Billy Wright white No.5 England International short-sleeved, 1955, Playrite Sports, 40 with v-neck collar and embroidered three lion badge inscribed CONTINENTAL TOUR 1955, various moth holes and three small repairs front and one on back, band of staining below number The Continental Tour comprised three matches, France, Spain and Portugal. In the match against France played on 15th May in Paris, France defeated England 1-0, the match against Spain was played on 18th May in Madrid and ended in a 1-1 draw, in the final match of the tour against Portugal played in Oporto on 22nd May, Portugal defeated England 3-1 The following Lots 688 to 693 relates to the career of England and Wolves legend Billy Wright CBE Billy Wright CBE Truly one of the "All-Time Greats" William Ambrose Wright was a model professional and ambassador for the game. He was without doubt an inspiring captain for Wolverhampton Wanderers and England in the late 1940s and 1950s another mark of his greatness was the fact that he was never sent -off or even cautioned. Billy Wright was born on 6th February 1924 and joined Wolves ground staff straight from school, turning professional in 1941. In the war years he made guest playing appearances for Leicester City and as a corporal in the Shropshire Light Infantry he made his first appearance for England in the unofficial "Victory" match against Belgium on 19th January 1946, he played a further two "Victory" Internationals matches before making his first full International against Northern Ireland played on 28th September 1946 at Windsor Park, Belfast, with England defeating Northern Ireland 7-2. Just a year later after a full season in League football Wolves manager Ted Vizard made him club captain and one year on from that at 24, England manager Walter Winterbottom made his captain of the International side. Wright made 59 appearances for England at wing-half before being moved to centre-half during the 1954 World Cup in Switzerland and this move has been widely accepted as prolonging an already exceptional career. Settling into the new position was comfortable for Wright and he was able to display his defensive capabilities to their best advantage. At this stage in his domestic career he had already captained Wolves to their 1948-49 F.A.Cup victory and later in 1953-54 to the club's first-ever League Championship. He was awarded the Footballer of the Year in 1952 and arguably should have had two more awards for the 1958 and 1959 League Championship-winning season. His International career spanned almost 13 years and made his final appearance for his country in a 8-1 victory against the USA played 28th May 1959. He is unique as he was the first-ever player to make 100 appearances at International level and that milestone was reach in the match against Scotland played on 11th April 1959. His last 70 appearances were consecutive a then record (until bettered by legendary Spanish goalkeeper Andoni Zubizarreta) and all were as captain, another record. After playing in excess of 500 matches for Wolves he retired from playing in August 1959 and became manager/coach of England's Youth team in October 1960 and finally managing his boyhood club Arsenal until 1966
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A collection of vintage 20th century cameras, lenses and accessories. To include, Lubitel 166B, Konica MG hexanon Japanese 35mm F 3.5, Vivitar 28mm 1:2.8 MC wide angle no. 28039363 49mm, 'instamatic' camera Kodak 36, Gossen sixtar 2 light sensor, Zenit EM Helios - 44m 2/58, Kodak Brownie 44A camera Dakon lens mount 320, Olympus 8A and other examples.
A collection of 20th century Asahi Pentax 35mm SLR cameras and lenses. The lot to include an Asahi Pentax MV 1 35mm SLR camera (serial number 2490870) with Pentax-M 50mm f1.4 lens, a Asahi Pentax SV SLR camera (serial number 937332) with Asahi Pentax clip on light meter and Super-Takumar 55mm f 1.8 lens, Asahi Pentax Spotmatic F SLR camera(serial number 4636317), a Asahi Pentax A3000 SLR camera (serial number 3473384) with SMC Pentax-A 50mm f1.2 lens, a SMC Pentax-M 135mm f3.5 lens, a SMC Pentax-M 28mm f3.5 lens, and a Sirius MC mount 80-200mm f3.9 lens.
A collection of vintage 20th century LP long play vinyl record albums. To include, Black Sabbath - Sabbath Bloody Sabbath, Beatles - Oldies Collection / Sgt Peppers Lonely Hearts Club Band, John Lennon - Walls & Bridges, Simon & Garfunkel, Rick Wakeman - The Myths & Legends of King Arthur / The Six Wives of Henry VIII, The Story of the Who, Tears for Fears, Michael Jackson, Queen - A Day at the Races / Queen II / Shear Heart Attack, Billy Joel, Blondie, Rod Stewart, Wings, Tommy The Musical, Jean-Michel Jarre, Stylistics, Paul Young, Alison Moyet, HOt Chocolate, Johnny Bristol, Dave Clark Five, Randy Crawford, Meat Loaf - Blind Before I Stop / Midnight at the Lost & Found / Dead Ringer / Bad Attitude / Hit Out of Hell / Bat Out of hell, Elton John, Uriah Heep - Return To Fantasy, Eagles - One of those Nights / On The Border, Status Quo, ELO - Four Light Years / Time / Secret messages, Bay City Rollers, Three Degrees, Rose Royce, Tina Turner, along with multiple compilations to include Black Explosion, Master Works, Moog Party Time, Classic Gold amongst many others.
Three early to mid century Kuba / African tribal tapestry cloth ethnic wall hangings. Hand woven panels of rectangular form, the tapestry made up of various abstract paternation fabric patch-worked together & hand dyed in black, brown earth colourways. Two light brown grounds, one dark brown. The Kuba Kingdom, also known as the Kingdom of the Bakuba or Bushongo, is a traditional kingdom in Central Africa. The Kuba Kingdom flourished between the 17th and 19th centuries in the region bordered by the Sankuru, Lulua, and Kasai rivers in the heart of the modern-day Democratic Republic of the Congo. Largest measures approx. 58cm x 250cm.
A Lalique green glass model of a toad 'Gregoire', of typical form and signed 'Lalique, France' to base, 11cm long x 10.5cm wide, together with a Lalique figure of a Persian cat 'Heggie', signed 'Lalique, France' to base, 8cm high, a Baccarat model of a rabbit, 7.5cm high and a Desna Art Deco style soap dish in the form of a nude female with her feet submerged in a pool, 14.5cm long x 9.5cm highCondition ReportAll pieces with light surface scratches. The cat has a slightly rough/sharp area to the top of its ear but this could be from manufacture and the rabbit has a chip to one foot. Please see additional condition images.
![A collection of children's booksCHILDREN: [TAYLOR, Jane & Ann]: 1- City Scenes: or a Peep into London for Children. Darto](https://cdn.globalauctionplatform.com/ff32154f-2a87-491b-b157-b090011f3faf/c36faae0-49ee-45aa-af33-b0ca00c47725/468x382.jpg)
A collection of children's booksCHILDREN: [TAYLOR, Jane & Ann]: 1- City Scenes: or a Peep into London for Children. Darton, 1818. PP: 72 + 35 Plates. The last two plates torn (no loss), one gathering loose, and lacking the endpapers; 2- Another edition, 1823, PP: 72 + 35 Plates, one torn with loss to half of the plate; 3- Another edition, no date, c1840. PP: 103, 24 (adverts). Complete with 70 illustrations. Original cloth, rubbed & torn; 4- Rural Scenes - Or A Peep Into The Country - For Children. Harvey & Dalton, no date c1826 (some plates dated 1825 & 1826). PP: 60 + 29 plates (with 87 numbered engravings). Cont. leather backed boards, rubbed; some browning & light staining; Elliott, Mary: 1- Rustic Excursions, to aid tarry-at-home travellers: for the amusement and instruction of young persons. W Darton, no date c1825. PP: 96 + 6 Plates. Cont. leather backed boards; rubbed. Rare; 2- Continuation of Rustic Excursions, to aid tarry-at-home travellers: for the amusement and instruction of young persons. W Darton, no date c1827. PP: 96, (I) advert + 12 hand coloured Plates (2 images to each). Cont. leather. Rare. Depping, B (Edit): Les jeunes voyageurs en France ou Lettres sur les départemens, Six volumes. Paris, Etienne Ledoux, 1824, with 100 hand coloured maps & views engraved by Perrot after Blanchard. Original printed wrappers; edges untrimmed. Very nice & complete set; Bordes (Charles): Parapilla, et autres oeuvres libres, galantes et philosophiques. Florence, Paperini, 1783. PP: xxiv, 96, + 5 Plates; BOUND WITH: Éloge historique de Milord Contenant. 96pp, with head & tail pieces. Near cont. leather backed boards, rubbed. (13)From the Paul Bentley collection of maps and atlases.
A selection of Vintage Port to include Fonseca, Guimaraens, 1978 (1), Taylors, 1983 (2), Taylors, Quinta de Vargellas, 1988 (1) and Taylors, 10 Years Old Port (2), six bottles in totalCondition ReportPlease note we cannot guarantee condition of contents or quality of storage. No returns will be accepted due to defective contents and purchasers must satisfy themselves with respect to ullage.Fonseca 1978: too dark to ascertain level Taylors 1983: both IN, stains, scuffs and losses to one label, the other with scuffs to label and signs of light seepage Taylors 1988: too dark to ascertain level, some scuffs to labelTaylors, 10 Year Old: both IN, labels soiled, loss of colour, some scuffs to one capsule
A selection of Vintage Port to include Grahams, 1970 (1), Portwine Growers, 1980 (1), Offley Boa Vista, 1982 (1), Dows, 1985 (1), Grahams, Malvedos, 1987 (1) and The Society's Crusted Port, 1990 (1), six bottles in totalCondition ReportPlease note we cannot guarantee condition of contents or quality of storage. No returns will be accepted due to defective contents and purchasers must satisfy themselves with respect to ullage.Grahams 1970: IN, loss of wax to capsuleFonseca 1978: too dark to ascertain levelPortwine Growers 1980: IN, scuffs to label, signs of seepageOffley Boa Vista 1982: IN, signs of light seepageTaylors 1983: both IN, stains, scuffs and losses to one label, the other with scuffs to label and signs of light seepageDows 1985: too dark to ascertain level, scuffs to labels, signs of seepageGrahams, Malvedos: IN, scuffs to labelTaylors 1988: too dark to ascertain level, some scuffs to labelThe Society's Crusted Port 1990: INTaylors, 10 Year Old: both IN, labels soiled, loss of colour, some scuffs to one capsule
Circle of Henry Howard An angel contemplating the Crosswith inscription in Greek, oil on canvas70.5 x 91cmCondition ReportOverall: 102 x 81.5cmEarly 19th century. Relined. Craquelure with light surface scuffs. Losses to the bottom edge with some overpainting visible to the top edge and upper right quarter, please see images. Not examined under UV light, for a full report please contact the department.
A set of four Clarice Cliff miniature vases,decorated in the 'Coral Firs' pattern, to include a pair of ovoid vases, one flared necked vase, and one low urn, the urn and flared vase stamped with 'Bizarre' marks, the pair of vases unmarked, largest 8.5cm highCondition ReportDoes not appear to have been restored - tested under a UV light. Scratches and small chips to the paint. Marks from manufacturing are apparent on two examples. Please see the additional images.
A Harrods silver bon bon trolley,London 1969, with a removable liner, to pierced floral and foliate ends, on four wheels,18.5cm wide7.5cm high15.2oztCondition ReportBoth the liner and trolley are hallmarked. Some residue polish to the wheels. Light surface scratches to the removable liner. No damage to the wheels or pierced decoration. Runs and moves without issue.
Samuel L. Jackson - American Actor & Film Producer - autographed 14"x11" photograph of Jackson as Mace Windu in the franchise. Signed to a light portion in black ink, undedicated. Supplied with a certificate of authenticity from an AFTAL member. Professionally framed and glazed. Total size: 40cm x 48cm.
Mostly Dutch, some on N.V. Nederlandsche Glasfabriek Leerdam and/ or A.D. Copier. (1) Edel glas. Glasfabriek Leerdam (...). Tafelglas, draad- en ornamentglas, verpakkingsglas. Woodcut advertorial card by P. van Stam, 25 x 11.5 cm, ca. 1925, mounted. Sl. foxed. (2) Jubileumbeker Glasfabriek "Leerdam" 1898-1923. Jubileum H.M. Koningin Wilhelmina. Woodcut advertorial card printed in black and blue, by A.D. Copier, 1923, 14 x 9 cm. Remnants of former mount verso. (3) A Play of Glass and Light. Leerdam, Royal Leerdam, 1965, (12) p., ill. throughout, orig. stapled wr., 4to. Signed dedication in pen "Gelukkig 1966!" by A.D. Copier and D. Copier-Matthijsen. (4) Leerdam. Ed. W. van Leer and J.A. van Leer. Amst., D.IJ. Alta, 1926, 40 p., num. ills., orig. col. woodcut wr. monogrammed ADC (almost certainly Copier). Wr. browned and offsetting. Rare. (5) Leerdam Laboratoriumglas. Trade catalogue, n.pl., n.publ., n.d. (Glasfabriek Leerdam), 32 p., ills., orig. stapled. wr. -and approx. 35 others, incl. 3 woodcut ills. of "Reclamekaarten" by A.D. Copier on 2 lvs. paginated (1),414-416 (from an unknown work). A few duplicates. (total approx. 40)
Noodzaak affiches/ Necessity posters. The Hague, Vrije academie, n.d. 63 p. Hc. (2) Antonelli, G. Light Signs: A light path through posters (...). Milan, Lupetti, 1995. 149 p. Sc. (3) Valdés, R.M. Cuba en la gráfica. Ibid., Costantino, 1992. 128 p. Sc. (4) Cooper, A. Making a Poster. London, Studio, 1938. 80 p. Hc. (5) Gasquet, V. Les 500 affiches de mai 68. Balland, 1978. 220 p. Sc. -and 25 others. (total 30)
N.pl. (Stockhom?), n.publ., n.d. (ca. 1900?). Rare album w. 89 orig. col. gouaches; each gouache w. 2 views of the uniforms. Cl. w. gilt title. 4to. The gouaches are all 15 x 11.5 cm, on light cardboard, and were mounted on blank sheets of another work (according to the mostly scratched out impression: "Axel Rydins Fotogr. Inst., Stockholm"). Perhaps connected to Eklund's "Svenska arméns och flottans nuvarande uniformer", publ. in 1890 (perhaps the templates for this work?). Binding worn, some sheets loose, some marginal browning, but gouaches themselves in good condition. Fascinating album.
Behelzende de oudheid van het graafschap Stryen (...) mitsgaders de opkomst en eerste beginselen der stadt Breda (...) alsmede een nauwkeurige en beknopte beschryving van het landt van Breda door Thomas Ernst van Goor. The Hague, Jacobus vanden Kieboom, 1744. Sm. folio, calf, blindstamped, title on spine in manuscript, title page in red and black, dedication with coat of arms of the sponsor, 1 folding engraved map, 7 folding engraved plans, 15 other engravings (incl. the spendid folded view of Breda) and 27 engraved ills. in the text, all by B.F. Immink, some after P. de Swart, and 3 folding genealogical tables, XXVIII,545,[1] pp., binding with light traces of use, else in very good condition. First edition of this history and description of the city of Breda.
(1) Invitation card for Mack's first solo show outside of Germany, in the legendary experimental exhibition space founded by Manzoni and Enrico Castellani (with some help of Lucio Fontana). 9 x 19 cm, printed white on translucent plastic sheet. This card is lacking a black sheet which seems to have been glued onto the back, making the white lettering stand out. Incomplete, but extremely scarce item. Added: (2) Invitation card Mack Galerie Schmela Dusseldorf, 25 November 1960. 21 x 15 cm, very light rubbing to corners, fine copy. (3) Mini Expo Mack bei Galerie Reckermann Cologne, 1969. Large fold-out card printed silver on thick black stock, 18.5 x 60 cm, in very good condition. (total 3)
Utrecht, Self-published, April 1967. Double issue (Powezie + Teksten). Soft cover, blind stapled, with b/w illustrated paper wrapper. 21 x 17 cm, approx. 80 pp. some numbered in handwriting. Published in an edition of 100, this is copy 73 - numbered in pencil on the first page. Contains visual poetry and text works on different types of paper, with various inserts attached with staples or split-pins. Contributions by Paul de Vree, herman de vries (includes 'Random Sample' in attached envelope), Frans Vanderlinde, Jan Luiken, Otto van Rees, Timm Ulrichs, Paul Mentink (roto relief ‘visueel-motorisch vers’) and Herman Damen/ Harmen Deman. Damen's 'edible poem' of liquorice coins has melted causing some imprint on the adjacent pages. The magazine is bulged (as issued) as various items are inserted, light abrasion to spine, generally in very fine condition.
Arnhem, Self-published, 1960. First edition. Stapled artists' booklet, 13.6 x 10.7 cm, 20 pp. Edition of 120, this one numbered 5/120. Contains 20 blank pages, with text in light grey typography on interior of the covers. Rear cover signed in pencil by herman de vries, beneath a rubberstamp of Dutch Zero artist Henk Peeters which has been crossed out by de vries. Edition number, artist's name and address in tiny print on interior of front cover. Minute printed text on interior of back cover reads: 'wit/ wit is overdaad/ blanc est surabondance/ white is superabundance/ weiss ist übermässig/ wit / wit/ wit is overdaad'. Near mint copy.
Ill. stiff wrappers, 26 x 19 cm, with mounted b/w poster, 100 x 70 cm, printed both sides, folded as issued. Stedelijk Museum catalogue No.299, featuring the first important exhibition of the Zero movement within a museum, organized by Dutch Nul artist Henk Peeters. Artists include Arman, Fontana, Kusama, Mack, Manzoni, Piene, Uecker et al. This copy came from Peeter's personal archive, it is embellsihed with his embossed ex libris stamp in the upper right corner. Light rubbing on cover edges, else a very good copy.
(1) Invitation card for 'Henderikse' held at exhibition space/bookstore Amstel 47, 18 sept - 2 oktober 1963. 10 x 21 cm, taped together, with glue remnants on verso. (2) Telegram sent by Henderikse from Willemstad Curacao to Amstel 47 wishing the gallery good luck with the show 'Henderikse'. Folded and with some wear. 3) Catalogue Internationale Galerij Orez, The Hague published in conjunction with Henderikse's show in 1965. Staplebound, 23 x 14.5 cm, 8 pp. Fine copy. (4) Jan Henderikse Uses Common Cents. Amsterdam, Stedelijk Museum, 1968. Catalogus Nr. 447. Metallic copper-colored wrapper, staple bound, 27.5 x 21 cm, 8 pp. Ill. with text by K. Schippers. Light rubbing to cover, else in good condition. (total 4)
München, Galerie Heseler, 1972. Special limited edition, this one numbered 965/1000. Catalogue of an exhibition of works by Piene and other members of the Zero Group active from 1957-1966. Loosely inserted is a list of exhibited works by the participants such as Arman, Aubertin, Castellani, Dorazio, Fontana, Schoonhoven, de vries et al. Original colour silkscreen cover by Otto Piene, with transparent dust-jacket, 29 x 21.5 cm, 67 pp. profusely ill. in b/w, with one image by Yves Klein in black and blue. Text in German and English. Includes six original prints bound to spine, folded once in the middle, ca. 29 x 28.5 cm, rubber stamped with the artists' names. The works comprise a blind print by Günter Uecker (nails), and original silkscreen prints by Ruprecht Geiger, Hermann Goepfert, Oskar Hollweg, Heinz Mack and Otto Piene (twice, including the cover). The prints are all in very fine condition, with a tiny dog ear at the lower corner of Piene's work (1 cm). Very light abrasions to the cover edges, generally a crisp copy.
New York City, April 1967. Edited by Otto Piene and Aldo Tambellini. Newspaper in the form of a poster, 56 x 43.5 cm, folded to 28 x 21.5 cm as issued. Published to announce the program of the cross-genre, cross-media project space Black Gate in Manhattan’s East Village set up by Aldo Tambellini and Zero co-founder Otto Piene. As stated on the poster 'Black Gate is an empty room a testing ground for radical experiences. Artists of all media are invited to use it for experimental purposes ...' Live multimedia performances and installations listed on the poster include 'The Proliferation of the Sun' by Otto Piene and 'Blackout' by Tambellini in March and April 1967, and future programs with Takahiko Limura, Kosugi and Nam June Paik. Very light creases along edges and folds, generally in very fine shape. Apparently a follow up newspaper/poster was made by Tambellini titled Black Gate, and also numbered issue 1, featuring stills from his first videotape and a statement about the social reorientation of America in the Space Era. ref. Aldo Tambellini, Black Zero, Boris Lurie Art Foundation, 2011 p.70.
(1) Dylaby, Dynamisch Labyrint. Amsterdam, Stedelijk Museum, 1962. Softcover, 19 x 26 cm, 22 pp. with photographic ills. by Ed van der Elsken. Participating artists were Rauschenberg, Raysse, de Saint Phalle, Spoerri, Tinguely, Ultvedt. Contains the often lacking fold-out exhibition plan, loosely inserted. Light age soiling to cover, fine copy. (2) Tinguely & Co, Forum No XXIV-2. Hilversum/Amsterdam, Architectura et Amicitae, 1973. Edited by Anthon Beeke, Tjeerd Deelstra, Swip Stolk and Ad Petersen. Special issue for Forum magazine. Elaborate eight-fold poster on yellow paper. 93 x 60 cm. Features printed coloured texts and doodles by Tinguely, some on pink paper. With added photos and text fragments to be pasted on the poster. Photo contributions by Ed van der Elsken and Ad Petersen among others. Rare item, fine copy. (total 2)
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534297 Los(e)/Seite