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534325 Los(e)/Seite
Los 85
A 19th century silver plated two-light candelabra in high Neo-Classical style; the central lidded urn flanked by two candle arms headed with patera and swags and similar decoration to the main body, raised on square spreading foot headed with ram's heads with further swags (23.5cm highest x 25.6cm widest)
Los 90
An unusual hallmarked silver gentleman's travelling shaving brush; the lid pulling off and the brush extending outwards, the cylindrical body with engine-style turning, assayed London 1888 (7.25cm, total weight approx. 53.9g)Condition Report: The brush pushes up through the base, all engine-turned decoration to the circular cover and main body. There are some very light mis shapes to the edge of the circular covered top. The main body looks good generally but there is a very minor indentation to the bottom which is difficult to see without being very close.
Los 1008
Charles Johnson Payne ''Snaffles'' (1884-1967) ''A Little Fizzer'' Signed in pencil, with the Snaffles bit blindstamp, a colour reproduction, 30.5cm by 26.5cm See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, . Sporadic varying sized foxing spots across sheet - there is a slightly more concentrated cluster in upper right hand corner. Light to moderate time staining to paper. Colour depth showing some reduction to original but remains reasonable.
Los 1012
Vincent R Balfour Browne (1880-1963) Stag in the mist Initialled and dated 1948, watercolour, 23cm by 33cm See illustration Artist's Resale Rights/Droit de Suite may apply to this lot. in very good condition. possible slight light staining to paper. framed and glazed, unexamined out of frame
Los 1013
James Hardy Jr. (1801-1889) The Anglers Signed, pencil and watercolour heightened with white, together with a further companion example by the same hand depicting a horse, cart and figures, 17.5cm by 27.5cm (2) See illustration each in broadly good clean and bright state of preservation. example featuring the anglers has a small slightly discoloured patch immediately above the central standing firgures head approx 1cm from top edge and a further slightly discoloured patch to upper right hand corner approx 1cm from upper edge. these may have been retouched (?) light surface dirt. there is a cluster of marks or scratches or paper being revealed underneath in and around standing figure to background an to the sky which may or may not be original to the execution of the picture. small cluster of nics or indentations to surface of upper left hand corner some light surface dirt. example with horse cart subtle cockelling to sheet colours good and bright. not examined out of frame
Los 1017
George Edward Lodge (1860-1954) ''Hawfinch'' Signed and dated 1950, gouache, 28.5cm by 22cm Provenance: Rowland Ward, London Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration . invery good condition, slight foxing to sky and light staining to paper. framed and glazed. unexaminded out of frame
Los 1028
Robert Cleminson (fl.1864-1903) Spaniels with the day's bag Signed, oil on canvas, together with a companion, 39.5cm by 60cm (2) . Example with the sportsman's basket - In an overall good and original state of preservation. The canvas is somewhat loose on the stretcher and is very slightly buckled in places. Horizontal rub mark along top edge from slip. Small vertical canvas tear/losses within the left wing of game bird next to dog's head which is approx 0.5mm in length and less than 0.5mm across. Some very minor rubbing to other edges. Small patch of flaked paint within the rocks on the right hand side edge in line with the hind legs of the standing dog. There is a further very small area of flaked paint within the area between the recumbent dog and the standing dog. Very small loss/losses within the undergrowth approx 10cm directly above the signature. Light surface dirt and discoloured varnish. Second example - The canvas is in a similar state of slightly loose repair (does not have the tare/loss). Some general light rubbing/abrasions to outer edges. There are a relatively few small amount of small/tiny essentially individual losses/flaked paint including just above the mountains on the right hand side, the vegetation within the far foreground and the area between the recumbent dog and the Rabbits. There are a handful of further areas of flaked paint just above the lower edge etc... Relatively light surface dirt and discoloured varnish. Otherwise each in reasonably good and stable condition. Not examined with a UV light.
Los 1041
Attributed to Edith Anna Oenone Somerville (1858-1949) Portrait of a heavy horse standing Initialled EAS, oil on canvas, 29.5cm by 39.5cm See illustration . In an overall good and original state of preservation, covered in a layer of dirt and discoloured varnish. subtle stretcher shadow. Areas of fine and stable craquelur. tiny nick to surface just right of centre approx 0.5cm from top edge. not examinded with a UV light
Los 1062
Thomas Miles Richardson Jnr. (British, 1813-1890) Ullswater from Gowbarrow Park, Cumbria Signed and dated 1869, watercolour, 34cm by 63.5cm Provenance: P. Polak Fine Art Dealers, London See illustration . In an overall good and bright state of preservation, light time staining evident to the sheet, most obvious to areas where the paper is less worked in pigment and paint (ie the sky) cluster of grey coloured brushmarks immediatly above and right within the sky to upper right corner which appear somewhat incongruois with rest of paiinting. (images can be supplied). No evidence of cockling, not exmined out of frame
Los 1065
James Burrell Smith (1822-1897) Bamburgh Castle, Northumberland Signed and dated 1868, watercolour, 40.5cm by 67cm Provenance: Dean Gallery, Newcastle Upon Tyne See illustration . in an overall good and bright state of preservation, some light time staining to the sheet which is perseptable only in the areas which have no or only thinly applied wash to them. there are a smalll patches within the sky which look to have had potential later retouches/restoration and it is possible that an old clean has thinned the paint out in places. no evidence of cockling and not examined out of frame
Los 1074
Henry James Johnstone (1835-1907) The Sea Urchin Signed, watercolour 25cm by 17cm Provenance: Richard Howarth, Preston Christie's Stencil 904DH See illustration. in overall good condition. light and age related staining to paper. possible light foxing or dirt and dust to underside of glass. gilt mount is damaged and wear to frame. unexamined out of frame.
Los 1079
William Kay Blacklock (1872-1924) A quiet moment - a lady undertaking needlework by the fireside Signed, watercolour, 37cm by 29cm See illustration . in an overall good state of preservation, colours broadly intact, some likely light reduction to the blue within the mirror and possibly the red of the rug etc. the sheet shows signs of a subtle convex bow or ripple within the lower section, no evidence of wider cockling. not examinded out of frame
Los 1090
Follower of Sir Anthony Van Dyck (1599-1641) Portrait of a young lady, head and shoulders, wearing a blue satin dress embellished with pearls, in a feigned oval Oil on canvas, 73cm by 62cm See illustration . In fully restored condition, relined, cleaned and re-varnished with a relatively high gloss finish. much of the background, particularly the oval cartouche show extensive retouching and overpainting. there is a relatively minor amount of delicate infilling to two main patches of old flaked paint within the sitters chest area. More extensive cleaning resulting in likely losses and later overpainting is evident consistently throughout the dress and drapery, particularly around areas of creasing and shadow. lightly repaired V shaped repair with associated retouching approx half way down sleeve of the sitters left hand arm and approx 1-1.5cm on each side. the odd very minor retouch evident to old flaked paint within the face which otherwise remains intact. covered in a light layer of dirt and discoloured varnish, subtle stretch shadow especially to right hand side. the paint is flat and thin as a result of the restoration process, most evidently within the background and garland. varying sized stable craquelure throughout , more prominent within the flesh tones. superficial abrasion within centre background left hand side in line with the sitters eyes, odd further circular abrasion top edge centre. slight abrasion to varnish towards lower left hand corner otherwise ina stable and presentable condition.
Los 1102
Frederick William Elwell RA (1870-1958) Vista of an Italian Lake from a hillside Signed and dated 1923, oil on board, 39.5cm by 29.5cm Artist's Resale Rights/Droit de Suite may apply to this lot See illustration . In an overall good state of preservation. Glazed. Some light surface dirt. The paint is applied thinly in places. Minor rubbing to some edges, particularly along top edge. Isolated patches of fine stable cracquelure, such as within the Cypress trees on the left.
Los 1121
Herbert Davis Richter RI, RSW, ROI (1874-1955) ''Zinneas'' - Still life of flowers in a silver vase with mirror showing the artist working at his easel Signed, signed and inscribed verso, oil on canvas, 74.5cm by 61.5cm Artist's Resale Rights/Droit de Suite may apply to this lot See illustration . In an overall good and original state of preservation. Light surface dirt and discoloured varnish. There is a subtle vertical line just left of the mirror running from the top edge and into the canvas and purports to be the character of the canvas itself. Not examined with a UV light.
Los 1125
Dame Laura Knight RA, RWS, RE, RWA, PSWA, DBE (1877-1970) ''The Old Garden'' Signed, oil on canvas, 59.5cm by 49.5cm Provenance: Spink, London Exhibited: Royal Academy of Arts, London, Dame Laura Knight Exhibition, 1965, number 21 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration (full page). in an overall good and original state of preservation, glazed. there is evidence of some very subtle buckling to the canvas mostly contained to the upper right hand corner, canvas remains secure on stretcher this maybe a result of the paint being thickly and thinly applied in this general area. an isolated area of large sized craquelure within the snow on the pathway approx half way up the canvas on the right, it remainis sound at present. some light surface dirt, not examined with a UV light
Los 1129
Emma Ciardi (1879-1933) Italian ''An Island Lagoon, Venice'' Signed, oil on panel, 26cm by 36cm Provenance: The Fine Art Society, London, May 1942 See illustration . In an overall good and stable state of original preservation. covered in a layer of dirt and discoloured varnish although one would assume the work was executed in a rather more muted pallette. subtle vertical marks approx centre which may be contemporary with execution immediatly above the masts. Good thick impasto. not examinded with a UV light.
Los 1130
Giuseppe Carelli (1858-1921) Italian ''Sorrento'' Signed and inscribed, oil on board, 26.5cm by 47cm See illustration . in an overall good and original state of preservation, glazed, light surface dirt. some more notable dust/grime/debri trapped along slip under glass. small losses to frame. minor rubbing to some edges.
Los 1133
John James Wilson (1818-1875) Scottish Fisher folk on a jetty in blustery weather Signed, oil on canvas, 40.5cm by 55.5cm Provenance: Calton Gallery, Edinburgh, Exhibited: Edinburgh Festival 1991, No 0151 See illustration . in good stable condition. craquelure throughout mainnly evident in the sky. discoloured varnish, slightly rubbed signiture lower left. would benefit from a light clean
Los 1135
William Collins RA (1788-1847) ''Irish Fishing Village'' Signed, oil on canvas, 44cm by 59.5cm Provenance: Bought at the Armstrong Sale Christie's, June 24th 1910, No.46 Messrs Gooden & Fox, London See illustration. In good overall condition. small areas of retouching visible under UV light to figures, most notably the figure on horseback. retouching and heavy varnish to boat in forground and the lower area of the sail. expected wear to edges from framing. fine retouching to craquelure over whole canvas most notably to the buildings, boats and beach. thick varnish.
Los 442
A Late 17th Century Oak Straight Front Chest of Drawers, the moulded top above three conforming drawers and moulded base with turned bun feet, 89cm by 49cm by 84cmLater feet. Fairly uniform but light colour throughout. The top section with natural gap between the boards. Various bruising/faults around the moulding consistent with age. Locks replaced. All drawers are open.
Los 520
A Late George III Mahogany Linen Press, early 19th century, the moulded cornice above moulded oval panel doors enclosing hanging space and formerly fitted with trays, the base of two short and two long drawers above an arched apron, on splayed bracket feet, 141cm by 58cm by 206cmThe cornice is removable and the cupboard doors are straight. The interior trays have been removed and enclosed are two brass poles, one at the top and one fitted to the front. Fairly uniform but light colour. Reasonable cosmetic condition throughout with the exception of the moulding in the middle to the left-hand side which is split. The right-hand with sections of timber missing around the middle (see images).
Los 7008
Konvolut Koralle und Perlen Lot 1: Koralle hellrot bis sattrot von 35,63 ct, manche Steine am Rand berieben und/oder bestossen. IMPORT/EXPORT BESCHRÄNKUNGEN AUSSERHALB DER EU! // Lot 2: 2 Akoya Perlenstränge, jeweils ca 43 cm, von 3,5 bis 8 mm im Verlauf, gelb bis gelblicher Ton. (5) | Lot 1: Bundle of corals from light red to intense red totalling 35.63 ct, some stones abraded and/or chipped at the rim. IMPORT/EXPORT RESTRICTIONS OUTSIDE THE EU! // Lot 2: 2 Akoya cultured pearl strands, each of ca. 43 cm, graduating from 3.5 to 8 mm, yellowish to yellow tone.
Los 7013
Konvolut Korunde von 7,40 (ohne Hinweise auf Hitzebehandlung, versch. Farben) + 5,97 (hellblau bis farblos) ct, guter Zustand. Alle Steine ohne detaillierte gemmologische Prüfung! (55,61) | Bundle of corundum of 7.40 (no indication of thermal treatment, various colours) + 5.97 (from light blue to colourless) ct, good condition. All stones without detailed gemological testing!
Los 7014
Konvolut Rohdiamanten von 5,79 + 5,33 (2 zartes Rosa) + 11,97 (3 Grün-Gelb) + 11,49 (verschiedene Farben) ct. Alle Steine ohne detaillierte gemmologische Prüfung! (130.131.132) | Bundle of rough diamonds of 5.79 + 5.33 (2 light pink) + 11.97 (3 green-yellow) + 11.49 (various colours) ct. All stones without detailed gemological testing!
Los 508
A Bang & Olufsen separates stereo system to include Beomaster 6500, Beogram 6500, Beocord 6500, Beogram 6500 turntable and Master Control Panel 6500, main components w.42, d.33, h.7.5cm, with remote and instruction manuals, together with a pair of B&O Beolab Penta tower speakers, h.165cm.Condition report: Separates are in good condition, would benefit from a light clean but no obvious damage.Was in complete working order when removed from the vendors home – we have had it plugged in with all components lighting up but have been unable to get any sound.Missing one speaker wire plug.With instructions.
Los 573
The Beatles - The Beatles Collection, 13 album LP box set, Parlophone BC, 13 to include The Beatles "Rarities", in original box.Condition report: White album – side 4 with an approx. 3cm scratch at 1 o’clock (very light and would not affect play).Abbey Road – approx. 3cm scratch to outer edge of side 1.All appear to have been very little, if ever, played.Sleeves with some light creases.Overall very good condition.
Los 583
A large collection of vinyl, various genres, mostly LP's but some 12" singles to include Pink Floyd - Dark Side Of The Moon (Italian copy 3C 064-05249 with posters, no stickers), The Beatles - Sgt. Pepper's Lonely Hearts Club Band (Parlophone PMC 7027 XEX 637-1 / 638-1, no cut-outs), George Harrison - The Best Of (bears spurious signature front and back), Stanley Kubrik's Clockwork Orange, Supertramp - Breakfast In America, Queen - News Of The World, The Rolling Stones - Rolled Gold, John Lennon & Yoko Ono - Double Fantasy, Sting - ...Nothing Like The Sun (with cover print), The Police - Every Breath You Take The Singles, Eric Clapton - Slowhand, The Bay City Rollers - Once Upon A Star, Saturday Night Fever - Original Movie Sound Track, The Seekers - A World Of Our Own, Rod Stewart - Atlantic Crossing, Steve Harley + Cockney Rebel - The Best Years Of Our Lives, Abba - Arrival and Electric Light Orchestra - A New World record etc. (approx. 250)
Los 592
The Beatles, a collection of three LP's to include Revolver, Parlophone PMC 709 XEX 605-2 mono, Sgt Pepper's Lonely Hearts Club Band, Parlophone PMC 7027 XEX 637-1 mono, The Beatles (The White Album), No. 0200210 Apple PMC 7067 XEX 709 - 1 with black inners, poster lyric sheet and four photographs. (3)Condition report: Sgt Pepper – sleeve worn, flattened spine, scruffy at corners and with creases, written HJG B. Godfrey to corner of back cover, inner taped, the record with some scratches around centre hole and light surface scratches to actual disc (bot nothing of any note).White album – large tear to top left corner/spine, BJG in blue biro to top right of inner cover, scruffy at edges, record mark to cover front and back, approx. 2” shallow scratch at 1-2 o’clock of side 4, very light surface scratches to other vinyl.Revolver – sleeve scruffy at corners and with creases to edges, J.B. Godfrey in blue biro to top left of back cover, record has a small scratch at 9 o’clock to inner side 1, with light surface scratches to both sides and scratches around centre hole.
Los 614
A large collection of CDs, mostly being promotional and white label examples, mainly being singles, to include Elbow - The Bones of You, Paul Heaton - Mermaids & Slaves, Dexy's Midnight Runners - Don't Stand me Down, Kid Rock - Roll On, Mica Paris - Baby Come Back Now, Ash - Shining Light, Aaliya - Miss You, Blazin' Squad - All Night Long, Lockdown Project - Goodfellas, So Solid Crew - Oh No, Depeche Mode - Free Love, Whitney Houston & Enrique Eglesias - Could I have This Kiss Forever, and Suzanne Vega - Last Year's Troubles. (One box)
Los 622
The Beatles - Abbey Road, UK 1st pressing, Apple PCS 7088 YEX 749-2/750-1, misaligned Apple logo, no Her Majesty credit, plain white inner sleeve. (1)Condition report: Very light scratch approx. 2cm at 7 o’clock of side 2.Further very light approx. 1cm scratch to centre of disc at 3 o’clock.
Los 634
A large collection of assorted CDs mostly being promotional singles in clear plastic sleeves, to include: Kings of Leon - Sex on Fire (promo), Robbie Williams - Bodies (promo), John Legend - Green Light (promo), Britney Spears - Circus (promo), Taylor Swift - Love Story (promo), Shakira - Did it Again (promo), Glee - Dont Stop Believing (promo), Sean Kingston - Fire Burning (promo), Megadeth - Greatest Hits (promo), Rod Stewart - Still the Same, Great Rock Classics of our Time (promo), Rick Astley - Ultimate Collection (promo), Heaven 17 - Greatest Hits, Sight & Sound (promo), Paul Young - No Parlez (promo), Cyndi Lauper - The Body Acoustic (promo), Bucks Fizz - The Best Of (promo), Daft Punk - Musique Vol 1 1993-2005 (promo), Matt Munro - The Ultimate (promo), and Britney Spears - Womaniser (promo). (1 box)
Los 638
Led Zeppelin - IV, Atlantic, green & orange label, K5008, in gatefold sleeve, together with Led Zeppelin - Houses of the Holy, Atlantic, green & orange label, K514, in gatefold sleeve (2)Condition report: Led Zeppelin IV – some light surface scratches to both sides, approx. 4cm scratch at 4 o’clock but we do not think it would affect play.Houses of Holy – approx. 6cm scratch from outside edge at 2 o’clock side 1, with further light surface scratches to both sides.Sleeves quite poor.
Los 649
The Beatles, a collection of eighteen LP's all being private pressings to include It's The Black And White Minstrel Show With The Beatles Live, Rough Notes, Early Years 1 & 2, Rare Beatles, 1963-1969 Twenty Never Published Songs, 1st Live Recordings Volume I, The American Tour With Ed Rudy, West Coat Invasion, Beatle Talk, Tour Years Sixty Three-Sixty Six, Blast In Stadium, Talk Down Under x2, Get Back Sessions (white label), Youngblood, Battle and Peace Of Mind. (18)Vendor states that these records were previously the property of Radio DJ Tony Prince.Condition report: The vinyl is generally in good condition and appears little played, some with light surface scratches but none appear to have any major issues.Rough notes – light scratch at 3 o’clock side 2, approx. 2cm but not deep.The American Tow – taped to top of sleeve and with splits to the spine.Peace of Mind – taped to all 3 edges of sleeve, with playlist taped to the front cover, splits to the spine.Battle – hand-written plain sleeve.Get Back white label – large patch to centre of the sleeve.Youngblood – sleeve very worn to the spine and with split to the edge.Most of the sleeves have wear to the corners and spines as expected, but generally good.
Los 1
ALBEE, Edward (1928-2016). Who's Afraid of Virginia Woolf? New York: Atheneum, 1962.8vo. Original black cloth gilt (spine very slightly leaned, tiny stain at head of spine); original dust jacket (some light chipping or short tears with occasional minor losses to corners and edges, small pen mark on front panel, some minor toning to edges). FIRST EDITION of Albee's landmark play, SIGNED BY ALBEE. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 102
FLEMING, Ian (1908-1964). For Your Eyes Only. London: Jonathan Cape, 1960.8vo. Original black boards stamped in white and silver (some very light soiling to fore-edge, slightly leaned); original pictorial dust jacket (minor chipping and separations to folds, occasionally repaired verso, some minor overall soiling, corners clipped preserving price). Provenance: F.P. Sweeten Ltd. (bookseller's label). FIRST EDITION in Gilbert's "A" binding with gilt-lettering on spine. Gilbert A8a(1.1)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 104
FLEMING, Ian (1908-1964). The Spy Who Loved Me. London: Jonathan Cape, 1962.8vo. Original black cloth decorated in blind and silver (corners very slightly bumped, covers slightly bowed); original dust jacket (some minor staining to upper corners, small abrasion to front panel, some very light chipping, some minor soiling to folds, price-clipped). FIRST EDITION, without quad mark between "E" and "M" of "Fleming" on title page (no priority established). Gilbert A10a(1.2)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 108
FORD, Ford Madox (1873-1939). The Good Soldier. New York: Albert and Charles Boni, 1927. 8vo. Half-title. Original blue cloth-backed green boards, top edge stained green, others uncut; original glassine (lacking spine panel, some overall chipping); original publisher's slipcase, printed label on spine (some light wear).LIMITED EDITION, number 13 of 300 copies SIGNED BY FORD, printed to commemorate the 10th anniversary of the publication of the first edition. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 109
FORESTER, Cecil Scott (1899-1966). The African Queen. Boston: Little, Brown, and Company, 1935.8vo. Half-title. Original palm-patterned cloth lettered in green (some light wear to spine ends); original pictorial dust jacket (separated along lower joint with 1/2 in. tear to spine panel, some chipping with losses to spine ends and edges, spine panel darkened)FIRST AMERICAN EDITION, FIRST ISSUE, with "Published February, 1935" on the copyright page, one of only 2,500 copies of the first American edition printed. Forester's novel, the basis for the 1951 film directed by John Huston and starring Humphrey Bogart and Katharine Hepburn.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 120
HARDY, Thomas (1840-1928). Tess of the D'Urbervilles. A Faithful Woman. London: James R. Osgood, McIlvaine and Co., 1891-1892.3 volumes, 8vo (174 x 114 mm). Half-titles. 20th century green crushed levant gilt, edges gilt, STAMP SIGNED BY BAYNTUN-RIVIERE; cloth slipcase. FIRST EDITION, FIRST ISSUE, with text points present as follows: Volume I: p.[iv] "1891" present, p.[v] "have it said" (later "have said"), p.45 "her skin is | as sumple" (later "her skin is as | sumple"), p.[264] final full-stop present; Volume II: p.[iv] "1891" present, p.58 "Valasquez" (later "Velasquez"), p.155 "seampstress" (later "sempstress"), p.199 "XXV" (later "XXXV"), and p.234 "it's husband's" (later "its husband's"); Volume III: p.[vi] "1891" present, p.14 line endings comprise "towards", "but", "On", "al-", "hitherto" and "a", and p.112 "are ye doing" (later "are you doing"), p.160 line endings comprise "than", "deviations", "domesticity,", "vale", "curve.", "light" and "was", p.198 "summit of the road" (later "summit of the load"), p.252 line endings comprise "and", "foul", "bear" and "And", p.270 "sisters-in-law" (later "sister-laws"), p.275 "piteously" (later "pitilessly"), p.277 no page number present, and p.[278] no final full-stop. Purdy, pp.67-78; Sadleir 1114. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 125
HARRIS, Joel Chandler (1848-1908). Uncle Remus. His Songs and His Sayings. New York: Appleton, 1881.8vo (190 x 125 mm). Frontispiece and 7 plates and numerous illustrations in text. Original publisher's pictorial mustard cloth gilt (lower hinge starting, some minor soiling, some light wear to spine ends with small losses, corners slightly rubbed). FIRST EDITION, FIRST ISSUE, with "presumptive" on page 9, and no mention of this title in ads at end, of Harris's popular retelling of African-American folk-tales and myths. BAL 7100; Grolier American 83; Peter Parley to Penrod, pp. 56-57. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 126
HARRIS, Joel Chandler (1848-1908). Nights with Uncle Remus. Myths and Legends of the Old Plantation. Boston: James R. Osgood and Company, 1883. 8vo (122 x 190 mm). Frontispiece, 19 plates. Original publisher's pictorial gray-green cloth gilt (spine darkened, some minor wear to extremities, lower hinge starting). Provenance: Marietta Wood (gift inscription, 1888)FIRST EDITION. BAL 7109. [With:] HARRIS, Joel Chandler (1848-1908). Uncle Remus and His Friends. Boston and New York: Houghton, Mifflin and Co., 1892. 8vo (192 x 122 mm). Frontispiece and 11 plates Original publisher's pictorial gray-green cloth gilt (leaned, some light rubbing or soiling). Provenance: Miss Whitney (gift inscription, 1863). FIRST EDITION. BAL 7125. -- BANNERMAN, Helen (1862-1946). The Story of Little Black Sambo. New York: Frederick A. Stokes, [1900]. 16mo. 27 illustrations. Cloth-backed pictorial boards (some minor soiling and rubbing); folding case. Provenance: Mary Merwin Melcher (gift inscription, 14 February 1904). FIRST AMERICAN EDITION. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 129
HAWTHORNE, Nathaniel (1804-1864). The Scarlet Letter, A Romance. Boston: Ticknor, Reed, and Fields, 1850. 8vo (178 x 110 mm). Title printed in red and black. 4-page publisher's advertisements dated 1 March 1850 bound in at front. (A few gatherings becoming loose.) Original publisher's brown cloth blocked in blind, spine gilt (repairs and minor losses to spine ends, some light rubbing or wear); slipcase.FIRST EDITION with 4-page publisher's ads dated 1 March 1850. Hawthorne's work was an immediate success, selling 2,500 copies in its first week of publication, giving Hawthorne his first literary success. BAL 7600; Grolier American 59.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 131
HAWTHORNE, Nathaniel (1804-1864). The Blithedale Romance. Boston: Ticknor, Reed and Fields, 1852.8vo. 4pp. publisher's ads dated July 1852. (Some minor spotting.) Original brown blind-blocked cloth gilt (spine ends and corners repaired, lower portion of upper joint starting with vertical tear across spine). FIRST EDITION, BAL binding A. BAL 7611. [With:] HAWTHORNE. The Snow-Image, and Other Twice-Told Tales. Boston: Ticknor, Reed, and Fields, 1852. 8vo. 4pp. publisher's ads dated January 1852. Original brown blind-blocked cloth gilt (small losses to spine ends, some light overall wear). FIRST AMERICAN EDITION. BAL 7607. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 146
HEMINGWAY, Ernest (1899-1961). The Old Man and the Sea. New York: Charles Scribner's Sons, 1952.8vo. Original light blue silver-stamped cloth; original dust jacket (slight rubbing to corners, a few very short tears to folds, 1/2-in. closed tear rear panel). Provenance: Dixie Hartman (signature); Levinson's (bookseller's label rear pastedown).FIRST EDITION, A BRIGHT COPY. Hanneman A24a. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 149
HERBERT, Frank (1920-1986). Dune. Philadelphia: Chilton Books, 1965.8vo. Original publisher's blue cloth (slight discoloration to spine, tiny separation to cloth along top edge, minor abrasion to fore-edge, light spotting to top edge); pictorial dust jacket (verso lined with Japanese tissue, separations to folds repaired verso, repairs to edges verso, some restoration and minor recoloring, some soiling).FIRST EDITION, FIRST PRINTING, in FIRST ISSUE dust jacket priced $5.95 on the front flap and the 4 lines in the Chilton address on the rear flap.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 163
JOYCE, James (1882-1941). Finnegans Wake. New York: The Viking Press, 1939.8vo. Original black gilt-lettered cloth, top edge stained blue (upper hinge starting, some fading to stain on top edge); original printed dust jacket (minor dampstaining to verso on top edge restored with portions recolored, a few soft creases, some light soiling). Provenance: Ruth Cordish (blindstamp on front free endpaper and title-page); Avon Bookshop (bookseller's label lower pastedown).FIRST AMERICAN EDITION, offset from proofs supplied by the English publisher, Faber and Faber (see previous lot). Slocum and Calhoun A48.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Los 168
KESEY, Ken (1935-2001). Sometimes a Great Notion. New York: The Viking Press, 1964.8vo. Half-title. Original publisher's cloth; original dust jacket (some light rubbing or chipping with minor losses). FIRST EDITION, FIRST ISSUE with Viking's logo on the half-title. IN A FIRST ISSUE DUST JACKET with Hand Krangler's photographer credit on rear flap. SIGNED BY KESEY on front free endpaper, 1993. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
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