A pair of lapis lazuli cufflinks, the rectangular-shaped lapis lazuli plaques set within pierced polished borders, stamped ‘585 14K’, panel length 17mm. £300-£500 --- Condition Report General light surface wear commensurate with use. The lapis panels a rich blue with small flecks of pyrite. One panel with a surface reaching fissure. Gross weight 14.4gm.
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534297 Los(e)/Seite
A diamond single stone ring, the brilliant-cut diamond mounted in platinum, London hallmark, diamond weight approximately 1.00 carat, ring size O. £1,200-£1,500 --- Condition Report Diamond graded whilst mounted by department as approximately M colour, and VS2-SI1 clarity. General light surface wear to the mount and settings commensurate with use. Gross weight 3.5gm.
An 18ct gold ‘Zodiac’ pendant by Asprey, 1981, the oval panel depicting a ram for Aries, within a raised polished border, signed ‘Asprey / London’, London hallmark, maker’s mark, maker’s case, length 37mm. £300-£500 --- Condition Report Light surface wear. Oval plaque measures 32 x 23mm. Gross weight 9.2gm.
A pair of aquamarine and diamond earrings, the brilliant-cut diamond trefoil surmounts suspending a pear-shaped aquamarine drop, length 18mm. £200-£300 --- Condition Report General light surface wear to the mount ad settings commensurate with use. The diamonds are bright and lively. The aquamarines are a pale blue hue, well matched and with excellent transparency. Metal unmarked and untested. Gross weight 2.8gm.
A matched pair of Edward VII silver mounted cut-glass claret jugs, the spouts and lids of plain design, with angular handles, by John Grinsell & Sons, London 1906 and Goldsmiths & Silversmiths Co. Ltd, 1908, height 20cm. £200-£300 --- Condition Report No apparent damage. Light surface wear, slight rubbing to hallmark - date letter.
Racine. A gold half-hunting cased quarter repeating keyless watch, circa 1900. Movement: lever escapement, repeating on coiled gongs. Dial: white enamel, Roman numerals, subsidiary seconds. Case: 18ct gold, gold cuvette, black enamel Roman numerals to the glazed aperture. Signed: dial and movement. Dimensions: diameter 48.5mm. £1,000-£1,500 --- Condition Report Movement: running at the time of cataloguing. Dial: in good condition. Case: light scuffs throughout. Gross weight: 103.1gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.
A blue topaz and diamond ‘Cielo’ pendant by Pasquale Bruni, the oval fancy-cut blue topaz to a stylised mount with brilliant-cut diamond set celestial decoration, suspended by a three-row cable-link chain terminating in polished moon and star motifs and with gem-set clasp, signed, Italian assay mark, stamped ‘750’, pendant length 4cm, ring size M. £800-£1,200 --- Condition Report General light surface wear commensurate with use. In overall good condition. Gross weight 48.6gm.
A sapphire and diamond bracelet, the three rows of polished sapphire beads leading to a cluster clasp with foliate detailing and set with brilliant-cut diamonds and sapphire cabochon, stamped ‘750’, Italian assay marks, indistinct signature, total diamond weight approximately 1.80 carats, length 20cm. £1,000-£1,500 --- Condition Report General light surface wear commensuarte with use. There are two replacement faceted beads which are much darker and untested. The cabochon sapphire is a deep medium blue hue. All the sapphires with a combination of typical internal and surface reaching inclusions. The diamonds bright and lively. Gross weight 43.8gm.
A Chinese export silver tray, circa 1910, of rectangular panelled form, stipple decorated, on flattened bun feet, stamped marks for Tuck Chang of Shanghai, dimensions 24.9 x 16cm. £200-£300 --- Tuck Chang & Co. Ltd of Shanghai were active between 1890-1915. Condition Report Light wear throughout. Weight 389.6gm.
A gold propelling pencil by Sampson Mordan & Co., with engine-turned decoration, signed to the shaft ‘S. Mordan & Co’, length extended 11.5cm. £100-£150 --- According to a PMI test on the XRF Analyzer, the pencil is testing as 9ct gold. Condition Report Light wear throughout. Gross weight 16.6gm.
A gold posy ring, circa 1660, the hoop of rectangular cross section, inscribed to the interior ‘A vertuous wife preserveth life’, diameter 20mm, band width 5mm, ring size N½. £800-£1,000 --- Provenance: Ex UK collection. According to a PMI test on the XRF analyzer, the gold is testing as purity 80.64%. For other recorded of rings bearing this posy see the British Museum (ref.1961,1202,340) and the Portable Antiquities Scheme (ref. SWYOR-D36764). Condition Report Light surface marks only. Weight 4.21gm.
A yellow sapphire and diamond ring, the step-cut sapphire between brilliant-cut diamond shoulders, stamped ‘750’, ring size Q. £600-£800 --- Condition Report The sapphire is an even strong yellow hue, with good transparency, (untested for treatments). Metal unmarked and untested. Light surface wear. Ring size is leading edge Q. Gross weight 8.0gm.
A gem-set eagle brooch, realistically modelled with textured feathers, with graduated single-cut diamond accents to collar and wing and a ruby cabochon eye, length 35mm. £300-£500 --- Condition Report General light wear, a couple of scuffs to reverse and the tip of the eagle’s beak is a little bent inwards. The gold is untested, but there is a indistinct punch to the reverse possibly a Continental mark. Gross weight 14.7gm.
A diamond dress ring, the graduated row of baguette-cut diamonds within a lozenge-shaped surround of brilliant-cut diamonds, mounted in 18ct gold, London import mark, total diamond weight approximately 1.25 carats, ring size M. £400-£600 --- Condition Report General light surface wear commensurate with use. The diamonds bright and lively. Weight 5.8gm.
An 18ct gold sapphire and diamond cluster ring, the oval mixed-cut sapphire claw-set within a surround of brilliant-cut diamonds, European convention mark, London assay mark, total diamond weight approximately 1.10 carats, ring size L. £600-£800 --- Condition Report General light surface wear commensurate with use. The sapphire is a medium blue hue and with inclusions typical to the nature of the stone, one surface reaching fissure near one crown facet. The diamonds are bright and lively. Gross weight 4.4gm.
A mid to late 19th century novelty brooch, the circular brooch with bloomed finish and applied decoration realistically modelled as a bird and nest, with three seed pearl ‘eggs’, mounted in gold, glazed compartment verso, diameter 35mm. £300-£400 --- Condition Report General light surface wear commensurate with age and use. Drill holes visible on two of the seed pearls. Gross weight 10.1gm.
An aquamarine brooch, of tapered, undulating form and centred with a fancy-cut aquamarine in a raised claw setting with satin finish, length 6cm. £300-£500 --- According to a PMI test on an XRF Analyzer, the brooch is testing as 17ct gold. Condition Report General light surface wear commensurate with use. Satin finish with shimmer effect and some tarnish / discolouration to the metal in parts. The aquamarine is a very pale blue hue with excellent transparency. Gross weight 15.3gm.
A pair of synthetic sapphire cufflinks by Vourakis, double-sided, each of the square-shaped panels channel-set with calibré-cut synthetic sapphires, signed ‘VOURAKIS’, panel length 14mm. £400-£600 --- Condition Report General light surface wear commensurate with use. One of the panels hinged. The synthetic sapphires are a medium blue hue and well matched. Gross weight 14.6gm.
Chopard. A lady’s gold and diamond-set rectangular bracelet watch, Ref. 5131, circa 1980. Movement: cal. 846, manual winding, 17 jewels. Dial: gilt. Case: 18ct gold, snap-on back, diamond-set bezel, no. 168345, integral rope twist bracelet. Signed: case, dial, movement and bracelet. Dimensions: length 24.5mm, width 18.5mm, bracelet circumference approximately 170mm. £2,400-£3,000 --- Condition Report Movement: runs for a short time then stops. Dial: in good condition. Case: light scuffs. Gross weight: 46.4gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.
A pair of emerald and diamond cluster ear clips, channel-set with brilliant-cut diamonds and calibré-cut emeralds, beneath an oval mixed-cut emerald and diamond cluster surmount, stamped ‘14KT’, total diamond weight approximately 0.70 carat, length 17mm. £500-£700 --- Condition Report The emeralds are a light to medium green hue and well matched, with inclusions typical to the nature of the stone observed under 10x magnification. The diamonds are bright and lively. Gross weight 6.1gm.
A turquoise and diamond bangle, the hinged bangle set to the front with a series of turquoise cabochon and brilliant-cut diamond clusters, stamped ‘18K 750’, total diamond weight approximately 2.70 carats, inner diameter 6cm. £2,000-£3,000 --- Condition Report General light surface wear commensuarte with use The turquoise untested. The diamonds bright and lively. Gross weight 41.5gm.
A gem-set long chain, the curb-link chain spaced by an octagonal mixed-cut citrine, length approximately 83.5cm. £600-£800 --- According to a PMI test on an XRF Analyzer, the chain is testing as 21ct gold. Condition Report General light surface wear commensurate with use. The citrine is deeply cut, a golden orangish-yellow hue and with a good saturation of colour.
A gold posy ring, circa 1660-1680, the hoop of D-shaped cross section, inscribed to the interior in italics ‘As god decreed so we agreed’, diameter 23mm, band width 6mm, ring size S. £800-£1,000 --- Provenance: Ex UK collection. According to a PMI test on the XRF analyzer, the gold is testing as purity 87.98% This was a popular posy and can be seen on other rings including examples in the British Museum (ref. 1961,1202,115, AF.1199 and AF.1203), the Ashmolean Museum, Oxford (ref: Cf. No 781 and AN1933.1576), the Museum of London (ref. 62.4/24), the Victoria and Albert Museum (ref. 377-1864 and 383-1864) and the Portable Antiquities Scheme. Condition Report Some surface wear and a few light nicks to the edge. Weight 9,31gm.
A blue topaz and diamond ‘Amore’ dress ring by Pasquale Bruni, the oval fancy-cut blue topaz in an openwork mount reading ‘Amore’ and set throughout with brilliant-cut diamonds, signed, Italian assay mark, stamped ‘750’, ring size M. £600-£800 --- Condition Report Blue topaz slightly loose. Light wear. Overall good condition. Gross weight 46.7gm.
A gem-set and freshwater cultured pearl necklace and earring suite, collet-set with vari-coloured gemstones and freshwater cultured pearls, with a diamond-set hoop and baton motif to the front and similarly-set chain drop below, earrings en suite, stamped ‘18k’, necklace length 73cm. £800-£1,000 --- Condition Report The gemstones are cloudy/opaque, with multiple inclusions, pale soft colours, but fairly well matched. The pearls are generally even in shape, and lustre, but with some colour variations. The mount shows general light surface wear. Central pendant drop length 12cm. Ear pendant length 47mm. Gross weight of suite 78.3gm.
Two gem-set rings, comprising an 18ct gold dress ring set with an oval-cut amethyst within a brilliant-cut diamond surround with step-cut peridot shoulders, and a brilliant-cut diamond band ring, mounted in 9ct gold, total diamond weight approximately 0.30 carat, first ring size L. £400-£500 --- Condition Report General light surface wear commensurate with use. The gemstones with good saturation of colour and transparency. The diamonds bright and lively. Gross weight 5.3gm.
A LARGE EDWARDIAN BRASS FRAMED HEXAGONAL HALL LANTERN,with leaf cast coronas and chain, arched supports and six glass panel sides, with ram's head masks and hoof feet, enclosing a three branch light, 42cm diameter, 82cm deep.(E)ELECTRICAL GOOD IN NEED OF REWIRING ARE INDICATED BY THE SYMBOL **‘(E)’** These are sold as ‘antiques’ only and if bought for use, buyers must have them checked over for compliance with safety regulations by a qualified electrician before you use them. Adam’s does not take responsibility for non-functioning electrical goods as most second-hand electrical items sold at auction require re-wiring even if functioning at the time of the auction viewing.
A PAIR OF BRASS TWIN LIGHT WALL SCONCES, C.1920 each with oval paterae back plate and scroll arm branches, with upturned sockets (electrified) 21cm high(E)ELECTRICAL GOOD IN NEED OF REWIRING ARE INDICATED BY THE SYMBOL **‘(E)’** These are sold as ‘antiques’ only and if bought for use, buyers must have them checked over for compliance with safety regulations by a qualified electrician before you use them. Adam’s does not take responsibility for non-functioning electrical goods as most second-hand electrical items sold at auction require re-wiring even if functioning at the time of the auction viewing.
A PAIR OF CAST BRASS TWIN LIGHT WALL SCONCES,in the Rococo taste, modelled as scrolling leaves and flowerhead lights fitted with faux candle sleeves, approximately 43cm high to socket.(E)ELECTRICAL GOOD IN NEED OF REWIRING ARE INDICATED BY THE SYMBOL **‘(E)’** These are sold as ‘antiques’ only and if bought for use, buyers must have them checked over for compliance with safety regulations by a qualified electrician before you use them. Adam’s does not take responsibility for non-functioning electrical goods as most second-hand electrical items sold at auction require re-wiring even if functioning at the time of the auction viewing.
A FRENCH EMPIRE STYLE SIX-LIGHT ELECTROLIER, of circular design with six upturned branches with faux candle sleeves, suspended on pole-arm supports and gilt brass chain, 68cm diameter; 120cm drop (adjustable); together with a pair of empire style two-branch wall sconces, cast with birds and upturned arrows. 35cm wide (E) ELECTRICAL GOOD IN NEED OF REWIRING ARE INDICATED BY THE SYMBOL **‘(E)’** These are sold as ‘antiques’ only and if bought for use, buyers must have them checked over for compliance with safety regulations by a qualified electrician before you use them. Adam’s does not take responsibility for non-functioning electrical goods as most second-hand electrical items sold at auction require re-wiring even if functioning at the time of the auction viewing.
A BRASS FRAME ANGLEPOISE READING LAMP,with swing arm light and adjustable tubular stem, with a circular timber platform and weighted base.(E)ELECTRICAL GOOD IN NEED OF REWIRING ARE INDICATED BY THE SYMBOL **‘(E)’** These are sold as ‘antiques’ only and if bought for use, buyers must have them checked over for compliance with safety regulations by a qualified electrician before you use them. Adam’s does not take responsibility for non-functioning electrical goods as most second-hand electrical items sold at auction require re-wiring even if functioning at the time of the auction viewing.
A mahogany and brass-mounted marine chronometer, the movement c.1840, signed Thomas Dean, 5 Dempsey Street, Commercial Road, London, and numbered 751, enclosed by a later 4-inch silvered dial inscribed ‘Arthur Davies, London', with subsidiary dial inscribed 'four-days' and seconds dial, fitted in a mahogany case with hinged lid enclosing a glass viewing window, and secondary baize-lined mahogany travelling case, with winding key, inner case 19.5cm wide 18cm deep 18cm high (2) Provenance: The David Morris Collection. IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Condition Reportouter case, 29cm wide 24cm deep 23cm highTicks when wound, however we are unable to guarantee that this represents complete working order and would always recommend inspection by a professional. General light wear to the face, some tarnish and disciolouration to the brass. General knocks and wear to inner and outer case. Some wear and damage to leather strap. Please see additional images.
A Victorian silver tea caddy, by John Aldwinckle & Thomas Slater, London 1891, 10cm wide9cm deep9cm high, 7.8oztCondition ReportGeneral knocks and wear commensuratewith age and use. Some light tarnish. Some holes to areas of high relief. Base a little misshapen and it wobbles a little. Lid doesn't sit totally flush. See photos.
An upholstered ottoman, 20th century, with Anatolian-style fabric,132cm wide55cm deep53cm highCondition ReportLight staining to fabric, and a tear to the fabric in the interior. The wooden base with a few chips, scratches and marks. Casters run well. Ready for use. See additional images for reference.
A carved wood panel of the Barberini Lion, 20th century, depicted in high relief, in profile with tail wrapped around its back leg,35.5cm wide5.5cm deep24cm highCondition ReportOverall the panel is in good condition with light wear and marks. Please see additional photos. The panel is 20th century. Origins unknown.
A Victorian silver-plated oil lamp, maker's marks 'H E & Co.',with engraving 'Presented to Illingworth Robertsham Esq. by the Congregation and Friends of the Allerton Congregational Church, 13th Feb 1896', with a cut-glass reservoir and a fluted column, 19cm wide100cm highCondition Report100cm to top of the flue. 76cm high to the top of the burner. Reservoir free from cracks or chips. Genral light knocks and wear to column and base. Tarnish and dirt. Flue with minor wear and appears in good order.
A cut-glass and silver-plated brass eight-light chandelier, late 19th/early 20th century, of multistage form, set with flower heads and numerous cascading drops, each scrolling arm terminating in a bell-shaped sconce, 90cm diameter140cm highCondition ReportThe Chandelier is assembled and electrified. General wear to glass and metal with some tiny chips and nibbles to drops and cut glass. Elements lacking. Some tarnish and discolouration to metal. Overall appears in fairly good order.PAT test - pass.
A chesterfield sofa by George Smith, of recent manufacture, with button upholstery in 'Soleil Classic Leather', with a studded apron and raised on turned and stained ash feet, with George Smith tag and commission label to the underside,260cm wide112cm deep77cm highCondition ReportSome light scuffs and wear to the upholstery. spray paint residue to studs and feet. Leather has been re-sprayed. Joints tight and sound. Fabric to underside is a little torn and tatty. Springs sound.Width of seat 175cm. Feet unscrew.
A pair of gilt-metal and glass wall lights, second half of the 20th century, Italian, in the style of Maison Baguès of Paris, each backplate with a roundel issuing twin sconces, and vertical stems mounted with glass leaves,20cm wide10cm deep52cm high (2)Condition ReportGeneral light surface wear, dirt and dust. One or two slightly misshapen elements. Overall they appear in fairly good and intentionally distressed condition.
A plaster of Paris model of the Temple of Hera II at Paestum, c.1820s, French, attributed to Jean-Pierre and François Fouquet, raised on a mahogany stand with Perspex cover, 12.4cm wide 28.9cm deep 9.1cm highProvenance: The Collection of Ben Weinreb (1912-1999), thence by descent to the present owner.To find out more about the provenance of this lot, please click here.Paestum, on the southwest coast of Italy, was an important ancient Greek city, and is noted today for its three temples, which remain in a remarkable state of preservation. Examples of the Doric order, they are the Temples of Athena and the First and Second Temples of Hera. The present example is a reduction of the Second Temple of Hera, which was also previously known as the Temple of Neptune or Poseidon, and was built c.460-450 BC. It is the only temple in the western Greek world with a double order of columns. A near-identical example can be found in the collection of Sir John Soane's Museum (MR27). It is understood that Soane visited Paestum as a student in 1779, and the Doric order in particular had a profound effect on his architecture, as can be seen in the Doric Vestibule of the Bank of England (1803-08). According to the records held by the Museum, Sir John Soane purchased twenty models by François Fouquet in 1834 from the architect Edward Cresy (1792-1858) who, from 1829-1835, worked in Paris. Soane paid Cresy the substantial sum of £100. It is likely that Cresy purchased the models directly from Fouquet et Fils.Condition ReportGeneral light surface wear commensurate with age and use. Some small chips, knocks and losses throughout, with evidence of some repairs. Shadows and one protrusion to the top, possibly where the bolts beneath have been overtightened, causing the rods within to push through. Some wear, chips and losses to the wooden base. The perspex case is in separate pieces and in need of re-gluing. Please see additional photos.
An Empire-style patinated and gilt-bronze mantel clock, 19th century, French, signed 'Dupont of Paris' and numbered '2824' to the mechanism, the circular Roman numeral dial with radial engine-turned and beaded decoration, flanked by medieval motifs and surmounted by a figure, spear and garland beside a glass waterfall, 20cm deep11cm wide38cm highProvenance: The Collection of the late Rosemary and Theo Cutting.Condition ReportGeneral light surface wear to the case, however generally it appears in fairly good structural and cosmetic condition. The silk supervision is snapped. The waterfall appears overwound. We would recommend that the movement and workings be inspected by a professional.
A large Victorian-style oak and leather stool, of recent manufacture, but with incorporated earlier elements, 153cm wide84cm deep59cm highCondition ReportSome light marking to the green leather - the carved supports with a few knocks and marks. Casters appear to run smoothly. No obvious condition issues present.
Giovanni Battista Piranesi (Italian, 1720-1778) 'Veduta del Tempio detto della Concordia';'Veduta dell'Arco di Benevento nel Regno di Napoli';'Veduta in prospettiva della gran Fontana dell'Acqua Vergine detta di Trevi Architettura di Nicola Salvi';'Veduta dell'Arco di Tito'a set of four etchings of classical Rome, signed 'Cavalier Piranesi'plate approximately 47.5 x 70.5cm, each in a glazed gilt frame (4)Provenance: The Collection of the late Rosemary and Theo Cutting.Condition ReportLight foxing present. Some crinkling/gathering of ink to the paper around the edges of the etchings. No obvious signs of condition issues - commensurate with age and use. The frames with some pitting and wear. Ready to hang. Please see additonal images for reference.
A large Regency-style patinated and gilt-brass globe lantern, of recent manufacture, with an acanthus cast finial, over a scalloped neck, with four lights,64cm wide82cm high Condition ReportOne glass pane lacking. General light surface wear to glass and metal. Currently wired with a three-pin plug, we are unable to guarantee that this piece is in complete working condition and would recommend inspection by a professional.The height is measured from the top of the hanging lamp to the base of the lantern. it is wired for modern bulbs.
A giltwood pier mirror, early 20th century, French, with a bevelled plate,88cm wide176cm highProvenance: The selected contents of Comforts Place, Lingfield, Surrey.Condition ReportThere is some mottling to the plate indicating that it has age and is likely contemporary to the frame. Some dirt, knocks, losses and chips to gilding. Some very light scratches and wear to the glass.
A Regency rosewood bookcase, early 19th century and later, the white marble top above two shelves set between column pilasters, on squat bun feet, 124cm wide39cm deep97cm high Provenance: The Collection of the late Rosemary and Theo Cutting.Condition ReportA few chips, knocks and light marks. One side with a split. Some scratches and wear to shelves and interior. Joints sound and solid. The marble later. Overall appears in fairly good structural and cosmetic condition and ready for use. See additional images.
A William IV mahogany extending dining table, c.1840, the top with three additional leaves, raised on lobed supports terminating in ceramic castors, 365cm wide125cm deep77cm highProvenance: The selected contents of Comforts Place, Lingfield, Surrey.Condition ReportOverall the table presents in good restored condition with general light wear, scratches and knocks commensurate with age and use. Some light scratches, knocks and marks to the top. Some repairs to the veneers and moulding. The rails appear to be replaced, the table action draws and closes well. A small amount of dip to the middle when at full extension. General wear and knocks to supports with some losses to the foliate caps of the legs. Some tarnish and discolouration to brass. Castors wheel freely, joints sound and solid. Overall the table appears in good order, having experienced some professional restoration. Ready to use.
A George III mahogany library bookcase, c.1815, of breakfront outline, the upper section fitted with astragal-glazed doors and a moulded edge, above panelled cupboard doors, terminating in bracket feet, 275cm wide60cm deep245cm highProvenance: The Collection of the late Rosemary and Theo Cutting.Condition ReportGeneral knocks and wear throughout commensurate with age and use. Some scratches, scuffs and marks. Refinished and repolished. Evidence of some replacement to veneers around hinges and escutcheons, general marks and wear to the interiors. Doors functioning well. Joints sound. Some light scratches to glass, overall appears in good structural and cosmetic condition and is ready to place.
A pair of pitch pine bedside cabinets, late 19th century/early 20th century, each with a later fossil marble top above a door, raised on bracket feet,42cm wide39cm deep78cm high (2)Provenance: The selected contents of Comforts Place, Lingfield, Surrey.Condition ReportSome light scratches to the marble with a few small nicks and chips to corners and edges. General knocks and wear to timber, with a few splits and losses. Re-finished with evidence of historic woodwork damage whic is not active. Drawers and doors functioning well. General wear to interiors, joints sound and solid. Overall in fiarly good structural and cosmetic condition and age. ready for use, one drawer handle loop lacking.
A pair of George III-style brass and glass hall lanterns, 20th century, each of octagonal form with acanthus-cast decoration, 49cm diameter82cm high (2)Condition ReportEach lacking one glass pane, doors function well. General surface wear, small knocks and scratches to brass with some tarnish. Light wear to glass. These have not been PAT tested and we would recommend inspection by a professional.
A Victorian Aesthetic Period walnut occasional table, c.1880, in the Moorish taste, the rectangular top above a single drawer, raised on ring-turned supports terminating in ball castors, 46cm wide61cm deep75cm highProvenance: The selected contents of Comforts Place, Lingfield, Surrey.Condition ReportGeneral light knocks and surface wear commensurate with age and use. Some old and new scratches to the top. Some splits in the frieze, which have been previously repaired. Drawer runs smoothly. A small piece of timber beneath the drawer has been replaced. General wear to supports, some tarnish to brass. Castors roll freely, joints sound and solid. previously French polished.
A pair of carved giltwood mirrors, 19th century, Italian, Florence, each with a bold foliate frame, enclosing a later glass plate,56cm wide67cm high (2)Provenance: The Collection of the late Rosemary and Theo Cutting.Condition ReportSome breaks and repairs to frames. Dirt and dust. Light wear to glass, which is structurally stable and ready to hang. See additional images.
An assembled set of three metal martini tables, 20th century, Continental, each with a scalloped circular top over the stem and a scrolling base,largest 65cm high (3)Condition ReportGeneral light knocks and wear to all. All appear intentionally distressed. Dimensions are 29cm deep x 59cm high, 30cm deep x 65cm high, 25cm deep x 55cm high
An imitation marble relief panel after the antique, of recent manufacture, depicting a pair of horsemen in a procession, from the west frieze of the Parthenon,100 x 143cmProvenance: The selected contents of Comforts Place, Lingfield, Surrey.Condition ReportOverall in very good order with only light marks. Some uneven areas that have been intentionally distressed. See additional images.
A rosewood baby grand piano by Steinway & Sons, c.1900, model number '96376', with ivory keys, 139cm wide 220cm deep 120cm high together with a modern ebonised stool (2) Provenance: The Collection of the late Rosemary and Theo Cutting. IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Condition ReportGeneral knocks, surface wear and scratches to case, with some evidence of light cosmetic repairs. Two brass rods lacking beneath, as indicated by vacant holes near pedals. General dirt and wear to keys. All keys functional, and it has been played during the view. However it may be beneficial to have it inspected by a professional. Please see additional photos.
A large oak and glass ‘Marylebone’ coffee table by OKA, of recent manufacture, with 'X' frame detail,160cm wide140cm deep42cm highProvenance: The selected contents of Comforts Place, Lingfield, Surrey.Condition ReportA few light knocks and scuffs in the frame. Some very light wear and scratches to glass. Joints tight and structurally sound.Overall appears in good order and is ready to place.
A porcelain dinner service by Fontanille & Marraud, second half of the 19th century, French, Limoges, each painted with a crowned monogram in pink to a white ground, within a gilt swag border, to include thirty dinner plates, twelve soup plates, twelve mocha cups and a large lidded tureen (102)Condition ReportOne side plate with small chip. Very light rubbing and wear to gilding throughout. Overall very good condition with only light traces of wear and use.30 x dinner plates, 24cm diameter12 x soup plates, 24cm diameter12 x side plates, 20.5cm diameter12 x bread plates, 17cm diameter12 x mocha cups, 6cm high11 x mocha cup saucers, 11cm diameter3 x footed salt cellars, 7.5cm high1 x lidded egg coddler, 15cm high1 x gravy boat, 25cm wide1 x small lidded tureen, 22cm wide1 x circular serving plate, 30cm diameter1 x oval serving dish, 37cm wide1 x oval serving dish, 47cm wide1 x large oval serving dish, 54cm wide1 x circular footed dish, 21cm diameter1 x large footed serving bowl, 29cm diameter1 x large lidded tureen with spoon, 30cm wide
An Art Nouveau rosewood and brass-inlaid desk stand, fitted with a central hinged cover, enclosing two blue-glass-lined inkwells and raised on square section feet, 24cm wide 18cm deep 9.5cm highProvenance: The David Morris Collection.Condition ReportOne piece of veneer missing to the front. The glass liners in good condition. Light surface wear and slight tarnish to metal componenets. The cylinder inkwell cover with very slight resistance. Slight indent where the cover meets the back. Overall in good condition and ready for placement. See additional photos.

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534297 Los(e)/Seite