small chip to gilt rim, and light handling wear. Shell bowl - small chip to rim.
*A Royal Worcester porcelain blush ivory flat-back jug, hand-painted with floral sprays, having gilt handle, puce mark verso, shape No.1094, date code for circa 1917, h.13cm; together with a Royal Worcester blush ivory ewer, with hand-painted floral decoration, puce mark verso, shape No.1260, h.16cm; and a blush ivory vase, having Wrythern moulded body, decorated with flowers, having green printed mark verso, shape No.G161, further printed flag for 1914, h.7cm (3). Flatback jug – light gilt wear.Ewer – poor finish where top of handle joins body,Vase – wear to gilt rim.
*A Royal Worcester porcelain teacup and saucer, on a deep blue ground, hand-painted with exotic birds and insects by G. Johnson, the whole heightened in gilt, having blue mark verso, No.2136, date code for 1918; together with a 19th century Crown Derby vase and cover, of spherical form, having all-over gilt floral decoration, printed mark verso, h.10cm (2). Crazing to panels of interior of cup and saucer and handling wear to gilt.Jar and cover with light gilt wear but OK.
*A 19th century Vienna porcelain vase, of squat baluster form, the central panel hand-painted with a bust portrait of a semi-nude maiden, signed Wagner, having all-over raised gilt and enamelled decoration with birds, cornucopia and flowers, blue beehive mark verso, signed Gitonui(?), numbered 950 Depose, further numbered 5275-950579 to the rim, h.16cm. Three very small minor scratches to woman's hair. Slight wear to gilt rim. Very light gilt wear. Enamel decoration good.
*A 19th century Vienna porcelain chocolate cup and cover on stand, hand-painted with classical scenes on a cobalt blue ground with gilt decoration and further raised enamel decoration, having blue beehive mark verso, h.10cm. Stand – small area of gilt wear to outside of rim, small amount of enamel white dots missing, otherwise appears good.Cup – very light gilt wear to top of rim and corner of handle, otherwise appears good.Cover – minor gilt wear to ribbon handle, approx. 50% of enamel dots to edge are missing.All enamels good and bright.No apparent chips or hairlines throughout.
An early 19th century Bloor Derby figure of a boy, from the French Seasons series after the Tournai models, modelled by N.J.F. Gauron, emblematic of Spring, decorated in bright enamels and heightened in gilt, incised No.123, puce painted crown and Bloor Derby, h.17cn. Minor loss to one flower head at base. Minor leaf chips to bocage. Light handling wear to right knee. Otherwise good.
A Victorian silver four light candelabrum, the candle holders each modelled as half-reeded pedestal urns with detachable sconces, on acanthus leaf capped scroll arms to a bright cut engraved baluster column, loaded base, maker John Edward Walter & John Barnard (Barnard & Sons Ltd), London 1872, h.44cm
*A 15ct amethyst, diamond and pearl necklace, cased by Liberty and a matching pair of earrings, the pear shaped amethysts, claw mounted to a single blade set with a single rose cut diamond and single bouton pearl, longest drop 27mm, shortest drop 16mm long, with gold necklace and barrel clasp stamped 15ct, cased by Liberty & Co. Ltd, Regent St., London, together with a matching pair of earrings, each 25mm long, with 9ct screwback fittings. Necklace – light wear throughout consistent with occasional use, far left amethyst has a small chip to edge of table, the other amethyst show minor abrasions (not eye visible), centre pearl shows pitting to nacre (although possibly natural), weight 15.4g.Earrings – light wear throughout consistent with occasional use, one pearl shows signs of wear and peeling to nacre (confined to edges), weight 3.7g.
A '21k' sapphire fringe necklace, the oval spectacle set sapphires, each approx. 6.5mm long, (19 in total), longest drop 26mm long, with fine link chain and clasp stamped '21k', 49cm long, (6.3g). With very, very light wear.Clarity varies but colour is good and well-matched.Overall good condition.
A platinum, zircon, sapphire and diamond ring, the central pale blue zircon, approx. 8mm diameter, with a channel to either side set with calibre cut sapphires, the whole set within a textured concave mount set with diamond highlights and tapering to a textured band stamped 'Plat', size N-O, (5.7g). Zircon is lightly nibbled.One sapphire has a chip / loss to one corner.Band shows very light wear.Overall very clean and tidy.
*An Edwardian zircon and pearl pendant, the round blue zircon, in collet mount with milligrain border, approx. 9.5mm diameter, surrounded by small pearls, with three leaf pearl drop below and outswept scrolled arms above, all set in milligrain borders, with chain and barrel clasp, maximum drop 23mm, 50mm wide, overall 38cm long, all set in unmarked yellow metal (tests as approx. 14ct gold or better), (6.6g), in original fitted case by Goldsmiths & Silversmiths Company Ltd, 112 Regent St, London. A couple of pearls have light peeling to the nacre (not eye visible).Zircon has a couple of minor marks.Pendant overall good.Case – interior yellowed, lining near hinge is frayed, clasp does not close properly (slightly off-set), exterior with minor scuffs.
An 18ct three stone opal and diamond ring, the three oval opal cabochons interspaced with two small round diamonds, total weight of diamonds estimated approx. 0.24cts, with scrolled gallery and plain band stamped '18', size L, (4.3g). All opals are abraded but still display good play of colour.Wear to mount, shows signs of being worn alongside another ring.Some wear and light abrasions to band.
A five stone emerald ring, the five graduated square emerald cut emeralds, between approx. 4 - 5.5mm wide, set with diamond highlights, scrolled gallery and tapered band, all in unmarked yellow metal (tests as approx. 18ct gold), size P, (5.3g). All emeralds are chipped (slightly noticeable with the eye when in strong light).
A tri-coloured gold bracelet, the alternating bands of tri-coloured textured gold interwoven with short oval inks, with concealed clasp and safety chain, (tests as approx. 18ct gold), 20cm long, (43g). Light abrasions consistent with occasional wear.Indistinct marks to inner part of clasp (possibly Middle / Far Eastern).
An 18ct emerald and diamond necklace and matching bracelet, the central oval emerald cabochon, collet mounted and surrounded by round brilliant cut diamonds, set to either side with a diamond set semi-circle followed by a domed baguette cut link with a small emerald cabochon above and below, further followed by five round brilliant cut diamonds and a round emerald cabochon, stamped 750, with integral snake link necklace, concealed clasp, 37cm long, together with a matching bracelet, 16.5cm long, (55.4g gross). Necklace only: 38.4g, bracelet only:17g.Some surface rising inclusions to all emeralds (not eye visible).Light wear throughout consistent with occasional / light use.Overall very good.
A late 19th century rock crystal painted brooch, the oval rock crystal cabochon painted with lilly of the valley, in a collet mount with rope twist and beaded border, 35mm long, with pin to reverse and hanging loop, all in unmarked yellow metal (tests as approx. 18ct gold). Three small scratches o cabochon (only visible with x10 loupe and strong light).Reverse shows crack running diagonally downwards.Secondary cracks from upper ¼ of main crack.Pin bent.Hinge repaired and catch/hook bent.Light wear, slightly more to reverse than front.
A gentleman's 1930's 9ct Rolex wristwatch, the rectangular signed face with gilt Arabic numerals, steel hands, subsidiary seconds and decorative border, with domed glass and tank style 9ct gold case, 22 x 30mm, stamped 9.375 with Glasgow import mark, 1937, with associated dark brown leather strap. Glass loose and with some minor scratches.Case with some wear and light marks.Personal inscription to reverse.Crowns turns and hands wind.Appears to be currently working.Face is grubby.
A rare Harwood Automatic wristwatch, the signed round dial with black Arabic numerals and minute markers, luminous hands, rotating bezel, steel case, 28mm diameter, on later black strap, cased with original instruction leaflet John Harwood (1893–1964) was a British horologist and inventor of the first self-winding wristwatch. A chance observation of some children playing on a see-saw initially gave Harwood the idea of the self winding mechanism which would enable a closed movement, eliminating any chance of interference from damp or dust. The watch has no crown with the time being set by turning the bezel in one direction and the turning it in the opposite direction to re-engage the movement. First seen at Basel in Switzerland in 1926, Harwood went on to open the Harwood Self-Winding Watch Company in 1928 to market the watches in the UK, but the company failed in September 1931 due to their difficulty of manufacture and the effects of the Great Depression. Rolex went on to later develop the self winding mechanism and were highly successful with them. However, later in 1956, Harwood and Rolex exchanged correspondence with Rolex acknowledging Harwood as the inventor of the self winding mechanism and including his portrait in their advertising. In 1957 Harwood was awarded the Gold Medal by the British Horological Institute.. Appears to be currently working.Some discolouration to dial, with brownish mark running through name.Case lightly abraded with a few small scratches.Rear of case more abraded, worn and pitted.Crown turns and dot moves between light and dark.Please note: In accordance with accompanying instructions, we have not removed the back and are reluctant to do so as this can introduce dust to the movement. As far as we are aware it has never been opened.
A gentleman's Omega Seamaster Professional Chronometer automatic wristwatch, the signed deep grey dial with luminous dot hours and white minute markers, steel hands, calendar function, blue bezel, 40mm diameter, steel case and bracelet strap, calibre: 1120, watch no. 80422386, boxed with certificate and warranty dated 05.07.02.Glass with a couple of small scratches.Bezel with small scratch between 20 and 30.Turns full 360Ëš.Crown turns and hands move.Appears to be currently working.Strap with light wear, more so to buckle.
A gentleman's Omega Seamaster Professional Chronometer wristwatch, the black dial with luminous baton numerals and hands, seconds hand with red tip, white seconds markers, calendar function, black bezel with steel markers, stainless steel case, 40mm diameter, calibre 120, serial no. 80192048, with stainless steel bracelet, with box and service documents including Omega Warranty Card date 25.05.12. Light wear throughout.Bezel a little stiff, but does turn 360Ëš.Crown turns and hands move.Appears to be currently working.Strap with light wear and minor abrasions.Would benefit from a light clean.Has original warranty dated 08.12.01, Ref. 22545000, watch No.80192048.With original instructions and two repair warranty cards.With service document and original retailers service receipt dated 24.05.12.With two extra links, spare crown, hands and sundry small parts / screws.Internal box fittings are incomplete / vacant.
*Albert Goodwin RWS (1845-1932) - Amalfi, watercolour with traces of body colour and heightened with white, titled lower left, signed lower right, 25 x 37.5cm. With imprint of a studio stamp, possibly unrelated, above signature. Light fading. Otherwise no apparent faults. In modern glazed frame
*Albert Goodwin RWS (1845-1932) - Waterbabies, watercolour heightened with white, signed and dated '71 lower left, , bearing exhibition label verso for Bolton Museum & Art Gallery, 49 x 70cm. Light fading. Otherwise no apparent faults. In probably original gilt frame, with later glass and mount.
*Michael-Angelo Hayes (Irish 1820-1877) - 9th Queens Royal Lancers, watercolour and body colour, signed with monogram lower right, annotated No.34 Westmoreland, Dublin, and dated 1839, 18.5 x 32cm. Paper good.No tears or creases.Small are of crazing at 9 o’clock.Some very minor spotting to and around house on left hand side.Some light browning and fading all over.
Follower of Alfred de Breanski (1852-1928) - The old mill at Brora Sutherland, oil on canvas, 49 x 78.5cm. Inscribed to stretcher.Eight small patch repairs verso, with small areas of overpaint to obverse.Paint good and stable, no crazing or breaking out.Would benefit from a light clean.Frame with minor losses to extremities.
A French Empire period white marble and gilt metal mounted three piece clock garniture, as a portico clock having indistinctly white enamel dial, fine engine turned centre, twin winding holes for a brass eight day cylinder movement, having outside countwheel and striking on a bell, the garniture each as a five-light candelabra, clock h.40cm
I.P. Asby - an early 18th century longcase clock, the square brass 10" dial having silvered chapter ring, single blue steel hand, rolling date dial, thirty hour weight driven movement striking on a bell, the case with all-over blind carving to a boxbase, h.197cm (with alterations). Strike working and with excellent sound.Movement and dial appear to be original, with no apparent alterations.Seatboard and cheeks are period and probably original.Case later carved.With later baton across back.Small loss to matted centre at 2 o’clock, possibly in the making.Later pegged to hold door.Timber with light varnish.Case and dial possibly associated.
A Matthew Norman lacquered brass carriage clock with alarm, having a swing carry handle over visible platform escapement, white enamel dial with subsidiary alarm dial, twin barrel going eight day movement striking a single hammer on a gong, h.15.5cm. In working order.Strike registers but hammer not falling.Dial good.Case good.Requires a light polish only.
A pair of cut glass twelve-light electrolier, each having a central urn column supporting two rows of S-shaped candle arms, each with double drip-trays, all united by faceted glass swags and drops, h.84cm (excluding fittings and drops), dia. 88cm. One with damaged arm, the other with one replaced arm
Books pertaining to the horse guards, including; Mollo, The Sharpshooters, 1970, Proudfoot, We Lead, 7th Light Cavalry 1784-1990, 1991, Watson, The Story of the Blues and Royals, 1993, Strawson, Irish Hussar, 1986, Cooper, British Regular Cavalry 1644-1914, 1965, Mallinson, Light Dragoons, The Origins of a New Regiment, 1993, Tardif, The North Irish Horse in the Great War, 1988, Mileham, The Yeomanry Regiments, A Pictorial History, 1985, Hunt, History of the 13th/18th Royal Hussars (Queen Mary's Own) 1947 to 1992, 1996, Thompson, The 15th / 19th The King's Royal Hussars, A Pictorial History, 1989, White-Spunner, Horse Guards, 2006

-
534325 Los(e)/Seite