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Preisdatenbank abonnierenDAVID ALDERMAN; acrylic on board, 'Evening Light with the Roaches', signed lower right, dated March 2015 verso, 19 x23.5cm, framed. (D)Additional InformationMinimal wear and scratches to frame, the image is good.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
IVAN TAYLOR (born 1946); two oils on board, 'Drainage Mill Near Runham Norfolk' and 'Aldebergh Suffolk', both signed lower left with labels verso, the former and larger 28.5 x 38.5cm, both framed (2). (D)Additional InformationSome splits and general wear to the frames. Some light dust and dirt to the images.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
WILFRED LANG (born 1954); oil on canvas, cityscape, signed lower left, approx 130.5 x 100.5cm (rolled). (D)Additional InformationThere are light scratches and wear but in good condition. The piece has been rolled and is not framed. There are pinholes along the border where the piece has been mounted to a wall/board.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
VINCENT MCROY; oil on canvas, study of a pierrette, signed lower right, 29.5 x 39.5cm, framed. (D)Additional InformationImage appears good, some light wear to frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
FRANK RUNACRES (1904-1974); oil on board, a harbour scene, signed and dated 1955 lower left, 45 x 60cm, framed. (D)Additional InformationCraquelure to the frame, losses to the gilt frame, light scratches and wear to the oil.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
ROYAL COPENHAGEN; four pieces of Flow Blue to include a pair of vase, height 8cm, two modern Chinese armorial type plates, a Copeland vase, height 21cm, etc (9).Additional InformationThere is one Copenhagen with an old repair, general wear, light scratches throughout, one of the armorial plates with a chip, the Copeland vase has been heavily restored.
ROYAL COPENHAGEN; a globular vase decorated with coastal landscape, printed marks and no.1316 35-5 to base, height 20.5cm, and small pin dish depicting a bridge inscribed to reverse ‘Den Nye Lillebaeltsbro’, with printed marks and no. 4951, 10.3 x 10.3cm (2).Additional InformationThe vase with surface dirt, otherwise light general wear.
GAIL TROTH; oil on canvas, ‘England’s Rose’, signed, titled and dated 2017 verso, 80 x 80cm, framed. (D)Additional InformationThe frame with minimal wear and scratches. There are light scuffs/scratches to the canvas in parts.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
HEREND; a hand painted, gilt heightened and pierced floral motif cabinet plate, marked and numbered 8434-0-50/AB 7 E99, diameter 24cm, also a Royal Crown Derby cabinet plate pattern no.1128, a Royal Worcester Millennium cabinet plate, two Royal Copenhagen Christmas plates for 1982 and 1986, a Wedgwood pale blue jasperware Christmas plate for 1987 and a Limoges navy ground vase, shaped bowl and lidded trinket box (9).Additional InformationThe jasperware with some scuffs and discolouration, some light general wear, but otherwise ok.
ALEC CUMMINGS; oil on paper, abstract, signed and dated 2011 verso, 24 x 31.5cm, framed. (D)Additional InformationThe frame with large areas of loss. The glass is missing. The image has minimal wear/light scratches.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
NORITAKE; a pair of twin handled hand painted vases, decorated with floral sprays inside jewelled decoration, height 21.5cm.Additional InformationThere are areas of loss to the jewelled decoration, wear to the gilding, light scratches scuffs and wear, one vase is with possible restoration to the handles.
GRAEME W BAXTER (born 1958); oil on canvas, 'St Andrews in Snow', signed and dated '90, 50 x 60cm, framed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.orgFrame af, cracked at top, further chips and losses to the frame, light dirt, etc.
DAVID A FINNEY; a large oil on canvas depicting lionesses attacking a wildebeest, signed to stretcher, 76 x 122cm. (D)Additional InformationThere is an impression into the canvas, light wear, but good condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
DONNA CRAWSHAW (born 1960); oil on canvas, ‘Morning Sunlight’, study of cockerels in barn, signed lower right with applied plaque to frame, 49 x 74.8cm, framed. (D)Additional InformationSome light scuffs, scrapes and losses to the frame. The image appears fine.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
COLIN MOSS (1914-2005); oil on canvas, 'Reclining Nude', signed, titled, signed and dated 1982 verso, 50 x 101.5cm, framed.Provenance: Private collection in Devon.Additional InformationThere are two tiny old patch repairs to the canvas, a couple of light scuffs to the frame but basically good.
N S COLE; two oils on board, the first depicting a Continental market scene, the second a floral still life, both signed lower right, the former 49 x 41cm, the latter 54 x 49cm, both framed (2).Additional InformationScuffs to frames, the first oil with craquelure, further light general wear.
FRED WILDE (1910-1986); oil on canvas, Manchester lamplit scene featuring boys playing tiddlywinks on Canal Street, signed lower right, 50 x 35.3cm, framed. (D)Provenance: From a local private collector.Additional InformationSome scuffs and small losses in lower left, where it has rubbed against the frame and possibly slightly slipped. Otherwise, some light general wear, some marks lower right, probably present from when originally painted.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
MICHAEL D'AGUILAR (British, 1924-2011); oil on canvas, 'Les Sables au Paradis des Enfants', figural beach scene in France with three-masted ship to background, signed lower left, 54 x 74cm, framed. (D)Additional InformationSome surface dirt with brown stains, especially to upper section. Otherwise the image appears fine. Light general wear to the frame, some small chips, etc. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JAN WALDRON; acrylic on canvas, 'Suffolk Barn, 2008', signed and titled verso, 38.5 x 48.5cm, framed. (D)Additional InformationThere is a chip to the frame lower left, light scratches and scuffs. The image is good.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
WILFRED ANDREWS (British, Active early 20th Century); two oils on board, the first a study of a terraced street, the second a floral study, unsigned, the former 62 x 74.5cm, both framed (2).N.B Wilfred Andrews served as Head of Art at the Manchester Art College before WWII and later served as Head of Art at the Wigan Technical College.Additional InformationThe floral study lose to the frame, scuffs and scrapes to frames, light dust and dirt.
An early 20th century light oak stationery cabinet, the hinged doors enclosing fitted compartments, height 35cm, width 40cm, depth 29cm.Additional InformationLacking key, scuffs and wear, there is a slight gap between the joints of the doors, splitting to the interior, a couple of the shelves are loose.
DRESDEN; a 20th century figure group depicting a male seated on a sledge beside a lady, blue factory marks and numbered 7107B to base, height 12cm, together with three pieces of Royal Crown Derby decorated in the 1128 pattern, diameter of largest plate 21cm, one fitted in original box (4).Additional InformationLight wear to the box and plate. The bowl with remans of dirt to the underside, but good condition. Minimal wear to the figure but good condition.
A small Israeli yellow metal coin in rose coloured yellow metal frame with pendant loop attachment, overall diameter 25mm, approx 3.5g.Additional InformationThe coin is set, so you cannot see the reverse of it, there are some light surface scratches to the mount. We cannot scratch test this lot.
HALLMARK REPLICAS LTD; a cased limited edition set of gold plated sterling silver 'stamps', with certificate of authenticity numbered 3004/5,000, also a cased limited edition Royal Wedding official souvenir portrait 'stamp' in 18ct yellow gold, numbered 0594/5,000, both in gilt tooled leather cases.Additional InformationThere is quite heavy surface tarnishing to the group set and some scuffs to the leather. The gold stamp is in a plastic cover, but has some light finger marks to the surface. Both are complete with certificate of authenticity.
A late19th/early 20th century cut glass water jug with silver plated mounts and turned ebonised handle, after a design by Dr Christopher Dresser, height 22.5cm.Additional InformationThe finial is associated, some plate rubbing and yellowing coming through throughout to all the silver plate, general surface wear and light scratches to the glass.
THOMAS BISHTON; an Edward VII hallmarked silver three piece condiment set, comprising lidded mustard, and two open salts, each modelled in the form of cauldrons, with planished detail surrounding vacant cartouche, Birmingham 1904, and a matched hallmarked silver salt spoon.Additional InformationThe cover on the mustard is slightly warped, general wear, light scratches, the blue glass liners look to be replacements, salt corrosion to the interior of each of the open salts.
H C FREEMAN LTD; a George V hallmarked silver model of the Grosvenor House frontage, Birmingham 1930, 5.4 x 4.9cm, approx 41.2g/1.3ozt, and a cased silver handled manicure set.Additional InformationSome light scratches, nicks, tarnish. The base of the Grosvenor model slightly knocked and misshapen. Handles of the manicure set with dents, further general wear.
A Continental silver and enamel pillbox of circular form, the cover with shield shaped cross, indistinct marks to rim, diameter 4cm, approx 25g.Additional InformationThe marks are rubbed heavily, but it is possibly French. Denting to the rim, light scratches and scuffs, possibly missing the feet.
GEORGE TURNER (PROBABLY); a Victorian hallmarked silver octagonal lidded mustard with chased scrolling floral decoration surrounding a central vacant cartouche, the hinged cover engraved with initial H, London 1853, approx 3.76ozt/117g, complete with blue glass liner.Additional InformationLight wear, scratches, scuffs, the maker's marks are slightly rubbed.
KINGSLEY (C), THE WATER BABIES, first American edition, with full page colour plates by Anne Anderson as per list, pictorial end papers, blue cloth with mounted illustration, Thomas Nelson & Sons, New York [1924]; LONGFELLOW (S), THE GOLDEN LEGEND, with tipped in colour plates by Sidney Maynard, brown cloth with gilt lettering and decoration, Hodder & Stoughton (2)Additional InformationWater Babies – Pages with general age wear browning internally, bottom corner of some of the early pages with small damp mark – nothing serious. Internally ok. Blue cloth with some rubbing and wear to the top and bottom of the spine – lesser so for the edges of the spine and corners. Pictorial paste down with some light surface wear but generally fair. Gilt lettering to spine slightly rubbed.Longfellow – Internally with general light age wear browning to pages but otherwise clean and bright. Cloth binding with light rubbing to the top and bottom of the spine and corners but generally ok.
KING (JESSIE M), illus, A CAROL: GOOD KING WENCESLAS, 2nd issue, with fourteen tipped in plates including title, two music plates and illustrations, grey art paper pages and soft cover, front cover with mounted illustration, Leopold B. Hill, [1920] (1)Additional InformationFront cover with a splash mark to the top, and a much feinter splash mark to the bottom. Mounted title to the centre lightly grubby. A few other light marks here and there. Spine with three small nicks. Internally with odd ‘speck’ mark here and there, corners lightly bent but generally ok. With loose booksellers’ price and book notes tucked in for Jonkers Rare Books at £525
POGANY (E), trans, THE GOLDEN COCKEREL, with colour and black and white illustrations, d.j, gilt red cloth, Thomas Nelson and Sons, 1938Additional InformationPages perhaps with light age wear browning but generally internally clean and bright. Cloth binding with slight speckling along the spine and light wear to the bottom of the spine. Dust jacket with slight loss to the star of the price, perhaps a slight surface scratch to front cover, some light rubbing to edges and corners, otherwise good.
HARDY (T), THE RETURN OF THE NATIVE, limited edition, of 1500, 500 for the UK and 1000 for the USA, signed by the illustrator Clare Leighton, with tipped in plates complete as per list and text illustrations, 1/4 leather with patterned boards, Macmillan and Co, 1929 (1)Additional InformationInternally with general light page browning, perhaps an odd ‘spot’ mark here and there but generally clean and bright. Plates ok. End papers with some browning and foxing. Edges of boards rubbed and spine appears a little grubby but not seriously. Overall a good copy. Paste down private bookplate to the back of the front board ‘Brackemburn’.
SPIELMANN (MRS M.H), LITTLEDOM CASTLE AND OTHER TALES, colour frontis and black and white illustrations by Arthur Rackham, Kate Greenaway, Jessie M King and others, gilt pictorial purple cloth, page edges gilt, George Routledge, 1903 (1)Additional InformationInternally pages with even age wear browning – odd foxing marks here or there but overall, internally good. Cloth binding clean and bright, light rubbing to top and bottom of the spine and tips of corners. A good copy.
PERRAULT (MR), TALES OF PASSED TIMES WRITTEN FOR CHILDREN, limited edition, 151/200 signed by the author, with colour frontis, text illustrations and black and white vignettes by John Austen, hardcover with pictorial front board, Selwyn & Blout, 1922 (1).Additional InformationPages perhaps with a light age wear browning but generally internally clean and bright. Cover with lightly and evenly slightly darkened – a few ‘spot’ marks – mostly to back cover. Overall a nice copy.
MARIE – QUEEN OF ROMANIA, THE STORY OF NAUGHTY KILDEEN, with black and white and colour illustrations, gilt and colour decorated pictorial front board with cloth spine, Oxford University Press, 1922 (1)Additional InformationPages with some age wear browning, odd foxing marks here and there and slight finger marks here and there. Page edges with general light wear, two pages with small chip, two corners with a small crease. Gutter at p6/7 slightly open at bottom and brown from exposed binders glue. Colour illustration at p31 with loss to the surface down the vertical gutter where it was originally glued and has opened a little. Binding rubbed at all edges, heaviest to the corners and bottom of the spine. A few age wear marks but generally bright in appearance.
DULAC (E), illus, THE KINGDOM OF THE PEARL, by Leonard Rosenthal, limited edition, 86/100 signed by Edmund Dulac, with ten tipped in colour plates, patterned end papers, pages with gilt top and uncut edges, 1/4 vellum, with d.j., New York, Brentano’s, c1925 (1)Additional InformationInternally generally clean and bright, odd ‘speck’ mark here and there. P43-46 heavily browned – possible that a piece of paper was once placed between 44/45 and offset its shape. Light offsetting of text. Patterned end papers lightly browned and black end papers lightly offset with pattern of the patterned end papers. Boards generally browned and with some marks – more so to the back cover, and edges of boards with some wear. Spine much cleaner – some bumping to top and bottom edge. Jacket lightly browned, some foxing marks, shadow line to the bottom of the front section.
RACKHAM (A), illus, POOR CECCO, THE WONDERFUL STORY OF A WONDERFUL WOODEN DOG…, by Margery Williams Bianco, with seven tipped in colour plates, orange cloth with red lettering, Chatto & Windus, 1925 (1)Additional InformationThe book is in a protective thin plastic cover which is taped to itself (not to the book) at the back of the boards. This tape has left outline marks on the free end paper. Front end paper with old one line ink inscription. Page edges with minor browning, a couple of odd fox marks but generally internally good. Binding with light rubbing to the corners and top and bottom of the spine but generally ok.
MILTON (J), COMUS A MASUE, illustrated by Jessie M King, with illustrations as per list, gilt pictorial red and green cloth, London, George Routledge, 1906 (1)Additional InformationSome light foxing to all of the plates. Pages with light age wear browning and some odd ‘spot’ marks but generally ok. Cloth binding clean and bright, just minor rubbing.
L’ILLUSTRATION, NOEL 1933, French art publication, with tipped in plates and other illustrations, decorative lacquer effect front cover decorated with fish (1)Additional InformationBack cover detached from spine and held in place by plastic wrapper. Front cover detached from spine for half the vertical length. Edges of covers worn. Internally with some light edge browning, one of the plates slightly loose but generally clean and bright.
GRAHAM ROBERTSON (W), OLD ENGLISH SONGS AND DANCES, colour illustrations to the text and music, pictorial front board with cloth spine, Longmans, Green & Co, 1902 (1)Additional InformationLoose end paper at front and back browned. Feint offsetting on the half title of each section. Some foxing here and there, finger marks and light browning etc, but generally internally fair. Binding worn along the edges of the boards and evenly grubby with age wear marks throughout. Two light damp marks to the back cover.
DULAC (EDMUND), introducer, CHRISTMAS, PICTURES BY CHILDREN, with fourteen colour plates each with a guard printed with text by children attending Prof Cizek’s classes at the Kunstgewerbeschule, patterned boards with mounted title and cloth spine, London J.M. Dent 1922, Vienna Birguerlag, Richter & Zollner (1)Additional InformationInternally generally clean and bright. Odd minor foxing mark and plates lightly offset onto the tissue paper. Booksellers light pencil note to top of title page. Binding, boards and end papers may not be original. Spine ok, cover with some light foxing. Paper mounted title with some light wear.
NIELSEN (K), illus, EAST OF THE SUN AND WEST OF THE MOON, OLD TALES FROM THE NORTH, with twenty-five tipped in plates with tissue guards, rebound in full black leather with gilt detailing, later marbled end papers, double page of original end papers bound in at front, original front cover bound in at the back, Hodder & Stoughton [1914] (1).Additional InformationLeather binding with a few light scuffs, a small impression to the back cover and very light rubbing to corners but generally good. Internally pages with age wear browning throughout and corners slightly rounded. Tissue guard for frontis is slightly loose – it has come away from the binding at the top and the bottom. Title page weak where it joins the binding at the gutter – it has creased here along the vertical length and is torn up this crease from the bottom for about a third of the length of the page and from the top down for about a quarter of the length. Ink name and pencil name written to the back of one of the original end papers. Some damp marks to the bottom edge of several pages, this does not seem to affect the tissue guards. Tissue guard at P92 with small chip. Plates clean and bright.
MARY ANDERSON (F), THE BLACK PRINCESS AND OTHER FAIRY TALES FROM BRAZIL, translated from the Portuguese of Chrysantheme by Christie T Young, with handwritten and signed author's letter tipped in at the back of the front board, with full page colour plates as per list, pictorial beige cloth, Simpkin, Marshall, Hamilton, Kent & Co, (1). The letter reads: “9 Adam Street, Postman Square, W, Feb 19th 1917. Dear Ms Edenburgh; It is good news that you give me about your health and thank you very much for your kind letter. It was a pleasant surprise to hear from you but I understood, of course, that you left us in ?? a ?? and I was only glad for your sake that you had left for the country. Later arrangements have not proved so agreeable for our patients, for, now they all have to go direct to ‘Prince of Wales’ Care Home (otherwise Hotel Great ?) and there they are subjected to all sorts of absurd restrictions – not quite the sort of treatment they are justly entitled to have! I’m hoping that you will be able to call at the Royal Free before so very long, in which case I know you will find me out in some ward or another and I shall see you looking even so much better and stronger than when you left London. Yours sincerely, Christie T. Young”Additional InformationAuthors letter attached by tabs to the back of the front board. The internal section of the back board has four light marks where something was once tabbed in. Some odd foxing here and there internally. All pages with some age wear browning. Plate at p112 appears to have become stuck to the text page along the gutter – small loss to text here and plate – gutter open. Two of the other plates with similar however, not to such a degree. Cloth binding – back cover lightly grubby – front cover brighter. Bumping to top and bottom of spine and lightly to corners. Lettering on the spine rubbed.
RACKHAM (A), illus, THE TEMPEST, by William Shakespeare, with twenty tipped in colour plates, black cloth with gilt lettering and decoration and d.j., William Heineman, 1926 (1)Additional InformationInternally good. Plates clean and bright. Odd small foxing spots here or there – nothing serious. A few minor foxing spots visible to edges of pages when closed. Cloth with a few minor ‘speck’ marks and very minimal rubbing to the bottom of the spine but generally good. D.j, with light foxing to the front cover – mostly to the bottom edge. Jacket spine edges, outer edge of fold overs and top of back cover with some dirt marks. Minor edge wear and slight tear to top left of front cover but generally jacket ok.
NEWBOLT (H), DRAKE’S DRUM AND OTHER SONGS OF THE SEA, with illustrations by A.D. McCormick, with twelve tipped in colour plates, pictorial end papers, gilt pictorial cover, Hodder and Stoughton; FRANK (T), translator, THE WORLDS BEST FAIRY STORIES, with twenty-three tipped in colour plates, red cloth with paper mounted illustration, London, Fisher Unwin, 1911 (2).Additional InformationDrake’s Drum cloth binding bright, slight rubbing to tips of corners and top and bottom of spine. Back cover with a few slight marks – nothing serious. Free pictorial end paper to the front and the back browned throughout. Half title with ink inscriptions above and below printed text for Christmas 1914. Internally generally clean and bright.Fairy Stories cloth binding rubbed to all edges and with some wear/fraying to the top, edges and bottom of the spine. Spine lightly sunned, back board with sun fading shadow line. Pastedown illustrations to the front with light surface wear but generally ok. Internally with some foxing throughout, two of the plates with slight corner creases, but generally ok.
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