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Preisdatenbank abonnierenForester (C.S.). The Happy Return, 1st ed., 1937, original green cloth, spine faded, d.j., vertical crease along spine, 8vo, author name inscribed to half title, together with Flying Colours, Including a Ship of the Line, 1st ed., 1938, original green cloth lettered in silver (slight lean), d.j., a few spots and light creases to spine, 8vo, signed by the author to bookplate designed by Rex Whistler (2)
Goble (Warwick, illust.). Stories from the Pentamerone, by Giambattista Basile, Selected and Edited by E. F. Strange, 1911, 32 colour plates, captioned tissue guards, previous owner signature, original red cloth gilt, spine ends a trifle rubbed, 4to, together with Arthur Rackham’s Book of Pictures, with an Introduction by Sir Arthur Quiller-Couch, 1913, 44 tipped-in colour plates (one loose), a few spots, original cloth gilt, d.j., a few tears and losses, 4to, plus Peter Pan and Wendy, by J.M. Barrie, [1921], 12 tipped-in colour plates by Mabel Lucie Attwell, a few spots, contemporary presentation inscription, original blue decorative cloth, d.j., tears and sellotape repairs to verso, 4to, with Comus, by John Milton, [1931], 24 tipped-in colour plates by Arthur Rackham, a few light spots, presentation inscription, original green cloth, spine ends rubbed, repaired d.j., 4to (4)
Gould (Robert Freke). The History of Freemasonry. Its Antiquities, Symbols, Constitutions, Customs etc, 3 vols., 1886-87, numerous etched portraits, folding tables, a few spots, hinges strengthened, a.e.g., original maroon morocco gilt, one or two joints splitting, edges rubbed, 4to, together with A Ritual and Illustrations of Freemasonry, Accompanied by Numerous Engravings, and a Key to the Phi Beta Kappa, c. 1870, b & w illustrations, light toning, original green cloth gilt, edges a trifle rubbed, 8vo, with others on Freemasonry including Masonic Book Club publications and odd vols. of Ars Quatuor Coronatorum (approx 75)
Southwold (Stephen, i.e. Neil Bell). The Days Dividing, 1st ed., 1935, a few spots, presentation inscription, original cloth (some fading), d.j., spine darkened, 8vo, together with Immortal Dyer, 1st ed., 1948, a few spots, original cloth, d.j., spine a little chipped and stained, 8vo, signed by the author as Stephen Southwold, plus The Dark Page, 1st ed., 1951, light spots, original cloth, spine a little faded with small nick, a few spots, 8vo, signed as Neil Bell, dated 1962, with others by Bell, some signed, including The Endless Chain, 1956 and The Black Sheep, 1958 (45)
Thomas (Edward). The Happy-Go-Lucky Morgans, 1st ed., 1st issue, 1913, b & w frontispiece by Muirhead Bone, 20 pp. pubs. list at end, endpapers lightly browned, bookplate removed from front pastedown, original green cloth, spine a little rubbed, some bubbling to covers, 8vo, together with Four-And-Twenty Blackbirds, 1st ed., 1915, tipped-in colour frontispiece, 16 pp. pubs. list at end, occasional light spotting and browning, original blue cloth, spine faded and rubbed at ends, 8vo, plus The Last Sheaf, 1928, plus Fitzgerald (Edward), Euphranor, A Dialogue on Youth, 1903, front free endpaper signed by Edward Thomas, t.e.g., orig. limp morocco, worn and covers det., 16mo (4)
Tolkien (J.R.R.). The Hobbit, Or There and Back Again, 1st ed., 1937, ten b & w illustrations by the author, single leaf advert. at rear, light spots to first few leaves, map endpapers, top edge stained green, original green cloth with wraparound illustration of Smaug and mountains, d.j., lower flap with misprint ‘Dodg[e]son’ and publisher’s manuscript correction, approx. 1cm loss at spine head, chips to foot of spine and corners, spine a trifle toned, 8vo, contained in a custom-made green morocco-backed solander box. Hammond A3(a). 1500 copies printed. (1)
Tolkien (J.R.R.). The Lord of the Rings: The Fellowship of the Ring 1954; The Towers, 1954; The Return of the King, 1955, 1st eds., Return of the King second state (with signature ‘4’ and six(?) lines of text), folding map at end of each, tipped-in leaf before half title to volume 1 with stylised presentation inscription, ‘C.J.R. Tolkien from J.R.R. T., November 1954’ the inscription neatly struck through with manuscript side-note ‘copy found damaged on p. 163-4’ and large J.R.R. Tolkien ‘signature’ beneath, the aforementioned pages with light diagonal crease to upper corner, a.e.g., modern red crushed morocco gilt by Sangorski & Sutcliffe, 8vo. A handsome set. (3)
Verne (Jules). Works, 15 vols., Prince of Wales Edition, Vincent Parke, New York, 1911, colour and b & w illustrations, occasional light toning, t.e.g., modern half blue morocco, spines (faded to green) with raised bands and gilt lettering, 8vo. Limited edition, 1/500 signed by the registrar R.G. Lancaster. (15)
Dring (Lilian M.). The Milky Way. A Nursery-Versery; A Rhyme of Time. A Nursery-Versery, both c. 1948, colour lithograph Illustrations, one or two spots, original wrappers, one or two light creases, oblong 4to, with others including Star-Dust Babies. A Happy Story for all Children, 1934, The Selfish Giant, by Oscar Wilde, 1946, and Ring-a-Ring of Roses. An ABC by Nancy Innes, 1942 (17)
Einzig (Suzanne, illust.). Mary Belinda and the Ten Aunts, by Norah Pulling, Transatlantic Arts Ltd., London & New York, [1945], together with Miss Richards’ Mouse, by Norah Pulling, pub. Noel Carrington, London & Transatlantic Arts Inc., New York, [1946], lithographs in six colours and black and white, orig. light brown cloth/grey boards respec., both with orig. non-price-clipped d.j., small 4to (16 x 13cm). Einzig was a Central School artist working under Farleigh, Kestelman and William Roberts from 1939 to 1942. She later worked for the War Office as a technical draughtsman before Noel Carrington commissioned her first books. Mary Belinda and the Ten Aunts is a delightful cautionary tale with lithographs of the highest quality and was selected by the National Book League for its Best Books of the Year exhibition. See Pearson, Drawn Direct to the Plate, p. 80. (2)
Freedman (Barnett, illust.). Real Farmhouse Cheese, c. 1939, eight full-page lithographs, one or two light fingermarks, original pictorial limp cloth, spine and edges a little rubbed, small folio. Trade publication promoting British Cheese. Provenance: Philip Ardizzone (artist and son of Edward Ardizzone), with his ownership signature to upper cover. (1)
Konasevic (Vladimir M., illust.). Vot kakoj rassejanny, [by] Samuil Marsak, 5th ed., [Moscow], 1933, 12 pp. incl. wrappers, Cyrillic script, col. litho. illusts. throughout, orig. col.-printed wrappers, slim 8vo, together with Ivanova (Vera Ivanovna, illust.), Pastukh i kukushki, [The Shepherd and the Cuckoos] by Vitalii Bianki, [Moscow], 1930, 12 pp. incl. wrappers, Cyrillic script, col. litho. illusts. throughout, orig. col.-printed wrappers, light dust-soiling, slim 8vo, plus Vasnetsov (Yuri, illust.), Volk i kozljata, [The Wolf and the Goat], by Leo Tolstoy, Moscow, 1940, 16 pp. incl. wrappers, Cyrillic script, col. litho. illusts. throughout, orig. pictorial wrappers, minor spotting and one small split to upper wrapper outer margin, slim 16mo (3)
Rojankovsky (Fedor, illust.). Powder. The Story of a Colt, a Duchess and the Circus, by Esther Averill and Lila Stanley, 1st ed., Faber, 1933, colour lithograph illustrations, original pictorial boards, spine a little spotted, 8vo, together with 30 Chantefables pour les Enfants Sages, by Robert Desnos, Paris, 1944, colour lithograph illustrations by Olga Kowalewsky, original pictorial boards, edges slightly rubbed, small 4to, plus Le Tribu Arc-en-Ciel, by Josephine Baker and Jo Bouillon, Paris/Amsterdam, 1957, colour lithograph illustrations by Piet Worm, original pictorial boards, d.j., a few light creases and closed tears, 4to, with 13 other French books illustrated by Andre Robert, Paul Lavalley, Anna Duchesne, Marie-Madeleine Franc-Nohan etc., 1930’s (16)
Rojankovsky (Fedor, illust.). Over the Meadow, by John Langstaff, Harcourt Brace, New York, 1957, colour lithograph illustrations, original cloth, d.j., 4to, a bright copy, together with ABC. Jeux du Pere Castor, Flammarion, Paris, 1936, colour illustrations by Rojankovsky, original pictorial limp boards, light ink stains to verso, 4to, plus Album Fee. Textes de Rose Celli et Marguerite Reynier, Flammarion, Paris, 1933, colour illustrations by Helene Guertik, viewer tipped-in at front, original wrapper, spine a little rubbed, 4to, with nine others illustrated by Rojankovsky, some duplicates (12)
Tweedsmuir (Susan). Maria Mouse, illustrated by Margaret Levetus, 1st ed., [1942], 24 pp., col. litho. illusts. throughout, neat ownership inscription to upper margin of p. 1, orig. printed stiff wrappers, staples a little rusted, some minor creases and light dust-soiling, slim folio, together with Tychina (Pavlo), Little Ivan. A Ukranian Fairy-Tale, trans. Gerard Shelley, pub. The Pilot Press/Transatlantic Arts, London & New York, c. 1940, 24 pp., orig. printed wrappers, a little soiled and minor wear to extremities, slim 4to, plus Keir (Gertrude), The Circus, illustrated by Carolin Jackson, OUP, 1947, 16 pp., col. litho. illusts. throughout, orig. printed wrappers, minor wear to extremities, small 4to (16 x 20cm), and eight others comprising three by Mary Shillabeer, four by Trekkie Ritchie (Mrs. Ian Parsons) and one by Patricia Mason (11)
Sganzin (M.J.). Programme ou resume des lecons d’un Cours de Constructions, avec des applications direes specialement de l’Art de l’Invenieur des Ponts et Chaussees, vols. 1-3 (only?), 4th ed., Paris, 1839-54, contemp. half calf gilt with Northern Light Board motif at head of spines, 4to, together with Gould’s History of Freemasonry, Revised, Edited and Brought Up-to-Date, by W. Wright, 5 vols., n.d., pub. Caxton, c. 1930s, col. and b & w illusts., orig. gilt-dec. cloth in bright condition, with frayed and torn d.j., 4to, plus other miscellaneous books (a carton)
King (L.W. and Hall, H.R.). Egypt and Western Asia in the Light of Recent Discoveries, 1st ed., SPCK, 1907, photogravure frontis., numerous b & w illusts. from photos, orig. cloth gilt, rubbed, large 8vo, together with Colquhoun (Archibald R.), The ‘Overland’ to China, 1st ed., London & New York, 1900, port. frontis., b & w illusts. from photos and drawings, folding maps, orig. gilt-dec. cloth, minor wear to extremities, 8vo, plus Lyon-Goldschmidt (Daisy, Jenyns, R. Soame, and others), Chinese Art, 4 vols., 1960-65, numerous tipped-in col. plts., b & w illusts. from photos, orig. cloth in sl. chipped d.j. (vols. 3 & 4 in card slipcase), 4to, and others of Chinese interest, many in d.j. (3 shelves)
Bellasis (George Hutchins). Views of Saint Helena, 1st ed., 1815, dedication to the Duke of Wellington, list of subscribers, six hand coloured aquatint plates by Robert Havell after Bellasis, each with adjacent sheet of descriptive letterpress text, light scattered spotting, patterned endpapers and gilt dentelles, contemp. maroon morocco panelled in gilt, cracking to upper joint, oblong folio. The earliest book of St. Helena views recorded in Abbey, published shortly after the arrival of Napoleon. Abbey, Travel, 309. (1)
Fraser (David). The Short Cut to India. The Record of a Journey along the Route of the Baghdad Railway, 2nd impression, 1909, folding colour map, numerous half-tone plates, occasional light spotting, bookplate, original red cloth, spine faded, 8vo, together with Baldwin (Captain J.H.), The Large and Small Game of Bengal and the North-Western Provinces of India, 2nd ed., 1883, b & w illustrations, bookplate, original green pictorial cloth, a little rubbed at spine ends, 8vo, plus Black (Charles E. Drummond), The Marquess of Dufferin and Ava. Diplomatist, Viceroy, Statesman, 2nd ed., 1903, portrait frontispiece, b & w illustrations, one or two spots, contemporary presentation inscription, t.e.g., original cloth gilt, spine faded, 8vo, with three others including J.H. Patterson’s In the Grip of the Nyika, 2nd impression, December 1909 and The Man-Eaters of Tsavo, 1909 (6)
Kippis (Andrew). The Life of Captain James Cook, 1st ed., 1788, engraved portrait frontispiece (dust stains to verso), title with repaired tears with the letter ‘e’ in ‘The’ restored in manuscript, bound without half title, scattered light spotting, one or two small marginal repairs, modern red half morocco, 4to. The first English biography of Captain James Cook. Beddie 32; Sabin 37954. (1)
Oliphant (Laurence). Narrative of the Earl of Elgin’s Mission to China and Japan in the Years 1857, ‘58, ‘59, 2 vols., 1st ed., 1859, five folding maps (one torn), 20 coloured or tinted lithographed plates, light spotting, contemporary previous owner signature, press cutting of the death of the author pasted in at front of vol. I, hinges tender, original blue cloth gilt, vol. II lower joint splitting, spines faded, 8vo, with four others including The China Year Book 1921-2, ed. H.G.W. Woodhead, Tientsin, 1921 and The Manchuria Year Book 1932-33, Tokyo, 1932 (6)
Price (Edward). Norway. Views of Wild Scenery, 1834, twenty-one proof mezzotint plts. many by David Lucas after Edward Price, front free-endpaper with small printed label for A.B. Nordiska Bokhandeln, Stockholm at foot, t.e.g., 20th c. half morocco gilt, 4to, together with Buch (Leopold von), Travels through Norway and Lapland, During the Years 1806, 1807, and 1808..., Translated from the Original German by John Black..., 1813, one folding eng. map only (of 2), small repair at head & foot of title, some spotting, offsetting & browning, edges untrimmed, modern attractive full sheep, gilt dec. spine, 4to, with Miller (Joseph), The Universal Gazetteer, or Alphabetical Geography..., 1826, eng. frontis., addn. eng. title, nine folding eng. maps & folding table,seven eng. plts., occ. light spotting and dampstaining, contemp. half calf, rubbed and wear at head & foot of spine, 8vo (3)
Skogman (Carl). Fregatten Eugenies Resa Omkring Jorden Aren 1851-1853, 2 vols. in one, 1st ed., Stockholm, [1854-55], 18 chromo. plates, two tinted lithographs, three folding maps, illustrations, occasional offsetting and light browning, occasional underlining and marginalia, modern blue cloth with calf label to spine, 8vo. Official account of the first Swedish circumnavigation, on the “Eugenie”, commanded by Christian Virgin. Skogman was the astronomer for the two year voyage from 1851-53, and the ports of call included Madeira, Rio de Janeiro, Buenos Aires, Chile, Panama, the Galapagos, Honolulu, San Franciso, Tahiti, Sidney, Hong Kong, Manila and Singapore. Hill 1578. (1)
Stanley (Henry M.). The Congo and the Founding of its Free State: A Story of Work and Exploration, 2 vols., 1st ed., 1885, port. frontis. to each, folding map to rear pocket of each, three further maps, wood-eng. plts. and illusts., hinges stregthened, orig. pict. cloth gilt, rebacked preserving orig. spines, vol. 1 with some loss to head of spine, 8vo, together with In Darkest Africa or the Quest Rescue and Retreat of Emin, Governor of Equatoria, 2 vols., 1890, large folding map to each (both with a large tear), num. b&w plts. and illusts., scattered spotting, orig. gilt dec. cloth, rubbed, 8vo, plus three others, comprising, Through the Dark Continent or the Sources of the Nile Around the Great Lakes of Equatorial Africa and Down the Livingstone River to the Atlantic Ocean, 2 vols., 1899 & New Light on Dark Africa: Being the Narrative of the German Emin Pasha Expedition..., by Dr. Carl Peters, 1891 (7)
Aikin (John). England Delineated; or, a Geographical Description of Every County in England and Wales: With a Concise Account of its Most Important Products, Natural and Artificial, for the Use of Young Persons, 3rd ed., 1795, general folding map, 42 engraved county maps in outline, occasional light offsetting, modern qtr. calf gilt with green morocco title label, 8vo, together with Cooke (George Alexander), Topography of Great Britain: or, British Traveller’s Directory..., vol. 1 only (Cornwall, Devon, Dorset), London: printed for C. Cooke, c.1810, folding general eng. map and three folding eng. county maps, modern qtr. calf gilt, morocco title label to spine, 12mo, with [Feltham, John], A Guide to all the Watering and Sea-Bathing Places; with a Description of the Lakes; a Sketch of a Tour in Wales, and Itineraries..., pub. Richard Phillips, [1808], twenty-eight eng. plts. of 29 (inc. one folding, lacks map of England) and nineteen eng. maps of 20 (inc. three folding, lacks view of Hotwells) and folding table at rear, slight dust-soiling, endpapers renewed, contemp. calf, modern reback, 12mo (3)
Camden (William). Britannia: or a Chorographical Description of the Flourishing Kingdoms of England, Scotland and Ireland and the Islands Adjacent; from the Earliest Antiquity......., Enlarged by the Latest Discoveries by Richard Gough, 4 vols. 2nd. ed., pub. John Stockdale, 1806, eng. portrait frontis., letterpress title and addn. half title to each vol., 100 b & w engraved plts. (including eight folding), one folding table, fifty folding maps with contemp. hand colouring and seven uncoloured maps (including one folding), occ. engs. to text throughout, very occ. spotting, some light overall toning to some maps, armorial book plate of Rigby to each vol., contemp. diced calf, skillfully rebacked, rubbed at extrems., folio. Chubb. CCLXXII. (4)
Manuscript Atlas. A County Atlas of England and Wales, by H.M. Bradford, Wolston, June 20th, 1834, 43 colour manuscript maps of England, North and South Wales and the counties, each with accompanying two-page description of boundaries, extent, principal towns, products, manufactures and rivers, one or two minor spots, original green half morocco, label to upper cover, light edge wear, 4to (267 x 210mm) (1)
Polwhele (Rev. Richard). The History of Devonshire, 3 vols. in one, 1st ed., 1797-1806, engraved map frontispiece by Cary, extra double-page engraved map by Bowen, hand-coloured in outline, 24 engraved plates (complete), one or two plates with light marginal water stain, occasional light spotting, a.e.g., modern full brown morocco by Bedford, spine with raised bands and gilt decoration, cloth slipcase, folio. A good copy with the extra Bowen map in a fine binding. (1)
Bainbridge (G.C.). The Fly Fisher’s Guide, Illustrated by Coloured Plates, Representing Upwards of Forty of the Most Useful Flies, Accurately Copied from Nature, 1st ed., Printed for the Author, pub. Liverpool, 1816, eight hand-col. eng. plts., some light staining to margins, new endpapers, t.e.g., contemp. half morocco, gilt dec. spine, 8vo in 4’s. Westwood & Satchell, pp.20-21. Ex-libris W. A. Foyle, Beeleigh Abbey. (1)
Evelyn (John). Silva: Or, a Discourse of Forest-Trees, and the Propagation of Timber in His Majesty’s Dominions... , together with An Historical Account of the Sacredness and Use of Standing Groves, with Notes by A[lexander] Hunter, MD, FRS, York, 1776, eng. port. frontis., forty eng. plts. including one folding, plus folding table at rear, occ. light toning or offsetting, subscribers list, scattered minor spotting and minor wormholes to lower outer corners of initial leaves away from text and images, near-contemp. presentation inscription to front free endpaper, ‘James Scott, the gift of his much esteemed friend Dr. Alex. Hunter’, contemp. calf, gilt-dec. spine, rebacked with spine relaid and corners restored, 4to. Alexander Hunter MD (1729?-1809) practiced as a physician in York from 1763 until his death. He wrote on a wide variety of subjects including medicine, spa waters and agriculture. ‘He is best known, however, for his illustrated editions with notes of John Evelyn’s Sylva (1776) and Terra (1778). He was elected a fellow of the Royal Society of London in 1775, and of that in Edinburgh in 1792’ (DNB). John Scott is possibly the engraver (1774-1827) who executed a single plate for ‘Memoirs Illustrative of the Life and Writings of John Evelyn’ (1818), after Hunter’s death. (1)
Evelyn (John). Sylva, Or a Discourse of Forest-Trees, and the Propagation of Timber in His Majesties Dominions, 2nd ed., 1670, title with engraved vignette, five engraved illustrations (one full-page), occasional light dust-soiling, hinges neatly repaired, rear pastedown replaced, watermark to rear free-endpaper pricked through, contemp. calf, neatly rebacked preserving spine panels, corners repaired, folio, contained in modern book box with dark brown morocco spine. Wing E3517. (1)
Giraud (Jane Elizabeth). The Flowers of Shakespeare, [1846], hand-coloured lithographed title, 29 hand-coloured lithographed plates, each with a Shakespearian quote beneath, last plate with repaired tear, a few light fingermarks, endpapers renewed, a.e.g., original green cloth, rebacked with original spine relaid, some fading, 4to (1)
A George IV patinated bronze and glass mounted twin light colza chandelier, circa 1825, the central, raised reservoir cast as an urn with Vitruvian scrollwork above fluting, above a framework with two arms extending to the burners, with waisted glass shades, above a dished glass body within a circlet with four suspension chains, 59cm high overall, 46cm diameter
A set of three gilt metal twin light wall appliques in the Louis XVI taste, early 20th century, the foliate cast sockets and leafy drip pans issuing from scrolling foliate arms rising above rams heads at the backplates, with urn finials and foliate cast terminals, 36cm high, 36.5cm wide, 21cm protrudence
A group of four WWII Medals awarded to Leslie Gill, comprising Pacific Star, 1939/45 Star, Atlantic Star and War Medal in the original box, together with a frame containing First and Second World War Medals awarded to W E Gill, Durham Light Infantry, including 1914/15 Star, France & Germany Star, War & Victory Medals etc, together with various dog tags, a military knife and other items.
Colonel Edmund Gilling Hallewell [1822-1869] Niagara Falls with the old Terrapin Tower and Horseshoe Falls signed bottom right watercolour over pencil heightened with white 23.5 x 34cm, together with two other watercolours [3] Colonel Edmund Gilling Hallewell (1822-1869) was a career soldier, joining the 20th Regiment of Foot as a young ensign in 1839. He served with distinction in the Crimea, where he was Deputy Acting Quartermaster General of the Light Division at the battles of Alma, Inkerman and Sebastopol, and it was during the Crimean campaign that he became acquainted with the photographer, Roger Fenton, and is the subject of no less than four of Fenton’s tableaux of camp life. Hallewell was by this time a noted amateur artist, mainly of topographical subjects [see lots 378 and 379]. As Fenton’s early training was as an artist, the two were no doubt drawn together by their mutual interests, remaining in contact after the Crimean campaign, when Hallewell, by then a lieutenant colonel, was appointed Deputy Quartermaster General in Malta. That he maintained his interest in photography is manifest from the album offered here, and while on home leave in 1860, when he was confirmed as full colonel, he records in his diary (see lot 383) “I went to see the Fentons, he gave me some Photographs. He is also going to do the Photo from my mother’s portrait, which I left with him.” Fenton fulfilled his promise and Hallewell later records that on his return to Malta he sent him a case of oranges in gratitude. It is believed that the images of Bolton Abbey included in this album may have been the gift of Roger Fenton to Col. Hallewell.
Colonel Edmund Gilling Hallewell’s Photographic Album A mixed photographic album of the 1850s and 1860s, elephant folio, lacking front board and some leaves. Notable images include Colonel Hallewell DCMG, Malta, 1863. Portrait in full dress uniform. Titled in pencil below the image. Albumen print, 19.8 x 15.7cm (illustrated page 89). Sir George Brown and a portion of the Light Division Staff, a nine-man group portrait in civilian attire. (A soldier since 1806, Brown commanded the Light Division throughout the Crimean War). Albumen print, 24 x 29.5cm. (illustrated opposite). Bolton Abbey, the ruins of the cloister. An untitled large-scale salt print 26.5 x 37.5cm., from a paper negative (illustrated opposite). Near Bolton Abbey, Yorks. Titled in pencil below the image. Salt print, 18 x 25.5cm. The Strid, Bolton. Titled in pencil below the image. Salt print, 20.8 x 29cm. At Bolton Abbey, a woodland scene. Titled in pencil below the image. Salt print, 24 x 19cm. Gibraltar General view of town. Titled in pencil below the image. 2-plate panorama 20 x 45.5cm., Albumen prints. At Bolton Abbey, Yorks. Titled in pencil below the image. Salt print, 26 x 36.5cm (illustrated opposite). Bolton Abbey, Yorks, ruins of the priory. Titled in pencil below the image. Albumen print, 26.5 x 35.5cm. into rounded corners (illustrated opposite). Road at the back of the Hall, Bolton. Titled in pencil below the image. Albumen print, 29 x 36 cm., into arched corners (illustrated opposite). The album also contains over 120 other mainly albumen prints, but including a small number of salt prints (including further images of Bolton Abbey and its environs), varying sizes up to 30 x 24cm. Assorted images by amateur and commercial photographers, including Francis Bedford and James Robertson; subject matter being a variety of topographical, portrait and other subjects, (including Robertson: the Crimean war) and various locations in UK, Malta, Gibraltar and the Mediterranean. In addition, approximately 200 cartes de visite of British and European royalty, family, topographical, army officers various, Crimean war generals, etc., and a rare image of a white- bearded Roger Fenton c.1865. For a variant of this portrait by John Eastham of Manchester see All the Mighty World, The Photographs of Roger Fenton 1852-1860, Yale University Press, 2004, p.30.
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