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Preisdatenbank abonnierenPart of the Feathered Beauties collection. This figural captures the grace with its clear faceted crystal body, smooth neck and head. Accented by light peach beak and jet crystal eyes. Swarovski backstamp. 5004724. This item has its original box: 4"L x 4"W x 2.75"H. Artist: Domonic SchopfIssued: 2014 - 2018Dimensions: 2"L x 1.5"W x 1.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Exceptional set of 4 bee-eaters on a branch figurine that was part of the Feathered Beauties collection. Inspired by nature, they represent unity and togetherness in vibrant colors with their light topaz throats. Swarovski etched backstamp. This item has its original box. Box measures: 6"L x 6"W x 3.75"H. Artist: Elisabeth AdamerIssued: 2010-2012Dimensions: 3.25"L x 1.75"W x 3"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Part of the Feathered Beauties collection. Clear faceted crystal body with light topaz and jet crystal eyes standing on a satin crystal branch. Swarovski backstamp. 9100 000 152. This item has its original box: 4"H x 3.25" dia. Artist: Anton HirzingerIssued: 2009 - 2017Dimensions: 1.25"L x 1"W x 1.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Part of the Merry Christmas theme group. Designed from Peridot crystal with light Siam ornaments with silver toned tree topper and base. Swarovski impressed mark. 904990. This item has its original box: 4.25"L x 4.25"W x 2.5"H. Artist: Eva Maria RiedIssued: 2007 - 2011Dimensions: 2"H x 1.5" dia.Manufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Three clear crystal flowers on a crystal base, the centers of each flower filled with small light-yellow crystals. Swarovski etched mark. Part of the Secret Garden group themed series. This item has its original box which measures 10.5"L x 10.5"W x 6"H. Artist: Michael StameyIssued: 2000-2008Dimensions: 6.25"L x 6.5"W x 3"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Three colorful faceted crystal flowers in clear base/pot. Blue primula has three blue/purple flowers with rhodium leaves. The cactus features peridot green crystal for the leaves and red crystal for the blossom. Yellow Rose has rhodium stem, green crystal leaves and is the tallest; 1"L x 0.75"W x 2"H. Swarovski backstamp. Includes original boxes: 3"L x 3"W x 1.5"H. SCS diamond shaped crystal that changes Colour in different light and angles from olive green to amber, 1"L x 0.75"W x 0.5"H. Includes original boxes: 3.75"L x 4"W x 1.25"H. Manufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Clear crystal limited edition annual Christmas snowflake with 2010 acid mark on crystal and light siam colored crystal tips. Swarovski impressed mark. 1074802. This item has its original box: 5"L x 5"W x 1.5"H. Artist: Verena CasteleinIssued: 2010Dimensions: 3"L x 3.25"W x 0.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Pair of beautiful blue tits that sparkle in clear crystal with light sapphire crystal tails. Perched on a clear crystal base with three crystal flowers and are part of the Feathered Beauties collection. Swarovski etched backstamp. This item has its original box. Box measures: 6.75"L x 6.75"W x 4.75"H. Artist: Anton HirzingerIssued: 2014-2020Dimensions: 4.25"L x 3"W x 2.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
This crystal piece was only available to SCS members in 2013. The figural symbolizes luck, longevity and fidelity was created with clear crystal with Light Siam caps and accents in Black Diamond crystal. Swarovski backstamp. 1142860. This item has its original box: 5"L x 5"W x 3.25"H. Artist: Dominic SchopfIssued: 2013Dimensions: 2.25"L x 1.25"W x 3.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Includes light blue plate with center slip medallion and rim, 0.75"H x 6.5"dia, light blue scalloped shaped trinket lidded box with a slip center medallion, rim and slip medallions on the sides, 2.25"H x 5"dia, and a lilac heart shaped lidded trinket box with a slip center medallion, rim and slip medallions on the sides, 2.75"L x 2.75"W x 1.25"H. Impress mark WEDGWOOD Made In England. Issued: 20th centuryManufacturer: WedgwoodCountry of Origin: EnglandCondition: Age related wear.
Delicate tea light that was part of the Crystal Jewels collection. A blue satin bowl that sits on a silver-tone metal base decorated with light sapphire crystal accents. Signed by artist. Swarovski backstamp. This item has its original box. Box measures: 8"L x 7.5"W x 6.25"H. Artist: Yasmine HurelIssued: 2004-2005Dimensions: 6.25"W x 4.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Part of the In the Secret Garden now part of Brilliant Butterflies, this stunning clear crystal luster figural gives off an iridescent glow when catching the light. Swarovski backstamp. 9100 000 026. This item has its original box: 4.25"L x 4.25"W x 2.5"H. Artist: Elke KumarIssued: 2006 - 2008Dimensions: 2.5"L x 1.5"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Part of the Exotic Fish collection this shell is colored in blue and violet crystal with a luster finish that catches the light. Swarovski backstamp. 9610 030 701. This item has its original box: 4.25"L x 4.25"W x 2.5"H. Artist: Yasmine HurelIssued: 2004 - 2007Dimensions: 2.25"L x 1.25"W x 1.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
PER AND ANNELISE LINNEMANN-SCHMIDT FOR PALSHUS: Three studio pottery stoneware works, comprising a vase in olive haresfur glaze, 12.5cm high; an eliptical bowl with light brown haresfur glaze, 19cm wide x 12cm high; and an open bowl in brown haresfur glaze, 21.5cm diameter, each incised to underside 'PALSHUS / DENMARK / PLS' and model number. (3)
JOHN PIPER (BRITISH 1903-1992) FOR ARTHUR SANDERSON: A length of 'Stones of Bath' fabric, circa 1960s, sewn into four curtain panels. (4)Smaller panel: 159 x 112 cm (1) Larger panels: 229 x 133 cm (3)Reference: See Victoria & Albert Museum, London, accession number T.503:2-1996 for another example of this fabric. John Piper was one of Britain's most distinguished and prolific artists of the twentieth century. Working in many different styles across his career, he was a painter and print maker, designing stained glass windows, theatre and opera sets, ceramics and textiles. Piper's textile designs embodied his love of Britain's art and architecture, landscapes, and abstract and religious imagery. He created designs notably for a number of tapestries and alter pieces, and importantly for Lots 231 - 234, furnishing fabrics for Arthur Sanderson & Sons Ltd.In 1959, Arthur Sanderson commissioned five textile designs from John Piper as part of their 1960 Centenary Celebrations. 'Stones of Bath' is one of these designs, with two of the other designs shown in Lots 233 and 234. The design was screen printed using 19 colours, which was far more than conventional screenprints on paper. Manufactured from 1962, the semi abstract designs featured the buildings of Bath in different shades, green, violet, aubergine and many others.Sanderson used their 'Sanderlin' fabric - a satinised linen which gave the design a shimmering texture, reflecting the play of light on the honey-coloured stone buildings of Bath.Sanderson's Victorian warehouse in Chiswick is now the headquarters of Chiswick Auctions.
STROMBERG, SWEDEN AND E. DRAGSTED, DENMARK: A crystal glass ice bucket in light blue glass with sterling silver swing handle, circa 1920s, the glass underside etched 'Stromberg' and the handle marked '925 S KRONEN' and 'STERLING DENMARK', along with another similar in clear glass. (2)Height 17cm and 13cm.
A STEVENSON BROTHERS GOLDEN JUBILEE SPECIAL EDITION COACH-SPRUNG TRESTLE ROCKING HORSE 2006 With dappled grey finish, mane and tail, a leather harness with the Queen's Racing colours, a checked blanket with racing colours around the edge, an emblazoned EIIR saddle pad and with a hallmarked silver plaque reading 'Limited edition 2006 no. 14/50' 128cm high, 153cm long Condition Report: Good overall condition. Some fading to the blanket and saddle pad. Some old minor marks and signs of very light use. Condition Report Disclaimer
THOMAS LANDSEER AFTER SIR EDWARD LANDSEER THE DEER PASS, 1854 Mezzotint Published London, Henry Graves and Company 44.5 x 95cm (17½ x 37¼ in.) Bird-eye maple frame Condition Report: Unexamined out of glazed frame. Light undulation to the sheet. Two spots at the top of the plate and overall browning.Condition Report Disclaimer
A SPODE 'MARLBOROUGH SPRAYS' PART DINNER AND TEA SERVICE 20TH/21ST CENTURY Comprising of 5 teapots and covers, 2 large milkjugs, 2 small milk jugs, one sugar basin and cover, 12 teacups, 22 breakfast cups, 11 saucers in sizes, 3 small bowls, 7 plates (27cm), 16 plates (19.5cm), 6 plates (22cm), 12 plates (17cm), 22 soup plates, 8 two handled soup bowls, one sauce boat and stand, 4 egg cups, 4 canted meat dishes (42cm long) 6 canted meat dishes (36.5cm long). Printed marks, each piece printed in colours. Condition Report: Some signs of light use generally. One breakfast cup and saucer each with chip. One soup plate chipped. One side plate cracked, one side plate chipped. Four 27cm dinner plates with cracks. Condition Report Disclaimer
â–² Ken Howard RA (1932-2022) Sennen Beach, 2019signed 'Ken Howard' l.r., oil on canvas61 x 91cmCondition ReportFramed: 90 x 120cmThe paint in the sky has been thinly applied and is a pencil grid with diagonal lines visible beneath, please see images. The work appears to be in otherwise good condition. Not examined under UV light, for a full report please contact the department.
â–² Ken Howard RA (1932-2022) 'Dora at the Window'signed 'Ken Howard' l.r., oil on canvas board60 x 50cmProvenance: With Portland Gallery, London.Condition ReportFramed: 72.5 x 62.5cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
â–² Christoforos Savva (Cypriot, 1924-1968) Still life of a jug of flowers, a bottle of wine and fruit on a tablesigned 'Ch. Savva' l.l., oil on canvas laid down on board71 x 71cmProvenance: Gifted by the artist to the owner's late father, Mr Samuel Dresner, who was at art school with him in the 1950s.Condition ReportFramed: 72 x 72.5cmLight surface dirt. Some small losses where the paint is a little flaky including to the upper left corner, jug and to the right of the fruit, please see additional condition images. There are pins dotted around the edge of the work and running through the centre horizontally. Under UV light no retouching or restoration is apparent.
â–² Lionel Bulmer (1919-1992) 'The Footpath, Walberswick'signed 'L Bulmer' l.l., oil on board30.5 x 30.5cmProvenance: With Messum's Fine Art, London.Condition ReportFramed: 41 x 41cmAppears to be in good condition. Well presented and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² Doris Zinkeisen (1898-1991) An afternoon at the racecourse signed 'Doris Zinkeisen' l.r., oil on canvas 51 x 101cm Condition ReportFramed: 66 x 116cm Scattered small brown spots and speckles of surface dirt. Slight rubbing to the extreme edges. Some thinning of the paint and minor losses to the sky in places. There is a small raised area of paint in the centre of the bottom edge. A couple of light surface scratches to the upper right corner. Stretcher marks are visible to the top edge. A couple of raised lines in the canvas to the sky on the left side. Please refer to additional condition images. Examined under UV light no retouching is visible.
â–² Michael Rothenstein RA (1908-1993) 'Cockerel'woodcut in colours, signed 'Michael Rothenstein' in pencil l.r., and numbered '47/75'image 34 x 38cm, unframedCondition ReportSheet: 44.5 x 50cmThere are two tape marks along the top edge of the sheet. The upper left corner of the sheet has some pencil notes which do not appear to be by the hand of the artist. The margins have some light dirty marks and there is some slight discolouration to the margins where the work has been framed with mount. The printed area appears to be in good condition and the colours are bright.
â–² Denise Broadley (1913-2007) 'Leicester Square', 1933oil on canvas56 x 56cmProvenance: Dr John Ind;with Sally Hunter Fine Art, London.Condition ReportFramed: 70 x 70cmCraquelure and impact cracks with losses and flaking. Light surface dirt. Not examined under UV light, for a full report please contact the department.
â–² John Aldridge RA (1905-1983) Mill House, Great Bardfield pen and ink19 x 24.5cmProvenance: From the artist's studio and estate, and then passed to the Fry Art Gallery in 2010 for sale;Fry Art Gallery, Saffron Walden, December 2012.Condition ReportFramed: 29.5 x 34.5cmTwo light creases to the top edge and a further light crease to the bottom of the left edge. Some scattered spots of foxing, please see images. Not viewed out of glazed frame.
â–² Andrew Macara (b.1944) 'Pool Game, Gran Canaria'signed and dated 'ANDREW MACARA/1992' l.r., also inscribed with title and dated verso, oil on canvas55 x 38cmProvenance: With Thompson's Gallery, London.Condition ReportFramed: 73 x 58cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
Valeri Shishkin (b.1961) A still life with fruit signed in Cyrillic l.r., also signed, inscribed with title and dated '2018' verso, oil on canvas60 x 80cmCondition ReportFramed: 75 x96cmThe work appears in general good order and ready to hang. Not examined under the UV light. For a full report, please contact the department.
â–² Charlotte Mensforth (b.1936) A still life of wildflowers in a glass jug and a guitarsigned and dated 'C Mensforth/1970' l.l., oil on canvas65 x 54cmCondition ReportFramed: 72 x 61cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
â–² John Kiki (b.1943) 'Blue Nude'signed, inscribed and dated 'John Kiki/Blue Nude/October 07/NOV 07/FEB 10' verso, oil on canvas190 x 177cmCondition ReportFramed: 193 x 179.5cmSome of the areas of thick white impasto paint have cracked with potential for flaking, please refer to illustration. This is only a very small portion of the artwork, the rest of the paint appears stable. Not examined under UV light, for a full report please contact the department.
â–² Fred Yates (1922-2008) 'Rocky Point, Cornwall'oil on card11.5 x 16.5cmExhibited: John Martin Gallery, 'Fred Yates, The Lost Paintings', 2003.Condition ReportFramed: 32.5 x 36.5cmWe believe the work to be c.1970s. Some cracking to the paint in the sky, please see images, but presents well overall and is ready to hang. Not examined out of glazed frame or under UV light, for a full report please contact the department.
â–² Marc Chagall (Russian-French, 1887-1985) 'Le Grand Cirque' lithograph, artist's proof, signed 'Marc Chagall' in pencil l.r., inscribed 'Epreuve d'artiste' l.l.sheet 90 x 64, unframedsold with a photocopy of certificate of authenticity by the Wuyt Chagall Research Centre,together with a modern ebonised frame with gilt decoration (3)Provenance: Private collection, Eaton Square, Belgravia, London SW1W.Condition ReportTime staining with a light crease to the top right corner. There is a 3cm wide strip of discolouration along the top edge and a fainter 3cm border of discolouration along the bottom edge. There are five small strips of tape applied to the reverse of the top edge which has caused a little acid discolouration to the front of the print. A light crescent shaped handling crease to the right of the bottom edge. The print has deckled edges. The frame measures 134 x 112cm and is unglazed with some small knocks.
â–² John Aldridge RA (1905-1983) 'Ruined Cottage'pencil16 x 19cmProvenance: From the artist's studio and estate, and then passed to the Fry Art Gallery in 2010 for sale.Condition ReportFramed: 29 x 30.5cmLight time staining with some slight creasing to the upper right and lower left corners. Some small spots of foxing starting to emerge. Well presented and ready to hang. Not examined out of glazed frame.
â–² Laurence Biddle (1888-1968) Still life of pansies in a gilded black vasesigned and dated 'Laurence Biddle 44' l.r., oil on canvas51 x 77cmCondition ReportFramed: 67 x 92cmRelined. A small dirty mark to the background upper centre, please see images. There is some craquelure which appears to have been infilled. Not examined under UV light, for a full report please contact the department.
Boris Sporykhin (1928-2020) Study of a standing male nudesigned in Cyrillic and dated '52' l.l., pencil heightened with white55 x 37.5cmCondition ReportOverall: 68.5 x 48.5cmTime staining and light cockling. A small 1cm tear to the lower right and two pinholes to the right edge. Faint staining to the upper right corner, please see additional condition images. Not viewed out of glazed frame.
â–² The Connor Brothers (b.1968) 'I Fucking Love You'giclée print in colours with silkscreen varnish, printer's proof, signed and dated 'Connor Brothers 22' in pencil l.r., inscribed 'PP' l.l.sheet 75 x 50cm, unframedCondition ReportA couple of light handling creases are visible under raking light but presents well overall. A thin red line to the right margin, lower centre, please see images.
William Cave Day RBA (1862-1924) Market day, believed to be Richmond, North Yorkshiresigned 'W CAVE DAY' l.r., oil on board22 x 15.5cmCondition ReportFramed: 27.5 x 21.5cmA couple of small, faint dirty marks to the sky in the upper right corner but appears to be in otherwise good condition. Well presented and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² Gerd Winner (German, b.1936) 'Arabian Walls' a portfolio of screenprints in colour created in collaboration with Bernd Riede, comprising ten loose sheets, printed on both sides and folded in the middle, each sheet signed 'Winner' in pencil, the outer sheet signed and numbered '38/75', printed on Vélin Arches 300gsm at Kelpra Studio 1978-1981, and published by Kelpra Editions, in a printed book cover and slipcase each sheet 50 x 70cm Condition ReportThe prints appear to be in good condition as issued. A faint dirty smudge to the book cover. Some white spots and speckles to the slipcase with some light scuffs and surface dirt. Overall the slipcase measures 52 x 36 x 3.5cm.
â–² John Aldridge RA (1905-1983) The allotments with artist's studio stamp l.r., pen and ink 18 x 27cm Provenance: From the artist's studio and estate, and then passed to the Fry Art Gallery in 2010 for sale. This is a preparatory sketch relating to 'The Allotments', 1949, oil on canvas, held by the Fry Gallery. Condition ReportFramed: 31 x 39.5cm Time staining. Light creasing and faint dirty smudges to the top edge. Some small spots of foxing starting to emerge in the centre, and to the lower right corner. Not viewed out of glazed frame.
â–² Francis Wynne Thomas (1907-1989) Reclining nudesigned 'F. WYNNE THOMAS' l.l., oil on canvas73 x 61cmCondition ReportFramed: 89 x 77cmRelined and strectched. There are diagonal lines running across the top half of the work which look like previous fold marks, please see images. There is a further horizontal line running across the subject's calf and thigh. Some small losses to the centre of the top edge, the books and beneath the figure's breast. Thinning to the paint in areas, mainly around the edges. Not examined under UV light, for a full report please contact the department.
▲ Colum Robert Gore-Booth (1913-1959) A landscape in France with farm buildingssigned and dated 'Colum/1939' l.l., oil on canvas73 x 92cmPainter Colum Robert Gore-Booth was born into an influential Anglo-Irish family in 1913. His grandfather was the famous Arctic explorer Sir Henry Gore-Booth, and his aunt Constance, known as Countess Marklewicz, studied art in Paris before joining the suffragettes and becoming the first woman MP to be elected to the House of Commons (although, as a member of Sinn Fein, she did not take her seat).The Gore-Booth family was based at Lissadel House in County Sligo in Ireland, where it is said that the poet W B Yeats often stayed, but Colum himself was born in Doncaster, and throughout his life spent a great deal of time at Sandhall Hall in East Yorkshire, the ancestral home of his mother. Colum went on to study at St John’s Wood School of Art and later moved to France during the 1930s. His work was heavily influenced by the Fauvist and Expressionist art movements, and his distinctive landscape paintings incorporate bold colours and broad brush strokes, creating stylised and intriguing panoramas, such as the work offered for sale.Colum exhibited his work in both Paris and London, but sadly passed away at the young age of forty-five in 1959. He has since been the subject of the biography 'The Life and Paintings of Colum Gore-Booth', by A J Blytheway, published in 2010.Condition ReportFramed: 86 x 104cmSpots and speckles of light surface dirt. There is some restoration visible to the right side which corresponds to three patch repairs to the reverse measuring 3.5 x 3.5, 4.5 x 3.5cm and 10 x 11cm. Not examined under UV light, for a full report please contact the department.
â–² John Aldridge RA (1905-1983) 'Study of a Farm Cart and Tractor Engine'pencil, pen and ink18 x 25cmProvenance: From the artist's studio and estate, and then passed to the Fry Art Gallery in 2010 for sale.Condition ReportFramed: 29 x 35cmLight time staining with some very slight creasing to the bottom left corner. Overall presents well and is ready to hang. Not viewed out of glazed frame.
â–² Doris Zinkeisen (1898-1991) 'Trains of Running Horses'signed 'Doris Zinkeisen' l.l., oil on canvas51 x 101cmCondition ReportFramed: 66.5 x 117cmLight surface dirt. Some slight thinning to the paint in the sky in places. A couple of very minor surface abrasions beneath the horse in yellow in the centre, and also to the leg of one of the white horses on the right side. Under UV light there is some patchiness to the grass in the foreground, lower centre, where it is possible the work has been retouched but to the naked eye in our opinion any restoration is not obvious when viewed on the wall. Please see additional condition images.
â–² Julian Trevelyan RA (1910-1988) 'Hay-cart'etching and aquatint in colours, signed 'Julian Trevelyan' in pencil l.r., inscribed with title and numbered '29/65'plate 35 x 48cmCondition ReportFramed: 62 x 82cmLight cockling with some small scattered speckles of foxing. A slight crease mark to the margin in the centre of the left edge. A couple of thunderbugs trapped behind the glazing. Not viewed out of glazed frame.
â–² Eugène Baboulène (French, 1905-1994) 'Le Matin, Port de Toulon' signed 'E. Baboulene' l.r., also signed, inscribed with title and dated '1961' verso, oil on canvas 60 x 81cmProvenance: With Frost & Reed, London.Condition ReportFramed 78 x 99cmLight surface dirt. There are a couple of very fine cracks starting to emerge to the centre of the top edge but overall the paint appears to be stable. Not examined under UV light, for a full report please contact the department.
English School, 20th century The street seller oil on canvas61 x 51cmProvenance: Christie’s, King Street, 1983 - £750.Condition ReportFramed: 79 x 67cmLight surface dirt. Some slight creasing to the canvas in the lower left quarter. Rubbing to the extreme bottom edge. On close inspection a little cracking is starting to emerge in places but overall the paint appears to be stable. Under UV light some unevenness to the varnish is apparent. Please refer to additional condition images.
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