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Preisdatenbank abonnierenAfter Claude Michel known as Clodion (1738-1814): A Pair of Bronze Bacchic Figure Groups, each modelled as Pan and a muse on a rocky outcrop, signed Clodion68cm and 63cm highTambourine - overall good condition. Some light wear and surface scratchesEmbracing - visible join to raised arm, object in this hand incomplete. Some wear and scratches, Mainly to the maidens outstretched leg.
Tabriz CarpetNorth West Iran, circa 1930The indigo field with a one way design of birds trees and plants enclosed by borders of palmettes and angular vines flanked by ivory guard stripes296cm by 193cmBoth ends complete, selvedges original but with fraying to binding cords, pile generally fair but spots of light wear in several areas
A Worcester Porcelain Waste Bowl, circa 1770, painted in coloured enamels with a group of Mandarin figures in an outdoor setting15cm diameterA Similar Sparrowbeak Jug, with grooved loop handle, paintied with figures between enamel and gilt scrollwork panels9cmA Globular Teapot and Cover, with flower moulded knop14cm high (4)Bowl - general light wear and scratches. No chips, cracks or repair. Jug - tip of the spout slightly abraded, slight wear and scratches, no restorationTeapot - knop, two rim chips and inner flange of the cover restored, body broken into several pieces and meticulously re glued
Edward Hersey (b.1948) An extensive landscape with chickens and cattle grazing by farm buildings, a village and church spire beyond Signed, oil on canvas, 45cm by 60cmThe frame is in good condition, with the odd scuff and mark.Some light surface dirt. Very slight frame rubbing to edges. Tiny nick to upper right hand corner. Overall appears in good original condition.
Alfred Lyndon Grace (1867-1949) "His Favourite Pipe"Signed and dated (19)39, inscribed verso, oil on canvas, 39.5cm by 29.5cmOverall appears sound. Light surface dirt and discoloured varnish. Canvas is uneven. Small patch of losses to upper right hand corner. Areas of thin paint. Sporadic areas of retouching and infilling. Most notable patch to upper left hand corner above tankard, upper right hand coner, and throughout the brickwork of the fireplace.
A 20th Century Venetian-Style Green and Polychrome-Decorated Bureau, the fall front enclosing a cream painted interior with five drawers around a central cupboard door, the base with two serpentine shaped drawers, on cabriole legs 100cm by 51cm by 116cm A Matching Double Dressing Stool, recovered in light red and blue tartan printed fabric, the overstuffed seat on serpentine seat rail and cabriole legs 107cm by 43cm by 55cm A Similar Green Painted Mirror, with oval bevelled glass plate 112cm by 66cm (3) Bureau is in generally good condition. Some scratches and small paint losses (see images). The mirror is in good condition, the mirror plate has a faux tarnished effect. Stool - structurally sound, with a minor split/gap in the joints (as photographed).
Owen Bowen ROI, PRCamA (1873-1967) "Chrysanthemums" Signed, with signed and inscribed label verso, oil on board, 42cm by 27.5cmOverall in a fairly good and original state of preservation. Board appears sound. Some very light surface dirt. Slight frame rubbing to edges, most noticeably lower left. Hole (worm?) towards upper left corner. Small, likely repaired hole just to the left of the vase mid way up. Some areas of thin paint. Signature slightly abraded. Some very delicate and sporadic patches of strengthening to outline of flowers, visible under UV.
Elizabeth Marion Nelson (fl.1890-1930)"Kobeomer"Signed, inscribed and dated 1923, oil on canvas, 29.5cm by 34.5cmOverall in a reasonable state of preservation. Some light surface dirt and discoloured varnish. Frame rubbing to edges, most notable to upper left hand corner. Visible stretcher shadow. Several areas of thin and abraded pain. The odd sporadic scuff and mark. Tiny damage with associated losses within the dog's pink bow, no more than 0.2cm across. Slight paint loss towards upper right hand corner by the slip. Patch of discolouration to lower right hand corner.Provenance: Private Collection, North East England
Richard Marshall (1944-2006) Staithes - Fishermen bringing in a coble Signed, oil on board, 22.5cm by 30cm Exhibited: TB and R Jordan "A Century of Working Life in Yorkshire and the North East" April 2007, no.197 Overall good state of preservation. Some light surface dirt and discoloured varnish. Patches of pooled varnish. The odd brush bristle trapped in paint surface. Some areas of thin paint (likely by design). The odd scuff. Sporadic areas where board is visible. Otherwise appears sound.
W* H* Chapman (19th Century)White terrier at rest on a cushion Signed and dated 1859, oil on canvas, 24cm by 36cmProvenance: Private Collection, North East EnglandFairly stiffly relined, cleaned and revarnished. Some light surface dirt and discoloured varnish now in evidence. Surface slightly flattened and abraded by restoration process, although retains some impasto. Some areas of retouching are visible under UV. Most notably a patch to the floor at the left hand side of the sleeping dog, and sporadic areas elsewhere, most likely infilling to old craquelure. The outline of the resting dog have likely been strengthened and possibly so has the signature. Overall in a broadly good and stable state of preservation.
A Regency Mahogany and Boxwood-Strung Pembroke Table, early 19th century, with reeded edge and two dropleaves above two small pine-lined drawers, on turned tapering legs with brass-capped toes and castors and joined by a stretcher49cm by 32cm by 72cmA Similar Smaller Example31cm by 40cm by 72cm (2)Larger table - with a water or heat mark (as photographed). Reasonable colour, however, one of the drop leaves has a patch repair. The legs/structure is slightly weak. Second table - has a light hue to the polish. With a fault to one of the drop leaves. Some scuffs and faults around the legs.
Owen Bowen ROI, PRCamA (1873-1967) Assorted Roses in a silver vase Signed and dated (19)29?, oil on canvas, 38cm by 58.5cmProvenance: Walker Galleries, HarrogateIn fully restored condition. Relined, cleaned and revarnished. Paint surface slightly flattened and abraded by the restoration process although maintains areas of good impasto. Areas of thin paint, mostly throughout the background and table upon which the vase sits, although not exclusively. Some very light retouches visible under UV, but more notably a circular patch of overpainting to the background, lower right hand side, likely a repaired damage. Two areas of slightly incongruous brown paint in the background towards lower left corner.
Auguste Vimar (1851-1916) French"Souris" - Study of a seated terrier wearing a decorative harness Signed, titled and inscribed, oil on panel, 25.5cm by 21cmLight surface dirt and discoloured varnish. Some areas of pooled varnish. Frame rubbing to edges. Areas of thin paint. Score approximately 1cm long running horizontally along top edge above dog's head. Signature possibly slightly rubbed. The odd mark/scuff elsewhere. Not examined under UV light. Overall appears sound.
Charles Compton (1828-1884) "The First Parting" Signed and dated March 1853 ? oil on canvas, 67cm by 84.5cmProvenance: Anonymous sale details in chalk to reverse 20-3-79, Lot 185 In fully restored condition, relined, cleaned and re-varnished. Consistent amount of mold spots to reverse of canvas. The surface is slightly flattened, paint thin in places as a result of the restoration process. Areas of varying-sized stable cracquelure which is more pronounced in certain positions such as the upper part of the elegant lady's overcoat. Some light surface dirt and discoloured varnish now in evidence. The entire background has been comprehensively retouched and overpainted. The back of the seated gentlemen's hair on the left-hand side has been strengthened and over painted which extends along the collar and shoulder. More minor retouches to his face, his left-hand side lapelle, lower sleeve and much of the lower half of his cream-coloured overcoat has also been strengthened. Fairly consistent retouching throughout the face and attire of the gentlemen wearing the black suit and white shirt. A similar level of intervention has been applied to the standing serving woman. More delicate retouches presumably to old paint and cracquelure across the body and costume of the standing boy and to a minor extent through the lower blue skirts of the lady positioned on the right. Further isolated areas of retouches can be found vertically arranged within the red fabric below the central gentleman's outretched hand, consistently across the upturned top-hat and the outer and upper right edges of the right book. Further consitent retouching and overpainting to the wooden element of the armchair featured on the left, to a lesser extent across the chair and full area of retouching and strengthening across a large part of the globe situated towards the lower left corner. Some of the decorative quatrefoils within the carpet of the foreground has also received elements of strengthening and retouching etc. For more information please contact the department.
Frederique Constant: A Stainless Steel Automatic Calendar Centre Seconds Moonphase Wristwatch, signed Frederique Constant, model: Moon Date Pointer, ref: FC-330/335X6B4/6, circa 2020, lever movement signed, silvered dial with baton markers, outer date ring with corresponding central date hand, moonphase aperture, case with screw down crown, glazed screw back numbered 1972107, Frederique Constant strap and deployant clasp, Frederique Constant boxes and booklets42mm wideCase with light surface scratches, crown is screwing down correctly on the threaded tube, dial is clean, date and moonphase quick change is working, hand setting not working at present and needs attention, movement in going order.
Baume & Mercier: A Stainless Steel Automatic Calendar Centre Seconds Dual Time Zone Wristwatch, signed Baume & Mercier, Geneve, model: Classima GMT XL, ref: 65494, circa 2015, lever movement, white dial with baton markers, date aperture, outer 24-hour ring with corresponding hand, snap-on back numbered 5534230, Baume & Mercier strap and stainless steel double deployant clasp, with Baume & Mercier boxes, instruction booklet and guarantee card42mm wideCase with light surface scratches, strap is clean, glass is clean, dial is clean, hand setting correctly, date changing correctly, movement in going order.
An Egyptian Revival Brooch the pharaoh with a carved hardstone face and wings enamelled throughout in navy and light blue, red and white, with yellow bead work decoration and framemeasures 3.4cm diameterThe brooch is in good condition. It fastens with a pin and C-hook catch. It bears no hallmark nor stamp but in our opinion would test as gold. Gross weight 11.4 grams. CR made 04.08.23.
Longines: A Gold Plated Wristwatch, signed Longines, model: La Grande Classique de Longines, ref: L4.635.2, circa 2000, quartz battery movement, white dial with baton markers, case back secured by six screws and numbered 26907366, Longines gold plated bracelet33mm wideCase and bracelet with light surface scratches, crown is slightly rubbed, glass is clean, dial is clean, hand setting correctly, movement has not been tested with a new battery, movement not working.
An 18 Carat Gold Quarter Repeater Chronograph Pocket Watch, circa 1900, manual wound lever movement, quarter repeating with two hammers striking two outer steel gongs, enamel dial with Roman numerals, outer fifth of seconds track, seconds dial, case with chronograph button and repeat slide in the band, inside case covers stamped 18k and numbered 41509, cuvette cover with an engraved inscription54mm wideCase with surface scratches and dents in parts, cuvette cover with an engraved inscription, inside front cover with a light engraved inscription, suspension bow is rubbed, dial with small scratches in parts, hand setting correctly and winding smoothly, chronograph hand is working but not returning back to the zero position at 12 at present, repeat is working, repeat slide sometimes is sticking and needs attention when serviced, movement needs cleaning, balance with a good swing, movement in going order. Total watch weight 118.4g.
A Topaz and Diamond Ringthe oval cut light pink topaz within a border of old cut diamonds, in yellow claw settings, to a fancy shoulder plain polished shank, total estimated diamond weight 0.60 carat approximately finger size MThe ring is in fair conditon with abrasion to the facet edges of the topaz. It bears no hallmark nor stamp but in our opinion would test as gold. The topaz measures 9.46mm x 8.30mm x 5.48mm approximately. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 5.5 grams. CR made 25.07.23.
Oris: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Oris, model: Frank Sinatra Date, ref: 24-71743, circa 2005, (calibre 733) lever movement, black sunburst decorated dial with Arabic and dagger markers, date aperture at 6, tonneau shaped case, glazed back cover secured by four screws, Oris stainless steel bracelet with a concealed double deployant clasp39mm wideCase and bracelet with light surface scratches, glass is clean, dial is clean, hand setting correctly, date is changing correctly, movement in going order. Bracelet length including the watch case is 20cm long approximately.
Ollech & Wajs: A Stainless Steel Chronograph Wristwatch, signed O W, Precision, circa 1965, manual wound lever movement, dark blue coloured dial with luminous baton markers, three dials for seconds, 12-hour register dial and a 30-minute register dial with light blue/red sectors, outer tachymeter scale, rotating bezel, buttons in the band to operate chronograph, screw back, stainless steel bracelet with a deployant clasp39mm wideCase and bracelet with surface scratches, case with small dents to the lugs in parts, case back is very tight and unable to open, plexi glass with scratches, dial with discolouring to the sub dials, other parts of the dial are clean, hand setting correctly and winding smoothly, chronograph is working, movement in going order.
Omega: A Lady's 9 Carat Gold Wristwatch, signed Omega, ref: 1061, 1975, (calibre 625) manual wound lever movement signed and numbered 35172554, silvered dial with baton markers, case back stamped inside with maker's mark Omega Watch Co and numbered 7115527, Birmingham gold hallmark for 1975, Omega 9 carat gold integral bracelet, with Omega boxes and International guarantee booklet19mm wideCase with light surface scratches, bracelet looks in good condition, dial is clean, hand setting correctly and winding smoothly, movement in going order. Total watch weight 25g. Bracelet length including the watch case is 15.5cm long approximately.
Fortis: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Fortis, ref: 595.10.46.1, circa 2000, lever movement, white dial with luminous Arabic and baton markers, date aperture, screw down crown, screw back, Fortis stainless steel bracelet with a deployant clasp, with Fortis box40mm wideCase and bracelet with light surface scratches, glass outer edge with very minor chips in parts which are only visible under an eyeglass, dial is clean, hand setting correctly, date changing correctly, movement in going order. Bracelet length including the watch case is 21cm approximately.
Tissot: A Stainless Steel Automatic Day/Date Centre Seconds Wristwatch, signed Tissot, model: PRS 516, ref: TO44430A, circa 2015, lever movement signed, black dial with baton markers, day/date apertures, glazed case back numbered 12BC1166413, Tissot stainless steel bracelet with a concealed double deployant clasp, with Tissot box and booklets42mm wideCase and bracelet with light surface scratches, case sides with minor dents, very minor marks to the bezel edge between 11 and 12 o'clock position visible under an eyeglass, glass is clean, dial is clean, hand setting correctlyn calendars are changing correctly, movement in going order. Bracelet length including the watch case is 20cm long approximately.
Victorinox: A Stainless Steel and Black PVD Coated Automatic Calendar Centre Seconds Wristwatch, signed Victorinox, Swiss Army, model: Alpnach, ref: 241197, circa 2015, lever movement signed, black dial with Arabic numerals, date aperture, rotating bezel, protected crown, glazed screw back numbered 081107042, Victorinox steel and black pvd coated bracelet with a concealed double deployant clasp, with Victorinox boxes, instruction booklet, blank warranty card and three spare bracelet links43mm wideBracelet with very light surface scratches, watch otherwise is in good condition, hand setting correctly, date changing correctly, movement in going order. Bracelet length including the watch case is 20cm long approximately.
Oris: A Stainless Steel Rectangular Automatic Calendar Centre Seconds Wristwatch, signed Oris, ref: 7497, circa 2001, (calibre 583) lever movement signed, silvered dial with Arabic numerals, date aperture at 6, luminous hands, glazed back cover secured by four screws, Oris strap and Oris buckle, with Oris boxes and booklets28mm x 41mmCase with light surface scratches, crown with Oris logo, strap is clean, dial with very minor staining spotting marks visible under an eyeglass, hand setting correctly, date changing correctly, movement in going order.
Thomas de Colmar Arithmomètre, um 1876Großes Modell der ersten serienmäßig hergestellten Rechenmaschine der Welt von 1820, erfunden, konstruiert und produziert von Charles Xavier Thomas aus dem elsässischen Colmar, später 44 rue de Chateaudun, Paris. Serien-Nr. 2065. - Vierspezies-Staffelwalzen-Rechenmaschine mit 8 Einstellschiebern, 9-stelligem Umdrehungs- und 16-stelligem Resultatwerk, funktioniert. Messingmechanismus in hellem Eichenholzkasten. Maße: 59 x 18 x 9 cm. - Eines der ganz großen Sammlungsstücke - ein historischer Meilenstein zur Rechengeschichte und ein Prunkstück für jede anspruchsvolle Sammlung. Start Price: EUR 1600 Zustand: (2-3/2)Thomas de Colmar Arithmomètre, c. 1876No. 2065, large model of Thomas de Colmar's calculator of 1820, designed, patented and manufactured by Charles Xavier Thomas of Colmar, later 44 rue de Chateaudun, Paris, with 8 input sliders, 9-digit revolution counter, 16-digit results mechanism, brass mechanism, in light oak case, in working condition, 23 x 7 x 3 ½ in. - A true milestone in the history of calculating machines. Start Price: EUR 1600 Condition: (2-3/2)
Elmarit-M 2,8/21 mm, um 1985Leitz, Canada. Nr. 3363304. Sauberer Zustand! Unter Punktlicht Glas sauber. E60-Filtergewinde mit beiden Deckeln und Schachtel 11134. Start Price: EUR 350 Zustand: (2-/2)Elmarit-M 2.8/21 mm, c. 1985Leitz, Canada. No. 3363304, with E60 filter thread, both caps and box 11134, glass clean under point light, overall good condition. Start Price: EUR 350 Condition: (2-/2)
TOWER/Nicca und Summar1) Sears, USA/Nicca, Japan. Tower (Nicca 3S) Nr. 52776. Außer einer kleinen Delle oberhalb des Entfernungsmessers (dejustiert) befindet sich die Kamera in gutem Zustand. (3+/3) - Und: 2) Leitz, Wetzlar. Summar 2/5 cm, Nr. 384559, um 1937. Frontlinse sauber und ohne Putzspuren, Glas innen unter Punktlicht mit nur schwachem, für die Anwendung bedeutungslosen Belag. (3/3) Start Price: EUR 180 Zustand: (-/-)Nicca Camera and Summar Lens1) Sears, USA / Nicca, Japan, Tower (Nicca 3S). No. 52776, apart from a small dent above the rangefinder (misadjusted), the camera is in good condition. (3+/3) - And: 2) Leitz, Wetzlar. Summar 2/5 cm, no. 384559, c. 1937, front element clean and without traces of cleaning, internal elements mostly clean under point light, with only an insignificant film coating. (3/3) Start Price: EUR 180 Condition: (-/-)
Nicca 3S Tower, Canon II D1 und Zubehör 1) Nicca, Japan. "Tower" - Version der Nicca 3S, Nr. 52188, lange Zeiten schwach, mit Nikkor 1,4/5 cm Nr. 349476, Glas sauber bei Punktlicht. (3/3-) - 2) Canon, Japan. Canon II D1 Nr. 71757, mit Canon Lens 1,8/50 mm Nr. 129325, Frontlinse mit Putzspuren. (3/3) - 3) Zeiss Ikon. Sucher 427, mit Etui. (3/3) - 4) Leitz, Wetzlar. Elmar 4/9 cm Nr. 675197, Glas sauber bei Punktlicht. Mit beiden Deckel und Dose. (2-/3+) - Und: 5) Leitz-Entfernungsmesser FOFER, für Nagel. (3/3-) Start Price: EUR 180 Zustand: ()Nicca 3S Tower, Canon II D1 and Accessories1) Nicca, Japan. "Tower" - Nicca 3S version, no. 52188, long shutter times weak, with Nikkor 1.4/5 cm no. 349476, glass clean under point light. (3/3-) - 2) Canon, Japan. Canon II D1 no. 71757, with Canon Lens 1.8/50 mm no. 129325, front lens with cleaning marks. (3/3) - 3) Zeiss Ikon viewfinder 427, with case. (3/3) - 4) Leitz, Wetzlar. Elmar 4/9 cm no. 675197, with both caps and tube, glass clean under point light. (2-/3+) - And: 5) Leitz rangefinder FOFER, for Nagel. (3/3-) Start Price: EUR 180 Condition: ()
Linhof Super Technika III mit Apo-Lanthar 4,5/15 cm, um 1955Linhof, München. Nr. 52883, für 9 x 12 cm/4 x 5 in., Voigtländer Apo-Lanthar 4,5/15 cm Nr. 3968207, Glas unter Punktlicht sauber, mit nummeridentischer Steuerkurve, Entfernungsmesser klar und exakt, stabile Standarte, Mattscheibenrückteil mit Fresnellinse. - Dabei: Ersatzmattscheibe. - Gut erhalten und voll einsatzfähig, hervorragende Anwenderkamera. Start Price: EUR 200 Zustand: (3/2-)Linhof Super Technika III Camera with Apo-Lanthar 4,5/15 cm, c. 1955Linhof, Munich. No. 52883, for 9 x 12 cm / 4 x 5 in., Voigtländer Apo-Lanthar 4,5/15 cm lens no. 3968207 with number-identical cam for rangefinder, stable standard and focusing screen back with Fresnel lens, glass glass under spot light clean, rangefinder clear and precise. - In addition: Replacement screen. - Well preserved and fully operational, an excellent usable camera. Start Price: EUR 200 Condition: (3/2-)
3 x Praktisix, 6 Optiken und Zubehör1) Kamera-Werkstätten, Dresden. Praktisix, 6 x 6 SLR, zweiter Vorhang schließt nicht, mit Meyer Primotar 3,5/80 mm. (4/4) - 2) Pentacon Six, mit Sucherlupenaufsatz, Verschluß löst gelegentlich aus beim Aufziehen. (3-/4) - 3) "aus Jena" Bm 2,8/80 mm, Glas gut. (3-/3-) - 4) Pentacon, Dresden. Praktisix II, ohne Funktion, gut erhalten. (2-/-) - 5) Jena Bm 2,8/80 mm, Glas unter Punktlicht schwache Beläge, etwas schwergängig. (3/3-) - 6) Zeiss Jena Sonnar 2,8/180 mm, Glas unter Punktlicht sauber, auf Rücklinse einige für die Praxis unbedeutende Pünktchen, mit Sonnenblende. (3/3) - 7) Zeiss Jena Sonnar 4/300 mm, Glas unter Punktlicht sauber, mit Sonnenblende und Rückdeckel. (3/2-) - 8) Meyer Telemegor 4,5/300 mm, Frontlinse mit stärkeren Putzspuren. (4/4) - 9) WEP Auto Kinetelex Telekonverter 2x. (2-3/2) - 10) Balgengerät mit Doppeldrahtauslöser und 4 Zwischenringen. (3/3) - Und: 11) Retroring, Winkelsucher und Kleinzubehör. Start Price: EUR 160 Zustand: (-/-)3 Praktisix Cameras, 6 Lenses and Accessories1) Kamera-Werkstätten, Dresden. Praktisix, 6 x 6 SLR, with Meyer Primotar 3,5/80 mm, second curtain jammed open. (4/4) - 2) Pentacon Six, with viewfinder attachment, shutter releases occasionally when winding. (3-/4) - 3) "aus Jena" Bm 2.8/80 mm, glass good. (3-/3-) - 4) Pentacon, Dresden. Praktisix II, inoperative, otherwise good condition. (2-/-) - 5) Jena BM 2.8/80 mm, under spotlight light film on glass, somewhat stiff. (3/3-) - 6) Zeiss Jena Sonnar 2.8/180 mm, with sunshade, glass clean under spotlight, a few insignificant spots on rear element. (3/3) - 7) Zeiss Jena Sonnar 4/300 mm, glass clean under spotlight, with sunshade and back cover. (3/2-) - 8) Meyer Telemegor 4.5/300 mm, front element with significant cleaning marks. (4/4) - 9) WEP Auto Kinetelex Teleconverter 2x. (2-3/2) - 10) Bellows unit with double cable release and 4 extension rings. (3/3) - And: 11) Retro ring, right-angle finder and small accessories. Start Price: EUR 160 Condition: (-/-)
Kiev mit Widmungs-Gravur, 1960Kiev Arsenal, Ukraine. Der Contax-Nachbau Nr. 6004902, Verschluß, Belichtungsmesser und Entfernungsmessung funktionieren, mit Jupiter 8 2/50 mm, auf Bodendeckel Widmungsgravur, mit Tasche. Start Price: EUR 80 Zustand: (3-/3)Kiev with Engraved Dedication, 1960Kiev Arsenal, Ukraine. Contax replica no. 6004902, with Jupiter 8 2/50 mm lens and engraved dedication on the baseplate, with case, shutter, light meter and distance measurement working. Start Price: EUR 80 Condition: (3-/3)
Heliar 51 und 180 mm und Kollinear 20 cmVoigtländer, Braunschweig. 1) Heliar 4,5/51 mm, Nr. 127965, Messing, für das Kino-Format 18 x 24 mm berechnet, leuchtet aber 24 x 36 mm aus. Glas unter Punktlicht sauber. Seltene Kino-Aufnahme-Optik aus der Anfangszeit der Kinematographie. (2-/2-) - 2) Kollinear II 5,4/20 cm, Nr. 128778, Glas unter Punktlicht sauber, Frontkragen mit einer Delle. (3-/3) - Und: 3) Heliar 4,5/18 cm, Nr. 541293, vergütet, in Compur, alle Zeiten laufen. Unter Punktlicht zarte Wischspuren erkennbar, Rücklinse am Rand unbedeutende Kittfehler. (3-/3) Start Price: EUR 180 Zustand: (-/-)Heliar 51 and 180 mm and Collinear 20 cmVoigtländer, Brunswick. 1) Heliar 4.5/51 mm, no. 127965, brass, calculated for the 18 x 24 mm cinema forma but illuminating 24 x 36 mm, glass clean under spotlight. A rare cinema lens from the early days of cinematography. (2-/2-) - 2) Kollinear II 5.4/20 cm, no. 128778, glass clean under spot light, front collar dented. (3-/3) - And: 3) Heliar 4.5/18 cm, no. 541293, coated, in Compur, working across speeds, light cleaning marks visible under spotlight, insignificant cement defects on the edge of the rear element. (3-/3) Start Price: EUR 180 Condition: (-/-)
2 Stereokameras und 2 Stereobetrachter1) Gebrüder Wirgin, Wiesbaden. Edixa Stereo IIIA, 1954, für 35mm-Film, 24 x 23 mm, Steinheil Cassar 3,5/35 mm, Verschluß Prontor-SVS, läuft, an der Rückwandverriegelung fehlt Belederung. (3/3) - 2) Witt, Hamburg. Iloca Stereo II, Nr. 310857, 1954, Format 24 x 23 mm auf 35mm-Film, Jlitar 3,5/35 mm, Verschluß und Fokussierung unbeweglich, ansonsten in fast neuwertigem Zustand. (2/-) - 3) Graflex, New York. Stereo Graphic Viewer für 35 mm, mit Karton. Elektrik nicht getested. (3-/3) - 4) Stereobetrachter Brumberger, Elektrik nicht getested. (3-/3) - Und: 5) Karton für ISO Duplex Super 120, dekorativ. Start Price: EUR 120 Zustand: ()2 Stereo Cameras and 2 Stereo Viewers1) Edixa Stereo IIIA, Gebrüder Wirgin, Wiesbaden, 1954, for 35mm film, 24 x 23 mm, Steinheil Cassar 3,5/35 mm, Prontor-SVS shutter (stuck), light meter working. (3/4-) - 2) Iloca Stereo II, Witt, Hamburg, 1954, no. 310857, 24 x 23 mm on 35mm film, Jlitar 3,5/35 mm, shutter and focusing stuck, otherwise in near-mint condition. (2/-) - 3) Stereo Graphic Viewer, Graflex, New York, for 35 mm, with box, electrical functions not tested. (3-/3) - 4) Stereo viewer Brumberger, electrical functions not tested. (3-/3) - And: 5) Box for ISO Duplex Super 120. Start Price: EUR 120 Condition: ()
2 erotische Kartenspiele, um 1880Martinenq, Paris. Karten sauber erhalten. 1) Schachtel mit seitlichen Aufdrucken "Collection mythologique" und "Transparence garantie", 32 Karten 6,6 x 9,4 cm mit Karo, Herz, Pik und Kreuz. Das erotische Motiv ist als schwacher Aufdruck ahnbar, gegen Licht gehalten jedoch gut erkennbar, zum Teil mit französischen Untertiteln. - Und: 2) Schachtel mit seitlichem Aufdruck "Transparence garantie", 16 Karten 5,4 x 8,9 cm mit Herz und Karo. Erst bei starker Durchleuchtung wird das innere Motiv sichtbar. Start Price: EUR 80 Zustand: (3/-)2 Sets of Erotic Playing Cards, c. 1880Martinenq, Paris. Cards in clean condition. 1) 32 cards of 6.6 x 9.4 cm with diamonds, hearts, spades and clubs, in box marked "Collection mythologique" and "Transparence garantie" on the side, some with French legends. The erotic motif, discernible as a faint trace, becomes clear when held against the light. - And: 2) 16 cards of 5.4 x 8.9 cm with hearts and diamonds, in box with "Transparence garantie" printed on the side, the erotic motifs visible only under strong light. Start Price: EUR 80 Condition: (3/-)
Filmkamera Bolex H8, um 1960Paillard, Schweiz. Spiegelreflexkamera für Doppel-Acht-Film auf bis zu 30m-Spulen. Objektive im Revolverkopf: Kern Switar H8 RX 1,6/5,5 mm, Macro-Switar H8 RX 1,3/12,5 mm und Macro-Switar H8 RX 1,4/36 mm, alle mit Feet-Gravur und in C-Mount-Fassung. Antrieb durch Federwerk: 16-64 B/s. Zubehör: Handgriff, Anleitung in Deutsch, Belichtungsmesser, Exakta-Adapter und Kleinteile. Start Price: EUR 200 Zustand: (3+/3+)Bolex H8 Reflex Film Camera, c. 1960Paillard, Switzerland. For double-eight films on reels of up to 30 m, 16-64 fps spring-drive, turret with Kern Switar H8 RX 1.6/5.5 mm, Macro-Switar H8 RX 1.3/12.5 mm and Macro-Switar H8 RX 1.4/36 mm lenses with feet engraving and C-mounts, grip, instructions in German, light meter, Exakta adapter and small parts. Start Price: EUR 200 Condition: (3+/3+)
Filmkamera "Arriflex 16 SR", um 1977 Arnold & Richter, München. Geräuscharme Spiegelreflexkamera für 16mm-Film in 120m-Koaxial-Kassette. Objektiv: "Carl Zeiss Vario-Sonnar" 1:2/12,5-75 mm, eingebauter Motor, angetrieben durch Aufsteckakku (läuft), eingebauter elektrischer Belichtungsmesser. Elektrische Funktion nicht geprüft. Hier die Ausführung für Studiobetrieb vom Stativ mit der extra langen Betrachtungslupe und der verblimpten Optik zur absoluten Geräuschminderung. Start Price: EUR 1400 Zustand: (3+/3+)Arriflex 16 SR Film Camera, c. 1977Arnold & Richter, Munich. Low-noise SLR camera for 16mm film in 120-meter coaxial cassette, built-in motor powered by plug-in battery (running), built-in electric light meter and Carl Zeiss Vario-Sonnar 1:2/12.5-75 mm lens, electrical functions untested. - Note: The version for studio use with a tripod with the extra-long viewing magnifier and the lens with blimp for noise reduction. Start Price: EUR 1400 Condition: (3+/3+)
Pathé KOK 28 mm, um 1914Pathé Frères, Paris. Tisch-Kinematograph für 28mm-Pathé-Filme auf 100m-Spulen. Besonderheit: Durch Drehen der übergroßen Handkurbel wird nicht nur der Film, sondern auch ein Dynamo bewegt, der den Strom für die Niedervolt-Lampe des Projektors erzeugt. Filmschaltwerk: Greifer. Am Projektor zwei Spulen à 100 m, eine mit Film "La fée printemps". - Dabei: Transporthaube und Original-Pathé-Ersatzglühbirnen. - Elektrische Funktionen nicht geprüft. Start Price: EUR 450 Zustand: (3-/3)Pathé KOK 28mm Table Cinematograph, c. 1914Pathé Frères, Paris. For 28mm Pathé film on 100m spools, with hand-turned double-claw transport, two 100-meter spools on the projector - one with "La Fée Printemps". - In addition: Transport hood. - Note: Turning the oversized crank not only transports the film, but also moves a dynamo that generates the electricity for the projector's low-voltage lamp and original Pathé replacement light bulbs. - Electrical functions not checked. Start Price: EUR 450 Condition: (3-/3)
Kinofilmprojektor "F.H. 66", um 1950Frieseke & Hoepfner, Erlangen. Kino-Theatermaschine für 1200m-Spulen in zwei Feuerschutztrommeln. Antrieb durch Motor oder Handkurbel, Lichttonabtastung, lichtstarkes Projektionsobjektiv, im Lampenhaus mit großem Hohlspiegel eine Xenon-Lampe. Der "F.H. 66" gilt, bezogen auf sein Design, als der formschönste Filmprojektor Europas. Bei der Markteinführung war in der Fachpresse zu lesen: "Der neue Projektor ist keine der üblichen Metallkisten. Er gleicht eher einer Plastik des Bildhauers Henry Moore." Schon wegen seiner Größe ein Blickfang für das Foyer eines jeden Film- oder Technik-Museums. Höhe 2 m, Breite 1,4 m, elektrische Funktion nicht geprüft. Start Price: EUR 450 Zustand: (3/-)F.H. 66 Cinema Film Projector, c. 1950Frieseke & Hoepfner, Erlangen, Germany. Cinema theater machine for 1200-meter reels in two fireproof drums, driven by motor or hand crank, light tone scanning, bright projection lens, xenon lamp in the lamp house with a large concave mirror, height 2 m, width 1.4 m, electrical functions untested. - Note: The F.H. 66 is considered one of the most elegant European film projectors in terms of its design. At the market launch, the trade press reported: "The new projector is not one of the usual metal boxes. It is more like a sculpture by the sculptor Henry Moore." Alone due to its size, it is an eye-catcher in the foyer of a cinema, film or technical museum. Start Price: EUR 450 Condition: (3/-)
Filmprojektor Ernon IV, um 1932Zeiss Ikon, Dresden. Kino-Theatermaschine für 35mm-Filme auf 600m-Spulen in Feuerschutztrommeln. Antrieb durch Motor oder Handkurbel, Schrittschaltwerk: Malteserkreuz, am Projektionskopf Ölstandsanzeige und Tachometer für die Anzeige der Bilder pro Sekunde und der gespielten Filmmeter. Objektiv: "Busch Neo-Kino" 95 mm, separates Zeiss-Ikon-Lichttongerät mit Schwungmassenstabilisator, im Zeiss-Ikon-Lampenhaus besondere Kohlebogenlampe, vielseitig verstellbar, mit großem Hohlspiegel. Das Abbrennen der Kohlestäbe verlangte permanentes manuelles Nachstellen, doch bei dieser Bogenlampe übernimmt ein aufziehbares Federwerk (funktioniert noch) den Vorschub. Rückseitig beschriftet mit: "Jovo-Automatik III Hochleistungslampe" und "Jovo-Apparatebau" Bad Frankenhausen. Ledertransmissionsriemen nicht vorhanden, sind aber problemlos zu beschaffen. Höhe 1,95 m, Breite 1,2 m, elektrische Funktion nicht geprüft. Start Price: EUR 600 Zustand: (3-/3-)Ernon IV Film Projector, c. 1932Zeiss Ikon, Dresden. Cinema theater machine for 35mm films on 600-meter spools in fire-protection drums, with spring-drive or hand-turned Maltese cross mechanism, oil level indicator and tachometer on the projection head for displaying frames per second and footage played, Busch Neo-Kino 95 mm lens, separate Zeiss Ikon light tone device with flywheel stabilizer, special carbon arc lamp in the Zeiss Ikon lamp house with versatile adjustment and large concave mirror, marked on the back: "Jovo-Automatik III high-performance lamp" and "Jovo-Apparatebau, Bad Frankenhausen", leather transmission straps not present but easily obtained, height 1,95 m, width 1.2 m, electrical functions not tested. - Note: The burning of the carbon rods usually required permanent manual readjustment, however on this arc lamp a winding spring mechanism (still working) takes over the feed. Start Price: EUR 600 Condition: (3-/3-)
Filmprojektor "Hahn-Goerz" (Zeiss Ikon), um 1926Hahn-Goerz, Kassel. Kinoprojektor der Stummfilmzeit für 35mm-Filme auf Spulen in 600m-Feuerschutztrommeln. Antrieb: wahlweise Handkurbel oder motorischer Betrieb, Motor läuft, Schrittschaltwerk: Malteserkreuz. Die Vorderblende öffnet sich nach dem Zentrifugalprinzip. Beleuchtung durch Kohlebogenlampe in Entlüftergehäuse, am Lampenhaus Kondensor und Kuvette für destilliertes Wasser zur Kühlung des Filmlichtes, alles montiert auf Stahlsäule. - Besonderheit: 1926 entstand durch Zusammenschluss mehrerer Firmen die Zeiss Ikon AG in Dresden. Die Firma Hahn-Goerz hat sich der Zeiss-Ikon-Gruppe angeschlossen und produzierte ab 1927 unter dem Namen Zeiss Ikon. In der Übergangszeit waren Hahn-Goerz-Teile in großer Anzahl vorhanden und wurden weiterverwendet. So erklärt es sich, daß das Lampenhaus und die Feuerschutztrommeln mit dem Hahn-Goerz-Logo versehen sind und auf der Stahlsäule "Zeiss Ikon" steht. - Projektor-Kopf und Lampenhaus sollten neu justiert werden. Im Lampenhaus eine Bauer-Bogenlampe. Höhe 1,7 m, Breite 1,1 m, elektrische Funktion nicht geprüft. Start Price: EUR 900 Zustand: (3/3)Hahn-Goerz (Zeiss Ikon) Film Projector, c. 1926Hahn-Goerz, Kassel, Germany. Cinema projector of the silent film era for 35mm films on spools in 600-meter fireproof drums, with hand-turned or motorized Maltese cross mechanism, front panel opening according to the centrifugal principle, illuminated by carbon arc lamp in breather housing, Bauer arc lamp, condenser and cuvette for distilled water on the lamp housing to cool the film light, mounted on a steel column, height 1.7 m, width 1.1 m, projection head and lamp housing in need of adjustment, motor working, electrical functions not tested. - Note: In 1926 the Zeiss Ikon AG in Dresden was created through the merger of several companies. The Hahn-Goerz company joined Zeiss Ikon group and started producing under the Zeiss Ikon name the following year. During the transitional period, projectors of this type continued to be used due to the large number of existing Hahn-Goerz parts. This explains why the lamp house and the fire protection drums are provided with the Hahn-Goerz logo while "Zeiss Ikon" is found on the steel column. Start Price: EUR 900 Condition: (3/3)
Walzen-Orchestrion Hupfeld Atlantic, um 1900Leipzig, 40 Tonstufen, bestiftete Holzwalze für 5 Melodien, 35 Klaviertöne, 10 davon mit rotierenden Hämmern, 10-teiliges Xylophon, Becken, Trommel und Triangel, Gewichtantrieb, Münzeinwurf, schwarz gebeiztes Eichengehäuse, bleiverglaste Front, Gesamtmaße 78 x 56 x 208 cm, gut spielender Originalzustand, benötigt leichte Nachstimmung. Start Price: EUR 1600 Zustand: (2-3/2-3)Hupfeld Atlantic Barrel Orchestrion, c. 1900Leipzig, 40 tone steps, with weight-driven mechanism, pinned wood barrel for 5 melodies, 35 piano notes, 10 of them with rotating hammers, 10-piece xylophone, cymbal, drum and triangle, coin slot, ebonized oak case, leaded glass front, overall dimensions 31 x 22 x 82 in., good playing original condition, needs light retuning. Start Price: EUR 1600 Condition: (2-3/2-3)
Earth, Wind & Fire, a collection of LPs to include The Need of Love x 2 (one with Warner Bros records Radio Station Service not for resale label verso), S/T, Faces x 2, Spirit x 2, Raise x 2, Best Of Volume 1 x 2 (one demonstration,not for sale label), Last Days and Time, Another Time, All n All, Head to the Sky, Open Our Eyes, That's the Way of the World, Electronic Universe, I Am, Gratitude, Power Light (21)
Joy Division, Still, Fact 40, TOWN HOUSE on all four sides, in grey card inners and gate-fold sleeve, together with Atmosphere 12" single FACUS A2 HERE ARE THE YOUNG MEN A PORKY PRIME CUT / FACUS 2 B2 BUT WHERE HAVE THEY BEEN A PORKY PRIME CUT, UK printed sleeve, Komakino 7" flexi-disc FAC 28 and New Order, Movement FAC 50 A3 / B3 TOWN HOUSE on both sides. (4)Discs are very dusty and have light handling marks, but generally in good condition.
Earth, Wind & Fire, a collection of LPs, to include: All n All (2) (one demonstration not for sale), Head to the Sky, Spirit (x2), The Need of Love, Live in Japan (laser disc, sealed), Last Days and Time, The Collection, That's the Way of the World (x3) (two sealed), Touch the World (x3), Gratitude (x3) (one sealed), Electronic Universe (x3) (one sealed), Greatest Hits (this record for radio airplay only, demonstration not for sale), Raise! (x3) (one sealed), Faces (x2) (one with sticker to cover and giant poster), I Am (x4) (one sealed, three audiophile pressings), The Best Of Volume 1 (x8) (one sealed, three audiophile pressings), Open Your Eyes (x2), and Power Light (x3) (two sealed). (45)
A collection of vinyl, various dates and genres, to include ACDC - If You Want Blood, Rush - Moving Pictures, Blue Oyster Cult - Agents of Fortune, Argent - Encore, Eurythmics - There Must Be An Angel, Lynyrd Skynyrd - One More For The Road, and Street Survivors, Skids - Days in Europa, Fleetwood Mac - Tusk (12" single), Eric Clapton - Backless, Whitesnake - Ready an' Willing, Thin Lizzy - Johnny the Fox, Moody Blues -A Question of Balance, The Humble Chums - Open Up The Door, John Mills - Zaragon, Frankie Goes to Hollywood - Welcome to the Pleasuredome, Dire Straits - Love Over Gold, Eagles - The Long Run, Electric Light Orchestra - Out of the Blue, and Three Light Years on The Third Day box set (33)
Aphrodite's Child, 999, UK ist pressing, Vertigo swirl label, 6333500 6333500 1Y//1▽420 11 2 / 6333500 2Y//1▽420 11 1 / 6333501 1Y//1▽420 11 2 / 6333501 2Y//1▽420 1 1 1 in Vertigo swirl inners and gate-fold sleeve. (1)Vinyl in very good condition very little play, inners good, gate-fold light creases, wear wo spine and openings
Led Zeppelin, Led Zeppelin III, Atlantic 2401002 red/maroon labels Peter Grant credit to both sides, Do What Thou Wilt 2401002 A-5 / So mote it be B-5, in laminated gate-fold wheel sleeve. (1) Only very light use and handling; very good to excellent condition.Well looked after and kept in a plastic sleeve.
Sex Pistols, Never Mind The Bollocks Here's The Sex Pistols, Virgin V 2086-A-3 / B-1, eleven track labels and sleeve with Submission 7" single Virgin VDJ-24 A-3 and poster. Sleeve generally good, light creases and rubbed to corners, wear to the spine and top centre, inner good some light creases, vinyl excellent appears to be little if ever played no scratches or spindle wear to labels, Submission single as LP, inner sleeve slightly tatty with tears to centre, poster very good, deep fold lines but no pin holes or tears.
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