FOUR PIECES OF LATE VICTORIAN MAUCHLINEWARE comprising: TWO NAPKIN RINGS from a set of six, one printed with a view entitled "Cheltenham Pump Room, Harrogate, Yorkshire", numbered "2", the other "Christ Church, High Harrogate", numbered "6", A MONEY BOX printed with "Burns Monument", 5.5cm, (2.2in) high, and a miniature bucket, printed to one side with a view of "Alloway Kirk", to the other side with "Burns Monument", subtitled "Memorial of Burns/The dark portions of this wood are Warranted/To have grown on the Banks of the Ayr/ And the light on the Banks of the Doon", 5.5cm, (2.2in) high
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534310 Los(e)/Seite
A LATE VICTORIAN LIGHT INFANTRY SILVER PRIZE SPOON of "hour-glass" pattern and of tablespoon size, the terminal cast with a military armorial trophy of arms, above a laurel wreath with engraved inscription: "3RD R.J.L.I. Drill 1895, F.C.DART", hallmarked London, 1894, maker J.P.G. 3.2ozs, (99gm)
A 19TH-CENTURY LILAC MILK GLASS PARAFFIN LAMP BASE with matching cistern, the body finely enamelled with a bird alighting on a bough, surrounded by various flowers, the cistern and domed foot, both painted with a floral band, with painted number 7 beneath, the base additionally having a retailers sticker of "The Silber Light Company Limited, London, Entered at Stationers Hall Feby 5th 1873, Manufactured Abroad", 47.5cm, (14.8in) high (no burner, shade or chimney)
THE REMAINS OF JOHN BRIGGS (Late Editor of "The Lonsdale Magazine" and of "The Westmorland Gazette"), containing; Letters from the Lakes; Westmorland as it was; Theological Essays; Tales; Remarks on the Newtonian Theory of Light, and Fugitive Pieces. To which is added A Sketch of his life. Published for the benefit of his widow and children, Kirkby Lonsdale: Printed and Sold by Arthur Foster, 1825, in original gilt-stamped wine morocco, 6mo
A MID 18TH-CENTURY MANUSCRIPT BOOK OF HOUSEHOLD RECEIPTS (RECIPES) for cookery preserving, wine-making, home-medication, etc, in ink on cream laid paper watermarked with crown GR cypher excise marks, numbered pages 7-77, two further, several blanks, and 7 pages of index, (lacks cover, title, and pages 1-6 inclusive). Although incomplete, a most interesting side light on 18th-century domestic affairs including such delights as a recipe for "Horse-dung Water", and another, which requires "two hundred of woodlice a day" , bruised in a Marble mortar" and infused in "Sasparalla Tea". To be taken three times a day, along with the "urien" (sic), of a healthy Boy about 7 or 8 years old, applied to the part on a piece of “scarlet cloth”
Richard Caton Woodville II, (1856-1927) THE CHARGE OF THE LIGHT BRIGADE led by Lord Cardigan in his 11th Hussars Uniform, engraved print published in 1895 by Henry Graves & Co, signed in pencil lower right, oval blind-stamp of the Publisher's Association, image size 52cm x 85.5cm, (20.5in x 33.5in), backed onto panel, unframed (foxing)
A VICTORIAN SERPENTINE-FRONTED THREE TIER WHAT-NOT having a shaped foliatei nlaid dark and light wood three-quarter gallery and turned finials on three walnut shelves between "barley sugar" twist frontal and slender balustroid rear uprights, on ceramic castors, 54cm x 36cm x 100cm high, (21.25in x 14.2in x 39.3in)
A pair of Arts and Crafts oak framed lithographs, after Byam Shaw and Denis Eden, circa 1910, each showing Tudor scenes of Mary Tudor being received at the city gates and Henry II in audience with attendants, each in light oak slip frame and signed in pencil 'Byam Shaw' and 'Denis Eden' respectively, each lithograph 20.5" x 20.5" (2).
J.W. Ridgeway's stone china Meat platter, printed underglaze blue floral spray painted with bright overglaze pink, green and navy blue enamel, picked out with yellow and light brown highlights, moulded gadrooned border, printed marks to base, first quarter of the 19th century, (chips and slight wear), 53cm wide
Barker, George, Calamiterror, London, Faber and Faber, 1937, 8vo (220 x 135mm.), half title, original light green cloth, spine lettered in gilt, yellow dust-jacket, First Edition. Barker, George, Two Plays, London, Faber and Faber, 1958, 8vo (220 x 135mm.), half title, dedication inscription from the author to Hugo Manning on title, original black cloth, spine lettered in gilt, First EditionBarker, George, At Thurgarton Church, London, Trigram Press, 1959, 8vo (230 x 140mm.), half title, illustrated verso of the half title, & title, plates by the author, original blue morocco backed spine, spine lettered in gilt, First Edition. With two other works by George Barker, 'Eros in Dogma' (London, 1956), and 'The View from A Blind I' (London, 1962).
A French clock garniture, the white enamel dial painted with garlands and arabic numerals, indistinctly inscribed, fitted eight day striking movement by Japy Frere, the brass barrel-shaped case surmounted by an alabaster two-handled urn supported on four alabaster columns, raised on a plinth base with turned feet; together with a pair of three-light candelabra on alabaster columns, square bases and turned feet, 15.5in. high.

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