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Los 81
**A NEAR OR MIDDLE-EASTERN MAIL SHIRT, 18TH CENTURYformed of alternating rows of welded and riveted rings of oval-section wire, the former thicker than the latter but in both cases thicker over the chest than elsewhere, with a central opening at the front, short sleeves and a hip-length skirt divided at its centre rear (light rusting in places)Provenance William Ockelford Oldman, London, 1st May 1931JWHA Inv. No. 395
Los 100
**A DETACHED HILT FOR A NORTH INDIAN SWORD (TALWAR) AND A SILVER CHAPE FOR A NEPALESE KUKRI, 19TH CENTURYthe first: of russet iron, formed with a pair of short swelling quillons, shaped langets, integral grip, large disc-shaped pommel and moulded bud-shaped button, decorated over its entire surface in gold koftgari with symmetrical arrangements of flowers and foliage within linear frames (light wear, small areas of pitting and losses); the second chased with scrollwork and foliate frames the first: 16.5 cm; 6 1/2 in high(2)ProvenanceThe first: Daniel Z. Noorian, New York, 3rd April 1929JWHA Inv. Nos. 737, 208
Los 212
**A HUNTING SWORD, MID-18TH CENTURY, POSSIBLY ITALIAN AND ANOTHER, MID-18TH CENTURYthe first: with shortened blade of flattened-diamond section, stamped `PNMPN` within a short fuller on each face, brass hilt comprising langet formed as a green man mask, down-turned foliate quillon, moulded knuckle-guard, slender back-strap rising to forma foliate pommel cap, and carved horn grip (light worm damage); the second with double-edged blade stamped with the spurious date `1441` within a short fuller on each side and with a running wolf mark ahead, brass hilt comprising down-turned scalloped shell-guard, knuckle-guard, cap pommel and faceted horn grip (bleached)the first: 57 cm; 22 1/2 in(2)ProvenanceThe first: Angelo Peyron, Florence, Italy, sold Savoy Art & Auction Galleries, New York, 4th November 1954, part of lot 131The second: Albert R. Louis, sold Walpole Galleries, New York, 22nd February 1927, lot 122JWHA Inv. Nos. 3076.1, 117
Los 279
**A COMPOSITE GERMAN CAP-A-PIE FIELD ARMOUR, CIRCA 1560-90, WITH LATER ETCHED DECORATIONcomprising close helmet with one-piece skull rising to a high roped medial comb and pierced at each side with five circular auditory-holes in a cross formation (the top of the face-opening trimmed and patched), visor (associated), upper bevor and bevor attached by common pivots (replaced) and in each case secured at their right sides by spring-catches (their push-buttons replaced), the visor pierced at each side, beneath its stepped and centrally-divided vision-slit, with ten rhomboidal ventilation-holes arranged in two-tiers, the prow-shaped upper bevor pierced at each side with three vertical ventilation-slots and struck at its upper edge, to the right of centre, with a row of four small circles, possibly serving as garniture-markings, and two rounded gorget-plates front and rear (the front ones restored), heavy collar of four lames front and rear, Italian breastplate formed of a main plate of "peascod" fashion, fitted at is arm-openings with moveable gussets (both patched), at the right of the chest with a folding of a lance-rest (restored) attached by two screws, and at its lower edge with an associated fauld of two lames divisible between the first and second (the latter patched at its centre and right) and fitted with pair of integral pendent tassets each of eleven lames divisible between the fourth and fifth and the ninth and tenth respectively, and terminating in winged poleyns of three lames, one-piece backplate flanged outwards at it lower edge to receive a culet of three lames (restored), narrow-fronted pauldrons each of six lames extending downwards to just above the elbow and pierced at the front of the second of them with a pair of lace-holes fitted with brass eyelets for the attachment of a besague, vambraces each formed of a tubular upper and lower cannon linked by internal leathers to an intervening winged bracelet couter decorated with a roped transverse rib, the upper cannon in each case surmounted by a turner of three lames and the lower cannon opening at the rear, mitten gauntlets (restored) each formed of a long pointed tubular cuff closed at the inside by an overlapped and riveted join and fitted at the outside with a wrist-plate, four metacarpal-plates (partly original), a knuckle-plate, scaled finger-defences and a scaled and hinged thumb-defence, and full-length tubular greaves (restored), the main edges of the armour formed with boldly roped inward turns accompanied in part by recessed borders, the surfaces of the armour, except for those of the gauntlets, etched on a blackened ground and heavily fire-gilt in the case of the collar, with bands and borders of running foliage involving, on the helmet and breastplate, trophies and fabulous beasts, and the surfaces of the gauntlets etched and gilt on a stippled and gilt ground (the gilding much worn) with trophies of arms partly occupying strapwork and enclosed in each case by narrower bands of guilloche See note at front of catalogue for information concerning stands ProvenanceProbably Philip Rhinelander II, New York, sold Parke-Bernet Galleries, New York, 17th November 1944James Graham & Sons, New York, 27th December 1944JWHA Inv. No. 2797.a-q ExhibitedWorcester Art Museum, Worcester, Massachusetts, 13 February 1945The collar, the second lame of the fauld and first four lames of the tassets are of notable weight.The construction of the fauld and tassets is typical of that employed by armourers of the Brunswick school. With its fauld reduced to a single lame, the cuirass could be worn as part of light cavalry armour (Trabharnish). Adding the short tassets allowed it to be worn, in conjunction with full leg harness, as part of a heavy field armour (Feldsküriss). Extending the tassets to just above the knees allowed it to serve as part of light infantry armour (Landsknechtharnish), while further extending them to the knees would allow the armour to be adapted to medium cavalry use (Trabharnisch).
Los 285
**A COMPOSITE GERMAN LIGHT FIELD ARMOUR IN THE `BLACK-AND-WHITE` FASHION, CIRCA 1570-1610comprising comb morion with rounded crown formed in two halves joined along a high medial comb, and `swept` integral brim rising to an acute point front and rear (the rear chipped), the base of the crown encircled by twelve lining-rivets with rosette-washers of brass and fitted at the nape with a slender tapering plume-holder, `Almain` collar formed of three lames front and rear and fitted at each side with an integral spaudler of seven lames (associated), breastplate formed of a heavy main plate projecting forward over the belly, and fitted with moveable gussets at the arm-openings and a fauld of three lames (the lowest two associated) supporting on straps two short one-piece tassets (not a pair), one-piece backplate en suite with the breastplate, fitted with a culet of one lame, and gauntlets with slightly flared and rounded cuffs fitted in each case with a separate inner plate, four metacarpal-plates, a knuckle-plate with roped transverse rib, a hinged thumb-defence and, in the case of the right, some finger-scales (partly detached), the main edges of the armour formed with roped inward turns, and each side of the crown of the morion and each tasset decorated with a large fleur-de-lis, the outside of each gauntlet decorated with stylised foliage involving fleur-de-lis, and the remainder decorated with plain bands and borders in all cases embossed and burnished bright against a blackened ground (refreshed); the armour accompanied by a heavy oval shield (modern) fitted at its front with a central spike and at its rear with a pair of enarmes, its surface decorated with three bright embossed fleur-de-lis against a blackened ground en suite with the armour itselfSee note at front of catalogue for information concerning stands ProvenancePhilip Rhinelander II, New York, sold Parke-Bernet Galleries, New York, 17th November 1944, lot 97, cat. No. 603JWHA Inv. No. 2778.1.a-j (armour) and 2778.2 (shield)The decoration of the cuirass, the tassets and the gauntlets is characteristically North German in style. Similarly decorated pieces are to be found in the former arsenals of Brunswick, Emden, Lübeck and Munster (K. Ullmann, 1961, figs 7 & 14; K. Ullmann, 1963, pt. 1, p. 38, figs 8, 11, 15-18 & 25; K. Ullmann, 1968, pp. 14-17 & 30-1; W. Fanger, 1981, figs 2-3, 7, 21 & 23)
Los 287
**A COMPOSITE NORTH GERMAN LIGHT INFANTRY ARMOUR IN THE `BLACK-AND-WHITE` FASHION, CIRCA 1570-1610comprising comb morion with rounded crown formed in two halves joined along a high medial comb, and `swept` integral brim rising to an acute point front and rear (the front one bent), the base of the crown encircled by fourteen (originally sixteen) lining-rivets with rosette-washers of brass and fitted at the nape with a slender tapering plume-holder, `Almain` collar formed of three lames front and rear (partly disarticulated, the left of the lowest front one patched) and fitted at each side with an integral spaudler of six lames, breastplate formed of a medially-ridged main plate projecting forward over the belly and fitted at its arm-openings with moveable gussets and at its lower edge with a fauld of two lames (associated) supporting on straps two long tassets of each of six lames (the right partly disarticulated) terminating just above the knees, and one-piece backplate boxed at either side and flanged outwards at its lower end to receive a culet of one lame, the main edges of the armour formed with inward turns decorated, other than on the helmet, with roping, the breastplate decorated with three diverging bands enclosed in each case by a pair of narrower bands, the crown of the morion decorated at each side with a large fleur-de-lis enclosed within a circle surrounded by stylised acanthus foliage repeated in the borders of each of the remaining elements of the armour, and in all cases embossed and burnished bright against a blackened ground (refreshed)See note at front of catalogue for information concerning stands ProvenanceJ. Glueckselig & Sohn, Vienna, 1st December 1936 JWHA Inv. No. 2384.a-fExhibitedFort Devens Service Club, Ayer, Massachusetts, 8 August-30 October 1941The decoration of the armour is characteristically North German in style. Pieces of the same fashion can be seen in the former arsenals of Emden, Lübeck and Munster (K. Ullmann 1961, figs 7, 14 & 24; K. Ullmann 1963, figs 8, 15 & 24-25; and K. Ullmann 1968, pp. 18-19)
Los 322
**A STEEL TARGET WITH EMBOSSED AND COPPER-DAMASCENED DECORATION, 19TH CENTURY IN THE ITALIAN STYLE OF THE 16TH CENTURY of angular comma-shaped outline, fitted around it edges with applied strips of steel retained by rivets with prominent pyramid-shaped heads, and to either side with a pair of large round-headed screws retaining, at the rear, the fragmentary remains of leather enarmes, the front decorated at its centre with a trapezoidal panel occupied by four copper-damascened fleur-de-lis, and enclosed to the top, sides and bottom, respectively, by a dog`s head, a pair of wings and a ladder, the last forming the device of the Italian hero Can Grande della Scala, and in each case embossed and chased in high relief on a diaper pattern of copper-damascened quatrefoils, and the lower end decorated with a copper-damascened coronet on a pointillé ground (some light patination and wear throughout) 75.5 cm; 29¾ in diameterProvenanceGiulia Morosini, sold by the American Art Association, New York, 10th-15th October 1932, lot 181JWHA Inv. No. 1875ExhibitedHoly Cross College, Worcester, Massachusetts, 26-29 September1975Beaumont Museum, Beaumont, Texas, 5 December, 5 December 1977-23 January 1978Monmouth Museum, Monmouth, New Jersey, 27 February-6 May 1978Schenectady Museum, Schenectady, New York, 4 June 13 September 1979
Los 333
**AN ITALIAN INFANTRY BREASTPLATE, EARLY 16TH CENTURY, MODIFIED FOR LIGHT CAVALRY USE IN EASTERN EUROPE IN THE LATE 16TH CENTURYformed of a medially-ridged main plate with file-roped angular outward turns at its neck and arm-openings, and fitted at its lower edge with three upward-overlapping waist-lames of late `peascod` fashion, the lowest of which is flanged outwards and formed with a file-roped inward turn 42.5 cm; 16¾ in ProvenanceDr. Bashford Dean, Riverdale, New York, sold American Art Association, New York, 28th September 1928JWHA Inv. No. 804
Los 365
**A FINE SILVER-MOUNTED CENTRAL AMERICAN KNIFE OF PRESENTATION QUALITY, CIRCA 1865-86with tapering blade double-edged for its upper half, inscribed `Por Rufino Flamenco En Sn Salvador` on the back-edge, chiselled with elaborate scrolls of foliage within a recessed panel on each face and set with two gilt plaques, one inscribed `JMM` (small areas of light staining, chiselled metal ferrule decorated with animals including hounds, a squirrel and a horse, two-stage faceted silver grip, finely chased with alternating panels of scrolling foliage and conventional flowers, in its silver scabbard, finely chased with bold scrolls of foliage and differing flowers inhabited by birds and a hound, one side with a rondel filled with the arms of Columbia enclosed by the inscription `Bogota Estados Unidos de Columbia`, and on the other with two rondels, one with the American eagle charged with a shield and the inscription `United States of America` and the other with the arms of El Salvador and the abbreviated inscriptions for Nicaragua, Costa Rica, Guatemala and Honduras, the outer face with belt hook chased en suite, and remaining in fine condition throughout37.8cm; 14 7/8in overallThe initials on the blade are almost certainly those of José Maria Medina, president of Honduras for eleven terms during the period 1863-76. El Salvador only supported Medina during his first period as president. In 1865 Honduras and El Salvador signed the Tratado de Defensa Centroamericana which included a defence agreement between Nicaragua, Costa Rica, Guatemala and Honduras. It is likely that the knife was intended for presentation at this time, though for reasons now obscured, this never happened which would explain the absence of further initials on the reverse gold escutcheon. Medina was clearly held in high regard by his contemporaries, a letter dated 1st June 1864 to him from William H. Seward on behalf of President Abraham Lincoln records the good relations that Medina strived to maintain between the United States and Honduras, and their desire to maintain this for the foreseeable future. However, Medina`s fortune was not to last, he was ousted from power in 1872 and executed by firing squad four years later.
Los 374
**AN EMBROIDERED HORSE CAPARISON IN EARLY 17TH CENTURY STYLE, 19TH CENTURYof red velvet, embroidered in gold with bold sprays of foliage over its surface, trimmed with bullion, comprising two large panels for the torso, with further smaller panels for the reins, breastplate, and harness (areas of light wear, losses); together with a saddle pad and saddle liningProvenanceThe first: Hollingworth Magniac CollectionJoseph DuveenOliver H. P. BelmontClarence H. Mackay, sold Seligmann & Co., New York, 9th November 1940JWHA Inv. Nos. 2610.10, 2604.5LiteratureStephen V. Granscay, The John Woodman Higgins Armory, Worcester, Massachusetts, 1961, p. 70-71 (ill).The museum archives state that the first was formerly in the collections of the Counts Czarpary and also Ca` Morosini, Venice.
Los 390
**A LIGHT CAVALRY SABRE OF PRUSSIAN MODEL 1811 TYPEwith slightly curved fullered regulation blade double-edged towards the point, steel stirrup hilt with rounded langets, leather-covered wooden grip, in its steel scabbard, with two rings for suspension and steel suspension clip84.5 cm; 33 1/4 in bladeProvenanceThe Armoury of Archduke Eugen, Fortress Hohenwerfen, Salzburg, Austria, sold Anderson Galleries, New York, 1st - 5th March 1927, lot 287JWHA Inv. No. 271
Los 415
**A U.S. MODEL 1840 LIGHT ARTILLERY SABRE, DATED 1865of regulation type, with curved blade stamped `US/ADK` with the date at the forte on one face and with Ames manufacturing inscription and the serial number `252` on the other, brass hilt, leather-covered wire-bound grip, in its steel scabbard83 cm; 32 3/4 in bladeProvenanceMilton R. Macintosh, Rhode Island, acquired December 1970, no. 11JWHA Inv. No. 3574
Los 1185
Kirsty Wither nine limited edition floral prints signed, un-framed includes Wee white matters 75/100 13.25" x 13.25" Grand Poppies 69/100 14" x 14" Creamy light A/P 15.75" x 15.75" Tight white buds A/P 13.5" x 17.5" Out of the blue A/P 19" x 15.75" Standing room only 72/100 21.5" x 15.75" Far few flowers A/P 23.5" x 15.5" Far few flowers A/P 23.5" x 15.5" Big patch of sun A/P 17.75" x 24"
Los 134
A gentleman`s Rolex wristwatch in platinum. Model Cellini Cellinium, ref. 5240. Mechanical movement with manual winding. Light mother of pearl dial with white gold dauphine hands and combined baton and Arabic hour markers. Original black Rolex alligator strap with C-buckle of platinum. Case diameter app. 35 mm. App. 2001.
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534297 Los(e)/Seite