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Preisdatenbank abonnierenA light oak four tier wall shelf, of Victorian design, with slender baluster turned supports, 106 cm high x 77 cm wide x 26 cm deep. CONDITION REPORT: This wall shelf is faded from being close to the sun and there is slight scuffing and wear throughout together with a couple of shrinkage splits.
Four modern white metal SAS buttons by Gaunt, six smaller buttons by FSE, in green canvas bag and a quantity of military badges. CONDITION REPORT: The SAS buttons appear to be Staybrite anodised aluminium, they are extremely light and hollow. The three larger SAS buttons appear to be the same.
An 18th century oak and mahogany banded dresser base, with quartered and reeded columns, fitted with nine drawers and on ogee bracket feet. 92 cm high x 202 cm wide x 58 cm deep (see illustration). CONDITION REPORT: This dresser is in good overall condition commensurate with age and use. There is slight veneer chipping and cracking in places and light shrinkage to the panel doors to the top. the handles are later replacements.
An Edwardian silver photograph frame, Birmingham 1904. External dimensions 18 cm x 13.5 cm, together with another of plain form, Chester 1915. CONDITION REPORT: The overall condition of both frames are good. The Edwardian frame has several small bumps to the base of the silver, there is only light wear and overall it is in good condition for its age. The Chester silver frame has a small dint at the bottom left hand curved corner and a light small dint to the right hand top corner and at the bottom left hand corner the pin that holds the silver frame to the wood frame has torn free, but overall the frame is in good condition for its age.
A George III silver caddy spoon, with feather engraved shaped floral bowl, London 1807, and a George III silver caddy spoon with oval pierced bowl by Duncan Urquhart & Naphtali Hart, London 1799. CONDITION REPORT: The Georgian spoon with shaped bowl and terminal engraved with flowers and with feather engraving is hallmarked for London 1807 but the makers mark is indistinct and appears to be poorly struck with only the lower half of the mark showing. The shape of the shield is rather distinctive. The spoon itself is in good order with only light surface wear commensurate with age. The other spoon in this lot is in good condition and engraved with initials to terminal. The hallmark is clearly struck and the makers mark although legible is very slightly rubbed towards the left hand lower edge of the shield.
A George III silver shovel form caddy spoon, with turned fruitwood handle by Samuel Knight, the bowl hallmarked for London 1815 and a George IV silver fiddle pattern caddy spoon with rectangular bowl by William Bateman, London 1823. CONDITION REPORT: shovel bowl spoon is engraved boldly with letter P in Gothic script. The hallmarks are legible although the date letter is slightly rubbed. The makers mark is clear and fairly crisp and the handle itself is in good condition. The silver has slight wear and minor scratching commensurate with age. The other spoon by William Bateman is a clean and tidy example with minor wear commensurate with age, to include some light scratching to the bowl. The gilding is mostly present although looking a little thin in places.
A cast white metal caddy spoon, with fisherman figural terminal and scalloped bowl, bears hallmarks for London 1860, but possibly a recast from an original. (see illustration). CONDITION REPORT: This fisherman's spoon has surface wear commensurate with age but no major damage or repairs to mention. The hallmark to reverse is legible but not especially crisp, we are unable to find a makers marks. This cast spoon is generally in fair condition with the exception of slight scratching to the upper right bowl. The definition of the casting is not very crisp and together with the fairly weak hallmark and relatively light weight of the spoon it is possible that this spoon is recast. This cast spoon is generally in fair condition with the exception of slight scratching to the upper right bowl. The definition of the casting is not very crisp and together with the fairly weak hallmark and relatively light weight of the spoon it is possible that this spoon is recast.
Two George IV silver fiddle pattern caddy spoons, the bowls engraved with Ho Ho birds and foliage respectively, hallmarked for London 1821. CONDITION REPORT: The spoon with oval bowl engraved with Ho Ho bird is very slightly misshapen to the bowl and has slight surface wear and rubbing throughout including to the wriggle work thread design around the edges of the fiddle terminal. The hallmark is clear and the makers mark is WE in a rectangular shield. The other spoon similarly has surface wear and light scratching but otherwise is in good condition. The hallmark is crisp and legible with a markers mark of EF in a rectangular shield. In addition this spoon also has an additional mark to the terminal which appears to be a leaf device in an octagonal shield, but this has been slightly poorly struck and is rather feint.
A George III silver caddy spoon by Richard Crossley, with deep circular bowl, London 1784, one other silver caddy spoon by Richard Crossley, three other George III silver caddy spoons and a George III silver caddy spoon with pierced bowl by George Nangle, London 1801. CONDITION REPORT: The Crossley spoon with deep circular bowl has a bead Old English terminal and generally is in fair overall condition with light surface scuffing throughout. The hallmark bears only lion passant and date letter and thus the assumption it is assayed for London. The makers mark is clearly struck and thought to be Richard Crossley. The other spoon attributed to Richard Crossley has surface scuffing and wear to the bowl whilst the terminal is brightly cut and bears initials DGS. The hallmark and makers mark are quite poorly struck and legible and feint. The spoon by Geroge Nangle is in good overall condition with a clear hallmark and makers mark and with the majority of the gilding to the bowl present. Overall the spoon has surface scuffing and wear commensurate with age. The remaining three spoons are all clearly hallmarked, although one is slightly worn, all have indistinct makers marks. They all exhibit wear commensurate with age but no major damage to mention.
Nine George III silver caddy spoons by Thomas James, displaying various shapes and styles and including a spoon with pierced bowl, all hallmarked for London between 1808 and 1815 (see illustration). CONDITION REPORT: Eight of these James spoons are in good condition commensurate with age. Exhibiting perhaps light surface scuffing throughout. All are clearly hallmarked and bear clear makers marks. The ninth spoon has a slight crease to the terminal but otherwise is a fair example with slight surface wear commensurate with age. The makers mark to this spoon is perhaps slightly rubbed also, this spoon bears a trefid terminal.
A George III silver caddy spoon, possibly by William Bennett, with scalloped bowl, London 1807, a George III silver leaf form caddy spoon by Thomas Wallis and Jonathan Hayne, London 1811, together with ten other George III and later silver caddy spoons (see illustration). CONDITION REPORT: The scalloped bowl spoon possibly by William Bennett (this spoon has an indented scallop with a plain rim) has a slight crease to the rear portion of the bowl but otherwise is in fair overall condition with light scuffing. The leaf form spoon by Wallace & Hayne has slight surface wear but otherwise is in good order with a clear hallmark and makers mark. Of the remaining spoons six are in good overall condition with legible hallmarks and makers marks, whilst the remaining four have minor comments as follows - the spoon with simple shovel type bowl has an uneven rim and may have been ground down or adapted, the scallop bowl spoon with oval terminal engraved with a serpent is fairly worn to the underside with marks and makers mark being just legible, the scallop bowl spoon with scrolled terminal is a cast example and the hallmarks are quite worn to the underside. Finally, the scallop bowl example with bright cut vacant shield cartouche is incompletely hallmarked bearing purely a lion passant mark, together with a makers mark for WB within a rectangular shield, perhaps indicating William Bateman.
A Victorian later light grey painted bookcase cabinet The rectangular ogee moulded cornice above a pair of astragal glazed doors enclosing three adjustable shelves, the lower part with rectangular moulded top above a pair of double panelled doors enclosing a shelf, on a moulded plinth base, 121cm wide, 44cm deep, 223cm high.
A pair of late 19th century gilt-bronze three-light wall appliquésin the manner of Edward F. Caldwell & Co., New YorkThe foliate back-plates centred by a female bust issuing three scrolling branches, terminating in circular drip-pans and candle holders, possibly American, electrified, 36cm wide, 22cm deep, 42cm high. (2)
Five George III silver shovel form caddy spoons by Samuel Pemberton, including one with coral handle, all hallmarked for Birmingham between 1800-1809, together with one other white metal caddy spoon by Samuel Pemberton (makers mark but no hallmarks). CONDITION REPORT: The coral handled spoon is in good condition with no damage to the coral terminal and minor surface wear and scuffing to the silver. The hallmark and makers mark is clear. The shovel form spoon with fiddle pattern terminal and wreath engraved bowl is in good condition with a clear hallmark and makers mark. The shovel form spoon with the silver gilt interior and fiddle pattern terminal is also in good condition with only light surface scuffing and wear to mention and with a clear hallmark and makers mark. The shovel form spoon with the mother of pearl terminal appears to have a solder repair between the terminal and the bowl. The bowl itself bears a clear hallmark and makers mark and the ripple work engraving is in good order. The spoon with the scalloped terminal again has a clear hallmark and makers mark and a slightly scuffed worn surface. Finally the spoon which has catalogued as white metal, bears no hallmarks and purely a Samuel Pemberton makers mark. This spoon has a slightly scuffed and worn surface but otherwise is in good order.
A George III silver tea strainer spoon, with bright cut old English terminal and oval bowl by Alice and George Burrows, London 1804, a similar strainer spoon, probably by same maker (mark slightly rubbed), London 1808, a George III silver fiddle pattern caddy spoon by Sarah John and William Blake, London 1813, together with one other George III silver caddy spoon, probably by John Blake, London 1803. CONDITION REPORT: The spoon with oval pierced bowl by Alice & George Burrows appears to be in good overall condition commensurate with age with only light scuffing to surface. The hallmarks and makers mark are all slightly rubbed. The second spoon by this maker with circular pierced bowl has a visible solder line between the terminal and the bowl which perhaps might be original but nonetheless is visible. There is slight denting but no visible cracking or splitting to the bowl. The hallmark is clearly impressed but the makers mark has been poorly struck. The spoon by Sarah John and William Blake is in fair overall condition with a clear hallmark and mark but does have a scuffed and rather dull finish with some particular scuffing to the front edge of the bowl. The fourth spoon is incompletely marked with only date letter and monarchs head together with a makers mark IB in a rectangular shield. The spoon itself has an apparent solder line to the terminal but otherwise is in fair condition.
A First World War autograph album, containing photograph of Royal visits to Workington to meet wounded soldiers, together with autographs from convalescing soldiers from The Border Regiment, Royal Scots Imperial Yeomanry, Highland Light Infantry, Scottish Rifles, Welsh Fusiliers and Australian Regiment along with photograph of the nursing staff at the convalescent hospital in Cockermouth Castle and Penrith. CONDITION REPORT: This album has damage to the spine together with a vertical crease to the front cover and two indentations to the rear cover. The album is inscribed to front flyleaf in black ink MO Edgar 1917 and a variety of the pages are dedicated and inscribed to Merse Edgar, so we can be relatively confident who the original owner of the album was. There are +/- 30 or 40 blank pages and the album is +/- two thirds full. There are a variety of charming dedications, illustrations together with one page which features a lock of hair.
Fridtjof Nansen "Farthest North", two volumes published by George Newnes 1898, with illustrated boards, "Life and Explorations of Fridtjof Hansen" by J Arthur Bain (see illustration). CONDITION REPORT: The two volumes of “Farthest North” have clean spines and boards, there is slight wear to the top and bottom of the spines and some marks to the outer boards but these are generally light, both volumes have foxing to the fly leaf and an inscription for 1899, internally the pages are clean and look to be undamaged. The “Life and Explorations of Fridtjof Hansen” has slightly more wear to the spine and a number of spots to the illustrated front board and slight loosening of the board and frontispiece to the main books, there is an inscription of 1898 and an impressed stamp mark for No. 1 Royal Terrace, Belfast, internally the pages are clean and the bindings good.
A collection of tinplate vehicles, including a Chinese Photoing on Car, a Chad Valley camouflage searchlight vehicle (missing light), a Schuco Studio 1050 racing car, six Tri-ang Minic vehicles and a caravan and two Wells double-decker buses (playwear, paint chips and faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A collection of Bachmann Branch-Line gauge OO items, including a diesel locomotive 56084 in BR livery, a 2-6-4 tank locomotive in CR light blue livery, three other locomotives, two tenders and other goods rolling stock, together with sixteen Bachmann Branch-Line boxes (some playwear, boxes creased and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
John Constable and David Lucas, two mezzotint engravings ' Summer Afternoon After a Shower ', and ' Spring ', both artist's names in the plate, largest 10.5ins x 14ins, including marginSpring - has some lights foxing stains otherwise in good conditionSummer - has some light foxing stains otherwise in good condition also
Large 20th Century tiered tapering ceiling light with clear glass prism dropsAbout 38ins total drop and each prism drop is 11ins longChain is 17ins long but can be shortened or replaced with a longer chain is needed. Overall, in good condition, would need wiring in by an electrician. Drops are all present but some small chips to the ends
Pair of early 20th Century mahogany bookcases, each with a moulded and blind fretwork cornice above a pair of astragal glazed doors enclosing shelves, the base with a gadroon moulding above two blind fretwork decorated drawers and two fielded panel doors, on bracket feet, 46.75ins wideNeeds gentle clean up and light polish. No major damage or restoration. All glass in both bookcases is in good condition
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