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Los 661

An 18th century oak dresser of good colour and pleasing small proportions: the shelved superstructure above a base section with three frieze drawers with stamped brass ovals, wavy-style frieze below and with vertical stiles united by a potboard style stretcher (155.5cm wide x 37cm deep x 186.5cm high)Appears a little bleached on the front, splits coming in from the lower part of the pot boards, evidence of some historic woodworm along the front. the base light and dark in places, some water splashing, knocks and scratches etc. commensurate with age. The top a little darker, back boards appear to have split. The brass handles have been on for some time although not original. Would benefit from light restoration.

Los 86

A large pair of French gilt-metal-mounted ceramic two-light electric wall appliques: panelled and decorated with Watteau-style figures in romantic surroundings with ruins and a lake, the courting couples seated beneath trees; the appliques surmounted with gilded bows above the two branches; 'Lille' painted marks to each back  (43 cm x 22.25 cm)The candle arms have darkened considerably with age and so have the riven surmounts on each. Some glaze crazing to reverses, the mounted support loop looks original and is gilded, some minor gilt rubbing. No 'major' problems.

Los 133

An unusual pair of late 19th century two-light brass wall sconces in Arts and Crafts style: each with a central serpent holding the two candleholders against a waterlily style veined leaf, each with suspension loop and each with registered number RD42139 (42.5cm high x 30cm widest) (2)Condition Report:  Holes to back plate’s possibly indicating missing parts. Candle sconces drilled for electrical conversion.

Los 138

A pair of late 19th to early 20th century three-light gilt-metal wall appliques (for candles): modelled as budding flowerheads (approx. 28 cm high x 30.5 cm wide) 

Los 22

A late 19th century Dresden two-handled chocolate cup and cover with original conforming stand, each piece typically gilded and hand-decorated in enamels with scenes of lovers in countryside surroundings, conjoined AR marks to underside of cup and saucer, the finial on the cover modelled as a flowerheadCondition Report:  Rubbing to gilding in base of saucer. No restoration detected under UV light. Good order commensurate with age and use.

Los 24

A pair of early 20th century (circa 1915 - 1930) Herend porcelain two-light table candelabra decorated with gilded leaves, printed marks to undersides (23 cm to top of ceramic candleholders excluding faux candles), together with four pleated silk shades (some damage) The candelabra are quite dirty but the damage refers to the pleated shades which are ripped in several places.

Los 245

A Chinese light celadon jade pendant of convex form: yellow-metal mounted (stamped '375' to the suspension bale) with vertical Chinese characters and key fret pattern to top and bottom of jade (3.5cm, including suspension bale) Condition Report: Stone in good order. Very minor surface scratches on gold commensurate with age and use.

Los 395

The Beatles - Please Please Me. Original UK 1963 1st Pressing vinyl record album, Gold, Black labels, Mono, Dick James Credits. Parlophone Records, PMC 1202, matrices Side 1 - XEX 421-1N and 1 and A, Side 2 - XEX 422-1N and 1 and GR. Vinyl is shiny Very Good ++ (very light marks only), Picture Sleeve Very Good ++. 

Los 396

The Beatles - Please Please Me.   UK Original 3rd Stereo Pressing, vinyl record album, Yellow On Black labels, 'Sold In The UK' banner text and publishing dates. Parlophone Records, PCS 3042, Vinyl is Very Good (with light marks only), Sleeve is Very Good with minor bends.

Los 431

Attributed to Paulus Potter (Dutch, Old Master, 1625 - 1654) Studie Twee Paarden in de Wei bij een Hek Study of Two Horses in a Meadow near a Gate, c1649 Oil on canvas laid on panel numbered "10175055" (verso) Indistinct signature (lower left) 19 cms x 25.5 cms (image) 21 cms x 27.5 cms (panel) 35 cms x 41 cms (gilt framed) Condition report: Restoration, craquelere to surface, 2 cms tear (restored) to rear of Chestnut horse. Surface dirt and discolored yellow varnish, pentimento, retouching and over paint evident  (refer to pentimento "ghost horse" image for this oil study). Laid on later associated panel and gilt frame with remains of "Dickhoff, Vergulder, Oppert 90 - Meent 35, Rotterdam" label (verso). Provenance: Private collection, Holland and United Kingdom. Completed original work of art in the collection of Rijksmuseum, Amsterdam. Two Horses in a Meadow near a Gate, c1649. Two horses stand on a little rise before a sweeping meadow landscape. The town of Delft in the distance. The animals’ fluttering tails and manes, and the low-lying clouds, signal that the weather is raw and windy. Potter enhances the liveliness of the depiction by placing a grey horse (refer to pentimento "ghost horse" image), before a dark boscage and the chestnut horse before a light, cloud-filled sky. Paulus Potter was born into an artistic family and exhibited a precocious talent as a young man. He exhibited his first painting dated 1640 at the age of just 15 years old. Patrons included Katherine The Great of Russia. Paulus Potter died of tuberculosis at the age of 29. Tayler & Fletcher require cleared funds before this item can be released to the Buyer

Los 1009

A pair of Minton blue and white reticulated plates, decorated with star flower in central roundel within weaving floral frame, the reticulated border with four floral vignettes, basket weave border, gilt heightened, impressed marks to base, date code, Registration mark, red painted G3089 & G3091., blue underglaze M  (2) Further details: seen under UV light - they appear to be in good condition 

Los 2045

Collection of stained glass panels, three, plus a triangular light shade with different scenes

Los 2062

A light oak 19th Century tapestry work frame on round pedestal base

Los 2126

A mid 20th century light mahogany Games Table, together with a 1950s Sewing Table.

Los 2135

A reproduction light oak five-shelf bookcase with a single drawer to the base.

Los 3273

Two late 19th Century light mahogany writing boxes (AF)

Los 1048

A pair of 19th Century carved hardwood baluster candlesticks on turned Greek Key bases, height 36cm, and a pair of similar light oak turned candlesticks, height 32cm. (4)

Los 1069

A large early 20th Century Art and Crafts wrought iron newel post or ceiling light with whiplash supports and curled terminals, length 74cm

Los 357

A parcel lot of assorted silver plated items to include a pair of candlesticks, a pair of three light candelabra, bottle coasters and an egg cruet etc.

Los 639

Mixed Artists and Genres - A collection of LPs including Electric Light Orchestra, Specials, Queen, Blondie, Fleetwood Mac, Rush, Marc Bolan, Billy Idol, Madonna, David Bowie, U2, Black Sabbath, Bryan Ferry, Ultravox, UB40 etc. (36)

Los 689

A collection of camera lenses and accessories, to include a Cosina 400mm f.4.5-6.7 super telephoto lens, Canon 35mm f2.8, 210mm f4, zoom 300mm f4-5.6, 200mm f4.5-5.6, together with a collection of Nikon, Hanimex, Tamron, Marumi and Komura Lenses, together with further light meters, filters etc.

Los 1047

A 19th Century brass and metal oil lamp light. With glass flute shade to top, clear purple reservoir chamber with a central reeded column on a square decorated base. 

Los 698

A retro mid 20th Century light oak-ply dressing table chest in the manner of G Plan having a frameless mirror over a drop well centre with stepped glass shelf and dual drawer chest below. Pedestals flanking each side each with two drawers with all raised on ebonised tapering supports. Measures approx; 122cm x 136cm x 47cm.

Los 815

A mid 20th Century amber onyx style table lamp light. With a flared floral rim tapering neck into a round tapering body, a top a block stand with stepped base. Measures approx. 64cm tall (including light fitting. 

Los 972

A 20th century Central Persian Islamic Kashan floor rug carpet having a central medallion in light blue & cobalt within a central red panel enclosed in series of outer borders decorated with foliate & floral patterns. Measures approx. 280 x 195cm.

Los 1

Glazed earthenwareApplied lions head and garland decoration.Unmarked(H: 8 1/2, Dia: 5 1/2 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Fleabites and restoration to rim. Chips and losses to floral swags. No damage noted to lion masks. A few fleabites to foot rim.

Los 10

Glazed earthenwareShape 11, transfer-printed, probably by Sadler and GreenNot marked(H: 5, W: 7, D: 3 1/2 in.)Qty: (1)ProvenanceE. N. Stretton Collection, cat. C 42Starr Collection, cat. 586Stair Galleries, November 1, 2019, Lot 34Collection of Dr. Ellis F. Rubin and Suzanne Borow RubinExhibitedStoke-on-Trent Museum NCS, 1986LiteratureReilly, Robin, Wedgwood I, Stockton Press, New York, 1989, p. 330Examined under UV light with no damages or restorations noted.

Los 100

StonewareHand-tinted and gilt-decoratedImpressed "WEDGWOOD" and "01" (date code for 2001)(H: 9, W: 4, D: 8 3/8 in.)Qty: (2)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinNoteBy repute, made as a gift for Wedgwood master caster John Williams and presented to his wife in 2002 after his funeral.Examined under UV light with no evidence of repair or restoration.

Los 102

Glazed earthenwareImpressed "WEDGWOOD"(H: 4 1/2, W: 3 1/2 in. sq.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureAdams, Elizabeth Bryding, The Dwight and Lucille Beeson Wedgwood Collection, Birmingham Museum of Art, Birmingham, 1992, p 116, color plate 96 (for the same form, originally modeled as a pedestal) Examined under UV light. Section of top where brass inkwell meets ceramic body with professional restoration to ceramic. Some areas of restoration noted to feet.

Los 103

Glazed earthenwareShell form bowl, double hippocamp rising from the sea stem and baseImpressed "WEDGWOOD" and "CMV" (date code for 1867)(H: 8, W: 12 3/4, D: 7 in.)Qty: (1)ProvenanceEarl BuckmanCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Restoration extending to "leaf" of shell dish rim. Dish reset to base. Top edges of base decoration restored (where it meets shell). Ear of one horse restored. Lower jaw/mouth of the other horse restored.

Los 104

Glazed earthenwareImpressed "WEDGWOOD" and "BUX" (date code for 1869)(H: 7 1/4, Dia: 14 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light with no evidence of restoration. Interior discolored. Some craze lines to exterior. Figures and overhead mounts with various small chips and glaze losses, generally concentrated to nose and chin of faces and to raised "ledge" of decorative motif above head in brown glaze. One such "ledge" with larger chip/loss with associated face below with larger loss to nose.

Los 105

Glazed earthenwareImpressed "WEDGWOOD" and "KLD" (date code for 1875)(Frame: H: 10 1/4, W: 16 in. Plaque H: 13, W: 8 in.)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureVictoria & Albert Museum, London, accession number A.38-1951 (for the wax model for this relief)Examined under UV light. Small (1/4 in dia) spot of restoration to the nymph's cheek. Fine overall crazing to glaze, especially noticible in deeply pooled areas of glaze. No other issues noted. Not examined out of its frame.

Los 106

Glazed earthenwareImpressed "WEDGWOOD" and "AGO" (date code for 1886), hand-painted "M 2858".(H: 16 1/2, Dia: 13 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. No damage or restorations noted. Some moderate to heavier scuffs and scratches to raised elements of seat top. Some assorted, minor scratches to body.

Los 107

EarthenwareRepresenting a putto with goat, harvesting grapes.Impressed "WEDGWOOD" "AVQ" (date code for 1888)(H: 9, W: 7 1/2, D: 5 1/2 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow Rubin Examined under UV light. Both grape swags re-set to figures. One horn of billy goat restored. Scattered fleabites to raised edges. Overall crazing and surface soiling.

Los 109

Glazed earthenwareImpressed "WEDGWOOD"(H: 8 1/2, W: 6, D: 11 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureButen, Harry, Wedgwood Rarities, Buten Museum of Wedgwood, Merion, 1969, p. 75Examined under UV light. Professional restoration to figure's head, wings, and small section of tail. No other condition issues noted.

Los 11

Glazed and gilded earthenwareTransfer-printed, likely by Sadler and Green.Both impressed "Wedgwood"(H:  1 3/4 in. (cup), Dia: 4 3/4 in. (saucer))Qty: (2)ProvenanceNancy Gunson CollectionCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExhibitedStoke-on-Trent Museum, NCS, 1986LiteratureReilly, Robin, Wedgwood: A New Illustrated Dictionary, Antique Collectors’ Club, Woodbridge, 1995, p. 153 (for the history of the decoration)Mankowitz, Wolf, Wedgwood, Spring Books, London, 1953, p. 156, pl. 39 Examined under UV light with no restorations noted. Saucer with approx. 8 fleabites to rim. A little superficial roughness to cup rim. Fritting (in the making) to cup well.

Los 110

Glazed earthenwareImpressed "WEDGWOOD"(Dia: 10 7/8, D: 1 1/4 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Professional restorations to raised relief detail, generally concentrated to head, jug, and burner. Very fine overall crazing.

Los 111

Glazed StonewareImpressed "WEDGWOOD" and "AKR" (date code for 1863)(Dia: 10 3/4, D: 1 1/2 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light with no evidence of restoration. A little glaze rubbing and associated small fleabites to jug rim and ram's head on perfume burner.

Los 112

Majolica-glazed earthenwareConsisting of an outer decorative vessel, inner liner, and lid. Impressed "WEDGWOOD" and "XXK" (date code for 1882)(H: 6 1/2, W: 10 1/2, D: 7 1/2 in.)Qty: (1)ProvenanceEarl BuckmanCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Restored cracks to lid/cover. Some staining and glaze losses along edges of insert, with at least one restored rim chip to insert rim. The body with several restored full-length cracks, several of which are now delaminating and bubbling.

Los 114

Glazed earthenwareBoth impressed "WEDGWOOD"(H: 8 3/8, W: 4 3/8, D: 5 3/4 in. (each, approx.))Qty: (2)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Break and restoration to foot of femal figure. No other condition issues noted.

Los 115

Glazed EarthenwareImpressed "WEDGWOOD" and "*"(Frame: H: 14 1/4, W: 9 34/ in. Plaque H: 11 3/4, W: 8 in.)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Light surface wear to glaze, which can be observed in raking light Fine crazing to glaze. No other defects noted.

Los 116

Glazed pearlweareWith cobalt decroationImpressed "WEDGWOOD", "PSL" and "MSL" (date code for 1883)(H: 10 1/4, W: 3 3/4 in. sq.)Qty: (2)ProvenanceBleier CollectionCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureReilly, Robin, Wedgwood: A New Illustrated Dictionary, Antique Collectors’ Club, Woodbridge, 1995, p. 91 (for an illustration of the form)Examined under UV light. Both bobeches restored. One figure with small fleabite to headress. One base with small fleabite to base edge. The other with possible minor restoration to one base edge.

Los 117

Stoneware, metal hardware"Sacred to Bacchus" and "Sacred to Neptune" formsBoth impressed "WEDGWOOD"(H: 16 5/8, W: 6 5/8, D: 8 1/2 in.)Qty: (2)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. One with reset cracks to handle; re-set tip to horn "reigns" at one hand of figure; a few glaze feabites top swags; chip/loss to lower corner of base. The other with heavily restored/replaced handle; small glaze skip to body at mid-section; a few fleabites to base plinth/corners.

Los 118

Glazed and enameled earthenwareOf tripod form, with ram's heads. Illustrated in the 1878 "Catalogue of Ornamental Shapes", pl. 6, as "Rams Head Vase."Impressed "WEDGWOOD" and "NQZ" (date code for 1871).(H: 9, Dia: 8 1/4 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureReilly, Robin, Wedgwood II, Stockton Press, New York, 1989, p. 427Examined under UV light. Professional restoration to lid finial (reset) and a few areas of lid rim. Professional restoration where legs meet at center with visible cracks to two legs near this area.

Los 119

Enameled and glazed earthenware, stoneware.Blue and green Jasper plaques set into Queensware frames on obverse and reverse.Signed "E. Lessore", Impressed "WEDGWOOD N" and "WUP" (date code for 1861), inscribed 80, labeled "A" and "B" (indicating obverse and reverse sides of vase).(H: 9 7/8, W: 5 3/4, D: 4 1/2 in.)Qty: (1)ProvenanceEarl BuckmanCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureButen, David and Patricia Pelehach, Emile Lessore 1805-1876: His Life and Work, Buten Museum of Wedgwood, Merion, 1979, p. 26 (for the same vase shape with a much simpler decoration by Lessore)Examined under UV light. Handles restored. One or two fleabites to raised medallion borders.

Los 12

Glazed EarthenwareBoth impressed "Wedgwood"(H: 7 1/8, Dia: 4 in.)Qty: (2)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Small restored edge chip to one lid. The other a later reproduction/replacement. One: handle restored; fleabite rim chip; small chip to shoulder; scattered small chips to swag decoration. The other: touch-up to both handles and scattered rim chips; scattered fleabites to swags; socle reset to body.

Los 120

Glazed and enameled earthenware.In the form of two handled urns on a plinth, enamel-decorated with pastoral scenes.Impressed "WEDGWOOD", signed "E Lessore".(H: 8 3/4, W: 6 1/2, D: 4 1/8 in.)Qty: (1)ProvenanceSkinner, European Furniture and Decorative Arts, Boston, July 12, 2013, Lot 922Collection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Both finials restored. One vase top section with fleabites to upper rim of banded decoration at mid-section of vase, small glaze chip to rim, restored handle, and small restoration to chip at lower edge of banded decoration at mid-section. A couple fleabites to raised decoration at platform. Three corners of base with small chips and losses. A few small glaze chips to back long edge of platform corner.

Los 121

Glazed earthenware.Design adapted from "The Adoration of the Golden Calf" by Nicholas Poussin (1594-1665).Impressed "WEDGWOOD" on reverse, captioned "Le Veau d'Or" on obverse, signed "C. L. Weigeman, 1861".(Dia: 15 3/4, D: 1 1/4 in.)Qty: (1)ProvenanceSotheby Parke-Bernet, Sale 4399, Lot 35Greenwald Collection, cat. 357Jacobs Collection, cat. 345Sotheby Parke-Bernet, Sale 7549, New York, April 25, 1994, Lot 355Collection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light with no evidence of restoration. A few short and shallow scratches to well decoration. No condition issues noted.

Los 123

Glazed earthenware, stoneware, metal fittings.Transfer-printed Pearlware with a Parian Ware figural lid. Motto spiraling up the body, which is decorated with the heads of famous poets, "By the length of his beard can you measure a man? Poet or Hero? - I doubt if you can. Bearded or shaven - Wit comes from heaven."Impressed "WEDGWOOD" and "PEARL". Printed "R REDGRAVE, ARA" and British registry marks. (H: 8, W: 2 1/2, D: 3 3/4 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureButen, Harry, Wedgwood Rarities, Buten Museum of Wedgwood, Merion, 1969 , p. 16NoteA similar example is held in the collection of the Victoria & Albert Museum, Lodon, accession number 161-1865.Examined under UV light with no evidence of restoration. 1/2" darkened hairline crack where body meets upper handle. Fleabite to handle edge and foot rim. Small flat chip to underside of foot.

Los 124

Glazed earthenware.Both Impressed "WEDGWOOD" and "CJF" (date code for 1877).(H: 5 1/2, W: 11 1/4, D: 10 1/8 in.)Qty: (2)ProvenanceSkinner, European Furniture and Decorative Arts, July 11, 2009, Lot 248Collection of Dr. Ellis F. Rubin and Suzanne Borow Rubinhttps://www.skinnerinc.com/auctions/2465/lots/248Examined under UV light. Both with crazing throughout. Chips, feabites, and thin glaze edge losses to "handles" with some associated touch-up. Rims with some scattered glaze flecks and gilt loss/rubbing.

Los 125

Glazed and platinum-decorated earthenware.Monopode shape with fitted flower grid.Impressed "WEDGWOOD", printed "WEDGWOOD HAND PAINTED MADE IN ENGLAND" mark, inscribed "CM5524".(H: 8, Dia: 7 1/8 in.)Qty: (1)Provenance Collection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light with no evidence of restoration. No condition issues noted.

Los 126

Glazed earthenware, brass."Hot Water" in black enamel, gilt decoration, hinged lid. Impressed "WEDGWOOD" and "3WN" (date code for 1885).(H: 9 1/4, W: 6 1/8, D: 11 in.)Qty: (1)ProvenanceBorn CollectionSkinner, European Furniture and Decorative Arts, Boston, July 10, 2010, Lot 49Collection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureReilly, Robin, Wedgwood: The New Illustrated Dictionary, Antique Collectors’ Club, Woodbridge, 1995, p. 328Examined under UV light. Bail handle restored.

Los 127

Enameled and gilded bone china.In the form of two shells supported on coral stands.Printed "WEDGWOOD ETRURIA ENGLAND" and "4" marks.(H: 5 1/8, W: 9, D: 7 1/2 in.)Qty: (1)ProvenanceBorn CollectionThe Victor and Muriel Polikoff CollectionSkinner, European Furniture and Decorative Arts, Boston, July 13, 2017, Lot 238Collection of Dr. Ellis F. Rubin and Suzanne Borow RubinPublishedBarnett, Adele Ierubino (ed.), Wedgwood: 250 Years of Innovation and Artistry, DAR Museum, Washington, 2009, p. 69Reilly, Robin, Wedgwood: A New Illustrated Dictionary, Antique Collectors’ Club, Woodbridge, 1995, p. 118ExhibitedWedgwood: 250 Years of Innovation and Artistry, DAR Museum, Washington, DC, 2009-10Examined under UV light with no evidence of restoration.

Los 129

Glazed and gilded stoneware.With "Dancing Hours" decoration.Impressed "WEDGWOOD".(H: 7 3/4, Dia: 3 1/2 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow Rubin Examined under UV light. Lid finial and flange restored. Handles restored. Some touch-up to plinth/base corners.

Los 13

Glazed earthenwareRound lobed formImpressed "WEDGWOOD"(H: 2 1/2, Dia: 10 in.)Qty: (1)ProvenanceSchofield CollectionCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light with no evidence of restoration. 3/8 x 1/8 in. thin chip to rim interior. 3/4 in. darkened hairline from rim. Some scattered discoloration/staining to body, generally concentrated to area of reticulated decoration. Scratches to well.

Los 130

Glazed and gilded stoneware."Barber bottle" form.Impressed "WEDGWOOD" twice.(H: 10 3/4, Dia: 6 1/4 in.)Qty: (1)ProvenanceSkinner, European Furniture and Decorative Arts, Boston, July 9, 2011, Lot 247Collection of Dr. Ellis F. Rubin & Suzanne Borow RubinExamined under UV light. One handle cracked and reset. Ball finial cracked and reset to lid. Small restoration to chip of lower band of shoulder with associated touch-up.

Los 131

Gilt and enameled glazed bone china.Shape 2410.Printed Wedgwood Portland Vase mark.(H: 9 5/8, Dia: 6 1/4 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light with no evidence of restoration. No condition issues noted. Minor light rubbing to gilding of lid rim.

Los 133

Glazed and gilt bone china.Printed Wedgwood Portland Vase mark.(H: 10 3/4, Dia: 5 1/2 in.)Qty: (2)ProvenanceCollection of Dr. Ellis F. Rubin & Suzanne Borow RubinExamined under UV light. One with 2" darkened hairline visible to interior of vase well. A little adhesive fluorescing between vase and socle on both. No further condition issues noted.

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